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The Long Way Home (Buffy comic)
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"The Long Way Home"

Cover of Buffy the Vampire Slayer Season Eight: The Long Way Home trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
March – June 2007
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #1-4
Main character(s)
Buffy Summers
Xander Harris
Willow Rosenberg
Dawn Summers
Rupert Giles
Andrew Wells
Amy Madison
Warren Mears
Creative team

Writer(s)
Joss Whedon
Penciller(s)
Georges Jeanty
Inker(s)
Andy Owens
Colorist(s)
Dave Stewart
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"The Long Way Home" is the first arc from the Buffy the Vampire Slayer Season Eight series of comic books, a direct continuation of the television series of the same name. It is written by creator Joss Whedon.[1] It ran for four issues. The first issue was released on March 14, 2007,[2] and the final issue of the arc was released on June 6, 2007.[3] A collected edition of the arc was released on November 14, 2007.[4]


Contents  [hide]
1 Plot 1.1 Part I (Issue #1)
1.2 Part II (Issue #2)
1.3 Part III (Issue #3)
1.4 Part IV (Issue #4)
2 Production
3 Reception
4 Timing
5 Canonical issues
6 References

Plot[edit]
Part I (Issue #1)[edit]
Buffy is leading a squad of Slayers—including three named Leah, Rowena, and Satsu—in a raid on a large, dilapidated church protected by a forcefield. She reveals that there are at least 1800 Slayers now active, 500 of whom are working with the Scooby Gang spread over ten squads. There are two Slayers posing as decoys of her, lest she become an easy target; one literally underground and another in Rome publicly partying and dating the Immortal. Working with Xander, who is running things at Slayer headquarters in Scotland (Buffy refers to him as a Watcher despite his objections) with a team of computer workers, psychics and mystics, including a Slayer named Renee, Buffy and her squad find three monstrous demons. There are also three dead humans.
The demons are killed in battle. The humans have odd symbols carved in their chest and there are nearby automatic weapons. Buffy tells Xander to send a copy of the symbol to Giles, when another Slayer finds the machine that generated the force field, also presumably belonging to the victims. There is a shadowed spy nearby.
In Sunnydale, General Voll of the United States Army surveys the crater left after the collapse of the Hellmouth, calling the Slayers a threat to the United States government and likening their squads to terrorist cells. A government expedition is being led sixty feet under the Hellmouth, but is cut short when one of the exploratory members encounters something.
Buffy takes a break from studying the symbol to talk to Dawn. She is now giant-size; the others believe it was because her ex-boyfriend is a 'Thricewise' but Dawn remains quiet on the topic. The two have been feuding since the destruction of Sunnydale. It is revealed the government is working with Amy Madison who wants to destroy the Slayers. Amy has an ally that Voll has captured.
Part II (Issue #2)[edit]
Giles and Buffy, in different locations, are both disappointed in the fighting techniques of the Slayers they are training. They encourage the groups to use teamwork. Buffy compliments the Slayer Satsu on her skills and hair. In Southern Italy, Andrew is outside with a group of Slayers. He tries to go with a lecture on combat techniques but is distracted with talk of Lando Calrissian.
Xander wonders if Dawn has made herself giant sized to gain attention from her sister; Dawn splashes Xander in return. Elsewhere, General Voll and his assistant discuss possible plans to destroy Buffy and her Slayers, from Amy Madison to a nuclear bomb. It's revealed Voll has the same symbol as the victims Buffy found earlier.
Buffy has a sexual dream concerning Xander, which segues into a demon crucifying her. Amy Madison tries to kill Buffy, but fails and is trapped inside the castle by magic. However, she succeeds in cursing her with a sleeping spell that can only be lifted by the kiss of true love; later established to be simply one who loves Buffy.
Renee and another Slayer discuss the attraction the former is developing for Xander. Then kilted zombies attack, summoned by Amy. As the Slayers fight the zombies, both sides taking casualties, Buffy is visited in her dreams by a mysterious figure. Willow Rosenberg appears to force Amy to stop the zombies.
Part III (Issue #3)[edit]
The figure in the duster and red shirt is revealed to be Ethan Rayne, a former friend of Giles and chaos-worshipping sorcerer. He reveals that they are trapped within Buffy's dreamspace, the conglomeration of all of a person's possible dreams. Ethan urges Buffy to escape so she can help the battle raging outside. He gives hints about 'Twilight'.
Amy Madison is defeated, but Buffy is still locked in a coma. Only a kiss from someone who loves her can free her. Willow commands all surrounding her to close their eyes. They do and someone kisses Buffy. She awakens with the cry of "Cinnamon Buns!".
Giles contacts a demon of the same breed as those killed in Part 1, asking for information about the symbol found on the bodies. The demon insists that the symbol is meaningless to his kind. Xander warns Andrew and comforts Renee.
Despite being subdued, Amy's magics transport Willow to an Army base; it is revealed Amy has allied herself with Warren Mears.
Part IV (Issue #4)[edit]
As he prepares to torture and mutilate Willow, Warren tells how Amy found and rescued him from death, she is now his 'skin'.
Buffy's mystical allies will only be able to transport two back to the Army base. Buffy chooses Satsu and borrows her cinnamon lip gloss.
When the portal is opened, Voll has already set up a high powered energy cannon to blast anyone on the other side of the wormhole. Fortunately for Buffy, Xander had already taken the necessary precautions by rigging a large mirror to reflect the energy blast back through the portal, destroying the cannon and leaving Voll's squad badly damaged and uncoordinated. Buffy and Satsu then appear through the opening. Slayer Scythe in hand and Satsu at her side, Buffy takes on the entire squad, mortally wounding many. This gives her the perfect leverage for the location of her friend, as Willow will be able to heal them.
Willow is being lobotomized but mysterious elemental beings somehow manifest. They warn her that she cannot come back if she dies at Warren's hands. They inspire her to fight back. She goes 'dark' and frees herself. She slowly heals her own injuries. Willow also channels magical energy into Buffy. This and an illusion of Catherine Madison (Amy's body-stealing mother) allows Buffy's group to win, at least temporarily.
Buffy learns they are two miles south of Sunnydale. She discovers Voll has slain Ethan Rayne and is a follower of the concept of 'Twilight', the recurring symbol supposedly means the end of the Slayer line. General Voll believes the Slayers will take power because their demonic-origins will corrupt them.
Production[edit]
 Wikiquote has a collection of quotations related to: The Long Way Home
Joss Whedon returns to the series four years after writing the television series' finale. Throughout the issues, he slips references to past episodes in the dialogue. Willow's comment "I'd like to test that theory" was first uttered by Giles in season six. Amy's reference that Willow attempted to end the world occurred in "Grave." When Willow's hair turns black, Dawn questions her if she's evil again ("Villains.") Whedon also adds pop-culture references: Xander and Renee discuss Nick Fury, the fictional Marvel Comics character, who wears an eye patch similar to Xander's.
Like Whedon, Georges Jeanty references past episodes as well as pop-culture in the artwork. In part 3, Buffy's inner psyche feature images of past characters and events. Such instances include The Master, her mother Joyce Summers, Angel, Faith, Caleb, Buffy's doodled notebook ("The Prom,") Joyce's corpse ("The Body,") and Buffy, Willow, Xander's high school graduation ("Graduation Day.") One image also features Joss Whedon himself. Finally, when Andrew is playing strip poker with the Slayers, one of the girls is reading Fray, the actual graphic miniseries by Joss Whedon comic about a future Slayer. Buffy later time travels to the future and meets Fray.
Reception[edit]
The resurrection of the series was both a critical and commercial success. Entertainment Weekly was quoted praising that "creator Whedon effectively sucks devotees back into his Hellmouth."[5]
Elizabeth Anne Allen, who portrayed Amy in the television series commented favourably on the story, describing it as "awesome" and commenting that "[Season Six/Seven] was fun.... but I really would have loved to play Amy in Season 8. She is much darker."[6]
Timing[edit]
Intended to be set after BtVS's seventh season. The story takes place "at least a year and a half" after the events of "Chosen",[7] placing it at its earliest in the latter half of 2004 and after the events of "Not Fade Away".
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described as 'canon' by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since Whedon is writing this arc, it will be seen as a continuation of the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel" continuity.[8]
References[edit]
1.Jump up ^ Rickey A. Purdin (2006-12-20). "Buffy Season 8". Wizard Entertainment. Archived from the original on 2007-01-25. Retrieved 2007-02-15.
2.Jump up ^ "Dark Horse Comics > Preview > Buffy the Vampire Slayer #1". Dark Horse Comics. Retrieved 2007-02-15.
3.Jump up ^ "Dark Horse Comics > Profile > Buffy the Vampire Slayer Season 8: #4". Dark Horse Comics. Retrieved 2007-06-10.
4.Jump up ^ "Comics Continuum by Rob Allstetter: Dark Horse Comics for September". Comics Continuum. Retrieved 2007-06-11.
5.Jump up ^ "Dark Horse official website".
6.Jump up ^ SlayAlive Interview: Elizabeth Anne Allen, SlayAlive.com.
7.Jump up ^ Edward Gross (2007-02-07). "Joss Whedon - Season Eight: Part 2". GeekMonthly.com. Retrieved 2007-02-15.
8.Jump up ^ Mata, Shiai, "CHRISTOPHER GOLDEN INTERVIEW 2", SlayerLit.us (2007).
Preceded by
First Episode Buffy the Vampire Slayer Season Eight storylines
 2007 Succeeded by
The Chain


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2007 in comics
Comics by Joss Whedon





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The Chain (Buffy comic)
From Wikipedia, the free encyclopedia
Jump to: navigation, search


"The Chain"

Cover of Buffy the Vampire Slayer Season Eight: The Chain
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
July 2007
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #5
Main character(s)
Buffy decoy
Creative team

Writer(s)
Joss Whedon
Artist(s)
Paul Lee
Inker(s)
Andy Owens
Colorist(s)
Dave Stewart
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"The Chain" is the fifth issue of the Buffy the Vampire Slayer Season Eight series of comic books, a continuation of the television series of the same name. It is written by creator Joss Whedon.[1] It is dedicated to the late Janie Kleinman, a network executive whom Whedon worked with and admired.[2]


Contents  [hide]
1 Plot
2 Production
3 Reception
4 Canonical issues
5 Timing
6 References

Plot[edit]
"The Chain" focuses on one of the Slayers used by Buffy Summers as a decoy to fool her enemies.[1] The comic is a standalone issue, and features no appearances from Buffy herself, although season seven characters Andrew Wells, Rupert Giles, Vi, and Rona play small roles. The story is told through parallel narratives, showing the Slayer's calling, assignment as a Buffy decoy, and death.
The story itself is largely narrated by the Buffy decoy. An unnamed Potential Slayer, she is activated during the events of "Chosen". She is violently thrown on her back by the calling but then saves the lives of her schoolmates with her newfound powers. After seeing a commercial on local television starring Andrew and Vi, the girl finds the Slayer organization and "the chain" to which all Slayers are connected. While fighting vampires with a squad of Slayers, the narrator intervenes to save a fellow Slayer and is bitten by a vampire. Squad leader Rona identifies the Slayer as a candidate to serve as a Buffy decoy in an underground society of demons, monsters, and faeries. The girl is ultimately killed by the demon she was sent to deter, Yamanh, who is proud to have slain Buffy Summers. Following her demise, other Slayers drop in to dispose of Yamanh and his followers, who are engaged in battle with the underground clans of faeries, slugs, raven-like demons, and a "leafblower" type looking mystical creature that the decoy had united against Yamanh. The narrator's final thoughts suggest she is happy to have saved the world and been part of "the chain", even if her own name will never be known.
Production[edit]
Editor Scott Allie describes "The Chain" as an important story: "Joss put a lot into this one. If it were an episode of the show, he would have directed it."[3]
Paul Lee penciled the issue, proceeding Georges Jeanty, who returns the following issue. In one panel, Lee depicted past Slayers such as the First Slayer, the Righteous Slayer, Naayéé'neizgháni the Navajo Slayer, Nikki Wood, Elizabeth "Edward" Weston, Anni Sonnenblume, and the Chinese Slayer. In the same panel, season one villain The Master appears in the background along with a Turok-Han.
Reception[edit]
In a Harvard Independent review, "The Chain" received particular praise for "creating webs of complex and intellectually stimulating meaning" using the medium of comics.[4]
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described as 'canon' by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since Whedon is writing this story, it will be seen as a continuation of the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel" continuity.[5]
Timing[edit]
Intended to be set after Buffy's seventh season. The timing is uncertain. It is possibly set sometime after "The Long Way Home", part 1 as Buffy refers to her decoy as alive, although Rona intimates that her existence is somewhat secretive and therefore the fact that she is dead may not have ever reached Buffy.
References[edit]
1.^ Jump up to: a b "Dark Horse Comics > Profile > Buffy the Vampire Slayer #5". Dark Horse Comics. Retrieved 2007-06-10.
2.Jump up ^ Whedon, Joss (February 2008), "Slay The Critics", Buffy The Vampire Slayer #11
3.Jump up ^ Allie, Scott (June 2007), "Slay The Critics", Buffy The Vampire Slayer #4
4.Jump up ^ Buffy the TV Slayer, Harvard Independent. Doan, Truc.
5.Jump up ^ Mata, Shiai, "CHRISTOPHER GOLDEN INTERVIEW 2", SlayerLit.us (2007).
Preceded by
"The Long Way Home" Buffy the Vampire Slayer Season Eight storylines
 2007 Succeeded by
"No Future for You"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2007 in comics
Comics by Joss Whedon






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Log in



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Talk










Read

Edit

View history
















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Contents
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This page was last modified on 8 September 2013 at 17:08.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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http://en.wikipedia.org/wiki/The_Chain_(Buffy_comic)































































No Future for You
From Wikipedia, the free encyclopedia
Jump to: navigation, search


"No Future for You"

Cover of Buffy the Vampire Slayer Season Eight: No Future for You trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
September – December 2007
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #6-9
Main character(s)
Faith Lehane
Rupert Giles
Creative team

Writer(s)
Brian K. Vaughan
Penciller(s)
Georges Jeanty
Inker(s)
Andy Owens
Colorist(s)
Dave Stewart
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"No Future for You" is the second story arc of the Buffy the Vampire Slayer Season Eight series of comic books, based upon the television series of the same name, and is written by Brian K. Vaughan.[1] The storyarc would be reprinted in trade paperback under the publication of Dark Horse Comics on June 4, 2008.


Contents  [hide]
1 Plot 1.1 Part I (Issue #6)
1.2 Part II (Issue #7)
1.3 Part III (Issue #8)
1.4 Part IV (Issue #9)
2 Production
3 Canonical issues
4 Timeline
5 References

Plot[edit]
Part I (Issue #6)[edit]
Faith sits atop the Art Deco Hope Memorial Bridge in Cleveland, smoking. After somewhat cynically reminiscing that her mother used to read Oh, The Places You'll Go! to her as a child, she receives a telephone call from Robin Wood. Wood and his "squad" are taking care of a vampire nest, but he tells Faith that one of the vampires they staked used to be a single mother and asks Faith to go check on the children. Faith arrives at the dead woman's house and finds six children, all vampires. After quickly dusting them, she heads back to her apartment.
She finds Rupert Giles waiting for her and drinking tea. Giles needs Faith for a dangerous mission with high stakes. If she succeeds, he will give her a passport to anywhere, with a new name and an early retirement. Faith agrees, and finds out Giles wants her to kill a rogue Slayer for whom there is no hope of rehabilitation. Giles trains a reluctant Faith to pass as an English aristocrat, so that she can crash Lady Genevieve's 19th birthday party and assassinate her.
In Scotland, Buffy and Xander are training. After Buffy questions him, Xander states that he needs to train so he can be Renee's sparring partner. After Buffy makes fun of his love interest, she stares blankly at the symbol of twilight from the first arc. Buffy confides that she has a recurring nightmare in which a monster says, "The Queen is dead. Long live the Queen" and then devours her.
Now in England, Faith dresses for the party while Giles gives her a last-minute quiz in etiquette. Faith appears at the top of the stairs in an elegant gown, ready to leave for the party, and asks Giles if things are all right, to which Giles responds that things are "five by five."
Part II (Issue #7)[edit]
Faith has a flashback of her battle with Buffy ("Graduation Day"). In the present, Faith has arrived at Genevieve's party, with a knife concealed in her hair. She hears Giles through an earbud, but throws it away, saying, "I've got enough voices in my head already." When Faith is inside, she pulls the knife from her hair, ready to attack Genevieve. Faith wonders why she is so nervous about this, when she has killed people before. Meanwhile, Roden watches over the party, and speaks to some of his flying gargoyles, telling them to be wary of the fourth person in Genevieve's receiving line: Faith.
In Scotland, Dawn and Willow have a conversation, and it turns around to the subject of Kenny, with whom everyone thinks Dawn had sex. Despite Willow's attempts to cheer up Dawn, she cries a little and is about to open up to Willow, when Renee brings the message that Buffy needs Willow's advice on computer security.
Later, Faith is outside Genevieve's house, smoking a cigarette and seems to be experiencing trepidations about her assignment. However Faith is determined to go back in and kill Genevieve once she has finished smoking. Genevieve startles Faith, who introduces herself as Hope Lyonne, daughter of the Viscount Avalon. As they chat about life and family, Faith slowly draws out the knife from her hair. Suddenly, Faith is lifted off her feet by Roden's flying gargoyles. She climbs onto one and sends it crashing to the ground. After disposing of the other, she faints.
In Genevieve's room, she and Roden argue whether or not to kill the unconscious Faith. Genevieve doesn't want to and thinks Faith would be a great asset as a partner. Faith wakes up and talks to Genevieve. When Genevieve mentions that she wants to overtake the queen, Faith asks if Genevieve is going to kill the current queen of Britain. Genevieve opens her closet, which is filled with pictures of Buffy, the symbol of Twilight marked on one of them, and says, "No, Hope. Not Elizabeth."
Part III (Issue #8)[edit]
After discovering Genevieve is planning to kill Buffy, Faith jumps to the conclusion that Giles sent her to save Buffy from Genevieve. Nevertheless, she continues her assignment, and convinces Genevieve that she has sided with her. They immediately start bonding, even taking a bath together.
Outside the Savidge Manor, Giles along with a freelancer is trying to break into the manor to rescue Faith. The freelancer suggests that Faith has gone "native", and she's not working for Giles anymore.
In Scotland, Buffy and Willow are fixing up some of the force fields around the arena and discussing how they should respond to the danger posed by the army. Genevieve and Roden teleport Buffy to their stately home. Buffy and Genevieve fight, while Faith watches from a balcony. While the rogue Slayer proves to be an accomplished fighter, she is defeated by the more experienced Buffy. As Buffy is about to deliver the killing blow, and Roden prepares to attack Buffy with magic, Faith leaps into the fight. Buffy accuses her of switching sides again, despite Faith's attempts to convince her otherwise. Buffy attacks Faith, and during the ensuing battle, Faith almost drowns Buffy in a swimming pool, but comes to her senses in time. At that moment, Willow teleports Buffy back to Scotland, leaving Faith alone and shaken. While Buffy orders Willow to contact Giles immediately, back at the Savidge residence, Faith sits crestfallen as Genevieve approaches and prepares to swing an axe at her head, realizing that her friend has betrayed her...
Part IV (Issue #9)[edit]
A flashback to a scene in Buffy the Vampire Slayer's third season, between the Mayor and Faith, shows how Faith currently views the Mayor. She knows he was wrong and evil, yet how she can't help but feel loved when she thinks of him. Once the flashback ends, Genevieve and Faith start to fight. Faith tries to make Genevieve understand that Roden is wrong and is steering her in the wrong direction, but Genevieve refuses to listen.
Outside Savidge Manor, Giles and the freelancer are still trying to break in to the grounds. Giles talks to Willow and Buffy. Willow adds her magic to his task; Buffy conveys she is angry with him for recent incidents.
Back in the greenhouse, Faith and Genevieve are still fighting. Faith mortally wounds her opponent in self-defense and begs Roden to heal her. He tries to recruit her instead, an offer she turns down. Roden attacks, only to be slain by Giles.
The following morning, Faith and Giles discuss the situation and agree to be 'social workers' for rogue Slayers, especially considering Buffy is mad at both of them.
Somewhere on top of a plateau a woman named Lieutenant Molter talks to a floating figure called Twilight. He states Roden and Gigi's deaths were part of a plan and Buffy will die soon enough.
Production[edit]
Joss Whedon and Brian K. Vaughan collaborated in breaking down the story, before Vaughan penned the four-part story individually.[2] Vaughan had previously pitched the broad strokes of the story at a dinner with Whedon, Tim Minear and Drew Goddard as a direct-to-DVD Faith movie.[3] There were some presumptions that Vaughan would have difficulty writing the characters' dialogue, given that he wasn't a member of the TV series' writing staff. Despite so, Vaughan proved otherwise. Whedon himself was compelled to tell Vaughan what great lines he had written to Faith specifically.[2] His writing, like the series', featured numerous pop-culture references. The title itself refers to a verse from the song "God Save the Queen" by the Sex Pistols. Other rock song lyrics are mentioned by characters as well: Faith tells Giles she's "the go-to girl for dirty deeds done dirt cheap," whereas Roden paraphrases Pink Floyd's song "Another Brick in the Wall" with the phrase "as a wise man once said, you can't have any pudding if you don't eat your meat." Giles, sporting a jumper with a Yellow Submarine design, refers to "the great bearded wizard of Northampton": a nod to legendary comic book writer and magician Alan Moore. Buffy refers to Lady Genevieve and her accomplices as Faith's 'droogs', a term used in Anthony Burgess's A Clockwork Orange to define friend or associate. Finally, whilst training, Xander makes reference to Snake Plissken, the eye-patch wearing anti-hero of Escape from New York.
Georges Jeanty returned since penciling the first four issues. He too included pop-culture references in the artwork, such as Giles' jumper. He humorously penciled the Tenth Doctor and Rose Tyler from British science fiction television series Doctor Who. Jeanty also references to past Buffy episodes, such as Xander's Sunnydale High School's swim team T-shirt; Xander had previously joined the swim team to investigate the deaths of some of its members in season two. In a flashback sequence in "No Future for You, Part II", Jeanty replicated the scene from "Graduation Day". He detailed the panels to the televised episode with such detail including Buffy and Faith's blocking.
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described as canon by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since this story is part of the larger canonical Season Eight plotted by Whedon, it is considered to continue from the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described by their writer Christopher Golden as being set in an unofficial "parallel" continuity.[4]
Timeline[edit]
Intended to be set at least a year and a half after BtVS's seventh season. The precise timing of this arc is currently uncertain.
References[edit]
1.Jump up ^ "Comics Continuum by Rob Allstetter: Dark Horse Comics for September". Comics Continuum. Retrieved 2007-06-11.
2.^ Jump up to: a b Stakes and Salvation: An Interview with Scott Allie.[dead link]
3.Jump up ^ "Talking Faith & Buffy With Brian K Vaughan - Newsarama". Forum.newsarama.com. 2007-08-23. Retrieved 2011-03-20.
4.Jump up ^ Mata, Shiai, "CHRISTOPHER GOLDEN INTERVIEW 2", SlayerLit.us (2007).
Preceded by
"The Chain" Buffy the Vampire Slayer Season Eight storylines
 2007 Succeeded by
"Anywhere But Here"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2007 in comics
Comics based on Buffy the Vampire Slayer







