A Beautiful Mind Wikipedia film page

A Beautiful Mind (soundtrack)
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A Beautiful Mind

Film score by James Horner

Released
December 11, 2001
Recorded
2001
Genre
Classical, jazz, stage & screen
Label
Decca 440 016 191-2
Producer
James Horner, Simon Rhodes
James Horner chronology

Enemy at the Gates
 (2001) A Beautiful Mind
 (2001) Iris
 (2001)

A Beautiful Mind is the original soundtrack album, on the Decca Records label, of the 2001 film A Beautiful Mind starring Russell Crowe, Jennifer Connelly (who won the Academy Award for Best Supporting Actress for her role as "Alicia Nash"), Christopher Plummer and Paul Bettany. The original score and songs were composed and conducted by James Horner.
The album garnered nominations for the Golden Globe Award for Best Original Score and the Academy Award for Best Original Score. Music critics felt that the musical score fit the film well, but believed it to be similar to several of Horner's previous films.


Contents  [hide]
1 Development
2 Release and reception
3 Track listing
4 References

Development[edit]
Composer James Horner is a frequent collaborator with Ron Howard, the director of A Beautiful Mind. Horner desired to feature vocals reminiscent of being midway between a girl and woman,[1] and wrote the score specifically for Welsh singer Charlotte Church. In an interview, she stated that it was "one of the most haunting and beautiful [things] I have ever performed."[2] To convey "the beauty of mathematics," Horner decided to use the idea of a kaleidoscope, as its "patterns are always changing, and things move very quickly, but in moving so quickly, they create other patterns that move very slowly underneath."[3] He added that these changing patterns were conveyed with the piano and Church's voice.[3]
Release and reception[edit]

Professional ratings

Review scores

Source
Rating
Filmtracks.com[4] 4/5 stars
Soundtrack.net[5] 3/5 stars
Writing for Empire magazine, Danny Graydon gave the soundtrack four out of five stars. He thought the score contained elements of Horner's previous films Sneakers (1992) and Bicentennial Man (1999), but said "if you can forgive that, this is a clever, masterful and romantic score that captures a brilliant mind in conflict."[6] In the tracks "Creating Government Dynamics" and "Cracking The Russian Codes", Graydon opined that Church's "poignant vocals mix well with the frenetic piano and strings to represent Nash’s brilliance," and wished that her voice had been used more in the film.[6]
Dan Goldwasser of Soundtrack.net also found similarities to the score in Bicentennial Man, but thought Horner's work fit the film regardless, explaining "it effectively underscores the drama and romance, and even provides a few bits of tension for the action scene."[5] Goldwasser concluded that "while it all works well in the film, there is enough about this score that just seemed to [sic] 'familiar' to make it stand out.[5] Contributing to National Public Radio, Andy Trudeau believed Church's particular voice adds a "human element. It's the sound that, I think, gives a sense of--the center of this character, if you will. I think it's the soul. And it's trying to be normal in a way, and underneath it it's trying to be crazy."[1]
Horner's score garnered nominations for the Golden Globe Award for Best Original Score[7] and the Academy Award for Best Original Score.[8] It lost the Golden Globe to the film Moulin Rouge! and the Oscar to The Lord of the Rings: The Fellowship of the Ring.
Track listing[edit]
Adapted from:[9]
1."A Kaleidoscope of Mathematics"
2."Playing a Game of 'Go!'"
3."Looking for the Next Great Idea"
4."Creating 'Governing Dynamics'"
5."Cracking the Russian Codes"
6."Nash Descends into Parcher's World"
7."First Drop-Off, First Kiss"
8."The Car Chase"
9."Alicia Discovers Nash's Dark World"
10."Real or Imagined?"
11."Of One Heart, of One Mind"
12."Saying Goodbye to Those You So Love"
13."Teaching Mathematics Again"
14."The Prize of One's Life... The Prize of One's Mind"
15."All Love Can Be" (Charlotte Church)
16."Closing Credits"
References[edit]
1.^ Jump up to: a b Neary, Lynn (March 10, 2002). "Analysis: Film scores for "A Beautiful Mind" and "A.I.: Artificial Intelligence"". National Public Radio. Retrieved January 12, 2014. (subscription required)
2.Jump up ^ Nicholl, Katie (October 21, 2001). "Charlotte Has an Oscar in Her Beautiful Mind". The Mail on Sunday. Retrieved January 12, 2014. (subscription required)
3.^ Jump up to: a b Burlingame, Jon (January 23, 2002). "Magic lies in the methods: This year's crop of possible contenders use mix of traditional and unusual scoring elements". Daily Variety. Retrieved January 12, 2014. (subscription required)
4.Jump up ^ Clemmensen, Christian (December 7, 2001). "A Beautiful Mind (James Horner)". Filmtracks.com. Retrieved January 12, 2014.
5.^ Jump up to: a b c Goldwasser, Dan (December 1, 2001). "Review". Soundtrack.net. Retrieved January 12, 2014.
6.^ Jump up to: a b Graydon, Danny. "Empire's A Beautiful Mind Soundtrack Review". Empire. Retrieved January 12, 2014.
7.Jump up ^ "Harrison Ford To Be Honored At Golden Globes". The Washington Post. January 20, 2002. Retrieved January 12, 2014. (subscription required)
8.Jump up ^ "And the Nominees Are...". Chicago Sun-Times. December 21, 2001. Retrieved January 12, 2014. (subscription required)
9.Jump up ^ "A Beautiful Mind [Original Motion Picture Soundtrack]". Allmusic. Retrieved January 12, 2014.
 


Categories: Film soundtracks
James Horner albums
2001 soundtracks
Decca Records soundtracks





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A Beautiful Mind (film)
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Jump to: navigation, search


A Beautiful Mind
A Beautiful Mind Poster.jpg
Theatrical release poster

Directed by
Ron Howard
Produced by
Ron Howard
Brian Grazer
Screenplay by
Akiva Goldsman
Based on
A Beautiful Mind
 by Sylvia Nasar
Starring
Russell Crowe Ed Harris
Jennifer Connelly
Paul Bettany
Adam Goldberg
Judd Hirsch
Josh Lucas
Anthony Rapp
Christopher Plummer

Music by
James Horner
Cinematography
Roger Deakins
Edited by
Daniel P. Hanley
Mike Hill
Production
   company
Imagine Entertainment
Distributed by
Universal Pictures
(United States)
DreamWorks Pictures
(Worldwide)
Release date(s)
December 13, 2001 (Beverly Hills premiere)
December 21, 2001 (United States)

