King Kong musical

King Kong (musical)

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 This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2009)

King Kong

Music
Todd Matshikiza
Lyrics
Todd Matshikiza and Pat Willams
Book
Harry Bloom
Basis
the life of Ezekiel Dlamini
Premiere
2 February 1959 – Witwatersrand University Great Hall
Productions
1961 West End
King Kong (1959) was a landmark[1] South African jazz-influenced musical, billed at the time as an "all African jazz opera". Opening in Johannesburg on 2 February 1959 at Witwatersrand University Great Hall, the musical was an immediate success, with The Star newspaper calling it "the greatest thrill in 20 years of South African theatre-going".[2] It "swept South Africa like a storm",[3] touring the country for two years and playing to record-breaking multi-racial audiences, before being booked for a London production in 1961,[4] by which time it had been seen by some 200,000 South Africans.[2]
The music and some of the lyrics were written by Todd Matshikiza. The lyrics were by Pat Willams and the book by Harry Bloom.[5] It was directed by Leon Gluckman with orchestration and arrangements by pianist Sol Klaaste, tenor saxophonist Mackay Davashe, alto saxophonist Kippie Moeketsi and composer Stanley Glasser.
The decor and costumes were designed by Arthur Goldreich, a Jewish communist architect and visual designer (who was later arrested during an apartheid clampdown).
King Kong had an all-black cast. The musical portrayed the life and times of a heavyweight boxer, Ezekiel Dlamini, known as "King Kong". Born in 1921, after a meteoric boxing rise, his life degenerated into drunkenness and gang violence. He knifed his girlfriend, asked for the death sentence during his trial and instead was sentenced to 14 years hard labour. He was found drowned in 1957 and it was believed his death was suicide. He was 36.
After being a hit in South Africa in 1959, the musical played at the Prince's Theatre in the West End of London in 1961. The liner notes for the London cast recording state: "No theatrical venture in South Africa has had he sensational success of King Kong. This musical, capturing the life, colour, and effervescence -- as well as the poignancy and sadness -- of township life, has come as a revelation to many South Africans that art does not recognize racial barriers. King Kong has played to capacity houses in every major city in the Union [of South Africa], and now, the first export of indigenous South African theatre, it will reveal to the rest of the world the peculiar flavour of township life, as well as the hitherto unrecognized talents of its people. The show, as recorded here, opened at the Princes Theatre, London, on February 23, 1961."
The song "Sad Times, Bad Times" was considered a reference at the time to the infamous South African Treason Trial in Pretoria, which had begun in 1956 and lasted for more than four years before it collapsed with all the accused acquitted. Among the defendants were Albert Luthuli (ANC president), secretary Walter Sisulu, Oliver Tambo and Nelson Mandela. According to John Matshikiza, King Kong′s first night was attended by Mandela, who at the interval congratulated Todd Matshikiza "on weaving a subtle message of support for the Treason Trial leaders into the opening anthem".[6]


Contents
  [hide] 1 Cast
2 Songs
3 The story of the play
4 See also
5 References

Cast[edit]
King Kong launched the international career of Miriam Makeba, who played the shebeen queen of the Back of the Moon, a shebeen of the time in Sophiatown.
The male lead was Nathan Mdledle of the Manhattan Brothers. There was a cast of 72.
Others in the cast were Hugh Masekela,[7] Abdullah Ibrahim, Kippie Moeketsi and Thandi Klaasen, all of whom went on to have successful careers. The London cast featured Nathan Mdlele and Peggy Phango, with Joseph Mogotsi, Ben Masinga, Stephen Moloi, Sophie Mgcina, Patience Gowabe and former Miss South Africa 1955 Hazel Futa.
Patience and Hazel later became The Velvettes, the backing vocal singers for Cyril Davies All Stars band and performed backing vocals on the Joe Meek produced single She's Fallen In Love With The Monster Man by Screaming Lord Sutch and the Savages in 1964.
Songs[edit]

Original cast:[8]
"Sad Times, Bad Times"
"Marvellous Muscles"
"King Kong"
"Kwela long"
"Back of the Moon"
"Petal’s Song"
"Damn Him"
"Strange"
"Better than New"
"Mad"
"Quickly in Love"
"In the Queue"
"It’s a Wedding"
"Death Song"

