From the Earth to the Moon and Apollo 13 Wikipedia pages

From the Earth to the Moon (TV miniseries)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

This article is about the 1998 HBO miniseries. For the 1865 Jules Verne novel, see From the Earth to the Moon. For the 1958 film adaptation of the novel, see From the Earth to the Moon (film).


 This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2011)

From the Earth to the Moon
From the Earth to the Moon Title.jpg
Title caption of From the Earth to the Moon

Genre
Docudrama
Theme music composer
Michael Kamen
Composer(s)
Michael Kamen
Mark Mancina
Mark Isham
Mason Daring
James Newton Howard
Brad Fiedel
Jeff Beal
Marc Shaiman
Country of origin
United States
Original language(s)
English
No. of episodes
12
Production

Executive producer(s)
Tom Hanks
Producer(s)
Brian Grazer
Ron Howard
 Michael Bostick
Running time
60 minutes
Broadcast

Original channel
HBO
Original run
April 5, 1998 – May 10, 1998
From the Earth to the Moon is a twelve-part HBO television miniseries (1998) co-produced by Ron Howard, Brian Grazer, Tom Hanks, and Michael Bostick, telling the story of the landmark Apollo expeditions to the Moon during the 1960s and early 1970s in docudrama format. Largely based on Andrew Chaikin's book, A Man on the Moon, the series is known for its accurate telling of the story of Apollo and the outstanding special effects under visual director Ernest D. Farino.
The series takes its title from, but is not based upon, the famous Jules Verne science fiction novel From the Earth to the Moon. Hanks appears in every episode, introducing each of the first eleven. The last episode is represented in a pseudo-documentary format narrated by Blythe Danner, which is interspersed with a reenactment of the making of Georges Méliès' film Le Voyage dans la Lune. Hanks narrates and appears in these scenes as Méliès' assistant.


Contents  [hide]
1 Cast
2 Episodes
3 Integration with existing films
4 Production information
5 Awards
6 References
7 External links

Cast[edit]
Main article: List of From the Earth to the Moon characters
The miniseries has a fairly large cast, driven in part by the fact that it portrays 30 of the 32 astronauts who flew (or were preparing to fly) the 12 missions of the Apollo program. (The only two Apollo astronauts not portrayed by credited actors are Apollo 13 Command Module pilot Jack Swigert, and Apollo 17 Command Module pilot Ronald Evans, who had a brief appearance in the liftoff scene of Apollo 17 in the final episode.) Members of many of the astronauts' families, and other NASA and non-NASA personnel, are also portrayed.
Several fictional (or fictionalized) characters are also included, notably television newscaster Emmett Seaborn (Lane Smith) who appears in 9 of the 12 episodes.
Episodes[edit]
The twelve episodes, each directed by different individuals, use a variety of viewpoints and themes, while sequentially covering the Mercury, Gemini and Apollo programs. Lane Smith portrays Emmett Seaborn, a seasoned reporter for a fictional television network who covers the U.S. space program from its earliest days, providing continuity for most of the episodes.

Number
Title
Directed by
Written by
Original air date

01
"Can We Do This?" Tom Hanks Steven Katz April 5, 1998
Covers the early years of the United States' "space race" with the Soviet Union, including the creation of NASA and the decision to send men to the Moon. Provides an overview of the Mercury and Gemini programs, concentrating on reconstructions of Alan Shepard's pioneering Freedom 7 Mercury flight; Edward H. White's first US spacewalk on Gemini 4, the near-disastrous in-flight failure during Neil Armstrong's and David Scott's Gemini 8 mission; and the successful completion of Gemini with Buzz Aldrin's perfection of extravehicular activity on Gemini 12.
02
"Apollo One" David Frankel Graham Yost April 5, 1998
Portrays the tragedy of the Apollo 1 fire from the perspective of its subsequent investigation by NASA and the US Congress. Its effects on key individuals are shown, including Harrison Storms of North American Aviation, Joseph Shea of NASA, astronaut Frank Borman charged with supporting NASA's investigation, and the widows of Gus Grissom, Ed White and Roger Chaffee.
03
"We Have Cleared the Tower" Lili Fini Zanuck Remi Aubuchon April 12, 1998
Portrays the Apollo program's recovery to manned flight after the Apollo One tragedy, from the perspective of a fictional documentary team covering the flight of Apollo 7. This flight is commanded by strong-willed Mercury veteran Wally Schirra, who is focused on safety after the death of his colleague Grissom. Pad Leader Guenter Wendt, another zealous guardian of astronaut safety, is featured by the documentary team.
04
"1968" David Frankel Al Reinert April 12, 1998
Depicts Apollo 8's historic first manned lunar flight, as the redemption of an otherwise strife-torn year filled with political assassinations, war, and unrest. Documentary footage of the turbulent political events are interspersed with the drama, which is mostly filmed in black and white except for scenes aboard the spacecraft and some color newsreel footage. The fears of mission commander Frank Borman's wife Susan of the possibility of her husband dying in a spacecraft trapped in lunar orbit are highlighted. Includes the Apollo 8 Genesis reading.
05
"Spider" Graham Yost Andy Wolk April 19, 1998
Returns to 1961, and NASA engineer John Houbolt's lonely fight to convince management that the easiest way to land men on the Moon will be to use a separate landing craft. It then traces the design and development of the Lunar Module by a team led by Grumman engineer Tom Kelly. Covers the selection and training of the first crew selected to fly it, Jim McDivitt and Rusty Schweickart (along with Command Module pilot David Scott), and culminates with their first flight of Spider in Earth orbit on Apollo 9. The Apollo 10 lunar "dress rehearsal" is briefly mentioned.
06
"Mare Tranquilitatis" Frank Marshall Al Reinert
Graham Yost
Tom Hanks April 19, 1998
A dramatization of the Apollo 11 first Moon landing in Mare Tranquilitatis ("Sea of Tranquility") is interspersed with flashback sequences of Emmett Seaborn's television interview with the crew of Neil Armstrong, Lunar Module pilot Buzz Aldrin, and Command Module pilot Michael Collins.
07
"That's All There Is" Jon Turteltaub Paul McCudden
Erik Bork
Tom Hanks April 26, 1998
The story of the Apollo 12 second lunar landing mission is told by Lunar Module Pilot Alan Bean. Bean, the last member of NASA Astronaut Group 3 to fly in space, narrates his experience with the tightly-knit, all-Navy crew commanded by Gemini veteran Pete Conrad, and accepts with humor and grace his responsibility for the failure of the first color TV camera on the lunar surface, and for almost fracturing his own skull by failing to properly secure the Command Module's TV camera before splashdown.
08
"We Interrupt This Program" David Frankel Peter Osterlund
 Amy Brooke Baker April 26, 1998
This episode covers the perilous flight of Apollo 13 entirely from the ground point of view; the astronauts are only heard on radio. Veteran TV spaceflight reporter Emmett Seaborn (Lane Smith) is summoned to broadcast the breaking news of the in-flight failure, as young reporter Brett Hutchings (Jay Mohr) is pulled off of sports to help with the coverage. As the crisis unfolds, Seaborn finds himself at odds with Hutchings' style of sensationalizing its impact on the astronauts' families, and criticizing NASA. Seaborn starts to feel he is being marginalized when the network decides to leave Hutchings on location in Houston, while sending him back to headquarters to provide only background coverage. The last straw falls when, after the successful recovery of the astronauts, Hutchings horns in on his traditional post-flight interview with flight controller Gene Kranz. Seaborn leaves dejectedly, not to be seen again until the flight of Apollo 17 in the final episode.
09
"For Miles and Miles" Gary Fleder Erik Bork May 3, 1998
In 1964, while riding high on his fame as America's first man in space and his expected command of the first Gemini mission, Alan Shepard is suddenly struck with Ménière's disease, characterized by vertigo and nausea. Flight operations director Deke Slayton must ground him, but offers him the job of chief astronaut, effectively making Shepard Slayton's assistant as supervisor of all the astronauts. A few years later, a surgeon tries an experimental surgery which cures Shepard's symptoms, and he is returned to the flight rotation, commanding Apollo 14 in early 1971, which accomplishes Apollo 13's failed Fra Mauro landing. Shepard smuggles a golf ball and six-iron club head on board, which he fastens to a soil-collecting tool handle and uses to hit the ball "for miles and miles".
10
"Galileo Was Right" David Carson Jeffrey Fiskin
Remi Aubuchon May 3, 1998
Scientist astronaut Harrison "Jack" Schmitt, a geologist, persuades his mentor, professor Lee Silver, to train the Apollo astronauts in selecting appropriate rock samples to collect through field experience, rather than the boring classroom lectures NASA has been using. Silver takes the four Apollo 15 prime and backup landing crew members (David Scott, James Irwin, Richard F. Gordon, Jr., and Schmitt) to the southwestern desert, while lunar geologist Farouk El-Baz trains the Command Module pilots (Alfred Worden and Vance Brand) in high-altitude recognition of geological features using airplane flights over Hawaii. Schmitt is disappointed to learn his own Apollo 18 flight will be cancelled, but he still believes the training of the other astronauts is vital. It pays off when Scott and Irwin find the "Genesis Rock", originally believed to come from the Moon's primordial crust. The title refers to Scott's reproduction of an experiment proving Galileo's hypothesis that gravity will cause bodies of differing masses to fall at the same rate in a vacuum, by dropping a hammer and a feather.
11
"The Original Wives' Club" Sally Field Karen Janszen
Tom Hanks
Erik Bork May 10, 1998
Shows the Apollo program from the point of view of the nine wives of NASA's second group of astronauts, from 1962 beyond the end of the program. The burdens placed on them include maintaining a home while presenting a positive image to the news media, shielding their husbands from any family concerns which could affect their position in the flight rotation or ability to return to Earth safely, and comforting each other in the face of tragedy as Elliot See and Ed White are killed. The episode is anchored by the Apollo 16 mission, during which recently married Ken Mattingly loses his wedding ring in the Command Module, and Lunar Module pilot Charles Duke finds it while Mattingly is performing a walk in deep space.
12
"Le Voyage dans la Lune" Jonathan Mostow Tom Hanks May 10, 1998
The story of the final lunar mission, Apollo 17, is told as a pseudo-documentary set several decades after the fact. Simulated interviews of various characters such as Emmett Seaborn and flight director Christopher C. Kraft, Jr., in old-age makeup, are included. The documentary is interspersed with the story of early French film maker Georges Méliès' creation of his vision of a trip to the Moon, the 1902 Le Voyage dans la Lune. Scenes from the original film are merged with the recreation of its filming.
Integration with existing films[edit]
The miniseries, concentrating on the Apollo space program, was produced with an intent not to repeat other dramatic portrayals of events of the space race.
Project Mercury, which was portrayed in the film The Right Stuff, was briefly summarized in the first episode. Miniseries producers Hanks, Howard and Grazer, who had previously produced Apollo 13, deliberately shot the episode We Interrupt This Program from the perspective of the media covering that flight, as the film had already covered the story from the point of view of the crew and the mission control team.
Production information[edit]
Many of the actors had opportunity to interact and form friendships with the real life astronauts they were portraying. Brett Cullen, who played Apollo 9 Command Module pilot and Apollo 15 commander David Scott, was invited to the Scott family home each time an episode he appeared in was first televised.
Two short clips from the final scenes of Apollo 13 were used in "That's All There Is"; a splashdown sequence, and a view of the recovery ship USS Iwo Jima (portrayed by USS New Orleans).
The original series was shot in 1.33:1 aspect ratio, intended to be viewed on standard television sets. The series was released on DVD as a 4-disc set. With the proliferation of widescreen flat-panel TV sets the series was remastered in 1.78:1 aspect ratio and rereleased in 2005 as a 5-disc DVD box set. New framing causes loss of top and bottom parts of the frames from the original movie. This is not always noticeable because of careful transfer process, but in some scenes important details are lost. For example, in Disc 1, when the Gemini 8 / Agena assembly is tumbling around the sky with a stuck thruster, the thruster is not visible in the new widescreen version as it is cut off by the top of the frame. Some captions have also been compromised.[1]
To simulate lunar surface gravity, weather balloons filled with helium were attached to the backs of the actors playing the astronauts in the lunar extra-vehicular activity scenes, effectively reducing their Earth-bound weights to one-sixth.
The score of "Spider" prominently features an imitation of the main title theme from the 1963 World War II movie The Great Escape, and Tom Kelly jokes about having a crew digging a tunnel out of the Grumman plant. The episode also featured a real Lunar Module (LM-13), which had been built for the Apollo 18 mission but was never used due to budget cuts.
Parts of the mini-series were filmed at the Disney-MGM Studios (now Disney's Hollywood Studios) in Orlando, Florida.
Scenes of the moonwalks were shot inside the blimp hangars on the former Marine base in Tustin, California. Approximately half the area inside was converted to the Moon's surface, with the remainder used to hold production trailers.
Blythe Danner, who narrated the final episode, had previously worked on location at the Johnson Space Center for the 1976 movie Futureworld, filmed in the same buildings where Apollo moonwalkers had recently trained.[2][3]
Awards[edit]
The series won 3 Emmy awards for Outstanding Miniseries, Outstanding Casting for a Miniseries or a Movie and Outstanding Hairstyling for a Miniseries, Movie or a Special. a 1999 Golden Globe Award for Best Mini-Series or Motion Picture Made for TV.
References[edit]
1.Jump up ^ "From the Earth to the Moon: 2005 Signature Series DVD Box set, user's comments".
2.Jump up ^ Blythe Danner playing an astronaut in Futureworld, filmed on location at JSC
3.Jump up ^ Apollo test hardware featured in Futureworld
External links[edit]
From the Earth to the Moon at the Internet Movie Database
From the Earth to the Moon at TV.com
From the Earth to the Moon - Featurette (Making Of the mini-series, on YouTube)