Running time
135 minutes
Country
United States
Language
English
Budget
$58 million[1]
Box office
$313,542,341[1]
A Beautiful Mind is a 2001 American biographical drama film based on the life of John Nash, a Nobel Laureate in Economics. The film was directed by Ron Howard, from a screenplay written by Akiva Goldsman. It was inspired by a bestselling, Pulitzer Prize-nominated 1998 book of the same name by Sylvia Nasar. The film stars Russell Crowe, along with Ed Harris, Jennifer Connelly, Paul Bettany, Adam Goldberg, Judd Hirsch, Josh Lucas, Anthony Rapp, and Christopher Plummer in supporting roles. The story begins in the early years of a young prodigy named John Nash. Early in the film, Nash begins to develop paranoid schizophrenia and endures delusional episodes while painfully watching the loss and burden his condition brings on his wife and friends.
The film opened in the United States cinemas on December 21, 2001. It went to gross over $313 million worldwide and won four Academy Awards, for Best Picture, Best Director, Best Adapted Screenplay and Best Supporting Actress. It was also nominated for Best Actor, Best Film Editing, Best Makeup, and Best Original Score.
It was well received by critics, but has been criticized for its inaccurate portrayal of some aspects of Nash's life, especially his other family and a son born out of wedlock. However, the filmmakers have stated that the film was not meant to be a literal representation.


Contents  [hide]
1 Plot
2 Cast
3 Production
4 Divergence from actual events
5 Release 5.1 Critical response
5.2 Box office performance
5.3 Home media
6 Accolades
7 See also
8 References 8.1 Additional reading
9 External links