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Create account
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Anywhere but Here (Buffy comic)
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Jump to: navigation, search


"Anywhere but Here"

Cover of Buffy the Vampire Slayer Season Eight: Anywhere but Here
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
January 2008
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #10
Main character(s)
Buffy Summers
Willow Rosenberg
Xander Harris
Dawn Summers
Kennedy

Creative team

Writer(s)
Joss Whedon
Artist(s)
Cliff Richards
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Anywhere but Here" is the tenth issue of the Buffy the Vampire Slayer Season Eight series of comic books, a continuation from the television series of the same name. It is written by Joss Whedon.


Contents  [hide]
1 Plot
2 Production 2.1 Writing and artwork
2.2 Dark Horse contest
3 Canonical issues
4 Timing
5 References

Plot[edit]
Threatened by Twilight's rising, Willow and Buffy fly under Willow's magical power to question a demon named Sephrilian (one of the Old Ones) about the matter. During their flight, they play a game called "Anywhere But Here" in which they detail their personal fantasies. When Buffy questions Willow about Kennedy's whereabouts, Willow avoids the question just as they finally arrive at the lair that resembles an old cottage. They are greeted by Robin, a Minder, who stabilizes reality around the hut, which is made unstable by the presence of Sephrilian. She warns Willow not to use magic inside and informs Buffy to "rescue the prince," much to their confusion. The two enter the lair and find themselves set on a never ending staircase.
At the castle, Xander surprises the giant-sized Dawn with a gift: her trunk full of clothes and articles enlarged to fit her. Amongst her possessions, Xander comes across a picture of regular-sized Dawn with her ex-boyfriend Kenny. Dawn finally reveals to Xander that she never slept with Kenny like she had informed everyone. She had in fact slept with his college roommate. Xander comforts her saying that she's only guilty of being human. He asks if she feels better getting it off her chest. She doesn't respond.
Buffy and Willow meet Sephrilian, a demon that has the ability to walk between worlds, in order to determine what Twilight signifies. Sephrilian replies: "The death of magic;" he claims that their fear is "sickeningly sweet," as Twilight represents the triumph of humans over demons, the end of the Hellmouths, and that this will be Buffy's life's work achieved. Sephrilian grows impatient with the human natural propensity to lie and hide from reality, and decides to send Buffy and Willow through a series of visions revealing past and future events.
In the first vision, Buffy and Willow find themselves looking on as Buffy and other Slayers rob a Swiss Bank Account for their personal funds, several months ago. Willow explains to Buffy that this is what the government feared: Slayers acting above the law. As a result of Buffy's desire to see the bad things Willow has done, a brief scene from the past reveals Willow intimately involved with a Nāga-like snake woman that granted her mystical knowledge.
Afterward, they are joined by an image of Robin in a new setting: Buffy on the floor of a foggy stone room, beaten, cut, and crying. Robin says she didn't expect Sephrilian to show them this, and explains that the scene shows a betrayal by "the closest and most unexpected." She senses that Buffy and Willow are about to cause a disruption and leaves. When Buffy asks Willow if Willow is the betrayer, she gives an evasive answer that is supplemented by a vision where Willow and Kennedy were arguing and Willow eventually confessed that she blames herself for Tara's death and Sunnydale's deterioration. Willow explained that while she and Tara could have left Sunnydale and lived happily, she could not bring herself to either let Buffy stay dead or desert her after her resurrection. She is determined to avoid the same thing happening to Kennedy. Buffy witnesses the revelation in disbelief.
Suddenly, Sephrilian returns and informs them that he welcomes the upcoming war, saying he now knows their weaknesses and that he plans to tell the rest of the demon world. Buffy attacks, and Willow conjures her a magical sword to quickly defeat the demon, but because she performed magic the lair explodes as the unstable reality field around it collapses. However, Robin contains the blast and magically rebuilds the hut within seconds. She thanks them for killing Sephrilian and giving her a temporary reprieve from her duties, and asks what happened in there. Buffy explains "It was demons. Playing games," and she and Willow walk away in silence.
Production[edit]
Writing and artwork[edit]
Joss Whedon returns as writer for the first time since "The Chain". Cliff Richards joins the team as penciller, replacing the series' regular Georges Jeanty for this issue. Although this is Richard's first issue penciling for Buffy Season Eight, he has previously worked on past Buffy comics including "Slayer, Interrupted", "Play with Fire", and "Jonathan". "Anywhere but Here" is 25 pages as opposed to its usual 22, as stated in the letters column of issue 9.
Dark Horse contest[edit]
Dark Horse Comics held a contest for one reader to be given a cameo shot in Buffy.[1] The winner was Robin Balzer, who had an entry written on her behalf by her husband, Jerrod.[2] The essay was the couple watching Buffy and sharing it together at the beginning of the onset of Robin's schizophrenia.
Upon reading the winner's entry, Whedon decided to expand that character's role and feature her as a critical part of the story, as opposed to a simple cameo.[2] She appears in this issue as well as on the variant cover with Buffy and Willow.
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described as 'canon' by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since Whedon is writing this story, it will be seen as a continuation of the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel" continuity.[3]
Timing[edit]
Intended to be set after BtVS's seventh season. The precise timing of this arc is currently uncertain.
References[edit]
1.Jump up ^ "Announcement of contest winner". Darkhorse.com. 2011-01-20. Retrieved 2011-03-20.
2.^ Jump up to: a b "A Mind Interrupted: Robin Balzer's "Buffy" Story". Comic Book Resources. 2008-01-08. Retrieved 2011-03-20.
3.Jump up ^ Mata, Shiai, "CHRISTOPHER GOLDEN INTERVIEW 2", SlayerLit.us (2007).
Preceded by
"No Future for You" Buffy the Vampire Slayer Season Eight storylines
 2008 Succeeded by
"A Beautiful Sunset"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2008 in comics
Comics by Joss Whedon






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A Beautiful Sunset
From Wikipedia, the free encyclopedia
Jump to: navigation, search


"A Beautiful Sunset"

Cover of Buffy the Vampire Slayer Season Eight: A Beautiful Sunset
 Art by Jon Foster

Publisher
Dark Horse Comics
Publication date
February 2008
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #11
Main character(s)
Buffy Summers
Xander Harris
Dawn Summers
Satsu
Renee
Twilight

Creative team

Writer(s)
Joss Whedon
Penciller(s)
Georges Jeanty
Inker(s)
Andy Owens
Colorist(s)
Michelle Madsen
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"A Beautiful Sunset" is the eleventh issue of the Buffy the Vampire Slayer Season Eight series of comic books, a continuation of the television series of the same name. It is written by series creator Joss Whedon.


Contents  [hide]
1 Plot
2 Production
3 Canonical issues
4 References

Plot[edit]
Buffy reflects on her long history of being a Slayer and awakening the thousands of other girls around the world. In flashbacks of her narrative it is clear that in each battle the Scoobies and the others have fought came with sacrifice, but in a way, came with connection as well. Buffy admits that while it can be a bother sacrificing her life as well as others, it has always been done for the better. She has grown, she has moved on to the better and potential she always knew that she could live up to. Next, Xander and Buffy discuss a major problem: Simone Doffler. Xander tells Buffy that they tried to remove Simone from her rough, urban environment, but see her on a security tape stealing ammunition and other things in a robbery, the unconscious bodies of two guards are also found in the tapes. Buffy feels worried that she is not making a big change in the Slayer community and feels that what the government and everyone else thinks is true, slayers are acting above the law and she is not making the difference she says she is making. Xander comforts her and reassures her that things are going to be all right. The two then reflect on the revelation that Buffy stole from a lucrative bank to support her and the Slayer army and how she and Willow are having complex issues. Xander suggests that she ease her worries by going on a vampire hunt; Buffy decides to bring a "date", namely Satsu.
While the other Slayers and giant Dawn are celebrating at a huge party to ease their recent stresses, Buffy gears up to go on her vampire hunt. Satsu follows and Buffy forces her into the vampire lair. While the two are slaying, Buffy discusses how she knows that it was Satsu who gave her the kiss of true love when Buffy was bound in a magical sleep. While Buffy appreciates the gesture as kind and sweet, she isn't interested in Satsu in a romantic way. Buffy tells Satsu of her romantic history and how all of her relationships, be it romantic, family, or friends, end with someone being hurt. Buffy states that there is something wrong with her, that everyone notices that something around her is wrong, that she can never really love, and like all Slayers, will be alone. She breaks down in tears but the moment is interrupted with a surprise attack from the malevolent Twilight. Satsu is knocked out, while Buffy and Twilight have a brawl in the air. Twilight bests Buffy in battle with moves she has never witnessed and takes her fear of flight to a whole new level by taking the fight into the air above the town. When he is about to throw the steeple of a church at her, Buffy tells him that killing her will only bring more Slayers to the call, that there will only be more to deal with. It is revealed that Twilight doesn't want to kill Buffy, yet. He wants to talk to her. He reveals that one Slayer in the world was enough to deal with, thousands is not tolerated. Specifically, he states that the world cannot contain them and eventually everyone will suffer for their existence. Twilight further feeds Buffy's insecurities by stating that they haven't changed the world or made a true difference. He flies off before the rising of the Sun, while Buffy rushes back to the graveyard that she and Satsu were in to help Satsu. While Satsu feels she has failed Buffy, Buffy comforts her.
In an unknown base, Twilight tells his comrades that to truly defeat the Slayer, one must strip her of her greatest armor, her moral certainty. They must twist her view of right and wrong, or twist the views of the ones she helps. Back in Scotland, in an infirmary, a bedridden and bandaged Satsu expresses her disappointment to a bandaged Buffy. Satsu understands Buffy's view on love and ask if she is hurt, Buffy states that she will eventually heal, that together they will heal. Buffy talks to Xander of her confrontation with Twilight and how he was stronger than anything she has encountered so far. She expresses the fears that Twilight released in her, that she wasn't making a difference. Buffy feels that she isn't making a difference, that the girls she awakened weren't and that she didn't have any connection with them. Xander assures her that Buffy awakened confidence and purpose that the girls never had before. Buffy jokes that Xander should just ask Renee out already, while Xander jokes that she shouldn't state the obvious and that she shouldn't change the subject. He assures to Buffy that what she created is more than a monster-fighting army, it is a connected state. Buffy still feels she has no connection amongst the girls, Xander replies that it is not she that is supposed to, the person who brought all of it together gave up her connection so that the others would feel it, so that the other chosen girls could feel like they had a place to fit in, a place where they belonged. Buffy agrees, and in contrast to the opening sees that what she did truly was for the better.
Production[edit]
Writer Joss Whedon continues as writer from the last issue. Georges Jeanty returns as penicller since the No Future For You story arc.
Drawing sequences from the episode "Chosen" are used as flashbacks in the beginning of the story. Including the Slayer who was playing baseball,Willow tapping into the essence of the Slayer Scythe, Rona and Vi being chosen, and Buffy fighting Caleb.
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described as 'canon' by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since Whedon is writing this story, it will be seen as a continuation of the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel" continuity.[1]
Twilight references Buffy killing Caleb in "Chosen" using the scythe by slicing him in two from the crotch up.
The mud on Satsu's face mirrors the sequence in "Restless" in which Buffy spreads mud across her face.
Intended to be set after BtVS's seventh season. The precise timing of this arc is currently uncertain.
References[edit]
1.Jump up ^ Mata, Shiai, "CHRISTOPHER GOLDEN INTERVIEW 2", SlayerLit.us (2007).
Preceded by
"Anywhere but Here" Buffy the Vampire Slayer Season Eight storylines
 2008 Succeeded by
"Wolves at the Gate"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2008 in comics
Comics by Joss Whedon






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Wolves at the Gate
From Wikipedia, the free encyclopedia
Jump to: navigation, search

For the Christian post-hardcore, metalcore band, see Wolves at the Gate (band).

"Wolves at the Gate"

Cover of Buffy the Vampire Slayer Season Eight: Wolves at the Gate trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
March – June 2008
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #12-15
Main character(s)
Buffy Summers
Xander Harris
Willow Rosenberg
Dawn Summers
Andrew Wells
Dracula
Satsu
Renee
Creative team

Writer(s)
Drew Goddard
Penciller(s)
Georges Jeanty
Inker(s)
Andy Owens
Colorist(s)
Michelle Madsen
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Wolves at the Gate" is the third story arc that spreads from the twelfth to the fifteenth issue of the Buffy the Vampire Slayer Season Eight series of comic books, a continuation of the television series of the same name. It is written by Drew Goddard.