London cast 1961[9][10]
Act I "Sad Times, Bad Times"—Overture (The Company)
"Marvelous Muscles" (Nathan Mdlele and The Company)
"King Kong" (Nathan Mdlele and The Company)
"Kwela Kong" (Orchestra)
"Back of the Moon" (Peggy Phango, Joseph Mogotsi)
"The Earth Turns Over" (Sophie Mgcina and Men)
"Gumboot Dance" (The Company)
"Damn Him!" (The Company)
"Party Tonight"
"King King" (The Company)
Act II "Be Smart, Be Wise" (Ben Masinga, Sophie Mgcina, Lemmy "Special" Mabaso, and Men)
"Crazy Kid" (Lemmy "Special" Mabaso and he Alexander Junior Bright Boys)
"Tshotsholosa-Road Song" (The Company)
"Quickly in Love" (Nathan Mdlele, Peggy Phango, Stephen Moloi, Ben Massinga, Patience Gowabe, Sophie Mgcina)
"In the Queue" (The Company)
"It's a Wedding" (The Company)
"Wedding Hymn" (The Company)
"Death Song" (Nathan Mdlele)
"King Kong--Reprise" (The Company)
"Sad Times, Bad Times--Finale" (Orchestra)


The story of the play[edit]
From the London cast recording liner notes (no indication of copyright):
In the dim light of early morning the township people set out for work (Sad Times, Bad Times). As Pauline, the washerwoman, leaves to deliver a bundle of washing a boy picks out a tune on a penny whistle—the "Little Kong" song, which has become a great favourite with the children. This sets the group reminiscing about the life of King Kong, who has become something of a legend in the township. And so we see the great King Kong in his hey-day, surrounded by photographers, journalists and an excited township crowd (Marvelous Muscles). There's a big fight coming off, and everybody is confident it will be a pushover for the Champ (King Kong). King wins the fight and takes his friends to celebrate in Back of the Moon, the township's most famous shebeen (Kwela Kong).
Joyce, who is the "shebeen queen," falls for King (Back of the Moon). Their love affair goes off at a hot pace, which is unlucky for Petal, who has a secret passion for the prizefighter (The Earth Turns Over). It is also bad news for Lucky, the fast and fancy leader of the Prowlers gang, who had previously been Joyce's man. Later, Lucky and his gang corner Popcorn, King Kong's friend and second, and King and his crowd arrive just in time to save him. In the ensuing brawl, King kills one of the gangsters with his fists, and Lucky swears to get even with him (Damn Him!).
King spends ten months in the cells awaiting trial and Joyce finds new male company. King's trainer, Jack, signs up a new heavyweight, and continues with his pursuit of Nurse Miriam Ngidi. With King out of the picture, the Prowlers have it all their own way in the township. Then one Sunday when the streets are full of people (Gumboot Dance) King Kong returns home acquitted. Everybody is overjoyed to see him and although King's pleasure sours a little when he learns about the new heavyweight, he is reassured by the tribal welcome home given him by the whole township (King King).
Act Two opens with children playing in the township streets. Popcorn warns the children against boxing and tells of trouble in King Kong's camp (Be Smart, Be Wise). Lights go out, the township turns in for the night, then suddenly—crash! It's another snatch and grab raid by the Prowlers. Things are going badly for King. With Lucky and his gang exerting pressure on any prospective opponents, he can get no proper fights. The best Jack can do is to sign him up with Greb Mabisa, a middleweight. Lucky lets this fight go, knowing it will make a fool of King. Meanwhile, the ex-champ has laid off training, is making no attempt to get fit, and has fallen out with Joyce. But she agrees to give King one more chance, on condition that he never hits another man outside the ring. In the atmosphere of reconciliation, Jack at last announces that he and Nurse Miriam Ngidi are getting married (Quickly in Love).
King loses the fight against Greb. The township is incredulous, and King experiences the scorn and mockery of the early morning bus queue the day after the fight (In the Queue). Lucky and his gang taunt him unmercifully. Enraged, he hits at the people in the queue, and Joyce, in disgust, walks out on him forever.
The whole town comes to Jack and Miriam's wedding (Wedding Hymn) and in the middle of the ceremony King arrives, demanding "Where's Joyce?" A few minutes later Joyce comes in with Lucky, and in that moment King sees not only his own downfall, but Joyce's tragic return to the tough life of the shebeen keeper and gangster's girl. In blind fury, he kills Joyce. At his trial, a showman and eccentric to the end, King dismisses his lawyer, pleads guilty and asks the judge to sentence him to death (Death Song). He is given fifteen years imprisonment, but two weeks later drowns himself in a dam at the farm prison to which he was committed. As the show ends, it is evening in the township yard and the people are streaming back from work.
See also[edit]
King Kong - An African Jazz Opera, Original cast, Gallo, 2003, Catalogue number CDZAC51R
1961 Time magazine review - Cry, the Beloved Country
References[edit]
1.Jump up ^ John Blacking, "Trends in the Black Music of South Africa, 1959-1969", in Elizabeth May (ed.), Musics of Many Cultures: An Introduction, University of California Press, 1980, p. 197.
2.^ Jump up to: a b "King Kong, the first All African Jazz Opera", Soul Safari, 10 August 2009.
3.Jump up ^ Abbey Maine, "An African Theatre in South Africa", African Arts, Vol. 3, No. 4 (Summer, 1970), pp. 42-44.
4.Jump up ^ Percy Tucker - Just the Ticket.
5.Jump up ^ Matshikiza, Todd; Harry Bloom; & Pat Williams. King Kong, an African jazz opera London: Collins, 1961. OCLC 2399779.
6.Jump up ^ John Matshikiza, "An incomplete masterpiece" (5 February 1999), in Todd Matshikiza & John Matshikiza, With the Lid Off: South African Insights from Home and Abroad 1959-2000, Milpark: M&G Books, 2000; pp. 95-96.
7.Jump up ^ "Hugh Masekela - Musical Legend", January 2007.
8.Jump up ^ "KING KONG - AN AFRICAN JAZZ OPERA". Sterns music. Retrieved 2007-03-06.
9.Jump up ^ Muller, Carol Ann (2008). Focus: Music of South Africa. Focus on world music (2nd ed.). Routledge. pp. 88–89. ISBN 0-415-96071-1. Retrieved 2010-06-06.
10.Jump up ^ Jack Hylton Presents King Kong, All African Musical; London Production Cast, Original Cast Recording, Decca #LK 4392, 1961
 