Plot[edit]
In 1947, John Nash (Crowe) arrives at Princeton University. He is co-recipient, with Martin Hansen (Lucas), of the prestigious Carnegie Scholarship for mathematics. At a reception, he meets a group of other promising math and science graduate students, Richard Sol (Goldberg), Ainsley (Jason Gray-Stanford), and Bender (Rapp). He also meets his roommate Charles Herman (Bettany), a literature student.
Nash comes under increasing pressure to publish, but he refuses until he finds a truly original idea. His inspiration comes when he and his fellow graduate students discuss how to approach a group of women at a bar. Hansen quotes Adam Smith and advocates "every man for himself", but Nash argues that a cooperative approach would lead to better chances of success. This leads to a new concept of governing dynamics which Nash develops and publishes. On the strength of this he is offered an appointment at MIT where Sol and Bender join him.
Some years later, Nash is invited to the Pentagon to crack encrypted enemy telecommunication. Nash is able to decipher the code mentally, to the astonishment of other codebreakers. He considers his regular duties at MIT uninteresting and beneath his talents, so he is pleased to be given a new assignment by mysterious supervisor, William Parcher (Harris) of the United States Department of Defense, to look for patterns in magazines and newspapers in order to thwart a Soviet plot. Nash becomes increasingly obsessive about searching for these hidden patterns and believes he is followed when he delivers his results to a secret mailbox.
Meanwhile a student, Alicia Larde (Connelly), asks him to dinner, and the two fall in love. On a return visit to Princeton, Nash runs into Charles and meets Charles' young niece Marcee (Vivien Cardone), whom he adores. With Charles' encouragement he proposes to Alicia and they marry.
Nash begins to fear for his life after witnessing a shootout between Parcher and Soviet agents, but Parcher blackmails him into staying on his assignment. While delivering a guest lecture at Harvard University, Nash attempts to flee from what appear to be foreign agents, led by Dr. Rosen (Plummer). After punching Rosen in an attempt to flee, Nash is forcibly sedated and sent to a psychiatric facility. He believes the facility is run by the Soviets.
Dr. Rosen tells Alicia that Nash has schizophrenia and that Charles, Marcee and Parcher exist only in his imagination. Alicia investigates and finally confronts Nash with the unopened documents he had delivered to the secret mailbox. Nash is given a course of insulin shock therapy and eventually released. Frustrated with the side-effects of the antipsychotic medication he is taking, he secretly stops taking it. This causes a relapse and he meets Parcher again.
After an incident where Nash endangers his infant son and accidentally knocks Alicia and the baby to the ground (thinking he's stopping Parcher from killing her), she flees the house in fear with their child. Nash steps in front of her car to prevent her from leaving. He tells Alicia, "She never gets old", referring to Marcee, who although years have passed since their first encounter, has remained exactly the same age and is still a little girl. With this, he finally accepts that they are part of his hallucinations. Against Dr. Rosen's advice, Nash decides not to restart his medication, believing that he can deal with his symptoms in another way. Alicia decides to stay and support him in this.
Nash approaches his old friend and rival, Martin Hansen, now head of the Princeton mathematics department, who grants him permission to work out of the library and audit classes. Years pass and as Nash grows older, he learns to ignore his hallucinations and earns the privilege of teaching again.
In 1994, Nash is honored by his fellow professors for his achievement in mathematics, and goes on to win the Nobel Memorial Prize in Economics for his revolutionary work on game theory. The movie ends as Nash and Alicia leave the auditorium in Stockholm; Nash sees Charles, Marcee, and Parcher standing to one side and watching him.
Cast[edit]
Russell Crowe as John Nash, Jr.
Ed Harris as William Parcher
Jennifer Connelly as Alicia Nash
Paul Bettany as Charles Herman
Josh Lucas as Martin Hansen
Adam Goldberg as Sol
Anthony Rapp as Bender
Vivien Cardone as Marcee
Christopher Plummer as Dr. Rosen
Judd Hirsch as Helinger
Jason Gray-Stanford as Ainsley Neilson
Production[edit]
Producer Brian Grazer first read an excerpt of Sylvia Nasar's book A Beautiful Mind in Vanity Fair magazine. Grazer immediately purchased the rights to the film. He eventually brought the project to Ron Howard, who had scheduling conflicts and was forced to pass. Grazer later said that many A-list directors were calling with their point of view on the project. He eventually focused on a particular director, who coincidentally was only available at the same time Howard was available. Grazer was forced to make a decision and chose Howard.[2]
Grazer then met with a number of screenwriters, mostly consisting of "serious dramatists", but he chose Akiva Goldsman instead, because of his strong passion and desire for the project. Goldsman's creative take on the project was to not allow the viewers to understand that they are viewing an alternate reality until a specific point in the film. This was done to rob the viewers of their feelings in the same way that Nash himself was. Howard agreed to direct the film based only on the first draft. He then requested that Goldsman accentuate the love story aspect.[3]
Dave Bayer, a professor of Mathematics at Barnard College, Columbia University,[4] was consulted on the mathematical equations that appear in the film. Bayer later stated that he approached his consulting role as an actor when preparing equations, such as when Nash is forced to teach a calculus class, and arbitrarily places a complicated problem on the blackboard. Bayer focused on a character who did not want to teach ordinary details and was more concerned with what was interesting. Bayer received a cameo role in the film as a professor that lays his pen down for Nash in the pen ceremony near the end of the film.[5] Greg Cannom was chosen to create the makeup effects for A Beautiful Mind, specifically the age progression of the characters. Russell Crowe had previously worked with Cannom on The Insider. Howard had also worked with Cannom on Cocoon. Each character's stages of makeup were broken down by the number of years that would pass between levels. Cannom stressed subtlety between the stages, but worked toward the ultimate stage of "Older Nash". It was originally decided that the makeup department would merely age Russell Crowe throughout the film; however, at Crowe's request, the makeup purposefully pulled Crowe's look towards the facial features of the real John Nash. Cannom developed a new silicone-type makeup that could simulate real skin and be used for overlapping applications, shortening the application time from eight hours to four hours. Crowe was also fitted with a number of dentures to give him a slight overbite throughout the film.[6]
Howard and Grazer chose frequent collaborator James Horner to score the film because of familiarity and his ability to communicate. Howard said, regarding Horner, "It's like having a conversation with a writer or an actor or another director." A running discussion between the director and the composer was the concept of high-level mathematics being less about numbers and solutions, and more akin to a kaleidoscope, in that the ideas evolve and change. After the first screening of the film, Horner told Howard: "I see changes occurring like fast-moving weather systems." He chose it as another theme to connect to Nash's ever-changing character. Horner chose Welsh singer Charlotte Church to sing the soprano vocals after deciding that he needed a balance between a child and adult singing voice. He wanted a "purity, clarity and brightness of an instrument" but also a vibrato to maintain the humanity of the voice.[7]
The film was shot 90% chronologically. Three separate trips were made to the Princeton University campus. During filming, Howard decided that Nash's delusions should always first be introduced audibly and then visually. This not only provides a visual clue, but establishes the delusions from Nash's point of view. The real John Nash's delusions were also only auditory. A technique was also developed to visualize Nash's epiphanies. After speaking to a number of mathematicians who described it as "the smoke clearing", "flashes of light" and "everything coming together", the filmmakers decided upon a flash of light appearing over an object or person to signify Nash's creativity at work.[8] Two night shots were done at Fairleigh Dickinson University's campus in Florham Park, NJ, in the Vanderbilt Mansion ballroom.[9]
Many actors were considered for the role of John Nash, including Bruce Willis, Kevin Costner, John Travolta, Tom Cruise, John Cusack, Charlie Sheen, Robert Downey, Jr., Nicolas Cage, Johnny Depp, Ralph Fiennes, Jared Leto, Brad Pitt, Alec Baldwin, Mel Gibson, Sean Penn, Guy Pearce, Matthew Broderick, Gary Oldman and Keanu Reeves. Cruise was lobbying for the part until Ron Howard ultimately cast Russell Crowe after he saw his performance in Gladiator.[citation needed]
The producers had not originally thought of Jennifer Connelly for the role of Alicia. Portia de Rossi, Catherine McCormack, Meg Ryan, Rachel Griffiths and Amanda Peet were among the many actresses who lobbied for the role of Alicia.
Divergence from actual events[edit]
The narrative of the film differs considerably from the actual events of Nash's life. The film has been criticized for this, while the filmmakers insisted that the film was not meant to be a literal representation.[10]
One difficulty was in portraying stress and mental illness within one person's mind.[11] Sylvia Nasar stated that the filmmakers "invented a narrative that, while far from a literal telling, is true to the spirit of Nash's story".[12] The film made his hallucinations visual and auditory when, in fact, they were exclusively auditory. Furthermore, while in real life Nash spent his years between Princeton and MIT as a consultant for the RAND Corporation in California, in the film he is portrayed as having worked for the Pentagon instead. It is true that his handlers, both from faculty and administration, had to introduce him to assistants and strangers.[8] The PBS documentary A Brilliant Madness attempts to portray his life more accurately.[13]
Few of the characters in the film, besides John and Alicia Nash, corresponded directly to actual people.[14] The discussion of the Nash equilibrium was criticized as over-simplified. In the film, schizophrenic hallucinations appeared while he was in graduate school, when in fact they did not show up until some years later. No mention is made of Nash's supposed homosexual experiences at RAND,[12][15] which Nash and his wife both denied.[16] Nash also fathered a son, John David Stier (born June 19, 1953), by Eleanor Agnes Stier (1921–2005), a nurse whom he abandoned when informed of her pregnancy.[17] The film also did not include Alicia's divorce of John in 1963. It was not until Nash won the Nobel Memorial Prize that they renewed their relationship, although she allowed him to live with her as a boarder beginning in 1970. They remarried in 2001.[15]
Nash is shown to join Wheeler Laboratory at MIT, but there is no such lab. He was appointed as C.L.E. Moore Instructor at MIT.[18] The pen ceremony tradition at Princeton shown in the film is completely fictitious.[8][19] The film has Nash saying around the time of his Nobel prize in 1994: "I take the newer medications", when in fact Nash did not take any medication from 1970 onwards, something Nash's biography highlights. Howard later stated that they added the line of dialogue because it was felt as though the film was encouraging the notion that all schizophrenics can overcome their illness without medication.[8] Nash also never gave an acceptance speech for his Nobel prize because laureates do not do that as portrayed in the film; the award ceremony is conducted without any such speeches. [20]
Release[edit]
Critical response[edit]
A Beautiful Mind received a limited release on December 21, 2001, receiving positive reviews. It was later released in the United States on January 4, 2002. Rotten Tomatoes showed a 77% approval rating among critics, stating: "The well-acted A Beautiful Mind is both a moving love story and a revealing look at mental illness."[21] Roger Ebert of Chicago Sun-Times gave the film four out of four stars.[22] Mike Clark of USA Today gave three-and-a-half out of four stars and also praised Crowe's performance, calling it a welcome follow-up to Howard's previous film, The Grinch;[23] however, Desson Thomson of Washington Post found the film to be "one of those formulaically rendered Important Subject movies."[21] The mathematics in the film were praised by the mathematics community, including John Nash himself.[5]
Box office performance[edit]
During the five-day weekend of the limited release, A Beautiful Mind opened at the #12 spot at the box office,[24] peaking at the #2 spot following the wide release.[25] The film went to gross $170,742,341 in the United States and Canada and $313,542,341 worldwide.[1]
Home media[edit]
A Beautiful Mind was released on VHS and DVD in the United States on June 25, 2002.[26] The DVD set includes audio commentaries, deleted scenes and documentaries. The film was also released on Blu-ray in North America on January 25, 2011.[27]
Accolades[edit]
In 2002, the film was awarded four Academy Awards, for Best Adapted Screenplay (Akiva Goldsman), Best Picture (Brian Grazer and Ron Howard), Best Director (Ron Howard) and Best Supporting Actress (Jennifer Connelly). It also received four other nominations for Best Actor (Russell Crowe), Best Film Editing (Mike Hill and Daniel P. Hanley), Best Makeup (Greg Cannom and Colleen Callaghan), and Best Original Score (James Horner).[28] At the 55th British Academy Film Awards the film won Best Actor in a Leading Role and Best Actress in a Supporting Role to Russell Crowe and Jennifer Connelly, respectively. It also nominated the film for Best Film, Best Screenplay and the David Lean Award for Direction.[29]
At the 2002 AFI Awards, Jennifer Connelly won for Best Featured Female Actor.[30] In 2006, it was named No. 93 in AFI's 100 Years... 100 Cheers. In the following year, it was nominated for AFI's 100 Years...100 Movies (10th Anniversary Edition).[31] The film was also nominated for Movie of the Year, Actor of the Year (Russell Crowe), and Screenwriter of the Year (Akiva Goldsman).[32]
See also[edit]