Contents  [hide]
1 Plot 1.1 Part I (Issue #12)
1.2 Part II (Issue #13)
1.3 Part III (Issue #14)
1.4 Part IV (Issue #15)
2 Production
3 Controversy
4 Canonical issues
5 Timing
6 References
7 See also

Plot[edit]
Part I (Issue #12)[edit]
At night, Xander and Renee observe a pack of wolves lingering by the moor. Willow arrives at the castle with Andrew, who sends himself off to bed right away, just as Willow is attacked by a mysterious woman shrouded in fog. Meanwhile, Buffy and Satsu talk together in bed, following a surprising one-night stand. They agree to keep it a secret but this does not last as almost instantly, most of their friends barge in with various yet valid excuses.
Various threats keep the Slayers busy as a lycanthrope infiltrates the armory. An assistant helps him steal the Scythe, a powerful Slayer weapon. Xander and Renee act on a hunch and travel to visit Dracula, who Xander sheepishly calls Master.
Part II (Issue #13)[edit]
Fifteen minutes prior to Xander and Renee's visit, Dracula reflects on his solitude. Unlike his previous appearances as young and handsome, he now appears to be a bearded old man in a soiled bathrobe and his reputation amongst the local people has greatly diminished. However, upon hearing that Xander is visiting, Dracula cleans himself up and greets Xander as his "manservant," to which Xander reciprocates by calling him "master." Dracula offends Renee and appalls Xander by referring to Renee as a Moor. Nevertheless, he welcomes the pair inside, despite initially seeming to try to convince them to leave. Dracula reveals that while drunk, he had accidentally gambled away the secret to his powers to the Japanese vampires in exchange for a motorcycle. He agrees to help them defeat the Japanese vampires, despite his hatred of Buffy, claiming: "Nobody steals from Dracula."
In Scotland, Andrew informs young Slayers of Dracula's known various powers and how Dracula and Xander's friendship developed following Dracula's appearance in Sunnydale and after Anya Jenkins's death. Meanwhile, Buffy learns from Aiko, the leader of the Japanese slayer squad, that the leader of the Japanese vampires is named Toru. Buffy prepares to take all the slayers from headquarters to Japan; when Satsu suggests leaving a few as rearguard Buffy snaps at her and demands to have her orders followed. On their flight to Tokyo, Willow approaches Satsu and comforts her about the tension between her and Buffy following their one-night stand. She discusses Buffy's difficult position as general, and reminds Satsu that Buffy is not a lesbian and that she shouldn't get her hopes up. Satsu says she knows, and the serious part of the conversation is over. Willow then jokingly interrogates Satsu as to how Buffy was in bed.
In downtown Tokyo, Aiko keeps a close eye on Toru and Raidon in the streets. However, unbeknownst to her they have spotted her tailing them. Tracking them, she finds herself alone in an alley where Toru has strategically left a mysterious, glowing red ring on the ground for her to pick up. Aiko reaches for it, when suddenly the vampire gang's witch Kumiko flies overhead behind her with the Scythe. For a few seconds, the Scythe, the device, and Aiko conduct a red energy, before Toru appears in front of Aiko and breaks her jaw with a single punch, asking her how it feels to be a regular girl again. Before she can answer, Toru takes a horrific bite in her neck and kills her. Toru looks over at Raidon and claims the beta-test was successful. It is now time to take this technology global. The last panel is of Kumiko flying triumphantly into the sky, revealing a far larger ring device on the roof of a building.
Part III (Issue #14)[edit]
Buffy and the Slayers finally arrive in Tokyo to find Aiko's body strung up against a skyscraper with a message printed beneath her body in blood: "Tokyo He Youkoso" ("Welcome to Tokyo"). As night falls in the Tokyo Slayer headquarters, Dracula arrives and criticizes that neither Buffy nor Willow considered using a containment spell called "Carolina's Grasp" to defeat Toru, despite the fact neither of them are familiar with the spell. Meanwhile, Toru discusses Buffy's arrival in Tokyo and prepares his forces.
Elsewhere, a man smokes a cigarette outside when Renee suddenly approaches him in tears, claiming that she has gotten lost. the man suggests walking her to the hotel by going through a park and then reveals his vampire face when they are alone. Before he can attack, Buffy, Willow, and Xander appear and Willow performs Carolina's Grasp. The vampire finds himself boxed in a magical prison where he can not turn into fog and Willow pours gasoline on the vampire. As Buffy interrogates him, he confesses all of Toru's plan to use the lens to magnify Kumiko's spell and take away the Slayers' powers. Satisfied with the information, Buffy lights him on fire, pointing out that she made no promise to spare him if he talked.
At the Japanese Slayer headquarters, Buffy orders Satsu to stay there with other Slayers while she and others attack Toru and his vampires. Satsu defies her orders, saying that Buffy is either trying to avoid her or protect her and she won't put up with it, which Buffy finds sexually attractive. Xander and Renee discuss awkward situations before first dates and wind up kissing, much to Dracula's discomfort.
Outside of Toru's flat, Buffy, Renee, Xander, Dracula, Satsu, Andrew and Leah are ready to attack the army of about a thousand vampires. Willow summons Dawn, whose giant stature frightens the vampires as she begins to attack them. As Buffy's group storm Toru's flat, she attacks Toru, who turns out to be a decoy. The real Toru appears from behind her with the Scythe and comments they have effectively fallen into his trap.
Part IV (Issue #15)[edit]
Renee becomes a casualty of Toru's trap, much to Xander's grief, while Dracula sends Buffy to retrieve Willow as Dracula prepares to defend Xander. Willow is locked in an aerial battle with the vampire witch Kumiko, who reveals that they are both students of the unknown power Saga Vasuki and thus knows the counters to her spells. However, Willow turns this advantage against Kumiko by tapping into Kumiko's mind. Whether the spell had its intended effect is not clear, but Willow is plunged into a vision of a burning city, the Scythe, and the snake woman Willow was shown intimately involved with in Sephrilian's vision in 'Anywhere But Here'. The snake woman calls her 'Darling Willow' and asks if Willow thought she couldn't find her. She also asks if she thought she could hide from who she is and what is to come. Willow emerges from the vision and passes out, but the spell leaves Kumiko seemingly unaffected. As Willow begins to lose consciousness, Buffy steels herself, then jumps from the penthouse to stab Kumiko midair. She and an unconscious Willow continue falling.
Dawn, leading the fight out on the streets, is confronted by a mecha version of herself, albeit with a tail, who taunts Dawn. With Andrew's coaching, she defeats her mecha double. Toru notices Kumiko's absence, and begins the incantation to de-Slayer Buffy and her army. Dracula, Satsu, and the Slayers burst onto the roof and enter melee with the vampires; when Dracula tackles Toru, the Scythe is sent flying. Satsu jumps off the building to catch it and is flown back to the top of the roof by Willow, who emerged with Buffy from the pool of water Willow had created at the last minute to cushion their fall. Dracula, unable to perform the spell himself because he will be affected as well, directs Willow on the incantation to remove the vampires' special powers. Toru insults Dracula, who proves to be a powerful adversary and cuts off Toru's hands and feet. However, he leaves Xander to execute Toru, as revenge for Renee's death. Buffy comforts Xander as she orders the rest of the slayers to hunt down the fleeing vampires.
The following night, Dracula, who has lost his powers of domination, comes to Xander as he its vigil with Renee's ashes. Xander refuses his company and threatens Dracula when he addresses Xander as "manservant" and similar subordinate titles. Satsu and Buffy have a heart-to-heart, where Satsu confesses both her love for Buffy, and her acknowledgment that she needs to not be in love with her. Satsu asks to be left in Japan as the field office leader, to give them some distance. Buffy agrees, and then they share an intimate night as goodbye. At the same time, Willow is magically communicating with the snake woman (presumably Saga Vasuki), Xander is scattering Renee's ashes, and Dracula is leaving by ship.[1]
Production[edit]
Writer Drew Goddard previously worked for the television series' last season, penning numerous episodes such as "Selfless", "Conversations with Dead People", and "Dirty Girls". In Buffy comics, Drew had previously written the Dracula story "Antique" for the canonical Tales of the Vampires, which depicts Dracula as a man tormented by his aging and loneliness. "Wolves at the Gate" makes reference to "Antique", and Xander's previous enthrallment by Dracula, when Xander comments to Renee in Part I that, "sometimes when I get around this guy, I start acting... wonky."
Goddard had chosen to use two of his favorite characters in the story, Andrew Wells and Dracula. Dark Horse editor Scott Allie comments that Goddard would be the preferred writer should Dark Horse decide to do an Andrew miniseries.[2]
Controversy[edit]
Issue #12 has received a great deal of publicity and criticism. The debate centered on the main protagonist, Buffy, having slept with a fellow Slayer.[3][4] Some critics speculated that Whedon had Buffy involved in a lesbian encounter as a marketing ploy.[5] However, Whedon has profusely denied these claims, adding that it was a logical step for the character in light of the series. Whedon has also been supported by the issue's writer Drew Goddard, Season Eight editor Scott Allie, and reportedly a large number of fans over the Internet.[6] GLAAD honored the arc in March 2009 with its "Outstanding Comic Book" recognition at the 20th Annual GLAAD Media Awards.[7]
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described by Joss Whedon, the creator of Buffy, as a continuation of the official continuity established by the Buffy the Vampire Slayer and Angel television series.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel continuity".[8]
Timing[edit]
Set after BtVS's seventh season. The precise timing of this arc is uncertain.
References[edit]
1.Jump up ^ "Buffy the Vampire Slayer Season 8: #15 Wolves at the Gate". Dark Horse Comics. Retrieved 2008-06-25.
2.Jump up ^ Allie, Scott. "Slay the Critics". Buffy the Vampire Slayer Season Eight (Dark Horse Comics) (12).
3.Jump up ^ Vineyard, Jennifer (2008-03-06). "Buffy The Vampire Slayer In Gay Romance For Next Comic Book Arc". MTV News. Retrieved 2008-06-25.
4.Jump up ^ Gustines, George Gene (2008-03-05). "Experimenting in Bed When Not After Vampires". The New York Times. Retrieved 2008-06-25.
5.Jump up ^ Freidman, Emily (2008-03-06). "Buffy's Romp: Marketing Ploy or Part of the Plot?". ABC News. Retrieved 2008-06-25.
6.Jump up ^ "Scott Allie - "Buffy Season 8" Comic Book - Issue 12 - He comments the fan’s reactions". Whedon.info. 2008-03-08. Retrieved 2008-06-25.
7.Jump up ^ "Tyra Banks, Suze Orman Honored at 20th Annual GLAAD Media Awards". GLAAD. 2009-03-29. Retrieved 2009-03-30.
8.Jump up ^ Mata, Shiai (2007). "Christopher Golden Interview 2". SlayerLit.us. Retrieved 2008-06-25.
See also[edit]
Dracula
Count Dracula
Dracula in popular culture
Preceded by
"A Beautiful Sunset" Buffy the Vampire Slayer Season Eight storylines
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Time of Your Life (Buffy comic)
From Wikipedia, the free encyclopedia
Jump to: navigation, search


"Time of Your Life"

Cover of Buffy the Vampire Slayer Season Eight: Time of Your Life trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
July – November 2008
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #16-19
Main character(s)
Buffy Summers
Melaka Fray
Willow Rosenberg
Dawn Summers
Xander Harris
Creative team

Writer(s)
Joss Whedon
Penciller(s)
Karl Moline
Inker(s)
Andy Owens
Colorist(s)
Michelle Madsen
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Time of Your Life" is the fourth story arc that spreads from the sixteenth to the nineteenth issue of the Buffy the Vampire Slayer Season Eight series of comic books, a continuation of the television series of the same name. The story, written by Joss Whedon, is a crossover with Whedon's earlier Buffy spin-off, the graphic novel Fray (2001-2003), "Time of Your Life" features artwork by Fray co-creator Karl Moline.


Contents  [hide]
1 Plot 1.1 Part I (Issue #16)
1.2 Part II (Issue #17)
1.3 Part III (Issue #18)
1.4 Part IV (Issue #19)
2 Production and writing
3 Canonical Issues
4 References

Plot[edit]
Part I (Issue #16)[edit]
Buffy fights future slayer Melaka Fray, in midair in the future New York City. Flashing back to the past, Xander, Willow, and Buffy discuss what Willow saw during her encounter with Kumiko. Willow believes that she received the message for a reason, and that they must act before they lose another slayer. Dawn, meanwhile, turns into a centaur.
Somewhere in a lab, Twilight and Warren argue about a missile, which is covered in magical runes. They succeed to blasting the Scottish castle in which the 'Scoobies' live. In New York City, Buffy is transported to the future while confronting mystical time disruptions. She then meets Fray.
Part II (Issue #17)[edit]
Fray and her sister Erin find that their sibling Harth, now a vampire, has allied himself with a mysterious, dark haired woman. While supervising kidnap victims, said woman tells Harth that their actions 'now' will affect the past. Fray has a vague recollection of the woman, due to research.
Meanwhile back in the present, Willow has tamed the demon that switched places with Buffy during the time incident. In Scotland, snake-warriors invade the castle; it is severely damaged. Several unnamed Slayers have died in the attack but most have escaped.
Fray and Buffy meet an ally, Gunther, a fish-like mutant in an attempt to gain more information about their enemies. Elsewhere, Harth tells his partner that he wants to kill Fray for being the only thing he ever loved; her pain is his joy. It is then revealed that Harth's ally is none other than Dark Willow.
Part III (Issue #18)[edit]
In the Scottish woods after the main castle's explosion, Xander and Dawn continue their escape from the creatures that invaded the castle. During a brief respite, a horde of forest creatures threaten them and order them to leave their woods. The forest beings become nonplussed when Dawn tells them they aren't as scary as what has been chasing them.
In the present, Willow continues to find a way to retrieve Buffy from the future while Kennedy questions if Willow can contact her source instead. In response, Willow asks if Kennedy truly trusts her and if she believes that whatever they do is for the greater good - when Kennedy agrees, Willow explains that she must speak to Saga Vasuki and in order to do this must orgasm. Kennedy and Willow then have sex to achieve this end and when Willow finds Saga she asks her how to get Buffy back to the present. Saga tells Willow that the time rift will reopen that night and she only wants Willow to reach inside and take Buffy out without looking inside. Willow obeys and bids farewell for now to Saga.
Buffy searches through the Watchers' diaries and is completely befuddled and upset because there are a few ambiguous references to her and absolutely nothing recorded about the Slayer army she created. She and Fray decide to head to the "Uppers," a normally secure area of Haddyn where vampires cannot usually get access to, and steal a flying car with access to the area. Meanwhile, Gunther is visited by Harth and other vampires. In response to Gunther revealing Harth's activities to Fray, Harth leaves a squad of vampires to attack Gunther instead is his tank. Buffy and Fray witness a group of vampires attacking defenseless humans. While Fray wants to slay the vampires, Buffy attempts to stop her, reminding her that according to Gunther, Harth sends out hunting parties of vampires, that they need to find where the parties are coming from, and that they cannot afford the time to rescue everyone who needs rescuing. Fray refuses to listen and slays the vampires, leaving Buffy alone to drive the flying car. After Fray finishes off all the vampires, Dark Willow approaches Fray, informing her that she has not been human for "quite some time now." She tells Fray that her concerns are more personal than just getting rid of the lurks and shows that her magical powers have almost completely deteriorated, before requesting to show something to Fray.
Buffy returns to Fray's apartment alone, where she is confronted by Fray's sister Erin, who believes Buffy is an intruder. After Buffy reveals that she is looking for Fray, Erin apologizes and the two discuss various matters relating to Fray, sisters, and how Buffy is a slayer from the past. In the middle of the conversation, Buffy is zapped with a ray gun and falls to the floor in pain. As Erin kneels over Buffy's unconscious body, remarking "Mel...are you sure about this?", as Fray responds: "I'm sure. We're saving the world."
Part IV (Issue #19)[edit]
In the present, Dawn, Xander and the forest creatures prepare to battle against the demons that invaded the castle. As the fight starts, they are outnumbered until Xander's team of slayers appear with a group of Wiccans, who use magic to make the creatures corporeal, and easier to kill. Meanwhile, Twilight watches as Warren and Amy argue over the failed attack on the castle as Twilight turns to a new ally: Riley. Riley reveals that Buffy secretly met up with him in New York and requested that he act as her inside man against Twilight.
In the future, Buffy has been kidnapped and tied up in Dark Willow's lair by Fray and Erin. While Buffy is unconscious, Dark Willow laments on how long she has lived. Fray asks what the plan is, telling Dark Willow that she won't kill a slayer, no matter what Dark Willow has shown her. Willow tells Fray to keep Buffy there long enough to miss the "extraction" at midnight; she seems to want Buffy not to go back to the present.
Fray tells Erin what Dark Willow showed her: that if Buffy goes back, she will "change the world" - Willow has told her that Buffy going back to the present will result in changes that will mean Fray's future will not come to pass. Buffy regains consciousness and is stunned to see Dark Willow. Before they can speak further, Harth appears with a pack of vampires and reveals that Dark Willow told him that bringing Buffy to the future would cause his world to be, but told Fray the opposite. Willow responds that her intention for bringing Buffy to the future was in order to die; however, it is a matter regarding not who will die, but who kills them that matters. Furthermore, she admits that she is lying to either Fray or Harth but won't say who. As Harth threatens to kill everyone in the room, Gunther appears, still angry after his visit from Harth and his lurks, and causes a commotion that frees Buffy. Still wishing to save her world above all else, Buffy escapes and searches for the building where the extraction (caused by Willow in the present) is due to take place. When she arrives Fray is there, refusing to let Buffy leave in fear that Buffy's return to the past will erase Fray's present. The two slayers fight as Dark Willow watches.
In the present, a blindfolded Willow prepares to bring Buffy back. In the future, Buffy runs for the portal that appears and manages to beat Fray. Confronted by Dark Willow, Buffy questions her true motives before reluctantly stabbing her in the heart. Present-day Willow reaches through the portal and brings Buffy back to the past, where Buffy is relieved to see Willow is still alive and well. In the future, Fray is aghast, but is surprised and comforted by Erin, who comments that their present still exists.
Production and writing[edit]
This story arc was written by series creator Joss Whedon. The first issue was the eighth issue of the series to be written by Whedon. Penciller Karl Moline had previously worked with Whedon on the Buffy spin-off graphic novel Fray. Fray was featured as one of the main characters in this arc. This was the first time that Fray had crossed over into another part of the Buffyverse.
Whedon felt that by having Buffy interact with Fray and Haddyn's future dialect, he could comment upon his own distinctive use of language in Buffy, stating "Buffy blames herself for what's happened to the English language, and there's a lot of hubris in that joke. I like to think that adding Y's to words that don't usually have Y's is going to destroy the whole fabric of our society." [1]
Canonical Issues[edit]
Main article: Buffyverse canon
This series has been described as 'canon' by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since Whedon is writing this story, it will be seen as a continuation of the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel continuity".[2]
References[edit]
1.Jump up ^ Vineyard, Jennifer (2008-07-02). "Joss Whedon Sends Buffy Back To The Future In New Season-Eight Comic - MTV Movie News". MTV. Retrieved 2011-03-20.
2.Jump up ^ Mata, Shiai, "CHRISTOPHER GOLDEN INTERVIEW 2", SlayerLit.us (2007).
Preceded by
"Wolves at the Gate" Buffy the Vampire Slayer Season Eight storylines
 2008 Succeeded by
"After These Messages... We'll Be Right Back!"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2008 in comics
Buffyverse comic book crossovers
Comics by Joss Whedon
Sequel comics
Time travel comics
Works set in the future
Cyberpunk comics





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After These Messages... We'll Be Right Back!
From Wikipedia, the free encyclopedia
Jump to: navigation, search


"After These Messages... We'll Be Right Back!"

Cover of Buffy the Vampire Slayer Season Eight: After These Messages... We'll Be Right Back!
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
December 2008
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #20
Main character(s)
Buffy Summers
Xander Harris
Willow Rosenberg
Rupert Giles
Cordelia Chase
Creative team

Writer(s)
Jeph Loeb
Penciller(s)
Georges Jeanty
Eric Wight

Inker(s)
Andy Owens
Colorist(s)
Dave Stewart
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"After These Messages... We'll Be Right Back!" is the twentieth issue of the Buffy the Vampire Slayer Season Eight series of comic books, a continuation of the television series of the same name. The issue is written by Jeph Loeb, and follows in the style of the undeveloped Buffy the Animated Series spin-off proposed in 2002, on which he worked alongside series creator Joss Whedon.