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TCA Award for Program of the Year




































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Categories: American television miniseries
HBO network shows
1990s American television series
1998 American television series debuts
1998 American television series endings
Television programs based on books
Television series based on actual events
Television series about the Apollo program
1998 in American television
Primetime Emmy Award for Outstanding Miniseries winners
Best Miniseries or Television Movie Golden Globe winners






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From the Earth to the Moon (TV miniseries)
From Wikipedia, the free encyclopedia
Jump to: navigation, search

This article is about the 1998 HBO miniseries. For the 1865 Jules Verne novel, see From the Earth to the Moon. For the 1958 film adaptation of the novel, see From the Earth to the Moon (film).


 This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2011)

From the Earth to the Moon
From the Earth to the Moon Title.jpg
Title caption of From the Earth to the Moon

Genre
Docudrama
Theme music composer
Michael Kamen
Composer(s)
Michael Kamen
Mark Mancina
Mark Isham
Mason Daring
James Newton Howard
Brad Fiedel
Jeff Beal
Marc Shaiman
Country of origin
United States
Original language(s)
English
No. of episodes
12
Production

Executive producer(s)
Tom Hanks
Producer(s)
Brian Grazer
Ron Howard
 Michael Bostick
Running time
60 minutes
Broadcast

Original channel
HBO
Original run
April 5, 1998 – May 10, 1998
From the Earth to the Moon is a twelve-part HBO television miniseries (1998) co-produced by Ron Howard, Brian Grazer, Tom Hanks, and Michael Bostick, telling the story of the landmark Apollo expeditions to the Moon during the 1960s and early 1970s in docudrama format. Largely based on Andrew Chaikin's book, A Man on the Moon, the series is known for its accurate telling of the story of Apollo and the outstanding special effects under visual director Ernest D. Farino.
The series takes its title from, but is not based upon, the famous Jules Verne science fiction novel From the Earth to the Moon. Hanks appears in every episode, introducing each of the first eleven. The last episode is represented in a pseudo-documentary format narrated by Blythe Danner, which is interspersed with a reenactment of the making of Georges Méliès' film Le Voyage dans la Lune. Hanks narrates and appears in these scenes as Méliès' assistant.


Contents  [hide]
1 Cast
2 Episodes
3 Integration with existing films
4 Production information
5 Awards
6 References
7 External links

Cast[edit]
Main article: List of From the Earth to the Moon characters
The miniseries has a fairly large cast, driven in part by the fact that it portrays 30 of the 32 astronauts who flew (or were preparing to fly) the 12 missions of the Apollo program. (The only two Apollo astronauts not portrayed by credited actors are Apollo 13 Command Module pilot Jack Swigert, and Apollo 17 Command Module pilot Ronald Evans, who had a brief appearance in the liftoff scene of Apollo 17 in the final episode.) Members of many of the astronauts' families, and other NASA and non-NASA personnel, are also portrayed.
Several fictional (or fictionalized) characters are also included, notably television newscaster Emmett Seaborn (Lane Smith) who appears in 9 of the 12 episodes.
Episodes[edit]
The twelve episodes, each directed by different individuals, use a variety of viewpoints and themes, while sequentially covering the Mercury, Gemini and Apollo programs. Lane Smith portrays Emmett Seaborn, a seasoned reporter for a fictional television network who covers the U.S. space program from its earliest days, providing continuity for most of the episodes.