Portal icon Film portal
A Beautiful Mind: Original Motion Picture Soundtrack
List of American films of 2001
List of films about mathematicians
Mental illness in films
References[edit]
1.^ Jump up to: a b c "A Beautiful Mind (2001)". Box Office Mojo. IMDb. Retrieved November 8, 2010.
2.Jump up ^ "A Beautiful Partnership: Ron Howard and Brian Grazer", from A Beautiful Mind DVD, 2002.
3.Jump up ^ "Development of the Screenplay", from A Beautiful Mind DVD, 2002.
4.Jump up ^ "Dave Bayer: Professor of Mathematics". Barnard College, Columbia University. Retrieved May 8, 2011.
5.^ Jump up to: a b "Dana Mackenzie 'Beautiful Math'". Swarthmore College Bulletin. 2002.
6.Jump up ^ "The Process of Age Progression", from A Beautiful Mind DVD. 2002.
7.Jump up ^ "Scoring the Film", from A Beautiful Mind DVD, 2002.
8.^ Jump up to: a b c d A Beautiful Mind DVD commentary featuring Ron Howard, 2002.
9.Jump up ^ "Fairleigh Dickinson University turned into a 'different place'". CountingDown.com. April 30, 2001. Retrieved May 10, 2009.
10.Jump up ^ "Ron Howard Interview". About.com. Retrieved September 27, 2012.
11.Jump up ^ "A Beautiful Mind". Mathematical Association of America. Retrieved 13 October 2013.
12.^ Jump up to: a b "A Real Number". Slate Magazine. Archived from the original on August 24, 2007. Retrieved August 16, 2007.
13.Jump up ^ "A Brilliant Madness". PBS.org. Archived from the original on July 14, 2007. Retrieved August 16, 2007.
14.Jump up ^ Sylvia Nasar, A Beautiful Mind, Touchstone 1998.
15.^ Jump up to: a b Nasar, Sylvia (1998). A Beautiful Mind: A Biography of John Forbes Nash, Jr. Simon & Schuster. ISBN 0-684-81906-6.
16.Jump up ^ "Nash: Film No Whitewash". CBS News: 60 Minutes. March 14, 2002. Archived from the original on August 7, 2007. Retrieved August 16, 2007.
17.Jump up ^ Goldstein, Scott (April 10, 2005). "Eleanor Stier, 84". The Boston Globe. Retrieved December 5, 2007.
18.Jump up ^ "MIT facts meet fiction in 'A Beautiful Mind'". Massachusetts Institute of Technology. Archived from the original on July 12, 2007. Retrieved August 16, 2007.
19.Jump up ^ "FAQ John Nash". Seeley G. Mudd Library at Princeton University. Archived from the original on July 16, 2007. Retrieved August 16, 2007.
20.Jump up ^ "FAQ John Nash". Seeley G. Mudd Library at Princeton University. Archived from the original on July 16, 2007. Retrieved August 16, 2007.
21.^ Jump up to: a b "A Beautiful Mind". Rotten Tomatoes. Flixter. Retrieved August 14, 2007.
22.Jump up ^ Ebert, Roger. "A Beautiful Mind". Chicago Sun-Times (RogerEbert.com).
23.Jump up ^ Clark, Mike (December 20, 2001). "Crowe brings to 'Mind' a great performance". USA Today. Retrieved August 27, 2007.
24.Jump up ^ "Weekend Box Office Results for December 21–25, 2001". Box Office Mojo. IMDb. Retrieved May 22, 2008.
25.Jump up ^ "Weekend Box Office Results for January 4–6, 2002". Box Office Mojo. IMDb. Retrieved May 22, 2008.
26.Jump up ^ "A Beautiful Mind". FilmCritic.com. Retrieved July 24, 2011.
27.Jump up ^ "A Beautiful Mind (2001)". ReleasedOn.com. Retrieved July 24, 2011.
28.Jump up ^ "74th Academy Awards". Oscars.org. Archived from the original on August 24, 2007. Retrieved August 27, 2007.
29.Jump up ^ "A Beautiful Mind (2001) – Awards and Nominations". Yahoo! Movies. Retrieved August 27, 2007.
30.Jump up ^ "AFI Awards 2001". American Film Institute. Archived from the original on September 29, 2007. Retrieved August 27, 2007.
31.Jump up ^ AFI's 100 Years...100 Movies (10th Anniversary Edition) Ballot
32.Jump up ^ "AFI Awards 2001: Movies of the Year". American Film Institute. Archived from the original on September 29, 2007. Retrieved August 27, 2007.
Additional reading[edit]
Akiva Goldsman. A Beautiful Mind: Screenplay and Introduction. New York, New York: Newmarket Press, 2002. ISBN 1-55704-526-7.
External links[edit]
 Wikiquote has quotations related to: A Beautiful Mind (film)
Official website
A Beautiful Mind at the Internet Movie Database
A Beautiful Mind at the TCM Movie Database
A Beautiful Mind at AllMovie
A Beautiful Mind at Rotten Tomatoes
A Beautiful Mind at Box Office Mojo
A Beautiful Mind at MSN Movies
A Beautiful Mind at Film Insight


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Categories: 2001 films
English-language films
2000s drama films
American biographical films
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Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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A Beautiful Mind (soundtrack)
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A Beautiful Mind

Film score by James Horner

Released
December 11, 2001
Recorded
2001
Genre
Classical, jazz, stage & screen
Label
Decca 440 016 191-2
Producer
James Horner, Simon Rhodes
James Horner chronology

Enemy at the Gates
 (2001) A Beautiful Mind
 (2001) Iris
 (2001)

A Beautiful Mind is the original soundtrack album, on the Decca Records label, of the 2001 film A Beautiful Mind starring Russell Crowe, Jennifer Connelly (who won the Academy Award for Best Supporting Actress for her role as "Alicia Nash"), Christopher Plummer and Paul Bettany. The original score and songs were composed and conducted by James Horner.
The album garnered nominations for the Golden Globe Award for Best Original Score and the Academy Award for Best Original Score. Music critics felt that the musical score fit the film well, but believed it to be similar to several of Horner's previous films.