Categories: West End musicals
South African plays





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King Kong (musical)

From Wikipedia, the free encyclopedia

Jump to: navigation, search


 This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2009)

King Kong

Music
Todd Matshikiza
Lyrics
Todd Matshikiza and Pat Willams
Book
Harry Bloom
Basis
the life of Ezekiel Dlamini
Premiere
2 February 1959 – Witwatersrand University Great Hall
Productions
1961 West End
King Kong (1959) was a landmark[1] South African jazz-influenced musical, billed at the time as an "all African jazz opera". Opening in Johannesburg on 2 February 1959 at Witwatersrand University Great Hall, the musical was an immediate success, with The Star newspaper calling it "the greatest thrill in 20 years of South African theatre-going".[2] It "swept South Africa like a storm",[3] touring the country for two years and playing to record-breaking multi-racial audiences, before being booked for a London production in 1961,[4] by which time it had been seen by some 200,000 South Africans.[2]
The music and some of the lyrics were written by Todd Matshikiza. The lyrics were by Pat Willams and the book by Harry Bloom.[5] It was directed by Leon Gluckman with orchestration and arrangements by pianist Sol Klaaste, tenor saxophonist Mackay Davashe, alto saxophonist Kippie Moeketsi and composer Stanley Glasser.
The decor and costumes were designed by Arthur Goldreich, a Jewish communist architect and visual designer (who was later arrested during an apartheid clampdown).
King Kong had an all-black cast. The musical portrayed the life and times of a heavyweight boxer, Ezekiel Dlamini, known as "King Kong". Born in 1921, after a meteoric boxing rise, his life degenerated into drunkenness and gang violence. He knifed his girlfriend, asked for the death sentence during his trial and instead was sentenced to 14 years hard labour. He was found drowned in 1957 and it was believed his death was suicide. He was 36.
After being a hit in South Africa in 1959, the musical played at the Prince's Theatre in the West End of London in 1961. The liner notes for the London cast recording state: "No theatrical venture in South Africa has had he sensational success of King Kong. This musical, capturing the life, colour, and effervescence -- as well as the poignancy and sadness -- of township life, has come as a revelation to many South Africans that art does not recognize racial barriers. King Kong has played to capacity houses in every major city in the Union [of South Africa], and now, the first export of indigenous South African theatre, it will reveal to the rest of the world the peculiar flavour of township life, as well as the hitherto unrecognized talents of its people. The show, as recorded here, opened at the Princes Theatre, London, on February 23, 1961."
The song "Sad Times, Bad Times" was considered a reference at the time to the infamous South African Treason Trial in Pretoria, which had begun in 1956 and lasted for more than four years before it collapsed with all the accused acquitted. Among the defendants were Albert Luthuli (ANC president), secretary Walter Sisulu, Oliver Tambo and Nelson Mandela. According to John Matshikiza, King Kong′s first night was attended by Mandela, who at the interval congratulated Todd Matshikiza "on weaving a subtle message of support for the Treason Trial leaders into the opening anthem".[6]