Number
Title
Directed by
Written by
Original air date

01
"Can We Do This?" Tom Hanks Steven Katz April 5, 1998
Covers the early years of the United States' "space race" with the Soviet Union, including the creation of NASA and the decision to send men to the Moon. Provides an overview of the Mercury and Gemini programs, concentrating on reconstructions of Alan Shepard's pioneering Freedom 7 Mercury flight; Edward H. White's first US spacewalk on Gemini 4, the near-disastrous in-flight failure during Neil Armstrong's and David Scott's Gemini 8 mission; and the successful completion of Gemini with Buzz Aldrin's perfection of extravehicular activity on Gemini 12.
02
"Apollo One" David Frankel Graham Yost April 5, 1998
Portrays the tragedy of the Apollo 1 fire from the perspective of its subsequent investigation by NASA and the US Congress. Its effects on key individuals are shown, including Harrison Storms of North American Aviation, Joseph Shea of NASA, astronaut Frank Borman charged with supporting NASA's investigation, and the widows of Gus Grissom, Ed White and Roger Chaffee.
03
"We Have Cleared the Tower" Lili Fini Zanuck Remi Aubuchon April 12, 1998
Portrays the Apollo program's recovery to manned flight after the Apollo One tragedy, from the perspective of a fictional documentary team covering the flight of Apollo 7. This flight is commanded by strong-willed Mercury veteran Wally Schirra, who is focused on safety after the death of his colleague Grissom. Pad Leader Guenter Wendt, another zealous guardian of astronaut safety, is featured by the documentary team.
04
"1968" David Frankel Al Reinert April 12, 1998
Depicts Apollo 8's historic first manned lunar flight, as the redemption of an otherwise strife-torn year filled with political assassinations, war, and unrest. Documentary footage of the turbulent political events are interspersed with the drama, which is mostly filmed in black and white except for scenes aboard the spacecraft and some color newsreel footage. The fears of mission commander Frank Borman's wife Susan of the possibility of her husband dying in a spacecraft trapped in lunar orbit are highlighted. Includes the Apollo 8 Genesis reading.
05
"Spider" Graham Yost Andy Wolk April 19, 1998
Returns to 1961, and NASA engineer John Houbolt's lonely fight to convince management that the easiest way to land men on the Moon will be to use a separate landing craft. It then traces the design and development of the Lunar Module by a team led by Grumman engineer Tom Kelly. Covers the selection and training of the first crew selected to fly it, Jim McDivitt and Rusty Schweickart (along with Command Module pilot David Scott), and culminates with their first flight of Spider in Earth orbit on Apollo 9. The Apollo 10 lunar "dress rehearsal" is briefly mentioned.
06
"Mare Tranquilitatis" Frank Marshall Al Reinert
Graham Yost
Tom Hanks April 19, 1998
A dramatization of the Apollo 11 first Moon landing in Mare Tranquilitatis ("Sea of Tranquility") is interspersed with flashback sequences of Emmett Seaborn's television interview with the crew of Neil Armstrong, Lunar Module pilot Buzz Aldrin, and Command Module pilot Michael Collins.
07
"That's All There Is" Jon Turteltaub Paul McCudden
Erik Bork
Tom Hanks April 26, 1998
The story of the Apollo 12 second lunar landing mission is told by Lunar Module Pilot Alan Bean. Bean, the last member of NASA Astronaut Group 3 to fly in space, narrates his experience with the tightly-knit, all-Navy crew commanded by Gemini veteran Pete Conrad, and accepts with humor and grace his responsibility for the failure of the first color TV camera on the lunar surface, and for almost fracturing his own skull by failing to properly secure the Command Module's TV camera before splashdown.
08
"We Interrupt This Program" David Frankel Peter Osterlund
 Amy Brooke Baker April 26, 1998
This episode covers the perilous flight of Apollo 13 entirely from the ground point of view; the astronauts are only heard on radio. Veteran TV spaceflight reporter Emmett Seaborn (Lane Smith) is summoned to broadcast the breaking news of the in-flight failure, as young reporter Brett Hutchings (Jay Mohr) is pulled off of sports to help with the coverage. As the crisis unfolds, Seaborn finds himself at odds with Hutchings' style of sensationalizing its impact on the astronauts' families, and criticizing NASA. Seaborn starts to feel he is being marginalized when the network decides to leave Hutchings on location in Houston, while sending him back to headquarters to provide only background coverage. The last straw falls when, after the successful recovery of the astronauts, Hutchings horns in on his traditional post-flight interview with flight controller Gene Kranz. Seaborn leaves dejectedly, not to be seen again until the flight of Apollo 17 in the final episode.
09
"For Miles and Miles" Gary Fleder Erik Bork May 3, 1998
In 1964, while riding high on his fame as America's first man in space and his expected command of the first Gemini mission, Alan Shepard is suddenly struck with Ménière's disease, characterized by vertigo and nausea. Flight operations director Deke Slayton must ground him, but offers him the job of chief astronaut, effectively making Shepard Slayton's assistant as supervisor of all the astronauts. A few years later, a surgeon tries an experimental surgery which cures Shepard's symptoms, and he is returned to the flight rotation, commanding Apollo 14 in early 1971, which accomplishes Apollo 13's failed Fra Mauro landing. Shepard smuggles a golf ball and six-iron club head on board, which he fastens to a soil-collecting tool handle and uses to hit the ball "for miles and miles".
10
"Galileo Was Right" David Carson Jeffrey Fiskin
Remi Aubuchon May 3, 1998
Scientist astronaut Harrison "Jack" Schmitt, a geologist, persuades his mentor, professor Lee Silver, to train the Apollo astronauts in selecting appropriate rock samples to collect through field experience, rather than the boring classroom lectures NASA has been using. Silver takes the four Apollo 15 prime and backup landing crew members (David Scott, James Irwin, Richard F. Gordon, Jr., and Schmitt) to the southwestern desert, while lunar geologist Farouk El-Baz trains the Command Module pilots (Alfred Worden and Vance Brand) in high-altitude recognition of geological features using airplane flights over Hawaii. Schmitt is disappointed to learn his own Apollo 18 flight will be cancelled, but he still believes the training of the other astronauts is vital. It pays off when Scott and Irwin find the "Genesis Rock", originally believed to come from the Moon's primordial crust. The title refers to Scott's reproduction of an experiment proving Galileo's hypothesis that gravity will cause bodies of differing masses to fall at the same rate in a vacuum, by dropping a hammer and a feather.
11
"The Original Wives' Club" Sally Field Karen Janszen
Tom Hanks
Erik Bork May 10, 1998
Shows the Apollo program from the point of view of the nine wives of NASA's second group of astronauts, from 1962 beyond the end of the program. The burdens placed on them include maintaining a home while presenting a positive image to the news media, shielding their husbands from any family concerns which could affect their position in the flight rotation or ability to return to Earth safely, and comforting each other in the face of tragedy as Elliot See and Ed White are killed. The episode is anchored by the Apollo 16 mission, during which recently married Ken Mattingly loses his wedding ring in the Command Module, and Lunar Module pilot Charles Duke finds it while Mattingly is performing a walk in deep space.
12
"Le Voyage dans la Lune" Jonathan Mostow Tom Hanks May 10, 1998
The story of the final lunar mission, Apollo 17, is told as a pseudo-documentary set several decades after the fact. Simulated interviews of various characters such as Emmett Seaborn and flight director Christopher C. Kraft, Jr., in old-age makeup, are included. The documentary is interspersed with the story of early French film maker Georges Méliès' creation of his vision of a trip to the Moon, the 1902 Le Voyage dans la Lune. Scenes from the original film are merged with the recreation of its filming.
Integration with existing films[edit]
The miniseries, concentrating on the Apollo space program, was produced with an intent not to repeat other dramatic portrayals of events of the space race.
Project Mercury, which was portrayed in the film The Right Stuff, was briefly summarized in the first episode. Miniseries producers Hanks, Howard and Grazer, who had previously produced Apollo 13, deliberately shot the episode We Interrupt This Program from the perspective of the media covering that flight, as the film had already covered the story from the point of view of the crew and the mission control team.
Production information[edit]
Many of the actors had opportunity to interact and form friendships with the real life astronauts they were portraying. Brett Cullen, who played Apollo 9 Command Module pilot and Apollo 15 commander David Scott, was invited to the Scott family home each time an episode he appeared in was first televised.
Two short clips from the final scenes of Apollo 13 were used in "That's All There Is"; a splashdown sequence, and a view of the recovery ship USS Iwo Jima (portrayed by USS New Orleans).
The original series was shot in 1.33:1 aspect ratio, intended to be viewed on standard television sets. The series was released on DVD as a 4-disc set. With the proliferation of widescreen flat-panel TV sets the series was remastered in 1.78:1 aspect ratio and rereleased in 2005 as a 5-disc DVD box set. New framing causes loss of top and bottom parts of the frames from the original movie. This is not always noticeable because of careful transfer process, but in some scenes important details are lost. For example, in Disc 1, when the Gemini 8 / Agena assembly is tumbling around the sky with a stuck thruster, the thruster is not visible in the new widescreen version as it is cut off by the top of the frame. Some captions have also been compromised.[1]
To simulate lunar surface gravity, weather balloons filled with helium were attached to the backs of the actors playing the astronauts in the lunar extra-vehicular activity scenes, effectively reducing their Earth-bound weights to one-sixth.
The score of "Spider" prominently features an imitation of the main title theme from the 1963 World War II movie The Great Escape, and Tom Kelly jokes about having a crew digging a tunnel out of the Grumman plant. The episode also featured a real Lunar Module (LM-13), which had been built for the Apollo 18 mission but was never used due to budget cuts.
Parts of the mini-series were filmed at the Disney-MGM Studios (now Disney's Hollywood Studios) in Orlando, Florida.
Scenes of the moonwalks were shot inside the blimp hangars on the former Marine base in Tustin, California. Approximately half the area inside was converted to the Moon's surface, with the remainder used to hold production trailers.
Blythe Danner, who narrated the final episode, had previously worked on location at the Johnson Space Center for the 1976 movie Futureworld, filmed in the same buildings where Apollo moonwalkers had recently trained.[2][3]
Awards[edit]
The series won 3 Emmy awards for Outstanding Miniseries, Outstanding Casting for a Miniseries or a Movie and Outstanding Hairstyling for a Miniseries, Movie or a Special. a 1999 Golden Globe Award for Best Mini-Series or Motion Picture Made for TV.
References[edit]
1.Jump up ^ "From the Earth to the Moon: 2005 Signature Series DVD Box set, user's comments".
2.Jump up ^ Blythe Danner playing an astronaut in Futureworld, filmed on location at JSC
3.Jump up ^ Apollo test hardware featured in Futureworld
External links[edit]
From the Earth to the Moon at the Internet Movie Database
From the Earth to the Moon at TV.com
From the Earth to the Moon - Featurette (Making Of the mini-series, on YouTube)