Contents  [hide]
1 Development
2 Release and reception
3 Track listing
4 References

Development[edit]
Composer James Horner is a frequent collaborator with Ron Howard, the director of A Beautiful Mind. Horner desired to feature vocals reminiscent of being midway between a girl and woman,[1] and wrote the score specifically for Welsh singer Charlotte Church. In an interview, she stated that it was "one of the most haunting and beautiful [things] I have ever performed."[2] To convey "the beauty of mathematics," Horner decided to use the idea of a kaleidoscope, as its "patterns are always changing, and things move very quickly, but in moving so quickly, they create other patterns that move very slowly underneath."[3] He added that these changing patterns were conveyed with the piano and Church's voice.[3]
Release and reception[edit]

Professional ratings

Review scores

Source
Rating
Filmtracks.com[4] 4/5 stars
Soundtrack.net[5] 3/5 stars
Writing for Empire magazine, Danny Graydon gave the soundtrack four out of five stars. He thought the score contained elements of Horner's previous films Sneakers (1992) and Bicentennial Man (1999), but said "if you can forgive that, this is a clever, masterful and romantic score that captures a brilliant mind in conflict."[6] In the tracks "Creating Government Dynamics" and "Cracking The Russian Codes", Graydon opined that Church's "poignant vocals mix well with the frenetic piano and strings to represent Nash’s brilliance," and wished that her voice had been used more in the film.[6]
Dan Goldwasser of Soundtrack.net also found similarities to the score in Bicentennial Man, but thought Horner's work fit the film regardless, explaining "it effectively underscores the drama and romance, and even provides a few bits of tension for the action scene."[5] Goldwasser concluded that "while it all works well in the film, there is enough about this score that just seemed to [sic] 'familiar' to make it stand out.[5] Contributing to National Public Radio, Andy Trudeau believed Church's particular voice adds a "human element. It's the sound that, I think, gives a sense of--the center of this character, if you will. I think it's the soul. And it's trying to be normal in a way, and underneath it it's trying to be crazy."[1]
Horner's score garnered nominations for the Golden Globe Award for Best Original Score[7] and the Academy Award for Best Original Score.[8] It lost the Golden Globe to the film Moulin Rouge! and the Oscar to The Lord of the Rings: The Fellowship of the Ring.
Track listing[edit]
Adapted from:[9]
1."A Kaleidoscope of Mathematics"
2."Playing a Game of 'Go!'"
3."Looking for the Next Great Idea"
4."Creating 'Governing Dynamics'"
5."Cracking the Russian Codes"
6."Nash Descends into Parcher's World"
7."First Drop-Off, First Kiss"
8."The Car Chase"
9."Alicia Discovers Nash's Dark World"
10."Real or Imagined?"
11."Of One Heart, of One Mind"
12."Saying Goodbye to Those You So Love"
13."Teaching Mathematics Again"
14."The Prize of One's Life... The Prize of One's Mind"
15."All Love Can Be" (Charlotte Church)
16."Closing Credits"
References[edit]
1.^ Jump up to: a b Neary, Lynn (March 10, 2002). "Analysis: Film scores for "A Beautiful Mind" and "A.I.: Artificial Intelligence"". National Public Radio. Retrieved January 12, 2014. (subscription required)
2.Jump up ^ Nicholl, Katie (October 21, 2001). "Charlotte Has an Oscar in Her Beautiful Mind". The Mail on Sunday. Retrieved January 12, 2014. (subscription required)
3.^ Jump up to: a b Burlingame, Jon (January 23, 2002). "Magic lies in the methods: This year's crop of possible contenders use mix of traditional and unusual scoring elements". Daily Variety. Retrieved January 12, 2014. (subscription required)
4.Jump up ^ Clemmensen, Christian (December 7, 2001). "A Beautiful Mind (James Horner)". Filmtracks.com. Retrieved January 12, 2014.
5.^ Jump up to: a b c Goldwasser, Dan (December 1, 2001). "Review". Soundtrack.net. Retrieved January 12, 2014.
6.^ Jump up to: a b Graydon, Danny. "Empire's A Beautiful Mind Soundtrack Review". Empire. Retrieved January 12, 2014.
7.Jump up ^ "Harrison Ford To Be Honored At Golden Globes". The Washington Post. January 20, 2002. Retrieved January 12, 2014. (subscription required)
8.Jump up ^ "And the Nominees Are...". Chicago Sun-Times. December 21, 2001. Retrieved January 12, 2014. (subscription required)
9.Jump up ^ "A Beautiful Mind [Original Motion Picture Soundtrack]". Allmusic. Retrieved January 12, 2014.
 


Categories: Film soundtracks
James Horner albums
2001 soundtracks
Decca Records soundtracks





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A Beautiful Mind (film)
From Wikipedia, the free encyclopedia
Jump to: navigation, search


A Beautiful Mind
A Beautiful Mind Poster.jpg
Theatrical release poster

Directed by
Ron Howard
Produced by
Ron Howard
Brian Grazer
Screenplay by
Akiva Goldsman
Based on
A Beautiful Mind
 by Sylvia Nasar
Starring
Russell Crowe Ed Harris
Jennifer Connelly
Paul Bettany
Adam Goldberg
Judd Hirsch
Josh Lucas
Anthony Rapp
Christopher Plummer

Music by
James Horner
Cinematography
Roger Deakins
Edited by
Daniel P. Hanley
Mike Hill
Production
   company
Imagine Entertainment
Distributed by
Universal Pictures
(United States)
DreamWorks Pictures
(Worldwide)
Release date(s)
December 13, 2001 (Beverly Hills premiere)
December 21, 2001 (United States)