Contents  [hide]
1 Plot
2 Production
3 Canonical issues 3.1 Continuity
4 Timing
5 References

Plot[edit]
As Buffy slays numerous demons, her thoughts say that she never gets any sleep anymore. When she finally gets a chance to rest (dirty all over and in Xander's bed), Buffy falls asleep while Xander screams for her to get out.
Buffy awakes (in an animated style) to her mother's voice telling her she's going to be late for school. Buffy is shocked to hear Joyce and hides her face in her pillow muttering "Dream, dream, go away. Come again another... never." Joyce enters her room with a younger Dawn as Buffy jumps from her bed and wraps her arms around Joyce. After moving to hugging Dawn and exclaiming that she isn't a centaur anymore, Joyce goes to leave the room. Buffy stops her and says, "I really am happy to see you." Joyce, after checking to see if Buffy has a fever, tells her if she doesn't get a move on, Buffy won't be able to go the party that night. Buffy is surprised to hear that she's going to a party at all.
At school, Buffy is surprised to see Willow alive, and back to her Season One self. Cordelia is, of course, making fun of Willow and Buffy steps in, informing Willow that one day she may be a mega-witch and Cordelia might be dead, to which Willow smirks and says, "Do I get to wear a pointy hat?" Xander comes rushing down the hallway on his skateboard and crashes. Principal Snyder threatens to take his skateboard away. Buffy tells Xander that Snyder might be eaten by a giant snake and that Xander might wear an eyepatch and be in charge of hundreds of hot girls. At that comment, Willow coughs and Buffy remembers that Willow likes Xander and is not aware of her homosexuality. Buffy, Xander, and Willow go looking for Giles.
That night, Xander, Buffy, and Willow go to the graveyard and meet Giles who says that "the fate of the world is at risk over what happens tonight." Buffy thinks to herself that she remembers this is "where [her] life gets in the way of [her] living it." Giles explaining that the disciples of Morgala worship something called Morgala. Buffy brushes off Giles' warning, casual spinning her stake, and says she'll find these disciples.
On a two-page spread, Buffy is fighting three disciples of Morgala and slays all of them, with unnecessary commentary by Xander.
They return to Giles in the graveyard, planning what they'll do for the party tonight. Giles says the disciples of Morgala were worshiping "the image of a dragon" to which Buffy responds that she "didn't see any dragon." Giles frankly says "Buffy, you need to take your role in this more seriously." Buffy, in a fit of rage, explains that she is only trying to have some fun and that someday there will be eighteen hundred slayers and everyone is going to call her "ma'am" and storms off to the party, leaving Giles speechless.
That night in Buffy's home. Buffy puts on the cross Angel gave her and stops to look at it. Joyce comes in to warn Buffy that she doesn't think the party Buffy is going to is going to be safe. Buffy reassures her that everything is going to be okay and hugs her mother. Joyce tells Buffy that she can always come home to which Buffy looks at her mother and says "right" with her thoughts saying "sigh."
On the way to the party, Buffy runs into Angel. Angel is impressed that Buffy went up against the five disciples of Morgala. Buffy ignores his comments, touching the side of his face and says "If you knew something about someone's past and...future...would you tell them?" Angel responds with "Probably not. You can't change a person's past. And just by telling them, you'll change their future into who knows what." Buffy says goodbye, and continues on her way to the party.
Standing in front of the house, Buffy realizes Angel said five disciples when she only took on three and storms off, hoping to make it back in time for the party.
Buffy finds the disciples who conjure up a dragon. Buffy leads it outside, it throws her into the air to which Buffy exclaims that she can see her house from that high. Cordelia, below the dragon and Buffy, trash talks how Buffy didn't even come to the party and Buffy's boot lands on her head. Buffy defeats the dragon by removing a large crystal from its forehead.
As Buffy falls to the ground, she wakes up (normal drawing) to Xander screaming for her to get out of his bed. Buffy awakens a bit disoriented. She finds it surprising that Xander has an eyepatch and that Dawn is a centaur and not a robot centaur. She also jumps at Willow calling her "You're all gay and magicky now!" After calming down she explains to Dawn, Xander, and Willow that she had a dream back in high school. She thought it would have been fun to go back to when times were more simple. But it turns out they were just the same as they are now, only in a different way.
In the final panel, Buffy is looking at the reader. The Season One (animated style) is behind her, faded slightly. Her voice over says "Maybe Angel was right. You can't change a person's past. And just by telling them, you'll change their future into who knows what. But for one brief moment, it was nice to go home again."
Production[edit]
This issue was written by Jeph Loeb, who worked on the animated series with Joss Whedon. The issue has a link to the animated series and the plot is similar to one partially seen during a promo for the animated series. The issue had some problems at the beginning as artists had to be approved by Sarah Michelle Gellar's representatives, and since there was no official artist working yet, Loeb had not started work on the script as he 'tailors the script around the artist he is working with'.[1]
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described as 'canon' by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since Whedon is writing this story, it will be seen as a continuation of the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel continuity.[2]
Continuity[edit]
It is revealed that Buffy and the Scoobies are aware of Cordelia's present-day demise.
Timing[edit]
Season Eight is set after Buffy's seventh season and also after Angel's fifth and Angel: After the Fall. The dream sequence featured is set in Season One after the episode “Angel”.
References[edit]
1.Jump up ^ "Buffy Zone :: Dark Horse Comics". Darkhorse.com. Retrieved 2011-03-20.
2.Jump up ^ Mata, Shiai (2007). "Christopher Golden Interview 2". SlayerLit.us.
Preceded by
"Time of Your Life" Buffy the Vampire Slayer Season Eight storylines
 2008 Succeeded by
"Predators and Prey"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2008 in comics
Comics by Jeph Loeb






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Predators and Prey
From Wikipedia, the free encyclopedia
Jump to: navigation, search


"Predators and Prey"

Cover of Buffy the Vampire Slayer Season Eight: Predators and Prey trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
January – May 2009
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #21-25
Main character(s)
Buffy Summers
Willow Rosenberg
Dawn Summers
Xander Harris
Andrew Wells
Creative team

Writer(s)
Jane Espenson, Steven S. DeKnight, Drew Z. Greenberg, Jim Krueger, Doug Petrie
Penciller(s)
Georges Jeanty, Cliff Richards(Safe)
Inker(s)
Andy Owens
Colorist(s)
Michelle Madsen
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Predators and Prey" is the fifth story arc that spreads from the twenty-first to the twenty-fifth issue of the Buffy the Vampire Slayer Season Eight series of comic books, a continuation of the television series of the same name. The arc is written by Jane Espenson, Steven S. DeKnight, Drew Z. Greenberg, Jim Krueger, Doug Petrie.


Contents  [hide]
1 Plot 1.1 Harmonic Divergence (Issue #21)
1.2 Swell (Issue #22)
1.3 Predators and Prey (Issue #23)
1.4 Safe (Issue #24)
1.5 Living Doll (Issue #25)
2 Production and writing
3 Canonical issues
4 Companion stories
5 References

Plot[edit]
Harmonic Divergence (Issue #21)[edit]
In California, paparazzi witness Harmony Kendall drinking blood from a celebrity's neck outside a hot spot nightclub. Tabloids publish the photo of the biting, causing a world-wide stir of interest in vampires. Harmony uses this recent popular culture to land her own reality TV show with MTV. Soledad, a gang member, receives Slayer powers just in time to rescue herself from her old gang. She then turns down Andrew Wells and his offer to join the other Slayers, not wanting to join another gang.
Despite this, she tracks down Harmony and attempts to slay her during a taping of the reality show 'Harmony Bites'. Soledad loses and is killed, which just increases the popularity of the show and the negative public image the Slayers now have.
Swell (Issue #22)[edit]
Satsu and Kennedy investigate the results of a four armed demon's theft. It had been trying to steal the prototype of a 'Vampy Cat Play Friend' toy, which was produced by the Santorio Corporation. The two also argue for the real reason Buffy sent Kennedy to Satsu.
The doll turns out to be a living entity and turns Satsu into a caricature of a geisha, who mocks Kennedy's sexuality. Confused, the two manage to slay the creature.
Investigating the company building, they find the staff dead and sucked dry of all bodily fluids. A shipment of Vampy Cat dolls is headed for Scotland, the Slayer's main HQ. The shipment is boarded and destroyed, with the assistance of a sub now under Slayer control. The creatures praise Twilight, a recurring villain, before their destruction.
Harmony Kendall uses the incident to decry the 'backlash' against vampires.
Predators and Prey (Issue #23)[edit]
At the Scotland Slayer base, Andrew informs Buffy, Xander, and Willow that he has found Nisha, the lieutenant of the rogue Slayers led by Simone Doffler, outside of Milan. Nisha has been snared in a Ragna Spider's demon nest, so Buffy immediately arranges that she and Andrew head off to confront Nisha. However, when she is confronted, Nisha reveals that Andrew is responsible for breeding the extinct Ragna Spider demon back into existence, though with exceptional genetic modifications. As Andrew frees Nisha, he tries to defend his actions; as he and Buffy argue, Simone arrives by teleportation. Buffy is unsuccessful with convincing Simone to return with her and Simone teleports herself, Nisha, and the Ragna Spider away to an undisclosed location.
As Buffy and Andrew track Simone via the radioactive isotopes Andrew equipped in the Ragna Spider, Buffy acknowledges that Andrew has come a long way and matured, but should have handled the situation differently, even if he feels responsible for Simone's rebellion. They locate Simone in an opera house on a coastal island, where Simone traps them and reveals she wants Andrew for the Ragna Spider; she wants revenge on him because he was her Watcher. However, Buffy engages and bests Simone in a fencing duel instead, which Simone responds to by pulling out a gun. Buffy surrenders, telling Simone that she can keep the Ranga Spider and that Buffy will leave her alone so long as Simone lets Buffy walk away with Andrew. However, before Simone can shoot, the Italy Squad arrives to rescue them. Buffy takes Simone's gun and shoots the Ragna Spider's cage, setting the demon loose on rogue Slayers while the Italy Squad evacuates. Back at their base of operations, Buffy tells Andrew that he should feel proud of what he has accomplished and how he was willing to lay down his life for the innocent and greater good. Andrew apologizes to Buffy for lying, and Buffy tells him to get used to screwing up for good reasons, he’s part of the family.
Safe (Issue #24)[edit]
Faith and Giles rescue an untrained Slayer named Courtney who had run away from her squad. Courtney informs them she was heading for a so-called Slayer Sanctuary in Hanselstadt, a safe zone for Slayers who do not wish to be chosen.
The trio travel to the town, noting disturbing incidents. Vampires congregate on the border, obviously not invading for fear of the sanctuary, and the town seems to have no children. Giles hooks up with a former Watcher named Duncan Fillworthe while the Slayers go to the Sanctuary. Giles discovers that Duncan has gone mad and fed the children of the town to the demon that inhabits the seeming Sanctuary. Since the vampires fear the demon, the townspeople are convinced that the demon is a guardian of the town and willingly sacrificed children to the demon in exchange for keeping away the vampires. After all the children in the town had been fed to the demon, Duncan turned to feeding it the runaway Slayers.
Giles saves Faith and Courtney from the threat, a monster that kills via the person's regrets. Duncan, who had followed, is killed when he regrets his complicity in the deaths. The vampires outside of town, now knowing the way is seemingly clear, mass for an attack. Giles and the Slayers swiftly organize an opposing army of adults.
Living Doll (Issue #25)[edit]
While the Summers sisters' relationship is still strained, Dawn goes missing as Buffy prepares the Slayer army against a vampire splinter army led by Judas Cradle. However, the ensuing battle ends quickly since Cradle's army consists of only six people and Buffy and Xander focus their attention on finding Dawn in the woods. To ascertain Dawn's possible whereabouts, Xander arranges for Andrew to find Dawn's thricewise ex-boyfriend Kenny at the University of California, Berkeley. Andrew poses as a college student interested in becoming Kenny's new roommate and sets up totems in Kenny's room that allow Willow to teleport the entire contents of Kenny's room to Scotland. However, when Kenny is confronted, he transforms into his demonic aspect and escapes into the nearby forest.
Meanwhile, Dawn has undergone a third transformation - she has become a doll - and has been captured by Geppetto-like elderly man. Despite Dawn's attempts to escape, she is held back by other dolls made by the man, whom the dolls consider their father. The dollmaker tries to console Dawn by revealing he asked the other dolls to keep her from escaping to prevent her from breaking herself open and spilling her soul. Buffy and Xander eventually find the dollmaker's cottage, but Xander is soon rendered unconscious by poisoned darts and Buffy is assaulted by woodland creatures. Dawn makes another failed attempt to escape and as she cries out for Buffy to save her, Kenny bursts into the dollmaker's cottage. Upon seeing Kenny, Dawn apologizes to him, which reverses the effects of the spell, allowing her to become a human again. After Buffy threatens the dollmaker for detaining Dawn, she decides to leave him alone when his dolls intervene on his behalf. Dawn and Kenny talk about what happened between them and they both apologize for their actions, making amends and parting ways. Dawn reconciles with Buffy, who apologizes for not being there enough for her and that though she may have a thousand Slayers to lead, she only has one sister she loves.
Production and writing[edit]
Each individual issue was written by a different writer and each issue has a title instead of the overall story-arc title. The story-arc is a very loose one compared to the previous ones and each issue involves certain characters point of view of the over-all plot.
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described as 'canon' by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since Whedon is writing this story, it will be seen as a continuation of the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel continuity".[1]
Companion stories[edit]
The first two issues have both had two online companion stories as well. Harmonic Divergence included a segment from Harmony's reality TV show, Harmony Bites. Swell had a companion comic which acted as a televised advert to promote the Vampy Cats featured in the issue.
References[edit]
1.Jump up ^ Mata, Shiai, "CHRISTOPHER GOLDEN INTERVIEW 2", SlayerLit.us (2007).
Preceded by
"After These Messages... We'll Be Right Back!" Buffy the Vampire Slayer Season Eight storylines
 2009 Succeeded by
"Retreat"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2009 in comics





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Predators and Prey
From Wikipedia, the free encyclopedia
Jump to: navigation, search


"Predators and Prey"

Cover of Buffy the Vampire Slayer Season Eight: Predators and Prey trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
January – May 2009
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #21-25
Main character(s)
Buffy Summers
Willow Rosenberg
Dawn Summers
Xander Harris
Andrew Wells
Creative team

Writer(s)
Jane Espenson, Steven S. DeKnight, Drew Z. Greenberg, Jim Krueger, Doug Petrie
Penciller(s)
Georges Jeanty, Cliff Richards(Safe)
Inker(s)
Andy Owens
Colorist(s)
Michelle Madsen
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Predators and Prey" is the fifth story arc that spreads from the twenty-first to the twenty-fifth issue of the Buffy the Vampire Slayer Season Eight series of comic books, a continuation of the television series of the same name. The arc is written by Jane Espenson, Steven S. DeKnight, Drew Z. Greenberg, Jim Krueger, Doug Petrie.


Contents  [hide]
1 Plot 1.1 Harmonic Divergence (Issue #21)
1.2 Swell (Issue #22)
1.3 Predators and Prey (Issue #23)
1.4 Safe (Issue #24)
1.5 Living Doll (Issue #25)
2 Production and writing
3 Canonical issues
4 Companion stories
5 References

Plot[edit]
Harmonic Divergence (Issue #21)[edit]
In California, paparazzi witness Harmony Kendall drinking blood from a celebrity's neck outside a hot spot nightclub. Tabloids publish the photo of the biting, causing a world-wide stir of interest in vampires. Harmony uses this recent popular culture to land her own reality TV show with MTV. Soledad, a gang member, receives Slayer powers just in time to rescue herself from her old gang. She then turns down Andrew Wells and his offer to join the other Slayers, not wanting to join another gang.
Despite this, she tracks down Harmony and attempts to slay her during a taping of the reality show 'Harmony Bites'. Soledad loses and is killed, which just increases the popularity of the show and the negative public image the Slayers now have.
Swell (Issue #22)[edit]
Satsu and Kennedy investigate the results of a four armed demon's theft. It had been trying to steal the prototype of a 'Vampy Cat Play Friend' toy, which was produced by the Santorio Corporation. The two also argue for the real reason Buffy sent Kennedy to Satsu.
The doll turns out to be a living entity and turns Satsu into a caricature of a geisha, who mocks Kennedy's sexuality. Confused, the two manage to slay the creature.
Investigating the company building, they find the staff dead and sucked dry of all bodily fluids. A shipment of Vampy Cat dolls is headed for Scotland, the Slayer's main HQ. The shipment is boarded and destroyed, with the assistance of a sub now under Slayer control. The creatures praise Twilight, a recurring villain, before their destruction.
Harmony Kendall uses the incident to decry the 'backlash' against vampires.
Predators and Prey (Issue #23)[edit]
At the Scotland Slayer base, Andrew informs Buffy, Xander, and Willow that he has found Nisha, the lieutenant of the rogue Slayers led by Simone Doffler, outside of Milan. Nisha has been snared in a Ragna Spider's demon nest, so Buffy immediately arranges that she and Andrew head off to confront Nisha. However, when she is confronted, Nisha reveals that Andrew is responsible for breeding the extinct Ragna Spider demon back into existence, though with exceptional genetic modifications. As Andrew frees Nisha, he tries to defend his actions; as he and Buffy argue, Simone arrives by teleportation. Buffy is unsuccessful with convincing Simone to return with her and Simone teleports herself, Nisha, and the Ragna Spider away to an undisclosed location.
As Buffy and Andrew track Simone via the radioactive isotopes Andrew equipped in the Ragna Spider, Buffy acknowledges that Andrew has come a long way and matured, but should have handled the situation differently, even if he feels responsible for Simone's rebellion. They locate Simone in an opera house on a coastal island, where Simone traps them and reveals she wants Andrew for the Ragna Spider; she wants revenge on him because he was her Watcher. However, Buffy engages and bests Simone in a fencing duel instead, which Simone responds to by pulling out a gun. Buffy surrenders, telling Simone that she can keep the Ranga Spider and that Buffy will leave her alone so long as Simone lets Buffy walk away with Andrew. However, before Simone can shoot, the Italy Squad arrives to rescue them. Buffy takes Simone's gun and shoots the Ragna Spider's cage, setting the demon loose on rogue Slayers while the Italy Squad evacuates. Back at their base of operations, Buffy tells Andrew that he should feel proud of what he has accomplished and how he was willing to lay down his life for the innocent and greater good. Andrew apologizes to Buffy for lying, and Buffy tells him to get used to screwing up for good reasons, he’s part of the family.
Safe (Issue #24)[edit]
Faith and Giles rescue an untrained Slayer named Courtney who had run away from her squad. Courtney informs them she was heading for a so-called Slayer Sanctuary in Hanselstadt, a safe zone for Slayers who do not wish to be chosen.
The trio travel to the town, noting disturbing incidents. Vampires congregate on the border, obviously not invading for fear of the sanctuary, and the town seems to have no children. Giles hooks up with a former Watcher named Duncan Fillworthe while the Slayers go to the Sanctuary. Giles discovers that Duncan has gone mad and fed the children of the town to the demon that inhabits the seeming Sanctuary. Since the vampires fear the demon, the townspeople are convinced that the demon is a guardian of the town and willingly sacrificed children to the demon in exchange for keeping away the vampires. After all the children in the town had been fed to the demon, Duncan turned to feeding it the runaway Slayers.
Giles saves Faith and Courtney from the threat, a monster that kills via the person's regrets. Duncan, who had followed, is killed when he regrets his complicity in the deaths. The vampires outside of town, now knowing the way is seemingly clear, mass for an attack. Giles and the Slayers swiftly organize an opposing army of adults.
Living Doll (Issue #25)[edit]
While the Summers sisters' relationship is still strained, Dawn goes missing as Buffy prepares the Slayer army against a vampire splinter army led by Judas Cradle. However, the ensuing battle ends quickly since Cradle's army consists of only six people and Buffy and Xander focus their attention on finding Dawn in the woods. To ascertain Dawn's possible whereabouts, Xander arranges for Andrew to find Dawn's thricewise ex-boyfriend Kenny at the University of California, Berkeley. Andrew poses as a college student interested in becoming Kenny's new roommate and sets up totems in Kenny's room that allow Willow to teleport the entire contents of Kenny's room to Scotland. However, when Kenny is confronted, he transforms into his demonic aspect and escapes into the nearby forest.
Meanwhile, Dawn has undergone a third transformation - she has become a doll - and has been captured by Geppetto-like elderly man. Despite Dawn's attempts to escape, she is held back by other dolls made by the man, whom the dolls consider their father. The dollmaker tries to console Dawn by revealing he asked the other dolls to keep her from escaping to prevent her from breaking herself open and spilling her soul. Buffy and Xander eventually find the dollmaker's cottage, but Xander is soon rendered unconscious by poisoned darts and Buffy is assaulted by woodland creatures. Dawn makes another failed attempt to escape and as she cries out for Buffy to save her, Kenny bursts into the dollmaker's cottage. Upon seeing Kenny, Dawn apologizes to him, which reverses the effects of the spell, allowing her to become a human again. After Buffy threatens the dollmaker for detaining Dawn, she decides to leave him alone when his dolls intervene on his behalf. Dawn and Kenny talk about what happened between them and they both apologize for their actions, making amends and parting ways. Dawn reconciles with Buffy, who apologizes for not being there enough for her and that though she may have a thousand Slayers to lead, she only has one sister she loves.
Production and writing[edit]
Each individual issue was written by a different writer and each issue has a title instead of the overall story-arc title. The story-arc is a very loose one compared to the previous ones and each issue involves certain characters point of view of the over-all plot.
Canonical issues[edit]
Main article: Buffyverse canon
This series has been described as 'canon' by both Whedon and various commentators. As the creator of Buffy, Joss Whedon's association with Buffyverse story is often linked to how canonical the various stories are. Since Whedon is writing this story, it will be seen as a continuation of the official continuity established by Buffy and Angel.
Season Eight contradicts and supersedes information given in the paperback novels set after Season Seven, such as Queen of the Slayers and Dark Congress, which are described as being set in an unofficial "parallel continuity".[1]
Companion stories[edit]
The first two issues have both had two online companion stories as well. Harmonic Divergence included a segment from Harmony's reality TV show, Harmony Bites. Swell had a companion comic which acted as a televised advert to promote the Vampy Cats featured in the issue.
References[edit]
1.Jump up ^ Mata, Shiai, "CHRISTOPHER GOLDEN INTERVIEW 2", SlayerLit.us (2007).
Preceded by
"After These Messages... We'll Be Right Back!" Buffy the Vampire Slayer Season Eight storylines
 2009 Succeeded by
"Retreat"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2009 in comics