[show]
v ·
 t ·
 e
 
Primetime Emmy Award for Outstanding Miniseries

























































[show]
v ·
 t ·
 e
 
Golden Globe Award for Best Miniseries or Television Film











































[show]
v ·
 t ·
 e
 
TCA Award for Program of the Year




































[show]
v ·
 t ·
 e
 
Tom Hanks






























































[show]
v ·
 t ·
 e
 
Works produced by Brian Grazer





































































































































[show]
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Apollo 13 (film)
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Apollo 13
A thin light-gray crescent Moon stretches diagonally from lower left to upper right against a black background, with a blue and white crescent Earth in the far distance. In front of the portion of the moon that is in shadow on the left appears a small image of the Apollo 13 Command/Service module joined to the Lunar Module, with vapor streaming from a hole in the side of the Service Module — the words "Houston, we have a problem" appear directly above the craft in white lower case lettering. The names of the principal actors appear in white lettering at the top of the image, and the title APOLLO 13 in block white upper-case letters appears at the lower right.
Theatrical release poster

Directed by
Ron Howard
Produced by
Brian Grazer
Screenplay by
William Broyles, Jr.
Al Reinert
Based on
Lost Moon
 by Jim Lovell
Jeffrey Kluger
Starring
Tom Hanks
Kevin Bacon
Bill Paxton
Gary Sinise
Ed Harris
Music by
James Horner
Cinematography
Dean Cundey
Edited by
Daniel P. Hanley
Mike Hill

Production
 company

Imagine Entertainment

Distributed by
Universal Pictures

Release dates

June 30, 1995 (United States)


Running time
 140 minutes
Country
United States
Language
English
Budget
$52 million[1]
Box office
$355,237,933[2]
Apollo 13 is a 1995 American historical docudrama film directed by Ron Howard. The film stars Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, and Ed Harris. The screenplay by William Broyles, Jr. and Al Reinert, that dramatizes the aborted 1970 Apollo 13 lunar mission, is an adaptation of the book Lost Moon: The Perilous Voyage of Apollo 13 by astronaut Jim Lovell and Jeffrey Kluger.
The film depicts astronauts Lovell, Jack Swigert and Fred Haise aboard Apollo 13 for America's third Moon landing mission. En route, an on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA's flight controllers to abort the Moon landing, and turning the mission into a struggle to get the three men home safely.
Howard went to great lengths to create a technically accurate movie, employing NASA's technical assistance in astronaut and flight controller training for his cast, and even obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the "weightlessness" experienced by the astronauts in space.
Released in the United States on June 30, 1995, Apollo 13 garnered critical acclaim and was nominated for many awards, including nine Academy Awards (winning for Best Film Editing and Best Sound).[3] In total, the film grossed over $355 million worldwide during its theatrical releases.


Contents  [hide]
1 Plot
2 Cast
3 Production 3.1 Pre-production and props
3.2 Cast training and filming
4 Soundtrack
5 Release 5.1 Box-office performance
5.2 Reception
5.3 Home media
6 Accolades
7 Technical and historical accuracy
8 See also
9 References
10 External links

Plot[edit]
On July 20, 1969, veteran astronaut Jim Lovell hosts a party for other astronauts and their families, who watch on television as Neil Armstrong takes his first steps on the Moon during the Apollo 11 mission. After the party, Lovell, who orbited the Moon on Apollo 8, tells his wife Marilyn that he intends to return to the Moon and walk on its surface.
On October 30, 1969, while giving a VIP tour of NASA's Vehicle Assembly Building, Lovell is informed by his boss Deke Slayton that he and his crew will fly the Apollo 13 mission instead of Apollo 14. Lovell, Ken Mattingly, and Fred Haise begin training for their new mission. Days before launch, it is discovered that Mattingly was exposed to measles, and the flight surgeon demands his replacement with Mattingly's backup, Jack Swigert, as a safety precaution. Lovell resists breaking up his team, but relents after Slayton gives him the ultimatum of either accepting the switch, or else being bumped to a later mission.
As the launch date approaches, Marilyn's fears for her husband's safety manifest in nightmares, but she goes to Cape Kennedy the night before launch, to see him off despite her misgivings.
On April 11, 1970, Apollo 13 Flight Director Gene Kranz gives the go-ahead from Houston's Mission Control Center for launch. As the Saturn V rocket climbs into the sky, an engine on the second stage cuts off prematurely, but the craft successfully reaches Earth orbit. After the third stage fires, sending Apollo 13 on a trajectory to the Moon, Swigert docks the Command/Service Module Odyssey with the Lunar Module Aquarius, and pulls it away from the spent stage.
Three days into the mission, the crew send a live television transmission from Odyssey, but the networks, believing the public now regards lunar missions as routine, decline to carry the broadcast live. Swigert is told to perform a standard housekeeping procedure of stirring the two liquid oxygen tanks in the Service Module. When he flips the switch, one tank explodes, emptying its contents into space and sending the craft tumbling. The other tank is soon found to be leaking, prompting Mission Control to abort the Moon landing, and forcing Lovell and Haise to hurriedly power up Aquarius as a "lifeboat" for the return home, while Swigert shuts down Odyssey before its battery power runs out. On Earth, Kranz rallies his team to do what is necessary to get the astronauts home safely, declaring "failure is not an option". Controller John Aaron recruits Mattingly to help him figure out how to restart Odyssey for the final return to Earth.
As Swigert and Haise watch the Moon passing beneath them, Lovell laments his lost chance of walking on its surface, then turns their attention to the task of getting home. With Aquarius running on minimum systems to conserve power, the crew is soon subjected to freezing conditions. Swigert suspects Mission Control is unable to get them home and is withholding this from them. In a fit of rage, Haise blames Swigert's inexperience for the accident; the ensuing argument is quickly squelched by Lovell. When the carbon dioxide exhaled by the astronauts reaches the Lunar Module's filter capacity and approaches dangerous levels, an engineering team quickly invents a way to make the Command Module's square filters work in the Lunar Module's round receptacles. With the guidance systems on Aquarius shut down, and despite Haise's fever and miserable living conditions, the crew succeeds in making a difficult but vital course correction by manually igniting the Lunar Module's engine.
Mattingly and Aaron struggle to find a way to power up the Command Module with its limited available power, but finally succeed and transmit the procedures to Swigert, who successfully restarts Odyssey by transmitting extra power from Aquarius. When the Service Module is jettisoned, the crew finally see the extent of the damage and prepare for re-entry, unsure whether Odyssey's heat shield is intact. If it is not, they will incinerate during reentry. They release Aquarius and re-enter the Earth's atmosphere in Odyssey. After a tense, longer than normal period of radio silence due to ionization blackout, the astronauts report all is well and splash down in the Pacific Ocean. The three men are brought aboard the amphibious assault ship USS Iwo Jima.
As the astronauts are given a hero's welcome on deck, Lovell's narration describes the events that follow their return from space—including the investigation into the explosion, and the subsequent careers and lives of Haise, Swigert, Mattingly and Kranz—and ends with him wondering when mankind will return to the Moon.
Cast[edit]