Running time
135 minutes
Country
United States
Language
English
Budget
$58 million[1]
Box office
$313,542,341[1]
A Beautiful Mind is a 2001 American biographical drama film based on the life of John Nash, a Nobel Laureate in Economics. The film was directed by Ron Howard, from a screenplay written by Akiva Goldsman. It was inspired by a bestselling, Pulitzer Prize-nominated 1998 book of the same name by Sylvia Nasar. The film stars Russell Crowe, along with Ed Harris, Jennifer Connelly, Paul Bettany, Adam Goldberg, Judd Hirsch, Josh Lucas, Anthony Rapp, and Christopher Plummer in supporting roles. The story begins in the early years of a young prodigy named John Nash. Early in the film, Nash begins to develop paranoid schizophrenia and endures delusional episodes while painfully watching the loss and burden his condition brings on his wife and friends.
The film opened in the United States cinemas on December 21, 2001. It went to gross over $313 million worldwide and won four Academy Awards, for Best Picture, Best Director, Best Adapted Screenplay and Best Supporting Actress. It was also nominated for Best Actor, Best Film Editing, Best Makeup, and Best Original Score.
It was well received by critics, but has been criticized for its inaccurate portrayal of some aspects of Nash's life, especially his other family and a son born out of wedlock. However, the filmmakers have stated that the film was not meant to be a literal representation.


Contents  [hide]
1 Plot
2 Cast
3 Production
4 Divergence from actual events
5 Release 5.1 Critical response
5.2 Box office performance
5.3 Home media
6 Accolades
7 See also
8 References 8.1 Additional reading
9 External links