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Retreat (Buffy the Vampire Slayer)
From Wikipedia, the free encyclopedia
  (Redirected from Retreat (Buffy comic))
Jump to: navigation, search


Question book-new.svg
 This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2012)

"Retreat"

Cover of Buffy the Vampire Slayer Season Eight: Retreat trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
July – November 2009
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #26-30
Main character(s)
Buffy Summers
Willow Rosenberg
Daniel "Oz" Osbourne
Xander, Dawn, Andrew, Satsu, et. al
Faith & Giles
Twilight, Amy, Warren & Riley
Creative team

Writer(s)
Jane Espenson
Penciller(s)
Georges Jeanty
Inker(s)
Andy Owens
Colorist(s)
Dave Stewart
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Retreat" is the sixth story arc of the Buffy the Vampire Slayer Season Eight series of comic books, based upon the television series of the same name, and is written by television screenwriter Jane Espenson. The story returns the action to the central plot of vampire Slayer Buffy Summers and her friends in the fight against the masked person Twilight, alongside his followers Amy Madison and Warren Mears. This story arc features the character of Oz, a werewolf who is Buffy's schoolfriend and Willow Rosenberg's ex-boyfriend, who last appeared canonically in the television series' fourth season.


Contents  [hide]
1 Plot 1.1 Part I (Issue #26)
1.2 Part II (Issue #27)
1.3 Part III (Issue #28)
1.4 Part IV (Issue #29)
1.5 Part V (Issue #30)


Plot[edit]
Part I (Issue #26)[edit]
The arc picks up following from the story of "Predators and Prey", with Slayers on the run in the new pro-vampire society. The issue begins with Willow transporting Buffy to their new base, using heavy amounts of magic; a glamour makes the base invisible, and makes Buffy and Willow appear like a fish and a seagull, while layers of magical force fields and protections surround the base. At the base, flushed out from their regular bases, are Slayers from around the world such as Satsu and Kennedy. Meanwhile, Faith and Giles are forced from their underground bunker in Berlin by demonic assault, and vow to make their way to Buffy and co. Similarly, Andrew and his Slayers are hiding out underground when they encounter Warren, who attempts to distract Andrew while Amy has summoned goatmen demons. They too, vow to escape to Buffy's base.
At the headquarters, Buffy allows her friends entry and is tearfully reunited with Giles. The base soon comes under heavy attack from the local demon population, and the group is forced onto the roof to repel their advances. Magical barriers fall to the demons and their use of conventional modern warfare. There are heavy casualties as Slayers fall to demon attack. Slayers who are also witches become overwhelmed by the pressure of supporting the magical barrier, and at least one has her brain fried by the struggle. After interrogating a demon that Satsu has captured, Willow informs Buffy that their heavy use of magic revealed their location to Twilight. The entire Slayer army is forced to retreat via the submarine Satsu commandeered in "Swell". On board, Giles expresses his concerns to Buffy about Willow's extremely heavy use of magic; Buffy admits her concerns and relates her altercation with an evil Willow in the future ("Time of Your Life"). Buffy realises that Willow going on a magic ban however would not be sufficient, as every Slayer is magical by nature, but remembers that she knows someone who learnt how to suppress magic. Buffy has Willow do one last spell, and the submarine appears in the hills of Tibet. Oz looks on, and simply says "Huh."
Part II (Issue #27)[edit]
At Twilight's headquarters, Amy's spell erroneously indicates that Buffy and her friends all drowned when their submarine was sunk. One of Twilight's workers says that Willow's teleportation spell sent them to Mongolia but Riley tries to persuade Twilight that it is probably a mistake of the scanning technology. Riley, Amy and Warren are intrigued when Twilight lets slip that he "knows" Buffy. Twilight has them teleport to Mongolia along with some soldiers, but upon arrival there and not finding the Slayers there, he opts to bide his time until they slip up and make their location apparent.
Meanwhile, Oz introduces his partner Bayarmaa and their son Kelden and explains how through communing with nature and not "caging" the wolf within they are able to overcome their lycanthropy by having the Earth "absorb" the demon on the night of a full moon. However, he relates that some werewolves have formed a splinter group with an ideology similar to that of Veruca; werewolves like Oz and Bay now carry knives for protection. While he is unsure how their methods will work for witches and Slayers, he offers to help despite the risk to his family Buffy has brought with her. As a first order, the Slayers have been recommended physical exertion and are asked to start burying the submarine.
Part III (Issue #28)[edit]
Andrew knocks on Giles' door to announce he suspects there is a spy in their midst, and that anyone is a possibility. Rather than arouse suspicion, Andrew uses a camcorder to secretly interview Oz's family and the Slayer organization in a callback to the Season Seven episode "Storyteller" (2003). This acts as a framing device to shift between several plot threads and sets of characters.
In his documentary, he hears more from Bay about how "redirecting" magic works and learns that some Slayers have been acquiring high-tech weapons in lieu of their magical strength; he hears from "malcontents" Willow, Satsu and Kennedy regarding their displeasure with Buffy's tactics; he overhears Buffy and Faith reconnecting, while Buffy confesses her desire to "not to stand over people anymore". Dawn and Xander talk about the chance to have a life and to "go for what [he] want[s]." Buffy and Xander share a tender moment where they discuss Buffy's feelings of contentedness and connectedness in their new situation, her increased ability to feel, and Buffy killing Dark Willow in the future; Xander convinces Buffy to tell Willow and then to come see him afterwards. On the discovery of Future Dark Willow, Andrew confronts Giles about the possibility of Willow becoming compromised; Giles accepts Andrew's concerns, and instructs him to follow her. Andrew surveys as Willow and Oz disagree about her possibilities for a normal life, and she expresses her resentment of him for settling down and denying his nature, although she is touched that he trusts her with Kelden. Buffy finds Willow with Kelden, where she is feeling optimistic about her chances for a family of her own one day, and is unfazed by Buffy's confession of having killed the future her because she feels that particular future is not set in stone. When she hears Buffy is going to see Xander, Willow reminds Buffy that he is "a good guy" and that even Buffy can have a future. After changing her clothes, Buffy wanders into Xander's room but is stopped "still as a grave" when she sees him kissing Dawn. She orders Andrew to shut off the camera, ending the film.
Andrew makes a confession of his own to the Slayers and to Willow, that he had suspected a spy amongst them but was wrong. The cat on Leah's lap (which had appeared in most scenes from Andrew's documentary) suddenly teleports away and Xander deduces it must have be Amy spying on them, from which Willow surmises Twilight has found them. Buffy faces away from Xander and Dawn and declares they're about to come under attack.
Part IV (Issue #29)[edit]
Buffy and her companions begin preparations for the imminent military assault by Twilight's forces. Xander and Dawn give the Slayers a crash course in the use of firearms, grenades, mines, and radar. Willow is distraught, no longer able to hide her despair over having sacrificed her powers, and at the fact that she is apparently destined to become evil in the future and be killed by Buffy. Buffy herself declines to use a gun, and tells Giles that she has an idea... to create special visual effects that may deceive Twilight's forces into thinking the Slayers and Wiccans still have their powers. Buffy is distracted by the ongoing signs of romantic affection between Xander and Dawn, but is able to keep her mind on the more pressing matters of defense. The first sign of Twilight's attack is the appearance of a military aircraft, which is shot down by the Slayers using shoulder-mounted missiles. This is quickly followed by an incoming tank assault. Monroe, the leader of the renegade werewolves Oz and his companions have been battling, arrives and unexpectedly offers help to Buffy and her group, stating that he opposes Twilight's agenda of eliminating magic from the world.
The battle begins, and the Slayers quickly make a move by sending a torpedo, salvaged from the submarine, into the midst of the enemy tanks, destroying many of them. Buffy realizes, however, that they have no chance of winning the battle without supernatural help. Oz appears from the battlefield carrying Bay, who has been injured. Buffy urgently asks Bay what happened to the magical powers that the Slayers and Wiccans surrendered. Bay responds that the three "Wrathful Goddesses" of Tibet, Remati, Vajrayogini and Ekajati took their powers in return for their protection. She says that, with the use of a group of magical scrolls, the goddesses can be summoned through anger. Buffy and Willow perform the required ritual, causing the earth to crack open and the three giant goddesses to appear.
Part V (Issue #30)[edit]
The three goddesses appear and start to wreak havoc. Buffy uses this momentary distraction to flip over a jeep to go retrieve something from the middle of the battlefield. However, it soon becomes apparent that the goddesses are indiscriminately killing, despite being summoned by Buffy and her army. Bay says that the goddesses have been away from humanity too long, and no longer recognize the people they are supposed to protect. The Slayer army retreats back to the temple.
Twilight's military commander wants to withdraw his men to save them from the slaughter, but Twilight orders them to fight on.
Buffy retrieves a badly injured Riley from the battlefield, who has apparently been working undercover for her all along. Riley is unable to give Buffy a way out, and they realise that they are fighting a lost battle. Buffy gathers the remaining troops and instructs them to collect all the injured into the temple, including the soldiers of Twilight. On their way to collect the injured, Satsu pushes Buffy out of the way of a sniper's bullet, but Buffy is then picked up by the blue Goddess, Remati, who looks her in the eye, then drops her to the ground from what should be a deadly height.
Five hours later, Twilight's army has the Slayers at gun point. Buffy wakes up where she was dropped, partially covered in snow, and sees the survivors of her defeated army being ushered into some transport vehicles. She closes her eyes to clear her mind, and when she opens them again she finds herself floating a long way above the ground. Somehow, Buffy has acquired the ability to fly.
Preceded by
"Predators and Prey" Buffy the Vampire Slayer Season Eight storylines
 2009 Succeeded by
"Turbulence"/"Twilight"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2009 in comics







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Twilight (Buffy comic)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

This article is about the comic book storyline. For the eponymous character, see Twilight (Buffy the Vampire Slayer).

"Twilight"

Cover of Buffy the Vampire Slayer Season Eight: Twilight trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
February – May 2010
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #32–35
Main character(s)
Buffy Summers
Angel
Creative team

Writer(s)
Brad Meltzer
Penciller(s)
Georges Jeanty
Inker(s)
Andy Owens
Colorist(s)
Dave Stewart
Editor(s)
Scott Allie
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Twilight" is the seventh story arc of the Buffy the Vampire Slayer Season Eight series of comic books, based upon the television series of the same name, and is written by novelist and comic book writer Brad Meltzer. The story follows Buffy's warfare with recurring villain Twilight, and features Buffy taking on Twilight mano y mano following her development of powers similar to his. Part II, notably, reveals the identity of Twilight after months of speculation; this revelation was leaked early due to cover solicitations, leading to much early controversy and speculation, as well as damage control from showrunner Joss Whedon and Dark Horse Comics editor Scott Allie.


Contents  [hide]
1 Plot
2 Cultural references
3 Spoiler leak
4 IDW Publishing response
5 References

Plot[edit]
Buffy tests the extent of her new superpowers when she is confronted by Twilight, who reveals himself to be her ex-boyfriend Angel. Their battle continues in mid-air for some time. He explains that the Twilight identity was the only way to limit the extent of the anti-Slayer factions' damage, and that the masked identity gave Buffy somewhere to focus her energies. Overcome by a strange glow, Angel begins to explain to Buffy that they are part of a cosmic destiny. Buffy succumbs to her passion and she and Angel begin to have sex, at first mid-air and later through space, eventually arriving in a paradise-like dimension which Angel announced is "Twilight".
Giles explains to Willow, Xander, Dawn et al. a myth about the Slayer that, in short, ultimately means that Buffy and Angel are destiny's vehicles in bringing the old universe to a close and beginning a new one. Demons, afterbirth of the new dimension, begin to flood the old world. Andrew uses a combination Captain America and Iron Man armor to defend himself; he and Warren squabble, with Andrew taking a serious blow from a demon. Despite the prospect of eternal happiness with Angel in the paradise dimension, Buffy questions the new reality after observing the situation her friends are in. She decides to return to earth to assist her friends fight the unleashed demons, with Angel opting to assist her. Even with Buffy and Angel's superpowers the demons are hard to overcome. At the close of the arc, a spherical yellow ship arrives, from which Spike emerges promising a solution to the crisis.
Cultural references[edit]
Part I features many homages to comic book superheroes, notably DC Comics' Superman, as Buffy and Xander attempt to test the extent of Buffy's powers, testing them against the popular Superman phrase, "faster than a speeding bullet, more powerful than a locomotive, and able to leap tall buildings in a single bound". In Part II, Andrew attacks Twilight with a suit of armour incorporating many facets of popular DC and Marvel Comics superheroes.
Early in the series, Joss Whedon was unaware of the coincidence of naming Season Eight's villain Twilight, which shares its name with the series of supernatural romance novels written by Stephenie Meyer. In Part II, while fighting, Buffy comments on the choice of name, remarking she's "lived that whole thing", and that "her vampire" was much better. This is a comment on the perceived indebtedness of Meyer's Twilight, which is primarily a romance between a teenage girl and a good-natured vampire, to Whedon's Buffy.
Spoiler leak[edit]
Twilight's identity was not revealed in the comic itself, but rather via comic book cover solicitations and subsequent interviews with Comic Book Resources.[1] Prior to the release, Season Eight artist Georges Jeanty had mocked up a spoof cover depicting the revelation that Twilight was US President Barack Obama.[2] Due to the April solicitations releasing covers by Jo Chen and Georges Jeanty which clearly show Twilight to be Angel, and of actor David Boreanaz' likeness, Scott Allie was interviewed by Comic Book Resources. Allie stated that he had known of Twilight's true identity "from the get-go" and had struggled to keep it a secret all this time; four years ago, Whedon wrote out a "Buffy Manifesto" which included the identity of Twilight which was circulated under strictest confidence to Dark Horse editorial and the various comic and TV writers who would be contributing to the series.
Allie also spoke to Chris Ryall, editor of IDW Publishing, to assure and "make clear" to him that that their parallel narratives would "jibe", so as to prevent "some big conflict with IDW continuity". Allie also stresses that for readers, the big reveal should not be who Twilight is, but rather why Angel is Twilight and how Buffy will react to this, commenting:

'The Big Bad' is a phrase that originated from Joss in 'Buffy' – this idea that in a season you might have a whole lot of people to fight, but there's one Big Bad, one major villain that you have to defeat at the end. But this is not like that. Right now it feels to everybody on the outside like, 'Oh, the cat's out of the bag! Twilight is Angel!' but the question [of how the end game rolls out that] all the fans are asking is not really the right question. If this was any other book and Twilight was any other villain, that would be the question to ask. But the question right now is 'How does Buffy react to the fact that Twilight is Angel?' It's not as simple anymore as 'Now we've got to deal with the bad guy.' 'It's all about relationships.' I remembered that, and it's been a guiding principal [sic] in my career. That line jumped back at me this morning thinking about this spoiler being out there. Because it is all about relationships – if it was any other villain, it'd just be a question of who kills who, but it's a much bigger question than that. Who's going to ally themselves with Angel and Twilight? There are still some big surprises in store. It's not as clear as it appears to be with those covers slipped out.
—Scott Allie on storytelling and the Twilight reveal.[1]
The reveal led to the trending of the #twilightisangel hashtag on the popular microblogging site Twitter.[1] Subsequently, Dark Horse Comics posted on their Twitter, "Readers, we mean not to offend you. Knowing what you do will not spoil the great ending of Joss's Season 8. Trust us."[3] IDW editor Chris Ryall posted a related teaser poster for the upcoming Spike ongoing, a spin-off from the Angel series which will focus on the heroic vampire Spike. The image, drawn by artist Franco Urru, is in the format of a comic book cover headed "Spike", and depicts Spike burning Twilight's mask with the tagline "He definitely isn't Twilight."[4] Brian Lynch, writer of IDW Publishing's own canonical Angel: After the Fall and an upcoming Spike series came up with the idea on the night of the announcement. Franco drew it to completion the very next day, and it posted to Chris Ryall's blog shortly after.[5]
IDW Publishing response[edit]
See also: Spike (comic book)
While Lynch, Urru and Ryall seem to support Whedon's move, Angel writer Bill Willingham took offence with Allie's comments, which he interpreted as Allie and Whedon "taking credit" for his work on the ongoing series. Willingham stated "I am not coordinating, nor have I ever coordinated stories with Scott Allie, Joss Whedon, nor anyone else at Dark Horse Comics ... as long as I am writing the Angel series for IDW, I will not be coordinating stories with any Dark Horse comic, period."[6] Previously, Urru and Lynch's 17-issue After the Fall series for IDW had been considered canonical due to Whedon's involvement. Whedon later clarified by stating that the Dark Horse Buffy storyline took place, by internal chronology, after the resolution of the still-ongoing IDW Angel storyline.[7]
Later, to make it up to IDW, Whedon and Allie granted permission to use Willow (IDW only has rights to Angel characters) in Lynch's ongoing series, Spike. However, Whedon requested oversight of the character's actions within the Spike series. Consequently, this leads to a bridging between the continuities of the Dark Horse Buffy series and the IDW Angel and Spike series (of ambiguous continuity) because the first arc of the Spike series acts as a prequel to the Twilight and Last Gleaming arcs of Season Eight.[8]
References[edit]
1.^ Jump up to: a b c Phegley, Kiel (January 8, 2009). "Behind Buffy's Twilight Reveal". Comic Book Resources. Retrieved January 9, 2009.
2.Jump up ^ Manning, Shaun (December 3, 2009). "Is Obama "Buffy's" Twilight?". Comic Book Resources. Retrieved January 9, 2009.
3.Jump up ^ "Twitter / Dark Horse Comics: Readers, we mean not to of". Twitter.com. 2010-01-08. Retrieved 2011-03-20.
4.Jump up ^ Chris Ryall (2010-01-08). "RyallTime: He definitely isn't Twilight". Ryalltime.blogspot.com. Retrieved 2011-03-20.
5.Jump up ^ "Twitter / Brian Lynch: @fenderlove Yes, came up w". Twitter.com. 2010-01-08. Retrieved 2011-03-20.
6.Jump up ^ Phegley, Kiel (2010-01-11). "The Buffy/Angel Continuity Conundrum". Comic Book Resources. Retrieved 12 January 2010.
7.Jump up ^ "Joss Whedon: Twilight, Buffy & Beyond, Part I". Comic Book Resources. Retrieved 2011-03-20.
8.Jump up ^ "(SPOILER) Brian Lynch talks about his upcoming Spike series.". Whedonesque.com. 2010-07-31. Retrieved 2010-08-01.
Preceded by
"Retreat"/"Turbulence" Buffy the Vampire Slayer Season Eight storylines
 2010 Succeeded by
"Last Gleaming"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


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2010 in comics





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Twilight (Buffy comic)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

This article is about the comic book storyline. For the eponymous character, see Twilight (Buffy the Vampire Slayer).