Top to bottom: Hanks, Bacon and Paxton, who portray astronauts Lovell, Swigert and Haise respectively.
Tom Hanks as Apollo 13 Commander Jim Lovell. Jim Lovell stated that before the book was even written, the rights were being shopped to potential buyers[4] and that his first reaction was that actor Kevin Costner would be a good choice to play him.[5][6] However, by the time Howard acquired the director's position, Costner's name never came up in serious discussion, and Hanks had already been interested in doing a film based on Apollo 13. When Hanks' representative informed him that there was a script being passed around, he had the script sent to him.[4] John Travolta was initially offered the role of Lovell, but declined.[7]
Kevin Bacon as Apollo 13 backup CMP Jack Swigert
Bill Paxton as Apollo 13 Lunar Module Pilot Fred Haise
Gary Sinise as Apollo 13 prime Command Module Pilot (CMP) Ken Mattingly. Sinise was invited by Howard to read for any of the characters, and chose Mattingly.[4]
Ed Harris as White team Flight Director Gene Kranz. Harris described the film as "cramming for a final exam". Harris described Gene Kranz as "corny and like a dinosaur", but was respected by the crew.[4]
Kathleen Quinlan as Lovell's wife Marilyn
Chris Ellis as Director of Flight Crew Operations Deke Slayton
Joe Spano as "NASA Director", a composite character loosely based on Chris Kraft
Marc McClure as Black Team Flight Director Glynn Lunney
Clint Howard as White Team EECOM (Electrical, Environmental and Consumables Manager) Sy Liebergot
Ray McKinnon as White Team FIDO (Flight Dynamics Officer)
Todd Louiso as White Team FAO (Flight Activities Officer)
Loren Dean as EECOM John Aaron
Xander Berkeley as "Henry Hurt", a fictional NASA Office of Public Affairs staff member[8]
David Andrews as Apollo 12 Commander Pete Conrad
Christian Clemenson as Flight surgeon Dr. Charles Berry
Ben Marley as Apollo 13 backup Commander John Young
Brett Cullen as CAPCOM 1
Ned Vaughn as CAPCOM 2
Tracy Reiner as Haise's then-wife Mary
Mary Kate Schellhardt as Lovell's older daughter Barbara
Max Elliott Slade as Lovell's older son James (Jay), who attended military school at the time of the flight
Emily Ann Lloyd as Lovell's younger daughter Susan
Miko Hughes as Lovell's younger son Jeffrey
Thom Barry as an orderly at Blanch's retirement home
The real Jim Lovell appears as captain of the recovery ship USS Iwo Jima; Howard had intended to make him an admiral, but Lovell himself, having retired as a Captain, chose to appear in his actual rank. Horror film director Roger Corman, a mentor of Howard, appears as a congressman being given a VIP tour by Lovell of the Vehicle Assembly Building, as it had become something of a tradition for Corman to make a cameo appearance in his proteges' films.[9][10] The real Marilyn Lovell appeared among the spectators during the launch sequence.[5][5] CBS News anchor Walter Cronkite appears in archive news footage and can be heard in newly recorded announcements, some of which he edited himself to sound more authentic.[5]
In addition to his brother, Clint Howard, several other members of Ron Howard's family appear in the movie:
Rance Howard (his father) appears as the Lovell family minister.
Jean Speegle Howard (his mother) appears as Lovell's mother Blanch.
Cheryl Howard (his wife) and Bryce Dallas Howard (his daughter) appear as uncredited background performers in the scene where the astronauts wave goodbye to their families.[10]
Brad Pitt was offered a role in the film, but turned it down to star in Se7en.[11] Reportedly, the real Pete Conrad expressed interest in appearing in the film.[5]
Jeffrey Kluger appears as a television reporter.[10]
Production[edit]
Pre-production and props[edit]
While planning the film, director Ron Howard decided that every shot of the film would be original and that no mission footage would be used.[12] The spacecraft interiors were constructed by the Kansas Cosmosphere and Space Center's Space Works, who also restored the Apollo 13 Command Module. Two individual Lunar Modules and two Command Modules were constructed for filming. While each was a replica, composed of some of the original Apollo materials, they were built so that different sections were removable, which enabled filming to take place inside the capsules. Space Works also built modified Command and Lunar Modules for filming inside a Boeing KC-135 reduced gravity aircraft, and the pressure suits worn by the actors, which are exact reproductions of those worn by the Apollo astronauts, right down to the detail of being airtight. When the actors put the suits on with their helmets locked in place, air was pumped into the suits to cool them down and allow them to breathe, exactly as in launch preparations for the real Apollo missions.[13]
The real Mission Control center consisted of two control rooms located on the second and third floors of Building 30 at the Johnson Space Center in Houston, Texas. NASA offered the use of the control room for filming but Howard declined, opting instead to make his own replica from scratch.[5][12] Production designer Michael Corenblith and set decorator Merideth Boswell were in charge of the construction of the Mission Control set at Universal Studios. The set was equipped with giant rear-screen projection capabilities and a complex set of computers with individual video feeds to all the flight controller stations. The actors playing the flight controllers were able to communicate with each other on a private audio loop.[13] The Mission Control room built for the film was on the ground floor.[12] One NASA employee who was a consultant for the film said that the set was so realistic that he would leave at the end of the day and look for the elevator before remembering he was not in Mission Control.[5] By the time the film was made, the USS Iwo Jima had been scrapped, so her sister ship, the USS New Orleans, was used as the recovery ship instead.[12]



"For actors, being able to actually shoot in zero gravity as opposed to being in incredibly painful and uncomfortable harnesses for special effects shots was all the difference between what would have been a horrible moviemaking experience as opposed to the completely glorious one that it actually was."
—Tom Hanks[13]
Howard anticipated difficulty in portraying weightlessness in a realistic manner. He discussed this with Steven Spielberg, who suggested using a KC-135 airplane, which can be flown in such a way as to create about 23 seconds of weightlessness, a method NASA has always used to train its astronauts for space flight. Howard obtained NASA's permission and assistance in filming in the realistic conditions aboard multiple KC-135 flights.[14]
Cast training and filming[edit]
To prepare for their roles in the film, Hanks, Paxton, and Bacon all attended the U.S. Space Camp in Huntsville, Alabama. While there, astronauts Jim Lovell and David Scott, commander of Apollo 15, did actual training exercises with the actors inside a simulated Command Module and Lunar Module.[dubious – discuss] The actors were also taught about each of the 500 buttons, toggles, and switches used to operate the spacecraft.[citation needed]
The actors then traveled to Johnson Space Center in Houston where they flew in NASA's KC-135 reduced gravity aircraft to simulate weightlessness in outer space. While in the KC-135, filming took place in bursts of 25 seconds, the length of each period of weightless that the plane could produce. The filmmakers eventually flew 612 parabolas which added up to a total of three hours and 54 minutes of weightlessness. Parts of the Command Module, Lunar Module and the tunnel that connected them were built by production designer Michael Corenblith, art directors David J. Bomba and Bruce Alan Miller and their crew to fit inside the KC-135. Filming in such an environment, while never done before for a film, was a tremendous time saver. In the KC-135, the actors moved wherever they wanted, surrounded by floating props; the camera and cameraman were weightless so filming could take place on any axis from which a shot could be set up.[citation needed]
In Los Angeles, Ed Harris and all the actors portraying flight controllers enrolled in a Flight Controller School led by Gerry Griffin, an Apollo 13 flight director, and flight controller Jerry Bostick. The actors studied audiotapes from the mission, reviewed hundreds of pages of NASA transcripts and attended a crash course in physics.[12][13] Astronaut Dave Scott was impressed with their efforts, stating that each actor was determined to make every scene technically correct, word for word.[4]
Soundtrack[edit]

Apollo 13: Music From The Motion Picture

Soundtrack album by James Horner

Released
27 June 1995
Genre
Soundtrack
Length
77:41
Label
MCA

Professional ratings

Review scores

Source
Rating
AllMusic 4/5 stars[15]
Filmtracks.com 5/5 stars[16]
SoundtrackNet 4/5 stars[17]
Tracksounds 9/10 stars[18]
The score to Apollo 13 was composed and conducted by James Horner. The soundtrack was released in 1995 by MCA Records and has seven tracks of score, eight period songs used in the film, and seven tracks of dialogue by the actors at a running time of nearly seventy-three minutes. The music also features solos by vocalist Annie Lennox and Tim Morrison on the trumpet. The score was a critical success and garnered Horner an Academy Award nomination for Best Original Score.[19]
All music composed by James Horner, except where noted.