Plot[edit]
In 1947, John Nash (Crowe) arrives at Princeton University. He is co-recipient, with Martin Hansen (Lucas), of the prestigious Carnegie Scholarship for mathematics. At a reception, he meets a group of other promising math and science graduate students, Richard Sol (Goldberg), Ainsley (Jason Gray-Stanford), and Bender (Rapp). He also meets his roommate Charles Herman (Bettany), a literature student.
Nash comes under increasing pressure to publish, but he refuses until he finds a truly original idea. His inspiration comes when he and his fellow graduate students discuss how to approach a group of women at a bar. Hansen quotes Adam Smith and advocates "every man for himself", but Nash argues that a cooperative approach would lead to better chances of success. This leads to a new concept of governing dynamics which Nash develops and publishes. On the strength of this he is offered an appointment at MIT where Sol and Bender join him.
Some years later, Nash is invited to the Pentagon to crack encrypted enemy telecommunication. Nash is able to decipher the code mentally, to the astonishment of other codebreakers. He considers his regular duties at MIT uninteresting and beneath his talents, so he is pleased to be given a new assignment by mysterious supervisor, William Parcher (Harris) of the United States Department of Defense, to look for patterns in magazines and newspapers in order to thwart a Soviet plot. Nash becomes increasingly obsessive about searching for these hidden patterns and believes he is followed when he delivers his results to a secret mailbox.
Meanwhile a student, Alicia Larde (Connelly), asks him to dinner, and the two fall in love. On a return visit to Princeton, Nash runs into Charles and meets Charles' young niece Marcee (Vivien Cardone), whom he adores. With Charles' encouragement he proposes to Alicia and they marry.
Nash begins to fear for his life after witnessing a shootout between Parcher and Soviet agents, but Parcher blackmails him into staying on his assignment. While delivering a guest lecture at Harvard University, Nash attempts to flee from what appear to be foreign agents, led by Dr. Rosen (Plummer). After punching Rosen in an attempt to flee, Nash is forcibly sedated and sent to a psychiatric facility. He believes the facility is run by the Soviets.
Dr. Rosen tells Alicia that Nash has schizophrenia and that Charles, Marcee and Parcher exist only in his imagination. Alicia investigates and finally confronts Nash with the unopened documents he had delivered to the secret mailbox. Nash is given a course of insulin shock therapy and eventually released. Frustrated with the side-effects of the antipsychotic medication he is taking, he secretly stops taking it. This causes a relapse and he meets Parcher again.
After an incident where Nash endangers his infant son and accidentally knocks Alicia and the baby to the ground (thinking he's stopping Parcher from killing her), she flees the house in fear with their child. Nash steps in front of her car to prevent her from leaving. He tells Alicia, "She never gets old", referring to Marcee, who although years have passed since their first encounter, has remained exactly the same age and is still a little girl. With this, he finally accepts that they are part of his hallucinations. Against Dr. Rosen's advice, Nash decides not to restart his medication, believing that he can deal with his symptoms in another way. Alicia decides to stay and support him in this.
Nash approaches his old friend and rival, Martin Hansen, now head of the Princeton mathematics department, who grants him permission to work out of the library and audit classes. Years pass and as Nash grows older, he learns to ignore his hallucinations and earns the privilege of teaching again.
In 1994, Nash is honored by his fellow professors for his achievement in mathematics, and goes on to win the Nobel Memorial Prize in Economics for his revolutionary work on game theory. The movie ends as Nash and Alicia leave the auditorium in Stockholm; Nash sees Charles, Marcee, and Parcher standing to one side and watching him.
Cast[edit]
Russell Crowe as John Nash, Jr.
Ed Harris as William Parcher
Jennifer Connelly as Alicia Nash
Paul Bettany as Charles Herman
Josh Lucas as Martin Hansen
Adam Goldberg as Sol
Anthony Rapp as Bender
Vivien Cardone as Marcee
Christopher Plummer as Dr. Rosen
Judd Hirsch as Helinger
Jason Gray-Stanford as Ainsley Neilson
Production[edit]
Producer Brian Grazer first read an excerpt of Sylvia Nasar's book A Beautiful Mind in Vanity Fair magazine. Grazer immediately purchased the rights to the film. He eventually brought the project to Ron Howard, who had scheduling conflicts and was forced to pass. Grazer later said that many A-list directors were calling with their point of view on the project. He eventually focused on a particular director, who coincidentally was only available at the same time Howard was available. Grazer was forced to make a decision and chose Howard.[2]
Grazer then met with a number of screenwriters, mostly consisting of "serious dramatists", but he chose Akiva Goldsman instead, because of his strong passion and desire for the project. Goldsman's creative take on the project was to not allow the viewers to understand that they are viewing an alternate reality until a specific point in the film. This was done to rob the viewers of their feelings in the same way that Nash himself was. Howard agreed to direct the film based only on the first draft. He then requested that Goldsman accentuate the love story aspect.[3]
Dave Bayer, a professor of Mathematics at Barnard College, Columbia University,[4] was consulted on the mathematical equations that appear in the film. Bayer later stated that he approached his consulting role as an actor when preparing equations, such as when Nash is forced to teach a calculus class, and arbitrarily places a complicated problem on the blackboard. Bayer focused on a character who did not want to teach ordinary details and was more concerned with what was interesting. Bayer received a cameo role in the film as a professor that lays his pen down for Nash in the pen ceremony near the end of the film.[5] Greg Cannom was chosen to create the makeup effects for A Beautiful Mind, specifically the age progression of the characters. Russell Crowe had previously worked with Cannom on The Insider. Howard had also worked with Cannom on Cocoon. Each character's stages of makeup were broken down by the number of years that would pass between levels. Cannom stressed subtlety between the stages, but worked toward the ultimate stage of "Older Nash". It was originally decided that the makeup department would merely age Russell Crowe throughout the film; however, at Crowe's request, the makeup purposefully pulled Crowe's look towards the facial features of the real John Nash. Cannom developed a new silicone-type makeup that could simulate real skin and be used for overlapping applications, shortening the application time from eight hours to four hours. Crowe was also fitted with a number of dentures to give him a slight overbite throughout the film.[6]
Howard and Grazer chose frequent collaborator James Horner to score the film because of familiarity and his ability to communicate. Howard said, regarding Horner, "It's like having a conversation with a writer or an actor or another director." A running discussion between the director and the composer was the concept of high-level mathematics being less about numbers and solutions, and more akin to a kaleidoscope, in that the ideas evolve and change. After the first screening of the film, Horner told Howard: "I see changes occurring like fast-moving weather systems." He chose it as another theme to connect to Nash's ever-changing character. Horner chose Welsh singer Charlotte Church to sing the soprano vocals after deciding that he needed a balance between a child and adult singing voice. He wanted a "purity, clarity and brightness of an instrument" but also a vibrato to maintain the humanity of the voice.[7]
The film was shot 90% chronologically. Three separate trips were made to the Princeton University campus. During filming, Howard decided that Nash's delusions should always first be introduced audibly and then visually. This not only provides a visual clue, but establishes the delusions from Nash's point of view. The real John Nash's delusions were also only auditory. A technique was also developed to visualize Nash's epiphanies. After speaking to a number of mathematicians who described it as "the smoke clearing", "flashes of light" and "everything coming together", the filmmakers decided upon a flash of light appearing over an object or person to signify Nash's creativity at work.[8] Two night shots were done at Fairleigh Dickinson University's campus in Florham Park, NJ, in the Vanderbilt Mansion ballroom.[9]
Many actors were considered for the role of John Nash, including Bruce Willis, Kevin Costner, John Travolta, Tom Cruise, John Cusack, Charlie Sheen, Robert Downey, Jr., Nicolas Cage, Johnny Depp, Ralph Fiennes, Jared Leto, Brad Pitt, Alec Baldwin, Mel Gibson, Sean Penn, Guy Pearce, Matthew Broderick, Gary Oldman and Keanu Reeves. Cruise was lobbying for the part until Ron Howard ultimately cast Russell Crowe after he saw his performance in Gladiator.[citation needed]
The producers had not originally thought of Jennifer Connelly for the role of Alicia. Portia de Rossi, Catherine McCormack, Meg Ryan, Rachel Griffiths and Amanda Peet were among the many actresses who lobbied for the role of Alicia.
Divergence from actual events[edit]
The narrative of the film differs considerably from the actual events of Nash's life. The film has been criticized for this, while the filmmakers insisted that the film was not meant to be a literal representation.[10]
One difficulty was in portraying stress and mental illness within one person's mind.[11] Sylvia Nasar stated that the filmmakers "invented a narrative that, while far from a literal telling, is true to the spirit of Nash's story".[12] The film made his hallucinations visual and auditory when, in fact, they were exclusively auditory. Furthermore, while in real life Nash spent his years between Princeton and MIT as a consultant for the RAND Corporation in California, in the film he is portrayed as having worked for the Pentagon instead. It is true that his handlers, both from faculty and administration, had to introduce him to assistants and strangers.[8] The PBS documentary A Brilliant Madness attempts to portray his life more accurately.[13]
Few of the characters in the film, besides John and Alicia Nash, corresponded directly to actual people.[14] The discussion of the Nash equilibrium was criticized as over-simplified. In the film, schizophrenic hallucinations appeared while he was in graduate school, when in fact they did not show up until some years later. No mention is made of Nash's supposed homosexual experiences at RAND,[12][15] which Nash and his wife both denied.[16] Nash also fathered a son, John David Stier (born June 19, 1953), by Eleanor Agnes Stier (1921–2005), a nurse whom he abandoned when informed of her pregnancy.[17] The film also did not include Alicia's divorce of John in 1963. It was not until Nash won the Nobel Memorial Prize that they renewed their relationship, although she allowed him to live with her as a boarder beginning in 1970. They remarried in 2001.[15]
Nash is shown to join Wheeler Laboratory at MIT, but there is no such lab. He was appointed as C.L.E. Moore Instructor at MIT.[18] The pen ceremony tradition at Princeton shown in the film is completely fictitious.[8][19] The film has Nash saying around the time of his Nobel prize in 1994: "I take the newer medications", when in fact Nash did not take any medication from 1970 onwards, something Nash's biography highlights. Howard later stated that they added the line of dialogue because it was felt as though the film was encouraging the notion that all schizophrenics can overcome their illness without medication.[8] Nash also never gave an acceptance speech for his Nobel prize because laureates do not do that as portrayed in the film; the award ceremony is conducted without any such speeches. [20]
Release[edit]
Critical response[edit]
A Beautiful Mind received a limited release on December 21, 2001, receiving positive reviews. It was later released in the United States on January 4, 2002. Rotten Tomatoes showed a 77% approval rating among critics, stating: "The well-acted A Beautiful Mind is both a moving love story and a revealing look at mental illness."[21] Roger Ebert of Chicago Sun-Times gave the film four out of four stars.[22] Mike Clark of USA Today gave three-and-a-half out of four stars and also praised Crowe's performance, calling it a welcome follow-up to Howard's previous film, The Grinch;[23] however, Desson Thomson of Washington Post found the film to be "one of those formulaically rendered Important Subject movies."[21] The mathematics in the film were praised by the mathematics community, including John Nash himself.[5]
Box office performance[edit]
During the five-day weekend of the limited release, A Beautiful Mind opened at the #12 spot at the box office,[24] peaking at the #2 spot following the wide release.[25] The film went to gross $170,742,341 in the United States and Canada and $313,542,341 worldwide.[1]
Home media[edit]
A Beautiful Mind was released on VHS and DVD in the United States on June 25, 2002.[26] The DVD set includes audio commentaries, deleted scenes and documentaries. The film was also released on Blu-ray in North America on January 25, 2011.[27]
Accolades[edit]
In 2002, the film was awarded four Academy Awards, for Best Adapted Screenplay (Akiva Goldsman), Best Picture (Brian Grazer and Ron Howard), Best Director (Ron Howard) and Best Supporting Actress (Jennifer Connelly). It also received four other nominations for Best Actor (Russell Crowe), Best Film Editing (Mike Hill and Daniel P. Hanley), Best Makeup (Greg Cannom and Colleen Callaghan), and Best Original Score (James Horner).[28] At the 55th British Academy Film Awards the film won Best Actor in a Leading Role and Best Actress in a Supporting Role to Russell Crowe and Jennifer Connelly, respectively. It also nominated the film for Best Film, Best Screenplay and the David Lean Award for Direction.[29]
At the 2002 AFI Awards, Jennifer Connelly won for Best Featured Female Actor.[30] In 2006, it was named No. 93 in AFI's 100 Years... 100 Cheers. In the following year, it was nominated for AFI's 100 Years...100 Movies (10th Anniversary Edition).[31] The film was also nominated for Movie of the Year, Actor of the Year (Russell Crowe), and Screenwriter of the Year (Akiva Goldsman).[32]
See also[edit]