Contents
  [hide] 1 Cast
2 Songs
3 The story of the play
4 See also
5 References

Cast[edit]
King Kong launched the international career of Miriam Makeba, who played the shebeen queen of the Back of the Moon, a shebeen of the time in Sophiatown.
The male lead was Nathan Mdledle of the Manhattan Brothers. There was a cast of 72.
Others in the cast were Hugh Masekela,[7] Abdullah Ibrahim, Kippie Moeketsi and Thandi Klaasen, all of whom went on to have successful careers. The London cast featured Nathan Mdlele and Peggy Phango, with Joseph Mogotsi, Ben Masinga, Stephen Moloi, Sophie Mgcina, Patience Gowabe and former Miss South Africa 1955 Hazel Futa.
Patience and Hazel later became The Velvettes, the backing vocal singers for Cyril Davies All Stars band and performed backing vocals on the Joe Meek produced single She's Fallen In Love With The Monster Man by Screaming Lord Sutch and the Savages in 1964.
Songs[edit]

Original cast:[8]
"Sad Times, Bad Times"
"Marvellous Muscles"
"King Kong"
"Kwela long"
"Back of the Moon"
"Petal’s Song"
"Damn Him"
"Strange"
"Better than New"
"Mad"
"Quickly in Love"
"In the Queue"
"It’s a Wedding"
"Death Song"

London cast 1961[9][10]
Act I "Sad Times, Bad Times"—Overture (The Company)
"Marvelous Muscles" (Nathan Mdlele and The Company)
"King Kong" (Nathan Mdlele and The Company)
"Kwela Kong" (Orchestra)
"Back of the Moon" (Peggy Phango, Joseph Mogotsi)
"The Earth Turns Over" (Sophie Mgcina and Men)
"Gumboot Dance" (The Company)
"Damn Him!" (The Company)
"Party Tonight"
"King King" (The Company)
Act II "Be Smart, Be Wise" (Ben Masinga, Sophie Mgcina, Lemmy "Special" Mabaso, and Men)
"Crazy Kid" (Lemmy "Special" Mabaso and he Alexander Junior Bright Boys)
"Tshotsholosa-Road Song" (The Company)
"Quickly in Love" (Nathan Mdlele, Peggy Phango, Stephen Moloi, Ben Massinga, Patience Gowabe, Sophie Mgcina)
"In the Queue" (The Company)
"It's a Wedding" (The Company)
"Wedding Hymn" (The Company)
"Death Song" (Nathan Mdlele)
"King Kong--Reprise" (The Company)
"Sad Times, Bad Times--Finale" (Orchestra)