Apollo 13: Original Motion Picture Soundtrack

No.
Title
Length

1. "Main Title"   1:32
2. "One Small Step"   0:42
3. "Night Train" (performed by James Brown) 3:27
4. "Groovin'" (performed by The Young Rascals) 2:26
5. "Somebody to Love" (performed by Jefferson Airplane) 2:55
6. "I Can See for Miles" (performed by The Who) 4:09
7. "Purple Haze" (performed by The Jimi Hendrix Experience) 2:48
8. "Launch Control"   3:28
9. "All Systems Go/The Launch"   6:39
10. "Welcome to Apollo 13"   0:38
11. "Spirit in the Sky" (performed by Norman Greenbaum) 3:50
12. "House Cleaning/Houston, We Have a Problem"   1:34
13. "Master Alarm"   2:54
14. "What's Going On?"   0:34
15. "Into the L.E.M."   3:43
16. "Out of Time/Shut Her Down"   2:20
17. "The Darkside of the Moon" (performed by Annie Lennox) 5:09
18. "Failure is Not an Option"   1:18
19. "Honky Tonkin'" (performed by Hank Williams) 2:42
20. "Blue Moon" (performed by The Mavericks) 4:09
21. "Waiting for Disaster/A Privilege"   0:43
22. "Re-Entry & Splashdown"   9:05
23. "End Titles" (performed by Annie Lennox) 5:34
Release[edit]
The film was released on 30 June 1995 in North America and on 22 September 1995 in the UK.
In September 2002 the film was re-released in IMAX. It was the first film to be digitally remastered using IMAX DMR technology.[20]
Box-office performance[edit]
The film was a box-office success, gaining $355,237,933 worldwide.[2] The film's widest release was 2,347 theaters.[2] The film's opening weekend and the latter two weeks placed it at #1 with a US gross of $25,353,380, which made up 14.7% of the total US gross.[2]
Apollo 13 box office revenue

Source
Gross (USD)
 % Total
All time rank (unadjusted)
US $173,837,933[2] 48.9% 126[2]
Non-US $181,400,000[2] 51.1% N/A
Worldwide $355,237,933[2] 100.0% 140[2]
Reception[edit]
Apollo 13 received very positive reviews from film critics. Review aggregator Rotten Tomatoes reports that the film has an overall approval rating of 95% based on 81 reviews, with a weighted average score of 8.1/10.[21] At Metacritic, which assigns a normalized 0–100 rating to reviews from mainstream critics, calculated an average score of 77 based on 22 reviews.[22]
Roger Ebert of the Chicago Sun-Times praised the film in his review saying: "A powerful story, one of the year's best films, told with great clarity and remarkable technical detail, and acted without pumped-up histrionics."[23] Richard Corliss from Time highly praised the film, saying: "From lift-off to splashdown, Apollo 13 gives one hell of a ride."[24] Edward Guthmann of San Francisco Chronicle gave a mixed review and wrote: "I just wish that Apollo 13 worked better as a movie, and that Howard's threshold for corn, mush and twinkly sentiment weren't so darn wide."[25] Peter Travers from Rolling Stone praised the film and wrote: "Howard lays off the manipulation to tell the true story of the near-fatal 1970 Apollo 13 mission in painstaking and lively detail. It's easily Howard's best film."[26] Movie Room Reviews said "This film is arguably one of the most dramatic and horrendous spaceflight stories ever told".[27]
Janet Maslin made the film an NYT Critics' Pick, calling it an "absolutely thrilling" film that "unfolds with perfect immediacy, drawing viewers into the nail-biting suspense of a spellbinding true story." According to Maslin, "like Quiz Show, Apollo 13 beautifully evokes recent history in ways that resonate strongly today. Cleverly nostalgic in its visual style (Rita Ryack's costumes are especially right), it harks back to movie making without phony heroics and to the strong spirit of community that enveloped the astronauts and their families. Amazingly, this film manages to seem refreshingly honest while still conforming to the three-act dramatic format of a standard Hollywood hit. It is far and away the best thing Mr. Howard has done (and Far and Away was one of the other kind)."[28] The academic critic Raymond Malewitz focuses on the DIY aspects of the "mailbox" filtration system to illustrate the emergence of an unlikely hero in late twentieth-century American culture—"the creative, improvisational, but restrained thinker—who replaces the older prodigal cowboy heroes of American mythology and provides the country a better, more frugal example of an appropriate 'husband.'"[29]
Ron Howard stated that, after the first test preview of the film, one of the comment cards indicated "total disdain"; the audience member had written that it was a "typical Hollywood" ending and that the crew would never have survived.[30] Marilyn Lovell praised Quinlan's portrayal of her, stating she felt she could feel what Quinlan's character was going through, and remembered how she felt in her mind.[4]
Home media[edit]
A 10th-anniversary DVD of the film was released in 2005; it included both the theatrical version and the IMAX version, along with several extras.[31] The IMAX version has a 1.66:1 aspect ratio.[32]
In 2006, Apollo 13 was released on HD DVD; on 13 April 2010, it was released on Blu-ray disc, on the 40th anniversary of the Apollo 13 accident (Central Standard Time).[31]
Accolades[edit]

Year
Award
Category
Recipient
Result
Ref.
1996 Academy Awards (1996) Best Film Editing Mike Hill and Daniel Hanley Won [3]
Best Sound Rick Dior, Steve Pederson, Scott Millan, David MacMillan Won
Best Actor in a Supporting Role Ed Harris (lost to Kevin Spacey in Usual Suspects) Nominated
Best Actress in a Supporting Role Kathleen Quinlan (lost to Mira Sorvino Mighty Aphrodite) Nominated
Best Art Direction Michael Corenblith (art director), Merideth Boswell (set decorator) (lost to Restoration) Nominated
Best Original Dramatic Score James Horner (lost to Il Postino) Nominated
Best Picture Brian Grazer (lost to Braveheart) Nominated
Best Visual Effects Robert Legato, Michael Kanfer, Leslie Ekker, Matt Sweeney (lost to Babe) Nominated
Best Adapted Screenplay William Broyles Jr., Al Reinert (lost to Sense & Sensibility) Nominated
American Cinema Editors (Eddies) Best Edited Feature Film Mike Hill, Daniel P. Hanley Nominated 
American Society of Cinematographers Outstanding Achievement in Cinematography in Theatrical Releases Dean Cundey Nominated 
BAFTA Film Awards Best Production Design Michael Corenblith Won 
Outstanding Achievement in Special Visual Effects Robert Legato, Michael Kanfer, Matt Sweeney, Leslie Ekker Won
Best Cinematography Dean Cundey Nominated
Best Editing Mike Hill, Daniel Hanley Nominated
Best Sound David MacMillan, Rick Dior, Scott Millan, Steve Pederson Nominated
Casting Society of America (Artios) Best Casting for Feature Film, Drama Jane Jenkins, Janet Hirshenson Nominated 
Chicago Film Critics Association Awards Best Picture Apollo 13 Won 
Directors Guild of America Outstanding Directorial Achievement in Motion Pictures Ron Howard, Carl Clifford, Aldric La'Auli Porter, Jane Paul Won 
Golden Globe Awards Best Supporting Actor – Motion Picture Ed Harris as Gene Kranz Nominated 
Best Supporting Actress – Motion Picture Kathleen Quinlan as Marilyn Lovell Nominated
Best Director – Motion Picture Ron Howard Nominated
Best Motion Picture – Drama Apollo 13 Nominated
Heartland Film Festival Studio Crystal Heart Award Jeffrey Kluger Won 
Hugo Awards Best Dramatic Presentation Apollo 13 Nominated 
MTV Movie Awards Best Male Performance Tom Hanks as Jim Lovell Nominated 
Best Movie Apollo 13 Nominated
PGA Awards Motion Picture Producer of the Year Award Brian Grazer, Todd Hallowell Won 
Saturn Awards Best Action / Adventure / Thriller Film Apollo 13 Nominated 
Screen Actors Guild Awards Outstanding Performance by a Male Actor in a Supporting Role Ed Harris as Gene Kranz Won 
Outstanding Performance by a Cast Kevin Bacon, Tom Hanks, Ed Harris, Bill Paxton, Kathleen Quinlan and Gary Sinise Won
Space Foundation's Douglas S. Morrow Public Outreach Award Best Family Feature – Drama Apollo 13 Won [33]
Writers Guild of America Awards Best Screenplay Adapted from Another Medium William Broyles Jr., Al Reinert Nominated 
Young Artist Awards Best Family Feature – Drama Apollo 13 Nominated 
2001 American Film Institute AFI's 100 Years... 100 Thrills Apollo 13 Nominated 
2005 American Film Institute AFI's 100 Years... 100 Movie Quotes "Houston, we have a problem." (#50) Won [34]
2006 American Film Institute AFI's 100 Years... 100 Cheers Apollo 13 (#12) Won [34]
Technical and historical accuracy[edit]