Portal icon Film portal
A Beautiful Mind: Original Motion Picture Soundtrack
List of American films of 2001
List of films about mathematicians
Mental illness in films
References[edit]
1.^ Jump up to: a b c "A Beautiful Mind (2001)". Box Office Mojo. IMDb. Retrieved November 8, 2010.
2.Jump up ^ "A Beautiful Partnership: Ron Howard and Brian Grazer", from A Beautiful Mind DVD, 2002.
3.Jump up ^ "Development of the Screenplay", from A Beautiful Mind DVD, 2002.
4.Jump up ^ "Dave Bayer: Professor of Mathematics". Barnard College, Columbia University. Retrieved May 8, 2011.
5.^ Jump up to: a b "Dana Mackenzie 'Beautiful Math'". Swarthmore College Bulletin. 2002.
6.Jump up ^ "The Process of Age Progression", from A Beautiful Mind DVD. 2002.
7.Jump up ^ "Scoring the Film", from A Beautiful Mind DVD, 2002.
8.^ Jump up to: a b c d A Beautiful Mind DVD commentary featuring Ron Howard, 2002.
9.Jump up ^ "Fairleigh Dickinson University turned into a 'different place'". CountingDown.com. April 30, 2001. Retrieved May 10, 2009.
10.Jump up ^ "Ron Howard Interview". About.com. Retrieved September 27, 2012.
11.Jump up ^ "A Beautiful Mind". Mathematical Association of America. Retrieved 13 October 2013.
12.^ Jump up to: a b "A Real Number". Slate Magazine. Archived from the original on August 24, 2007. Retrieved August 16, 2007.
13.Jump up ^ "A Brilliant Madness". PBS.org. Archived from the original on July 14, 2007. Retrieved August 16, 2007.
14.Jump up ^ Sylvia Nasar, A Beautiful Mind, Touchstone 1998.
15.^ Jump up to: a b Nasar, Sylvia (1998). A Beautiful Mind: A Biography of John Forbes Nash, Jr. Simon & Schuster. ISBN 0-684-81906-6.
16.Jump up ^ "Nash: Film No Whitewash". CBS News: 60 Minutes. March 14, 2002. Archived from the original on August 7, 2007. Retrieved August 16, 2007.
17.Jump up ^ Goldstein, Scott (April 10, 2005). "Eleanor Stier, 84". The Boston Globe. Retrieved December 5, 2007.
18.Jump up ^ "MIT facts meet fiction in 'A Beautiful Mind'". Massachusetts Institute of Technology. Archived from the original on July 12, 2007. Retrieved August 16, 2007.
19.Jump up ^ "FAQ John Nash". Seeley G. Mudd Library at Princeton University. Archived from the original on July 16, 2007. Retrieved August 16, 2007.
20.Jump up ^ "FAQ John Nash". Seeley G. Mudd Library at Princeton University. Archived from the original on July 16, 2007. Retrieved August 16, 2007.
21.^ Jump up to: a b "A Beautiful Mind". Rotten Tomatoes. Flixter. Retrieved August 14, 2007.
22.Jump up ^ Ebert, Roger. "A Beautiful Mind". Chicago Sun-Times (RogerEbert.com).
23.Jump up ^ Clark, Mike (December 20, 2001). "Crowe brings to 'Mind' a great performance". USA Today. Retrieved August 27, 2007.
24.Jump up ^ "Weekend Box Office Results for December 21–25, 2001". Box Office Mojo. IMDb. Retrieved May 22, 2008.
25.Jump up ^ "Weekend Box Office Results for January 4–6, 2002". Box Office Mojo. IMDb. Retrieved May 22, 2008.
26.Jump up ^ "A Beautiful Mind". FilmCritic.com. Retrieved July 24, 2011.
27.Jump up ^ "A Beautiful Mind (2001)". ReleasedOn.com. Retrieved July 24, 2011.
28.Jump up ^ "74th Academy Awards". Oscars.org. Archived from the original on August 24, 2007. Retrieved August 27, 2007.
29.Jump up ^ "A Beautiful Mind (2001) – Awards and Nominations". Yahoo! Movies. Retrieved August 27, 2007.
30.Jump up ^ "AFI Awards 2001". American Film Institute. Archived from the original on September 29, 2007. Retrieved August 27, 2007.
31.Jump up ^ AFI's 100 Years...100 Movies (10th Anniversary Edition) Ballot
32.Jump up ^ "AFI Awards 2001: Movies of the Year". American Film Institute. Archived from the original on September 29, 2007. Retrieved August 27, 2007.
Additional reading[edit]
Akiva Goldsman. A Beautiful Mind: Screenplay and Introduction. New York, New York: Newmarket Press, 2002. ISBN 1-55704-526-7.
External links[edit]
 Wikiquote has quotations related to: A Beautiful Mind (film)
Official website
A Beautiful Mind at the Internet Movie Database
A Beautiful Mind at the TCM Movie Database
A Beautiful Mind at AllMovie
A Beautiful Mind at Rotten Tomatoes
A Beautiful Mind at Box Office Mojo
A Beautiful Mind at MSN Movies
A Beautiful Mind at Film Insight


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Categories: 2001 films
English-language films
2000s drama films
American biographical films
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http://en.wikipedia.org/wiki/A_Beautiful_Mind_(film)#See_also