"Twilight"

Cover of Buffy the Vampire Slayer Season Eight: Twilight trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
February – May 2010
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #32–35
Main character(s)
Buffy Summers
Angel
Creative team

Writer(s)
Brad Meltzer
Penciller(s)
Georges Jeanty
Inker(s)
Andy Owens
Colorist(s)
Dave Stewart
Editor(s)
Scott Allie
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Twilight" is the seventh story arc of the Buffy the Vampire Slayer Season Eight series of comic books, based upon the television series of the same name, and is written by novelist and comic book writer Brad Meltzer. The story follows Buffy's warfare with recurring villain Twilight, and features Buffy taking on Twilight mano y mano following her development of powers similar to his. Part II, notably, reveals the identity of Twilight after months of speculation; this revelation was leaked early due to cover solicitations, leading to much early controversy and speculation, as well as damage control from showrunner Joss Whedon and Dark Horse Comics editor Scott Allie.


Contents  [hide]
1 Plot
2 Cultural references
3 Spoiler leak
4 IDW Publishing response
5 References

Plot[edit]
Buffy tests the extent of her new superpowers when she is confronted by Twilight, who reveals himself to be her ex-boyfriend Angel. Their battle continues in mid-air for some time. He explains that the Twilight identity was the only way to limit the extent of the anti-Slayer factions' damage, and that the masked identity gave Buffy somewhere to focus her energies. Overcome by a strange glow, Angel begins to explain to Buffy that they are part of a cosmic destiny. Buffy succumbs to her passion and she and Angel begin to have sex, at first mid-air and later through space, eventually arriving in a paradise-like dimension which Angel announced is "Twilight".
Giles explains to Willow, Xander, Dawn et al. a myth about the Slayer that, in short, ultimately means that Buffy and Angel are destiny's vehicles in bringing the old universe to a close and beginning a new one. Demons, afterbirth of the new dimension, begin to flood the old world. Andrew uses a combination Captain America and Iron Man armor to defend himself; he and Warren squabble, with Andrew taking a serious blow from a demon. Despite the prospect of eternal happiness with Angel in the paradise dimension, Buffy questions the new reality after observing the situation her friends are in. She decides to return to earth to assist her friends fight the unleashed demons, with Angel opting to assist her. Even with Buffy and Angel's superpowers the demons are hard to overcome. At the close of the arc, a spherical yellow ship arrives, from which Spike emerges promising a solution to the crisis.
Cultural references[edit]
Part I features many homages to comic book superheroes, notably DC Comics' Superman, as Buffy and Xander attempt to test the extent of Buffy's powers, testing them against the popular Superman phrase, "faster than a speeding bullet, more powerful than a locomotive, and able to leap tall buildings in a single bound". In Part II, Andrew attacks Twilight with a suit of armour incorporating many facets of popular DC and Marvel Comics superheroes.
Early in the series, Joss Whedon was unaware of the coincidence of naming Season Eight's villain Twilight, which shares its name with the series of supernatural romance novels written by Stephenie Meyer. In Part II, while fighting, Buffy comments on the choice of name, remarking she's "lived that whole thing", and that "her vampire" was much better. This is a comment on the perceived indebtedness of Meyer's Twilight, which is primarily a romance between a teenage girl and a good-natured vampire, to Whedon's Buffy.
Spoiler leak[edit]
Twilight's identity was not revealed in the comic itself, but rather via comic book cover solicitations and subsequent interviews with Comic Book Resources.[1] Prior to the release, Season Eight artist Georges Jeanty had mocked up a spoof cover depicting the revelation that Twilight was US President Barack Obama.[2] Due to the April solicitations releasing covers by Jo Chen and Georges Jeanty which clearly show Twilight to be Angel, and of actor David Boreanaz' likeness, Scott Allie was interviewed by Comic Book Resources. Allie stated that he had known of Twilight's true identity "from the get-go" and had struggled to keep it a secret all this time; four years ago, Whedon wrote out a "Buffy Manifesto" which included the identity of Twilight which was circulated under strictest confidence to Dark Horse editorial and the various comic and TV writers who would be contributing to the series.
Allie also spoke to Chris Ryall, editor of IDW Publishing, to assure and "make clear" to him that that their parallel narratives would "jibe", so as to prevent "some big conflict with IDW continuity". Allie also stresses that for readers, the big reveal should not be who Twilight is, but rather why Angel is Twilight and how Buffy will react to this, commenting:

'The Big Bad' is a phrase that originated from Joss in 'Buffy' – this idea that in a season you might have a whole lot of people to fight, but there's one Big Bad, one major villain that you have to defeat at the end. But this is not like that. Right now it feels to everybody on the outside like, 'Oh, the cat's out of the bag! Twilight is Angel!' but the question [of how the end game rolls out that] all the fans are asking is not really the right question. If this was any other book and Twilight was any other villain, that would be the question to ask. But the question right now is 'How does Buffy react to the fact that Twilight is Angel?' It's not as simple anymore as 'Now we've got to deal with the bad guy.' 'It's all about relationships.' I remembered that, and it's been a guiding principal [sic] in my career. That line jumped back at me this morning thinking about this spoiler being out there. Because it is all about relationships – if it was any other villain, it'd just be a question of who kills who, but it's a much bigger question than that. Who's going to ally themselves with Angel and Twilight? There are still some big surprises in store. It's not as clear as it appears to be with those covers slipped out.
—Scott Allie on storytelling and the Twilight reveal.[1]
The reveal led to the trending of the #twilightisangel hashtag on the popular microblogging site Twitter.[1] Subsequently, Dark Horse Comics posted on their Twitter, "Readers, we mean not to offend you. Knowing what you do will not spoil the great ending of Joss's Season 8. Trust us."[3] IDW editor Chris Ryall posted a related teaser poster for the upcoming Spike ongoing, a spin-off from the Angel series which will focus on the heroic vampire Spike. The image, drawn by artist Franco Urru, is in the format of a comic book cover headed "Spike", and depicts Spike burning Twilight's mask with the tagline "He definitely isn't Twilight."[4] Brian Lynch, writer of IDW Publishing's own canonical Angel: After the Fall and an upcoming Spike series came up with the idea on the night of the announcement. Franco drew it to completion the very next day, and it posted to Chris Ryall's blog shortly after.[5]
IDW Publishing response[edit]
See also: Spike (comic book)
While Lynch, Urru and Ryall seem to support Whedon's move, Angel writer Bill Willingham took offence with Allie's comments, which he interpreted as Allie and Whedon "taking credit" for his work on the ongoing series. Willingham stated "I am not coordinating, nor have I ever coordinated stories with Scott Allie, Joss Whedon, nor anyone else at Dark Horse Comics ... as long as I am writing the Angel series for IDW, I will not be coordinating stories with any Dark Horse comic, period."[6] Previously, Urru and Lynch's 17-issue After the Fall series for IDW had been considered canonical due to Whedon's involvement. Whedon later clarified by stating that the Dark Horse Buffy storyline took place, by internal chronology, after the resolution of the still-ongoing IDW Angel storyline.[7]
Later, to make it up to IDW, Whedon and Allie granted permission to use Willow (IDW only has rights to Angel characters) in Lynch's ongoing series, Spike. However, Whedon requested oversight of the character's actions within the Spike series. Consequently, this leads to a bridging between the continuities of the Dark Horse Buffy series and the IDW Angel and Spike series (of ambiguous continuity) because the first arc of the Spike series acts as a prequel to the Twilight and Last Gleaming arcs of Season Eight.[8]
References[edit]
1.^ Jump up to: a b c Phegley, Kiel (January 8, 2009). "Behind Buffy's Twilight Reveal". Comic Book Resources. Retrieved January 9, 2009.
2.Jump up ^ Manning, Shaun (December 3, 2009). "Is Obama "Buffy's" Twilight?". Comic Book Resources. Retrieved January 9, 2009.
3.Jump up ^ "Twitter / Dark Horse Comics: Readers, we mean not to of". Twitter.com. 2010-01-08. Retrieved 2011-03-20.
4.Jump up ^ Chris Ryall (2010-01-08). "RyallTime: He definitely isn't Twilight". Ryalltime.blogspot.com. Retrieved 2011-03-20.
5.Jump up ^ "Twitter / Brian Lynch: @fenderlove Yes, came up w". Twitter.com. 2010-01-08. Retrieved 2011-03-20.
6.Jump up ^ Phegley, Kiel (2010-01-11). "The Buffy/Angel Continuity Conundrum". Comic Book Resources. Retrieved 12 January 2010.
7.Jump up ^ "Joss Whedon: Twilight, Buffy & Beyond, Part I". Comic Book Resources. Retrieved 2011-03-20.
8.Jump up ^ "(SPOILER) Brian Lynch talks about his upcoming Spike series.". Whedonesque.com. 2010-07-31. Retrieved 2010-08-01.
Preceded by
"Retreat"/"Turbulence" Buffy the Vampire Slayer Season Eight storylines
 2010 Succeeded by
"Last Gleaming"


[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2010 in comics





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This page was last modified on 18 March 2013 at 02:12.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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Last Gleaming
From Wikipedia, the free encyclopedia
Jump to: navigation, search


"Last Gleaming"

Cover of Buffy the Vampire Slayer Season Eight: Last Gleaming trade paperback collected edition
 Art by Jo Chen

Publisher
Dark Horse Comics
Publication date
September 2010 – January 2011
Genre
Action/adventure, horror
Based on Buffy the Vampire Slayer
Vampires in comics

Title(s)
Buffy the Vampire Slayer Season Eight #36–40
Main character(s)
Buffy Summers
Rupert Giles
Angel
Spike
Xander Harris
Willow Rosenberg
Dawn Summers
Faith Lehane
Creative team

Writer(s)
Joss Whedon
Scott Allie
Penciller(s)
Georges Jeanty
Inker(s)
Andy Owens
Colorist(s)
Michelle Madsen
Editor(s)
Scott Allie
With respect to the Buffy the Vampire Slayer franchise
The material covered in this article is a continuity issue in the canon of Buffy the Vampire Slayer.
"Last Gleaming" is the eighth and final storyarc of the Buffy the Vampire Slayer Season Eight series of comic books, based upon the television series of the same name, and is written by franchise creator Joss Whedon and Season Eight editor Scott Allie. The story follows Buffy's attempt to destroy the source of all magic in order to defeat the apocalypse waged by Twilight.


Contents  [hide]
1 Plot
2 Production 2.1 Writing
2.2 Artwork
3 References

Plot[edit]
Following the events of Twilight, Spike arrives with his crew to assist Buffy Summers' battle against Angel. He explains to her that the Twilight realm, created from Buffy and Angel's lovemaking, demands the Seed, the source of all magic found deep in the Hellmouth below the fallen Sunnydale. Angel is possessed by Twilight and tries to retrieve the Seed, while Earth is invaded by demons from other dimensions. The Scooby Gang believe the best course of action is to protect the Seed, as destroying the Seed or handing it over would return the demons to their respective dimensions but also rid the world of all magic. As Slayers from all over the world engage in a mass battle against the demon armies, Buffy and a select few reach down into the Hellmouth and encounter the Master who is guarding the Seed: a red, egg-shaped ball of energy. Willow confiscates the Seed from the Master and feels more powerful and more connected to the universe than ever; now able to destroy hordes of extra-dimensional demons above ground with ease.
Underground, Angel arrives and exchanges blows with Buffy. Observing the couple's fight from afar, Giles, realising that Buffy would never kill Angel and is allowing herself to get distracted from destroying the Seed, takes the Scythe from Faith and charges toward the Seed. Angel, seeing what Giles intends to do, snaps his neck. Horrified by the death of her mentor, Buffy grabs the Scythe and uses it to smash the Seed before collapsing to the ground in tears beside Giles, causing all magic on Earth to vanish. All of the world's witches, including Willow, find themselves completely powerless. Warren Mears, who had been kept alive by Amy's spell, dies once again. The invading demons are returned to their own dimensions and the Twilight realm is vanquished. Angel is freed from his possession and, suddenly conscious of what he has done, turns catatonic with grief.
Four months after the battle, Buffy is living a quiet and modest lifestyle in San Francisco and is staying at Dawn and Xander's apartment while waitressing by day and vampire slaying by night. The Slayers are viewed as social pariahs, for which they blame Buffy. Simone, in particular, wishes to kill her. Like other former witches, Willow is struggling with the loss of magic, and feeling powerless, ends her relationship with Kennedy. Finally, after inheriting Giles' estate, Faith takes Angel with her to bring him back on to the righteous path.
Production[edit]
Writing[edit]
In this arc, Whedon sets up up a number of new paradigms in the Buffy universe for the forthcoming Season Nine comic book series, the ongoing Angel and Faith spin-off series, and the Willow mini-series. Buffy destroying the seed effectively means "No more magic in the sense of not so much entirely convenient magic". According to Whedon, it was his choice to "dim" the world of the show "a little bit. Possibly because that’s how I feel about it, or at least this country in the last 10 years. And I wanted to do a little bit of a reset, where things seem more back down to earth." When Season Eight began, Whedon wanted to make full use of the comic book medium's potentials. For example, he introduced Giant Dawn, which he felt fit the universe's tone and "was the right kind of problem for Dawn to have". Ultimately however, Whedon felt that Buffy was less about the scope of its stories; he describes the show's "mission statement" as “What does this feel like?”, and therefore ultimately decided to take the series back to the "real world". Season Nine will closer resemble the television series, and dwell as it did more on Buffy's interiority and less on the "cavalcade of mythology", as Season Eight did. The change also makes Buffy an underdog again, and no longer an overlord; Whedon comments that fans typically prefer Buffy in that role. Willow's mini-series will further explore Willow's destiny — first pondered in the Fray crossover arc "Time of Your Life" — amid her sole-minded crusade to retrieve her powers.[1]
In a 2011 interview, Whedon stated that his decision to kill off Giles could not be discussed in detail "because ripples from that event" will also be a large part of both Season Nine and Angel and Faith. However, he was able to explain other motivations; he felt that from a writing perspective, Giles' did not work in the comic book medium where he had flourished on the television show. His primary roles — provider of narrative exposition, and paternal figure — didn't place well in the comic book format. Whedon killed off Giles where he did so that it might have a greater effect on the coming season, "because [he] wanted to make all this matter".[1]
On the penultimate page of issue forty, a panel shows the face of "a guy in John Lennon glasses who looks fairy evil". Whedon has stated that this is a character to be explored in Season Nine.[1] The final line, "Let's go to work", narrated by Buffy, mirrors the last line uttered in the Angel series finale. Co-writer Scott Allie explained in an interview that the line is the mission statement of both characters. However, he adds that Buffy's use of the line "also means something real different from when Angel said it."[2]
Artwork[edit]
When pencilling Giles' demise in Issue #39, Georges Jeanty first had the intention of making the panels show extreme close ups of Angel twisting Giles' neck. However, he opted to parallel Jenny's death from season two's "Passion." He explains, "I really wanted the impact to come across and for the reader to understand that Giles was being killed here. Drawing such a quick action was tough because, of course, comics don't move, so I had to capture the act as it happens)."[3] He also confirms that the last panel of Buffy, curled on the floor in tears, was foreshadowed in issue #10 "Anywhere but Here" when Robin presented Buffy and Willow with visions of the past, present, and future.
References[edit]
1.^ Jump up to: a b c Vary, Adam B. (January 19, 2011). "Joss Whedon talks about the end of the 'Buffy the Vampire Slayer' Season 8 comic, and the future of Season 9 -- EXCLUSIVE". Entertainment Weekly. Retrieved 8 May 2011.
2.Jump up ^ "Buffyfest: Exclusive Interview: Scott Allie on the Road Behind and Ahead for Buffy". Buffyfest. January 19, 2011. Retrieved February 2, 2011.
3.Jump up ^ "*COMPLETE* (SPOILER) Q&A with Georges Jeanty Session 17". SlayAlive. December 26, 2010. Retrieved February 2, 2011.
Preceded by
"Twilight" Buffy the Vampire Slayer Season Eight storylines
 2010–2011 Succeeded by



[hide]
v ·
 t ·
 e
 
Buffy the Vampire Slayer Season Eight


Creator
Joss Whedon
 

Story arcs
"The Long Way Home" ·
 "No Future for You" ·
 "Wolves at the Gate" ·
 "Time of Your Life" ·
 "Predators and Prey" ·
 "Retreat" ·
 "Twilight" ·
 "Last Gleaming"
 

Stand alone stories
"The Chain" ·
 "Anywhere But Here" ·
 "A Beautiful Sunset" ·
 "After These Messages... We'll Be Right Back!"
 

 


Categories: Buffy comics storylines
2010 in comics
2011 in comics






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Buffy the Vampire Slayer Season Eight
From Wikipedia, the free encyclopedia
Jump to: navigation, search


Buffy the Vampire Slayer Season Eight

Trade paperback cover of The Long Way Home. Art by Jo Chen.