The story of the play[edit]
From the London cast recording liner notes (no indication of copyright):
In the dim light of early morning the township people set out for work (Sad Times, Bad Times). As Pauline, the washerwoman, leaves to deliver a bundle of washing a boy picks out a tune on a penny whistle—the "Little Kong" song, which has become a great favourite with the children. This sets the group reminiscing about the life of King Kong, who has become something of a legend in the township. And so we see the great King Kong in his hey-day, surrounded by photographers, journalists and an excited township crowd (Marvelous Muscles). There's a big fight coming off, and everybody is confident it will be a pushover for the Champ (King Kong). King wins the fight and takes his friends to celebrate in Back of the Moon, the township's most famous shebeen (Kwela Kong).
Joyce, who is the "shebeen queen," falls for King (Back of the Moon). Their love affair goes off at a hot pace, which is unlucky for Petal, who has a secret passion for the prizefighter (The Earth Turns Over). It is also bad news for Lucky, the fast and fancy leader of the Prowlers gang, who had previously been Joyce's man. Later, Lucky and his gang corner Popcorn, King Kong's friend and second, and King and his crowd arrive just in time to save him. In the ensuing brawl, King kills one of the gangsters with his fists, and Lucky swears to get even with him (Damn Him!).
King spends ten months in the cells awaiting trial and Joyce finds new male company. King's trainer, Jack, signs up a new heavyweight, and continues with his pursuit of Nurse Miriam Ngidi. With King out of the picture, the Prowlers have it all their own way in the township. Then one Sunday when the streets are full of people (Gumboot Dance) King Kong returns home acquitted. Everybody is overjoyed to see him and although King's pleasure sours a little when he learns about the new heavyweight, he is reassured by the tribal welcome home given him by the whole township (King King).
Act Two opens with children playing in the township streets. Popcorn warns the children against boxing and tells of trouble in King Kong's camp (Be Smart, Be Wise). Lights go out, the township turns in for the night, then suddenly—crash! It's another snatch and grab raid by the Prowlers. Things are going badly for King. With Lucky and his gang exerting pressure on any prospective opponents, he can get no proper fights. The best Jack can do is to sign him up with Greb Mabisa, a middleweight. Lucky lets this fight go, knowing it will make a fool of King. Meanwhile, the ex-champ has laid off training, is making no attempt to get fit, and has fallen out with Joyce. But she agrees to give King one more chance, on condition that he never hits another man outside the ring. In the atmosphere of reconciliation, Jack at last announces that he and Nurse Miriam Ngidi are getting married (Quickly in Love).
King loses the fight against Greb. The township is incredulous, and King experiences the scorn and mockery of the early morning bus queue the day after the fight (In the Queue). Lucky and his gang taunt him unmercifully. Enraged, he hits at the people in the queue, and Joyce, in disgust, walks out on him forever.
The whole town comes to Jack and Miriam's wedding (Wedding Hymn) and in the middle of the ceremony King arrives, demanding "Where's Joyce?" A few minutes later Joyce comes in with Lucky, and in that moment King sees not only his own downfall, but Joyce's tragic return to the tough life of the shebeen keeper and gangster's girl. In blind fury, he kills Joyce. At his trial, a showman and eccentric to the end, King dismisses his lawyer, pleads guilty and asks the judge to sentence him to death (Death Song). He is given fifteen years imprisonment, but two weeks later drowns himself in a dam at the farm prison to which he was committed. As the show ends, it is evening in the township yard and the people are streaming back from work.
See also[edit]
King Kong - An African Jazz Opera, Original cast, Gallo, 2003, Catalogue number CDZAC51R
1961 Time magazine review - Cry, the Beloved Country
References[edit]
1.Jump up ^ John Blacking, "Trends in the Black Music of South Africa, 1959-1969", in Elizabeth May (ed.), Musics of Many Cultures: An Introduction, University of California Press, 1980, p. 197.
2.^ Jump up to: a b "King Kong, the first All African Jazz Opera", Soul Safari, 10 August 2009.
3.Jump up ^ Abbey Maine, "An African Theatre in South Africa", African Arts, Vol. 3, No. 4 (Summer, 1970), pp. 42-44.
4.Jump up ^ Percy Tucker - Just the Ticket.
5.Jump up ^ Matshikiza, Todd; Harry Bloom; & Pat Williams. King Kong, an African jazz opera London: Collins, 1961. OCLC 2399779.
6.Jump up ^ John Matshikiza, "An incomplete masterpiece" (5 February 1999), in Todd Matshikiza & John Matshikiza, With the Lid Off: South African Insights from Home and Abroad 1959-2000, Milpark: M&G Books, 2000; pp. 95-96.
7.Jump up ^ "Hugh Masekela - Musical Legend", January 2007.
8.Jump up ^ "KING KONG - AN AFRICAN JAZZ OPERA". Sterns music. Retrieved 2007-03-06.
9.Jump up ^ Muller, Carol Ann (2008). Focus: Music of South Africa. Focus on world music (2nd ed.). Routledge. pp. 88–89. ISBN 0-415-96071-1. Retrieved 2010-06-06.
10.Jump up ^ Jack Hylton Presents King Kong, All African Musical; London Production Cast, Original Cast Recording, Decca #LK 4392, 1961
 

Categories: West End musicals
South African plays





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This page was last modified on 13 October 2013 at 18:10.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy.
 Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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Powered by MediaWiki