 Apollo 13 space capsule prop from the film.
The film depicts the crew hearing a bang quickly after Swigert followed directions from mission control to stir the oxygen and hydrogen tanks. In reality, the crew heard the bang 93 seconds later.[35]
The dialogue between ground control and the astronauts was taken nearly verbatim from transcripts and recordings, with the exception of one of the taglines of the film, "Houston, we have a problem." (This quote was voted #50 on the list "AFI's 100 Years... 100 Movie Quotes".) According to the mission transcript, the actual words uttered by Jack Swigert were "I believe we've had a problem here" (talking over Haise, who had started "Okay, Houston"). Ground control responded by saying "This is Houston, say again please." Jim Lovell then repeated, "Houston, we've had a problem."[36]
One other incorrect dialogue is after the reentry blackout. In the movie, Tom Hanks (as Lovell) says "Hello Houston... this is Odyssey... it's good to see you again". In the actual reentry, the Command Module was finally acquired by a Sikorsky SH-3D Sea King recovery aircraft which then relayed communications to Mission Control. Capcom and fellow astronaut Joe Kerwin (not Mattingly, who serves as Capcom in this scene in the movie) then made a call to the spacecraft "Odyssey, Houston standing by. Over." Jack Swigert, not Lovell, replied "Okay, Joe," and unlike in the movie, this was well before the parachutes deployed; the celebrations depicted at Mission Control were triggered by visual confirmation of their deployment.[37]
The tagline "Failure is not an option", stated in the film by Gene Kranz, also became very popular, but was not taken from the historical transcripts. The following story relates the origin of the phrase, from an email by Apollo 13 Flight Dynamics Officer Jerry Bostick:
"As far as the expression 'Failure is not an option', you are correct that Kranz never used that term. In preparation for the movie, the script writers, Al Reinart and Bill Broyles, came down to Clear Lake to interview me on 'What are the people in Mission Control really like?' One of their questions was 'Weren't there times when everybody, or at least a few people, just panicked?' My answer was 'No, when bad things happened, we just calmly laid out all the options, and failure was not one of them. We never panicked, and we never gave up on finding a solution.' I immediately sensed that Bill Broyles wanted to leave and assumed that he was bored with the interview. Only months later did I learn that when they got in their car to leave, he started screaming, 'That's it! That's the tag line for the whole movie, Failure is not an option. Now we just have to figure out who to have say it.' Of course, they gave it to the Kranz character, and the rest is history."[38]
A DVD commentary track, recorded by Jim and Marilyn Lovell and included with both the original and 10th-anniversary editions,[31] mentions several inaccuracies included in the film, all done for reasons of artistic license:



"We were working and watching the controls during that time. Because we came in shallow, it took us longer coming through the atmosphere where we had ionization. And the other thing was that we were just slow in answering."
—Jim Lovell, on the real reason for the delay in replying after Apollo 13's four-minute re-entry into Earth's atmosphere[39]
In the film, Mattingly plays a key role in solving a power consumption problem that Apollo 13 was faced with as it approached re-entry. Lovell points out in his commentary that Mattingly was a composite of several astronauts and engineers—including Charles Duke (whose rubella led to Mattingly's grounding)—all of whom played a role in solving that problem.[5]
When Jack Swigert is getting ready to dock with the LM, a concerned NASA technician says: "If Swigert can't dock this thing, we don't have a mission." Lovell and Haise also seem worried. In his DVD commentary, the real Jim Lovell says that if Swigert had been unable to dock with the LM, he or Haise could have done it. He also says that Swigert was a well-trained Command Module pilot and that no one was really worried about whether he was up to the job,[39] but he admitted that it made a nice sub-plot for the film. What Lovell and Haise were really worried about was the rendezvous with Swigert as they left the Moon.[5]
A scene set the night before the launch, showing the astronauts' family members saying their goodbyes while separated by a road, to reduce the possibility of any last-minute transmission of disease, depicted a tradition not begun until the Space Shuttle program.[5]
The film depicts Marilyn Lovell dropping her wedding ring down a shower drain. According to Jim Lovell, this did occur,[39] but the drain trap caught the ring and his wife was able to retrieve it.[5] Lovell has also confirmed that the scene in which his wife had a nightmare about him being "sucked through an open door of a spacecraft into outer space" also occurred, though he believes the nightmare was prompted by her seeing a scene in Marooned, a 1969 film they saw three months before Apollo 13 blasted off.[39]
See also[edit]
From the Earth to the Moon, a docudrama mini-series based around the Apollo missions.
Gravity, a 2013 film about astronauts escaping from orbit
Marooned, a 1969 film directed by John Sturges, about astronauts marooned in an Apollo Command/Service Module.


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References[edit]
 This article incorporates public domain material from websites or documents of the National Aeronautics and Space Administration.
1.Jump up ^ "CNN Showbiz News:Apollo 13". CNN. Retrieved 9 April 2009.
2.^ Jump up to: a b c d e f g h i "Apollo 13 (1995)". Box Office Mojo. Retrieved 9 April 2009.
3.^ Jump up to: a b "Academy Awards, USA: 1996". awardsdatabase.oscars.org. Archived from the original on 27 February 2009. Retrieved 8 April 2009.
4.^ Jump up to: a b c d e f "Lost Moon: The Triumph of Apollo 13". Retrieved 1 January 2012.
5.^ Jump up to: a b c d e f g h i j k Apollo 13: 2-Disc Anniversary Edition (Disc 1), Special Features:Commentary track by Jim and Marilyn Lovell (DVD). Universal Studios. 19 April 2005.
6.Jump up ^ "Lost Moon: The Triumph of Apollo 13". Retrieved 1 January 2012.
7.Jump up ^ "Film Casting that Might Have Been for John Travolta and Richard Gere". Retrieved 1 January 2012.
8.Jump up ^ The character in the film is a composite of protocol officer Bob McMurrey, who relayed the request for permission to erect a TV tower to Marilyn Lovell, and an unnamed OPA staffer who made the request on the phone, to whom she personally denied it as Quinlan did to "Henry" in the film. "Henry" is also seen performing other OPA functions, such as conducting a press conference. Kluger, Jeffrey; Jim Lovell (July 1995). Lost Moon: The Perilous Voyage of Apollo 13 (First Pocket Books printing ed.). New York: Pocket Books. pp. 118, 209–210, 387. ISBN 0-671-53464-5.
9.Jump up ^ "Repertoire Of Horrors: The Films Of Roger Corman". Retrieved 1 January 2012.
10.^ Jump up to: a b c Apollo 13: 2-Disc Anniversary Edition (Disc 1), Special Features:Commentary track by Ron Howard (DVD). Universal Studios. 19 April 2005.
11.Jump up ^ "Brad Pitt - A Quick Overview". Retrieved 1 January 2012.
12.^ Jump up to: a b c d e Apollo 13: 2-Disc Anniversary Edition (Disc 1), Production Notes (DVD). Universal Studios. 19 March 2005.
13.^ Jump up to: a b c d "Production Notes (Press Release)". IMAX. Retrieved 9 April 2009.
14.Jump up ^ "Ron Howard Weightless Again Over Apollo 13's DGA Win". Retrieved 16 December 2011.
15.Jump up ^ Apollo 13 at AllMusic
16.Jump up ^ Filmtracks review
17.Jump up ^ Soundtrack.Net review
18.Jump up ^ Tracksounds review
19.Jump up ^ Apollo 13 soundtrack review at Filmtracks. Retrieved 24 February 2011.
20.Jump up ^ "History of IMAX". Retrieved 11 February 2011.
21.Jump up ^ "Apollo 13". Rotten Tomatoes. Archived from the original on 20 August 2010. Retrieved 24 August 2010.
22.Jump up ^ "Apollo 13 Reviews". Metacritic. Retrieved 25 September 2011.
23.Jump up ^ "Apollo 13: Roger Ebert". Chicago Sun-Times. 30 June 1995. Retrieved 11 April 2009.
24.Jump up ^ "Apollo 13:Review". [[Time (magazine)|]]. 3 July 1995. Retrieved 11 April 2009.[dead link]
25.Jump up ^ Guthmann, Edward (30 June 1995). "Apollo 13 Review: Story heroic, but it just doesn't fly.". San Francisco Chronicle. Retrieved 11 April 2009.
26.Jump up ^ "Apollo 13 Review:Rolling Stone". [[Rolling Stone (magazine)|]]. Retrieved 11 April 2009.
27.Jump up ^ "Movie Review: "Apollo 13"". Movie Room Reviews. Retrieved February 26, 2013.
28.Jump up ^ Maslin, Janet (30 June 1995). "Apollo 13, a Movie for the Fourth of July". The New York Times. Retrieved 30 September 2011.
29.Jump up ^ Malewitz, Raymond (5 September 2014). "getting Rugged With Thing Theory". Stanford UP. Retrieved 30 September 2014.
30.Jump up ^ Howard, Ron (8 December 2008). "A conversation about the film "Frost/Nixon"". [[Charlie Rose (TV series)|]]. Archived from the original on 11 December 2008. Retrieved 8 December 2008.
31.^ Jump up to: a b c "Apollo 13 Blu Ray Release". Universal Studios. Retrieved 29 September 2011.[not in citation given]
32.Jump up ^ "Apollo 13 (DVD - 2005)". Lethbridge Public Library. Retrieved 30 December 2011.
33.Jump up ^ "Symposium Awards". National Space Symposium. Retrieved 26 April 2009.[dead link]
34.^ Jump up to: a b "AFI's 100 years...100 quotes". AFI. Archived from the original on 26 March 2009. Retrieved 13 April 2009.
35.Jump up ^ Apollo 13 Timeline, Apollo by the Numbers: A Statistical Reference, NASA History Series, Office of Policy and Plans, Richard W. Orloff, Sept. 2004. See "Oxygen tank #2 fans on. Stabilization control system electrical disturbance indicated a power transient. 055:53:20."
36.Jump up ^ "Page 167 of Apollo 13's transcript on Spacelog". Retrieved 10 June 2011.
37.Jump up ^ "Apollo 13's reentry transcript on Spacelog".
38.Jump up ^ "ORIGIN OF APOLLO 13 QUOTE: "FAILURE IS NOT AN OPTION."". SPACEACTS.COM. Retrieved 4 April 2010.
39.^ Jump up to: a b c d William, Lena (19 July 1995). "In Space, No Room For Fear". The New York Times. Retrieved 30 September 2011.
External links[edit]
 Wikimedia Commons has media related to Apollo 13 (film).
 Wikiquote has quotations related to: the film Apollo 13
Apollo 13 at the TCM Movie Database
Apollo 13 at the Internet Movie Database
Apollo 13 at AllMovie
Apollo 13 at Rotten Tomatoes
Apollo 13 at Box Office Mojo