Publication information

Publisher
Dark Horse Comics
Schedule
Monthly
Format
Limited series
Genre
Fantasy

Publication date
March 14, 2007 – January 19, 2011
Number of issues
40 (core series)
 3 (one-shots)
Main character(s)
Scooby Gang
Creative team

Writer(s)
Joss Whedon
Brian K. Vaughan
Drew Goddard
Jane Espenson
Brad Meltzer
and others
Penciller(s)
Georges Jeanty
Karl Moline
Inker(s)
Andy Owens
Colorist(s)
Dave Stewart
 Michelle Madsen
Creator(s)
Joss Whedon
Collected editions

The Long Way Home
ISBN 1-59307-822-6
No Future for You
ISBN 159307963X
Wolves at the Gate
ISBN 1595821651
Time of Your Life
ISBN 1595823107
Predators and Prey
ISBN 1595823425
Retreat
ISBN 1595824154
Twilight
ISBN 1595825584
Last Gleaming
ISBN 1595826106
Buffy the Vampire Slayer Season Eight is a comic book series published by Dark Horse Comics from 2007 to 2011. The series serves as a canonical[1] continuation of the television series Buffy the Vampire Slayer, and follows the events of that show's final televised season.[2] It is produced by Joss Whedon, who wrote or co-wrote three of the series arcs and several one-shot stories. The series was followed by Season Nine in 2011.
The series was originally supposed to consist of about 25 issues,[3] but eventually expanded to a 40-issue run. The series also spawned a handful of spin-off titles, including a Tales of the Vampires follow-up and one-shots focusing on Willow and Riley.[4]
The success of the series prompted IDW Publishing and Joss Whedon to publish a concurrent continuation of the Angel television series, titled Angel: After the Fall, and a Spike comic book series, which bridges some aspects of continuity between After the Fall and Season Eight.[5] A motion comic version of the series debuted in 2010.[6]


Contents  [hide]
1 Plot
2 Writers and story arcs
3 Publication 3.1 Issues
3.2 One-shots
3.3 Trade Paperbacks
3.4 Library Editions
4 Motion comics
5 Reception 5.1 Reaction from original cast
5.2 Awards
6 References
7 External links

Plot[edit]
A year after the end of the television series, Buffy and Xander now lead command-central, which is situated at a citadel in Scotland. At their disposal are a wide array of psychics, seers, witches, and Slayers,[7] along with a vast amount of technology, revealed to be the result of Buffy robbing a Swiss bank to acquire the funds.[8] There are 1,800 Slayers worldwide according to Buffy, almost 500 of whom are working with the Scoobies, separated into 10 squads. Squads include Andrew's in Southern Italy,[9] Giles' in England,[10] Vi's in New York,[11] Robin's in Cleveland, Ohio,[12] and another led by Rona in Chicago, Illinois.[13] For Buffy's protection and because her name is feared worldwide, two decoys are put in place: one partying in Rome and one on a mission in demonic underground caverns.[14] Buffy now relies heavily on Willow, whose character arc sees her under the tutelage of a powerful demon called Saga Vasuki.[8][15] Under Saga Vasuki, Willow's power has grown phenomenally; for example, she can now fly and cast extremely complicated and large-scale spells.[7]
In the wake of Sunnydale's destruction, elements within the U.S. government view the expanded Slayers and the Scooby Gang as international terrorists and characterize Buffy as a "charismatic, uncompromising and completely destructive" leader. General Voll, a member of a mystically aware Initiative-like government project, describes fear of their resources, power, and ideology.[7] The government has teamed with Sunnydale survivor/powerful witch Amy Madison and Season 6 villain Warren Mears in the hopes of bringing Buffy down.[9] Simultaneously, an evil British socialite Slayer called Lady Genevieve Savidge plots to usurp Buffy's place in the Slayer hierarchy,[12] and a shrewd cabal of Japanese vampires scheme to reverse the global activation of Potential Slayers in "Chosen".[16] The appearances of these villains are connected to "Twilight", the enigmatic Big Bad of the season, a masked person who views the expanded ranks of Slayers as a threat to humanity and wants to destroy them, and bring about an end to all magic on Earth.[13] It later transpires that like Amy and Warren, Buffy's ex-boyfriend Riley Finn is also loyal to Twilight,[17] though Riley turns out to have been Buffy's double agent.[18]
Halfway through the season, ditzy vampire Harmony Kendall rises to fame as a reality TV star and ushers in a new pro-vampire, anti-Slayer world order.[19] Under attack from Twilight and other demons as well as militaries across the world, the various Slayer squads (including Faith) reconvene in retreat from their enemy. Because Twilight can now track the group through their use of magic, Buffy and her friends relocate to Tibet to learn from Oz how to suppress magical natures for witches and Slayers alike. Giles and Buffy are both concerned with the extent to which they rely on Willow, worried she may go overboard again as in Season Six;[20] Buffy's fears are in part justified by her visit to the future (a crossover with the Whedon miniseries Fray) where she was forced to kill a future Dark Willow.[17] Following the fray with Twilight, in which many Slayers were killed, Buffy developed abilities similar to those of Twilight.
A subplot involves the repercussions of Dawn's college relationship with a boy named Kenny (described as a "thricewise"), whom she cheated on, losing her virginity to his roommate.[8] Consequently, Dawn has been cursed with mystical transformations: first into a giant,[7] then a centaur,[11] and finally a living doll until she apologizes to Kenny and breaks the spell.[21] Among the core group, Buffy is for a time romantically drawn to another woman: a Slayer named Satsu, and Xander to Slayer Renée;[16] Willow's relationship with the core group is more estranged, while she protectively withholds Kennedy from her friends.[8] Kennedy is unaware of the sexual aspect of Willow's relationship with Saga Vasuki.[17] Giles and Buffy, at odds, fall from speaking terms with one another. Giles goes to work with Faith, in trying to prevent more Slayers from going rogue.[22] Although Buffy comes to feel that her only compatible mate is Xander, and is upset to learn that he truly loves Dawn,[23] she and Angel succumb to their desires for one another upon their reunion,[24] though the extent to which they were in control of their actions is uncertain.[25]
In the series' penultimate arc, Twilight is revealed to be Buffy's former lover, Angel. Angel attempts to explain that his Twilight persona was used to unify the anti-Slayer movement, thus limiting the potential destruction they could have caused working independently.[24] His secondary goal was to push Buffy's development so that the two of them could reunite romantically and ascend to a higher plane of existence, itself called Twilight.[26] However, whatever magical effect Angel was under seemed to wane after Buffy realised she was needed back on Earth to assist her friends as demons poured in from other dimensions to destroy the old universe. At the last moment, Buffy's other love, Spike arrives in a futuristic ship to announce he has a solution to the problem at hand.[25] In the final arc, "Last Gleaming", Spike's information leads them to source both of magic and of Twilight's power, a mystical "seed" buried beneath Sunnydale. Giles plans to destroy it, but Twilight possesses Angel and compels him to kill Giles by snapping his neck. Distraught, Buffy smashes the seed herself. Twilight is stopped but magic is also removed from the universe. Though Slayers and vampires retain their powers, witches for example are left entirely powerless. Subsequently, Willow breaks up with Kennedy and Faith inherits Giles' estate and attempts to begin Angel's rehabilitation. A pariah in the community of Slayers and former witches, Buffy moves to San Francisco where she lives as a houseguest at Dawn and Xander's apartment, and resumes her former duties as Slayer: patrolling at night for vampires.
Writers and story arcs[edit]
Joss Whedon serves as "executive producer" for the series across every issue, giving his other writers notes on characterization, continuity and his overall concept in mind as he would when overseeing Buffy as a television series. Whedon wrote the first story arc ("The Long Way Home", #1–4), the fourth ("Time of Your Life", #16–19), the final story arc ("Last Gleaming", #36–40), and several intermediary one-shot stories (#5, #10, #11, "Willow", and #31). Comic and television writer Brian K. Vaughan became the first guest writer on the series, writing the second story arc "No Future for You" (#6–9). While Vaughan was not a "Buffyverse" staff member, he was a fan of both series (particularly the character of Faith) and Joss Whedon himself was a fan of Vaughan's Marvel Comics series Runaways, on which he served as writer during the period Vaughan wrote "No Future for You." Former Buffy and Angel writer Drew Goddard wrote the series' third arc, "Wolves at the Gate" (#12–15). Goddard first became a Buffy writer in its final season, starting with the episode "Selfless" and finishing with the Angel episode "The Girl in Question", which itself obliquely hints at the life of Buffy post-season seven. Goddard went on to become a writer for the movie Cloverfield and acclaimed American dramas Lost and Alias (all working alongside producer J. J. Abrams) while also penning the story "Antique" for canonical Buffy comic book Tales of the Vampires, which he references in "Wolves at the Gate".
Film, comics and television writer-producer Jeph Loeb wrote issue #20 of the series ("After These Messages... We'll Be Right Back!". Loeb had previously been involved with Whedon in the conception of Buffy the Animated Series, which never came to be. Following Loeb are Buffyverse alumni Jane Espenson, Doug Petrie,[27] Drew Z. Greenberg, and Steven S. DeKnight as well as comic book writer Jim Krueger, who each wrote an issue between issues #21 and #25 ("Predators and Prey"), which is a single arc told from a number of different perspectives. These one-shots follow the perspectives of Harmony (#21, Espenson), Satsu/Kennedy (#22, DeKnight), Buffy/Andrew (#23, Greenberg), Giles/Faith (#24, Krueger) and a Xander/Dawn issue which will also reveal more about Twilight (#25, Petrie).[28] Jane Espenson returned for a five-issue arc involving the character of Oz for issues #26–30, titled "Retreat"[29] and also wrote a one-shot about Riley. Joss Whedon returned to write two one-shots, "Willow: Goddesses and Monsters" and issue #31, "Turbulence". Brad Meltzer, author of several New York Times best-selling books and later both Identity Crisis and Justice League for DC Comics wrote the penultimate story arc of Season Eight, "Twilight", which is issues #32–35. Whedon himself resumes authorship for the final five issues (#36–40, "Last Gleaming") of the series, bringing Season Eight to an end.[30]
Dark Horse Presents has also offered several short, canonical side stories to the mix. "Harmony Bites" by Espenson and Moline is a fictional episode of Harmony Kendall's television series, tying into issue #21. "Vampy Cat Play Friend" is a fictional television commercial tying in with issue #22, written by Steven S. DeKnight and illustrated by Camilla d'Errico. Joss Whedon teamed up with Jo Chen to produce "Always Darkest", a depiction of Buffy's terrible nightmares, and Espenson teamed up with Moline again to produce "Harmony Comes to the Nation", a fictional interview for The Colbert Report where Harmony lays out her ambitions, both tying in with Jane Espenson's "Retreat" arc. Jackie Kessler wrote "Tales of the Vampires: Carpe Noctem", a two-part ministory with the previously unseen characters Ash and Cyn, about the consequences of Harmony Kendall's television series from a vampire's point of view.
Publication[edit]
Issues[edit]

Title
Issue #
Release date

"The Long Way Home, Part I" 1 March 14, 2007
Writer: Joss Whedon Penciller: Georges Jeanty
Buffy Summers leads a squad of Slayers in Scotland with the help of her friend Xander Harris and her sister-turned-giant Dawn. Meanwhile, a government installation investigates the demolished town of Sunnydale.

"The Long Way Home, Part II" 2 April 4, 2007
Writer: Joss Whedon Penciller: Georges Jeanty
The government recruits Amy Madison as their operative to dispatch Buffy. She travels to Scotland, unleashes an army of zombies on the castle, and binds Buffy in a sleep that can only be broken by a true love's kiss.

"The Long Way Home, Part III" 3 May 2, 2007
Writer: Joss Whedon Penciller: Georges Jeanty
Still bound in a sleep, Buffy explores her dreamspace with Ethan Rayne. Willow Rosenberg comes to the Slayers' aid in a battle against Amy and her army of zombies.

"The Long Way Home, Part IV" 4 June 6, 2007
Writer: Joss Whedon Penciller: Georges Jeanty
Amy kidnaps Willow and presents her to a skinless Warren Mears. Xander and some practicing witches attempt to create a portal to send Buffy and Satsu to Willow's rescue. A U.S. government general warns Buffy of "Twilight", the end of magic.

"The Chain" 5 July 25, 2007
Writer: Joss Whedon Penciller: Paul Lee
A young woman reveals how she went from being a high school student to being Buffy’s decoy.

"No Future for You, Part I" 6 September 5, 2007
Writer: Brian K. Vaughan Penciller: Georges Jeanty
In Cleveland, Rupert Giles recruits Faith to assassinate Lady Genevieve Savidge: a rogue Slayer who threatens to destroy the world. Meanwhile in Scotland, Buffy admits to Xander her worry of "Twilight".

"No Future for You, Part II" 7 October 3, 2007
Writer: Brian K. Vaughan Penciller: Georges Jeanty
Faith infiltrates Lady Genevieve Savidge's estate only to discover an amicable connection with her. Willow questions Dawn on her newly giant stature.

"No Future for You, Part III" 8 November 7, 2007
Writer: Brian K. Vaughan Penciller: Georges Jeanty
Faith finds herself torn when Lady Genevieve reveals her plan to kill Buffy. Matters get worse, when Genevieve's mentor Roden kidnaps Buffy and brings her face to face with Faith.

"No Future for You, Part IV" 9 December 5, 2007
Writer: Brian K. Vaughan Penciller: Georges Jeanty
Faith and Lady Genevieve engage in battle to the death. Buffy and Giles' relationship is further strained when she questions him about Faith's mission. Meanwhile, a mysterious character named Twilight meets with a U.S. government agent to discuss the events with Faith and Genevieve.

"Anywhere but Here" 10 January 2, 2008
Writer: Joss Whedon Penciller: Cliff Richards
A Minder named Robin welcomes Buffy and Willow to Tichajt who presents to them the past, present, and future, revealing kept secrets between the best friends. Dawn embarrassingly reveals to Xander that she did not sleep with her boyfriend like most suspect, but instead slept with his college roommate.

"A Beautiful Sunset" 11 February 6, 2008
Writer: Joss Whedon Penciller: Georges Jeanty
Buffy invites Satsu to dust a group of vampires at a graveyard. There, Buffy declares to her that she knows Satsu planted the true love's kiss on her when she was bound in sleep. Suddenly, Twilight attacks both of the girls and introduces to Buffy his malicious plan to destroy all of the Slayers.

"Wolves at the Gate, Part I" 12 March 5, 2008
Writer: Drew Goddard Penciller: Georges Jeanty
Just when Xander, Renée, Andrew, Willow, and Dawn all walk in on Buffy and Satsu naked in bed, a group of Japanese vampires breach the castle walls and successfully steal the Scythe. In need for assistance to defeat the vampires, Xander seeks an old friend, Dracula.

"Wolves at the Gate, Part II" 13 April 2, 2008
Writer: Drew Goddard Penciller: Georges Jeanty
When confronted by Xander about the Japanese vampires, Dracula realizes the group has stolen his unique powers, and commits to help out of pride. Meanwhile, Buffy is preparing an all-out assault against the vampires, who have been spotted in Tokyo by the slayer Aiko. The vampires spot Aiko's surveillance and set an ambush: the female vampire Kumiko uses the Scythe to magically revert Aiko into a regular, helpless girl, and the vampire leader Toru then kills her.

"Wolves at the Gate, Part III" 14 May 7, 2008
Writer: Drew Goddard Penciller: Georges Jeanty
Buffy and her team arrive in Japan to find Aiko's corpse strung up with a welcome message written in her blood. They meet up with Xander, Renée, and Dracula, who teaches Willow a spell to contain the desolidifying vampires. With Giant Dawn as a distraction, the team assaults the vampires' lair, only to discover that it's a trap as Toru appears behind them and impales Renée on the scythe.

"Wolves at the Gate, Part IV" 15 June 4, 2008
Writer: Drew Goddard Penciller: Georges Jeanty
Dracula sends Willow to perform the spell to destroy the vampires' special powers. No longer invincible, the Slayers charge and attack all of the vampires. Dawn is confronted by a mecha version of herself.

"Time of Your Life, Part I" 16 July 2, 2008
Writer: Joss Whedon Penciller: Karl Moline
When Buffy and Willow reunite with Kennedy and Vi to unlock the secrets of the Scythe, Buffy finds herself transported into the future of Slayer Melaka Fray. In Scotland, Dawn transforms into a centaur and the castle is hit by a rocket sent by Amy and Warren.

"Time of Your Life, Part II" 17 August 6, 2008
Writer: Joss Whedon Penciller: Karl Moline
After a shaky introduction, Buffy and Fray must join forces in order to discover the purpose of their meeting. Elsewhere in Haddyn, Fray's twin brother vampire Harth has teamed up with Dark Willow to affect time.

"Time of Your Life, Part III" 18 September 3, 2008
Writer: Joss Whedon Penciller: Karl Moline
Xander and Dawn escape from the siege and enter deep in the forest, only to then encounter mystical tree creatures. In the future, Dark Willow convinces Fray to immobilize Buffy in order to save the world.

"Time of Your Life, Part IV" 19 November 26, 2008
Writer: Joss Whedon Penciller: Karl Moline
When a portal temporarily opens between the timelines, Buffy rushes to get back to the present. However, Dark Willow and Fray will make sure she does otherwise. Meanwhile in the present, Riley Finn shows allegiance to Twilight.

"After These Messages... We'll Be Right Back!" 20 December 17, 2008
Writer: Jeph Loeb Penciller: Georges Jeanty, Eric Wight
Buffy wakes up and finds herself back in her 16-year-old body, conflicted with her Slayer duties when Cordelia Chase hosts a house party.

"Harmonic Divergence" 21 January 7, 2009
Writer: Jane Espenson Penciller: Georges Jeanty
Harmony sets a contract with MTV to produce a reality television show, presenting vampires as helpless victims.

"Swell" 22 February 4, 2009
Writer: Steven S. DeKnight Penciller: Georges Jeanty
When Kennedy is sent to Japan to evaluate Satsu's efforts as team leader, they are taken by surprise by some fierce furry creatures who want to do nothing more than destroy Buffy.

"Predators and Prey" 23 March 4, 2009
Writer: Drew Z. Greenberg Penciller: Georges Jeanty
Buffy and Andrew embark on a trip to take down the rogue slayer Simone while the rest of the world still feels hatred toward the slayer population.

"Safe" 24 April 1, 2009
Writer: Jim Krueger Penciller: Cliff Richards
Faith and Giles encounter a runaway Slayer named Courtney. The three investigate The Slayer Sanctuary and its tie to the town of Hanselstadt.

"Living Doll" 25 May 6, 2009
Writer: Doug Petrie Penciller: Georges Jeanty
Buffy will finally have to take action regarding her little sister when Dawn's mysterious disappearance makes it a priority.

"Retreat, Part I" 26 July 1, 2009
Writer: Jane Espenson Penciller: Georges Jeanty
Old friends such as Faith, Andrew, and Satsu are forced to return to Buffy's HQ, who are much the same as them under siege from Twilight's forces, humans and demons. Defenses fall as the Scottish castle comes under attack. The group learns Twilight is able to track them through their use of magic, forcing the team to retreat to Tibet to learn how to suppress magic from Oz.

"Retreat, Part II" 27 August 5, 2009
Writer: Jane Espenson Penciller: Georges Jeanty
Upon arriving in Tibet, the group is filled in on what has happened to Oz since season 4 when he departed Sunnydale. Also, Twilight uses every technological and mystical way to locate the Slayers since they mysteriously vanished from his radar.

"Retreat, Part III" 28 September 2, 2009
Writer: Jane Espenson Penciller: Georges Jeanty
Buffy and her group of Slayers use hard labor and meditation to suppress their inherent magic in order to remain hidden from Twilight. Meanwhile, Andrew uses his videocamera to seek out and expose a spy amongst them—but it may be too late.

"Retreat, Part IV" 29 October 7, 2009
Writer: Jane Espenson Penciller: Georges Jeanty
Having been discovered by Twilight and his army, the Slayer Organization prepare to do battle with human weapons in order to survive to fight another day.

"Retreat, Part V" 30 November 4, 2009
Writer: Jane Espenson Penciller: Georges Jeanty
The epic battle between the Slayers and Twilight's armies comes to a halt when three giant Goddesses rise from the ground and rain destruction on them.

"Turbulence" 31 January 13, 2010
Writer: Joss Whedon Penciller: Georges Jeanty
Buffy admits her attraction to Xander and reveals she's inexplicably inherited superpowers that can defeat the Goddesses.

"Twilight, Part I" 32 February 3, 2010
Writer: Brad Meltzer Penciller: Georges Jeanty
Buffy and Xander test the limits of her new superpowers; Willow suspects they originate from the dead Slayers.

"Twilight, Part II" 33 March 3, 2010
Writer: Brad Meltzer Penciller: Georges Jeanty
Buffy discovers that Twilight is in fact her ex-boyfriend, Angel. Giles begins to explain of a prophecy.

"Twilight, Part III" 34 April 7, 2010
Writer: Brad Meltzer Penciller: Georges Jeanty
Giles explains that the Slayer and the vampire are a part of a prophecy about the formation of a new dimension. Meanwhile, Buffy and Angel find themselves having sex and awaking in just such a place.

"Twilight, Part IV" 35 May 5, 2010
Writer: Brad Meltzer Penciller: Georges Jeanty
Buffy and Angel choose to return to Earth to assist their friends as the old universe is invaded by extra-dimensional demons.

"Last Gleaming, Part I" 36 September 1, 2010
Writer: Joss Whedon Penciller: Georges Jeanty
The revelation that Angel is Twilight breeds dissension among Buffy and her allies, just as Spike returns

"Last Gleaming, Part II" 37 October 6, 2010
Writer: Joss Whedon and Scott Allie Penciller: Georges Jeanty
Spike informs Buffy that in order to destroy the Twilight realm, she must break the source of magic—a seed buried deep in Sunnydale.

"Last Gleaming, Part III" 38 November 3, 2010
Writer: Joss Whedon and Scott Allie Penciller: Georges Jeanty
As Slayers all over the world engage in a mass battle against demon armies from other dimensions, Buffy and a select few get a hold of the Seed.

"Last Gleaming, Part IV" 39 December 1, 2010
Writer: Joss Whedon and Scott Allie Penciller: Georges Jeanty
Angel stops Giles' attempt at destroying the Seed by snapping his neck. Mortified, Buffy breaks it and collapses into tears as the world is relieved of all magic, including Willow's abilities.

"Last Gleaming, Part V" 40 January 19, 2011
Writer: Joss Whedon Penciller: Georges Jeanty
Months after the battle, Buffy is waitressing in San Francisco, living at Xander and Dawn's apartment. Simone kills the Military General and hunts for Buffy next.
One-shots[edit]

Title
Release date

"Tales of the Vampires: The Thrill" June 3, 2009
Writer: Becky Cloonan Penciller: Vasilis Lolos
In a small town in New Hampshire, a young man named Jacob befriends a reckless gang of vampires who enjoy drinking his blood. Jacob craves the high and the easy escape from the monotony of his life that this "bloodletting" provides. A mysterious character named May appears, who can help Jacob leave those high-school days behind, unless his friend Alexia doesn't stop her first.

"Willow: Goddesses and Monsters" December 23, 2009
Writer: Joss Whedon Penciller: Karl Moline
Following the demise of Sunnydale, Willow went on a walkabout where she met a very sultry, extremely powerful serpent lady who seems to be the key to unraveling the mysteries of what Willow is, and will become.

"Riley: Commitment through Distance, Virtue through Sin" August 18, 2010
Writer: Jane Espenson Penciller: Karl Moline
In the midst of the battle, Buffy's former flame, the demon-fighting soldier Riley Finn, seemingly in league with Twilight, was revealed as a double agent working for the Slayer army. Now Espenson and artist Karl Moline (Fray, Willow) uncover the secrets of Riley's recruitment by Buffy, his infiltration of Twilight's inner circle, and what's become of him and his superspy wife, Sam.
Trade Paperbacks[edit]
The issues were collected together into trade paperbacks:

#
Title
Publisher
Year
ISBN
Reprints
1 The Long Way Home Dark Horse Comics October 24, 2007 ISBN 1593078226
Collects[show]






 Credits and full notes[show]










2 No Future for You Dark Horse Comics May 21, 2008 ISBN 159307963X
Collects[show]






 Credits and full notes[show]











3 Wolves at the Gate Dark Horse Comics November 11, 2008 ISBN 1595821651
Collects[show]






 Credits and full notes[show]









4 Time of Your Life Dark Horse Comics May 6, 2009 ISBN 1595823107
Collects[show]






 Credits and full notes[show]











5 Predators and Prey Dark Horse Comics September 30, 2009 ISBN 1595823425
Collects[show]






 Credits and full notes[show]














6 Retreat Dark Horse Comics February 25, 2010 ISBN 1595824154
Collects[show]






 Credits and full notes[show]









7 Twilight Dark Horse Comics October 6, 2010 ISBN 1595825584
Collects[show]






 Credits and full notes[show]











8 Last Gleaming Dark Horse Comics June 1, 2011 ISBN 1595826106
Collects[show]






 Credits and full notes[show]












Note: The full title of all volumes listed here start with "Buffy the Vampire Slayer Season Eight: ".



Library Editions[edit]
The series has been collected into four deluxe, oversized, hardcover editions under the title "Buffy The Vampire Slayer Season Eight Library Edition", each containing ten issues and extra features.[33]

Title
Release Date
Publisher
Writers
Contains
Volume 1 May 30, 2012 Dark Horse Comics Joss Whedon and Brian K. Vaughan Season 8 issues 1-10, "Always Darkest", covers gallery, sketches gallery.
Volume 2 September 12, 2012 Dark Horse Comics Joss Whedon, Drew Goddard, and Jeph Loeb Season 8 issues 11-20, Willow: Goddesses and Monsters, covers gallery, sketches gallery.
Volume 3 January 8, 2013 Dark Horse Comics Jane Espenson, Steven S. DeKnight, Drew Z. Greenberg, Jim Krueger, and Doug Petrie Season 8 issues 21-30, covers gallery, sketches gallery.
Volume 4 March 20, 2013 Dark Horse Comics Joss Whedon, Brad Meltzer, and Scott Allie Season 8 issues 31-40, Riley: Commitment through Distance, Virtue through Sin, covers gallery, sketches gallery.
Motion comics[edit]
Fox Home Entertainment produced motion comics based on the first 19 issues of Season Eight. The first motion comic was released on Amazon Video on Demand and iTunes on July 19, 2010, with new motion comics being released every Monday.[6] The Region-1 Blu-ray and DVD of the motion comic series was released on January 4, 2011, and includes limited edition Jo Chen packaging and a collectible reprint of Dark Horse Comic's first book in the series.[34] The Region-2 DVD was released on October 3, 2011.[35]
Reception[edit]
Initial reaction to Season Eight was generally positive, despite the switch in medium leading to comparison between the television series and the comic. Mathew Springer of The Comicbloc described the series as "very good ... and slightly strange." He praised Whedon's writing in the opening issue, claiming, "The humor, pop culture references and spot-on quirky characterizations are all on vibrant display," and looked forward to the direction the book was going in. However, he admitted that it was hard for him to accept the comic as canon, claiming "there’s something subtly undermining this effort simply because it’s a comic book and not on television."[36] Mark Stoddard of Comix Nexus also approached the series "with some trepidation, unsure of whether there would be more great stories that really needed to be told, and wondering whether the magic of TV could be replicated in the medium of comics."[37] TV Squad's Keith McDuffee expressed that reading Buffy as a comic book after seeing it on television for seven years was strange,[38] but the new format was a good thing because, "You don't have ugly casting problems and the special effects budget isn't a concern at all."[39] In a later review, he reaffirmed this opinion, stating, "Thank God for a medium that lets creativity go completely wild without budget worries."[40]
Georges Jeanty's artwork received praise for being dynamic and true to the characters, rather than trying to appear photo-realistic. According to Mathew Springer, "He brings these people to life not as drawings of actors and actresses, but as fully realized comic book characters in their own right."[36] Mark Stoddard complimented Whedon's choice of Jeanty for the book, saying, "His layouts and storytelling are clear, he handles the action sequences pretty well, and the character likenesses are excellent, retaining a sense of artistic individuality, rather than simply generating portraits or rehashing television stills."[37] However, Keith McDuffee criticized Jeanty's work, feeling, "The cover images...are amazingly detailed and truly capture what we remember of the characters, but the inside pages have a bit to be desired."[40] Richard George of IGN described Jeanty's work as bringing "a mixture of real life practicality and zany cartoons," but warned readers not to compare it to the "immaculate" covers by Jo Chen, explaining, "Do not expect the art inside to be what it is on the outside, and don't hold one against the other. Both styles have their place."[41]
Reaction from original cast[edit]
Multiple cast members have commented on the appearances of the characters they originated for the TV series in the Season 8 comics.
Sarah Michelle Gellar, who portrayed Buffy, was first informed of Buffy's lesbian experiences by Seth Green, who played Oz, in an on-camera interview, and expressed surprise and approval of the development.[42]
Nicholas Brendon, who portrayed Xander, mentioned the events of issue #12 in the Paley Center for Media Buffy cast reunion held March 20, 2008, to the obvious surprise of James Marsters and Sarah Michelle Gellar,[43] later commenting, "He's looking good, rocking the eye patch in charge of 500 chicks. That is the one thing that Xander would be completely blown away about — being in charge of 500 slayers. Xander wasn't in charge of himself in the show!"[44]
Anthony Stewart Head, who played Rupert Giles, said, "I've seen bits of it and I'd love to see more because it's so cool. It's Joss — and I love Joss's writing. I haven’t had a lot of time but I must get the whole season and check it out."[45]
Elizabeth Anne Allen, who portrayed Amy, described the series as "awesome," saying, "[Season Six/Seven] was fun.... but I really would have loved to play Amy in Season 8. She is much darker."[46]
Awards[edit]

Group
Year
Award
Work
Result
Diamond Comic Distributors 2007 Comic Book of the Year, under $3.00 Issue #1 Won
Diamond Comic Distributors 2007 Licensed Comic of the Year Issue #1 Won[47]
Eisner Award 2008 Best Continuing Series  Nominated
Eisner Award 2008 Best New Series  Won[48]
Nickelodeon Kids' Choice Awards 2008 Best Book  Nominated[49]
Diamond Comic Distributors 2008 Licensed Comic Book of the Year Issue #12 Won[49]
GLAAD Media Awards 20th Annual 2009 Outstanding Comic Book "Wolves at the Gate" Won[50]
Wizard Magazine Fan Awards 2009 (#211 Platinum Edition) 2009 Favorite Licensed Comic and Favorite Heroine Buffy Summers Won
Wizard Magazine 2009 Top 100 Graphic Novels of the Wizard Magazine Era "Wolves at the Gate" Placed #67
References[edit]
1.Jump up ^ Rudolph, Ileane (December 7, 2006). "Buffy the Vampire Slayer Is Back: The Complete Joss Whedon Q&A". TV Guide. Retrieved July 6, 2012.
2.Jump up ^ Jennifer Vineyard (February 1, 2007). "Re-Buffed: New Comic Book Series Resurrects Vampire Slayer". MTV. Retrieved February 15, 2007.
3.Jump up ^ "News > Interviews > Interview with Buffy creator Joss Whedon March 26, 2007". Darkhorse.com. December 17, 2010. Retrieved January 8, 2011.
4.Jump up ^ Elizabeth@TFAW (August 10, 2009). "Check out Dark Horse’s One-Shot Wonders!". TFAW.com. Retrieved August 27, 2009.
5.Jump up ^ "(SPOILER) Brian Lynch talks about his upcoming Spike series.". Whedonesque.com. July 31, 2010. Retrieved August 1, 2010.
6.^ Jump up to: a b "Buffy the Vampire Slayer: Motion Comic, Ep.1 Issue 1: The Long Way Home, Part 1". Amazon.com. July 19, 2010. Retrieved July 24, 2010.
7.^ Jump up to: a b c d Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "The Long Way Home" Buffy the Vampire Slayer Season Eight 1 (March 2007), Dark Horse Comics
8.^ Jump up to: a b c d Joss Whedon (w), Cliff Richards (p), Andy Owen (i). "Anywhere but Here" Buffy the Vampire Slayer Season Eight 1 (January 2008), Dark Horse Comics
9.^ Jump up to: a b Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "The Long Way Home" Buffy the Vampire Slayer Season Eight 1 (April 2007), Dark Horse Comics
10.Jump up ^ Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "The Long Way Home" Buffy the Vampire Slayer Season Eight 3 (May 2007), Dark Horse Comics
11.^ Jump up to: a b Joss Whedon (w), Karl Moline (p), Andy Owen (i). "Time of Your Life" Buffy the Vampire Slayer Season Eight 16 (July 2008), Dark Horse Comics
12.^ Jump up to: a b Brian K. Vaughan (w), Georges Jeanty (p), Andy Owen (i). "No Future For You" Buffy the Vampire Slayer Season Eight 6 (September 2007), Dark Horse Comics
13.^ Jump up to: a b Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "A Beautiful Sunset" Buffy the Vampire Slayer Season Eight 11 (February 2008), Dark Horse Comics
14.Jump up ^ Joss Whedon (w), Paul Lee (p), Andy Owen (i). "The Chain" Buffy the Vampire Slayer Season Eight 1 (July 2007), Dark Horse Comics
15.Jump up ^ Drew Goddard (w), Georges Jeanty (p), Andy Owen (i). "Wolves at the Gate" Buffy the Vampire Slayer Season Eight 15 (June 2008), Dark Horse Comics
16.^ Jump up to: a b Drew Goddard (w), Georges Jeanty (p), Andy Owen (i). "Wolves at the Gate" Buffy the Vampire Slayer Season Eight 12 (March 2008), Dark Horse Comics
17.^ Jump up to: a b c Joss Whedon (w), Karl Moline (p), Andy Owen (i). "Time of Your Life" Buffy the Vampire Slayer Season Eight 19 (November 2008), Dark Horse Comics
18.Jump up ^ Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "Retreat" Buffy the Vampire Slayer Season Eight 30 (November 2009), Dark Horse Comics
19.Jump up ^ Jane Espenson (w), Georges Jeanty (p), Andy Owen (i). "Harmonic Divergence" Buffy the Vampire Slayer Season Eight 21 (January 2009), Dark Horse Comics
20.Jump up ^ Jane Espenson (w), Georges Jeanty (p), Andy Owen (i). "Retreat" Buffy the Vampire Slayer Season Eight 26 (January 2009), Dark Horse Comics
21.Jump up ^ Doug Petrie (w), Georges Jeanty (p), Andy Owen (i). "Living Doll" Buffy the Vampire Slayer Season Eight 25 (January 2009), Dark Horse Comics
22.Jump up ^ Brian K. Vaughan (w), Georges Jeanty (p), Andy Owen (i). "No Future For You" Buffy the Vampire Slayer Season Eight 9 (December 2007), Dark Horse Comics
23.Jump up ^ Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "Turbulence" Buffy the Vampire Slayer Season Eight 32 (January 2010), Dark Horse Comics
24.^ Jump up to: a b Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "Twilight" Buffy the Vampire Slayer Season Eight 33 (March 2010), Dark Horse Comics
25.^ Jump up to: a b Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "Twilight" Buffy the Vampire Slayer Season Eight 35 (May 2010), Dark Horse Comics
26.Jump up ^ Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). "Twilight" Buffy the Vampire Slayer Season Eight 34 (April 2010), Dark Horse Comics
27.Jump up ^ Joss Whedon (December 20, 2006). "Post from Joss at Whedonesque". Whedonesque.com. Retrieved February 15, 2007.
28.Jump up ^ Joss Whedon Teases Return Of Oz, Things To Come In ‘Buffy The Vampire Slayer: Season Eight’, MTV News.
29.Jump up ^ SDCC '08 - Dark Horse Comics Panel, Newsarama, July 27, 2008
30.Jump up ^ Scott Allie Breaks Down Buffy’s Big Day (Or Night?), Comic Book Resources, March 6, 2008
31.Jump up ^ Buffy the Vampire Slayer Season Eight, Volume One: The Long Way Home trade review, Comics Bulletin, November 7, 2007
32.Jump up ^ Buffy the Vampire Slayer Season Eight, Volume 2: No Future for You, Dark Horse
33.Jump up ^ http://www.darkhorse.com/Books/18-892/Buffy-the-Vampire-Slayer-Season-8-Library-Edition-Volume-1-HC
34.Jump up ^ "Buffy the Vampire Slayer Season 8 DVD Details". ShockTilYouDrop.com. July 24, 2010. Retrieved July 24, 2010.
35.Jump up ^ "Buffy the Vampire Slayer - Season 8 Motion Comic Issue: 1-19 DVD". Amazon.co.uk. Retrieved September 6, 2011.
36.^ Jump up to: a b Mathew Springer (March 22, 2007). "Review: Buffy the Vampire Slayer: Season 8 #1". Comic Bloc. Retrieved November 21, 2007.
37.^ Jump up to: a b Mark Stoddard (November 9, 2007). "Review: Buffy the Vampire Slayer: Season 8 #8". Comics Nexus. Archived from the original on November 12, 2007. Retrieved November 21, 2007.
38.Jump up ^ Keith McDuffee (February 19, 2007). "Buffy the Vampire Slayer: Season 8 comic — An early look". TV Squad. Retrieved November 21, 2007.
39.Jump up ^ Keith McDuffee (March 16, 2007). "Buffy the Vampire Slayer: The Long Way Home, Part 1 (season premiere)". TV Squad. Retrieved November 21, 2007.
40.^ Jump up to: a b Keith McDuffee (May 3, 2007). "Buffy the Vampire Slayer: The Long Way Home, Part 3". TV Squad. Retrieved November 21, 2007.
41.Jump up ^ Richard George (March 13, 2007). "Advance Review: Buffy #1". IGN. Retrieved November 21, 2007.
42.Jump up ^ Gellar, Sarah (April 28, 2008). "Sarah Michelle Gellar reacts to Buffy's lesbian tryst". Retrieved May 24, 2008.
43.Jump up ^ Goldman, Eric (March 24, 2008). "Whedon, Gellar and More at the Buffy Reunion". IGN. Retrieved May 24, 2008.
44.Jump up ^ Rawson-Jones, Ben (May 24, 2008). "Nicholas Brendon laps up 'Buffy' comics". Digital Spy. Retrieved May 24, 2008.
45.Jump up ^ Rawson-Jones, Ben (April 28, 2008). "Anthony Head ('The Invisibles')". Retrieved May 24, 2008.
46.Jump up ^ SlayAlive Interview: Elizabeth Anne Allen, SlayAlive.com.
47.Jump up ^ "2007 Gem Award Winners" (PDF). Diamond Comics. Retrieved February 20, 2011.
48.Jump up ^ Eisner Awards Celebrate the “Magic of Comics”, Comic-Con
49.^ Jump up to: a b "2008 Diamond Gem Award Winners". Retrieved February 3, 2009.
50.Jump up ^ "Tyra Banks, Suze Orman Honored at 20th Annual GLAAD Media Awards Presented by IBM". GLAAD. March 29, 2009. Retrieved March 30, 2009.
External links[edit]
 Wikiquote has a collection of quotations related to: Buffy the Vampire Slayer Season Eight
Buffy the Vampire Slayer Season Eight at the Grand Comics Database
Buffy the Vampire Slayer Season Eight at the Comic Book DB
Buffy the Vampire Slayer at Dark Horse Comics
Joss Whedon Q&A about Season 8 at TVGuide.com
The Comic Book Guide to Buffy the Vampire Slayer


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