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Apollo 13 (film)
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Apollo 13
A thin light-gray crescent Moon stretches diagonally from lower left to upper right against a black background, with a blue and white crescent Earth in the far distance. In front of the portion of the moon that is in shadow on the left appears a small image of the Apollo 13 Command/Service module joined to the Lunar Module, with vapor streaming from a hole in the side of the Service Module — the words "Houston, we have a problem" appear directly above the craft in white lower case lettering. The names of the principal actors appear in white lettering at the top of the image, and the title APOLLO 13 in block white upper-case letters appears at the lower right.
Theatrical release poster

Directed by
Ron Howard
Produced by
Brian Grazer
Screenplay by
William Broyles, Jr.
Al Reinert
Based on
Lost Moon
 by Jim Lovell
Jeffrey Kluger
Starring
Tom Hanks
Kevin Bacon
Bill Paxton
Gary Sinise
Ed Harris
Music by
James Horner
Cinematography
Dean Cundey
Edited by
Daniel P. Hanley
Mike Hill

Production
 company

Imagine Entertainment

Distributed by
Universal Pictures

Release dates

June 30, 1995 (United States)


Running time
 140 minutes
Country
United States
Language
English
Budget
$52 million[1]
Box office
$355,237,933[2]
Apollo 13 is a 1995 American historical docudrama film directed by Ron Howard. The film stars Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, and Ed Harris. The screenplay by William Broyles, Jr. and Al Reinert, that dramatizes the aborted 1970 Apollo 13 lunar mission, is an adaptation of the book Lost Moon: The Perilous Voyage of Apollo 13 by astronaut Jim Lovell and Jeffrey Kluger.
The film depicts astronauts Lovell, Jack Swigert and Fred Haise aboard Apollo 13 for America's third Moon landing mission. En route, an on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA's flight controllers to abort the Moon landing, and turning the mission into a struggle to get the three men home safely.
Howard went to great lengths to create a technically accurate movie, employing NASA's technical assistance in astronaut and flight controller training for his cast, and even obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the "weightlessness" experienced by the astronauts in space.
Released in the United States on June 30, 1995, Apollo 13 garnered critical acclaim and was nominated for many awards, including nine Academy Awards (winning for Best Film Editing and Best Sound).[3] In total, the film grossed over $355 million worldwide during its theatrical releases.


Contents  [hide]
1 Plot
2 Cast
3 Production 3.1 Pre-production and props
3.2 Cast training and filming
4 Soundtrack
5 Release 5.1 Box-office performance
5.2 Reception
5.3 Home media
6 Accolades
7 Technical and historical accuracy
8 See also
9 References
10 External links

Plot[edit]
On July 20, 1969, veteran astronaut Jim Lovell hosts a party for other astronauts and their families, who watch on television as Neil Armstrong takes his first steps on the Moon during the Apollo 11 mission. After the party, Lovell, who orbited the Moon on Apollo 8, tells his wife Marilyn that he intends to return to the Moon and walk on its surface.
On October 30, 1969, while giving a VIP tour of NASA's Vehicle Assembly Building, Lovell is informed by his boss Deke Slayton that he and his crew will fly the Apollo 13 mission instead of Apollo 14. Lovell, Ken Mattingly, and Fred Haise begin training for their new mission. Days before launch, it is discovered that Mattingly was exposed to measles, and the flight surgeon demands his replacement with Mattingly's backup, Jack Swigert, as a safety precaution. Lovell resists breaking up his team, but relents after Slayton gives him the ultimatum of either accepting the switch, or else being bumped to a later mission.
As the launch date approaches, Marilyn's fears for her husband's safety manifest in nightmares, but she goes to Cape Kennedy the night before launch, to see him off despite her misgivings.
On April 11, 1970, Apollo 13 Flight Director Gene Kranz gives the go-ahead from Houston's Mission Control Center for launch. As the Saturn V rocket climbs into the sky, an engine on the second stage cuts off prematurely, but the craft successfully reaches Earth orbit. After the third stage fires, sending Apollo 13 on a trajectory to the Moon, Swigert docks the Command/Service Module Odyssey with the Lunar Module Aquarius, and pulls it away from the spent stage.
Three days into the mission, the crew send a live television transmission from Odyssey, but the networks, believing the public now regards lunar missions as routine, decline to carry the broadcast live. Swigert is told to perform a standard housekeeping procedure of stirring the two liquid oxygen tanks in the Service Module. When he flips the switch, one tank explodes, emptying its contents into space and sending the craft tumbling. The other tank is soon found to be leaking, prompting Mission Control to abort the Moon landing, and forcing Lovell and Haise to hurriedly power up Aquarius as a "lifeboat" for the return home, while Swigert shuts down Odyssey before its battery power runs out. On Earth, Kranz rallies his team to do what is necessary to get the astronauts home safely, declaring "failure is not an option". Controller John Aaron recruits Mattingly to help him figure out how to restart Odyssey for the final return to Earth.
As Swigert and Haise watch the Moon passing beneath them, Lovell laments his lost chance of walking on its surface, then turns their attention to the task of getting home. With Aquarius running on minimum systems to conserve power, the crew is soon subjected to freezing conditions. Swigert suspects Mission Control is unable to get them home and is withholding this from them. In a fit of rage, Haise blames Swigert's inexperience for the accident; the ensuing argument is quickly squelched by Lovell. When the carbon dioxide exhaled by the astronauts reaches the Lunar Module's filter capacity and approaches dangerous levels, an engineering team quickly invents a way to make the Command Module's square filters work in the Lunar Module's round receptacles. With the guidance systems on Aquarius shut down, and despite Haise's fever and miserable living conditions, the crew succeeds in making a difficult but vital course correction by manually igniting the Lunar Module's engine.
Mattingly and Aaron struggle to find a way to power up the Command Module with its limited available power, but finally succeed and transmit the procedures to Swigert, who successfully restarts Odyssey by transmitting extra power from Aquarius. When the Service Module is jettisoned, the crew finally see the extent of the damage and prepare for re-entry, unsure whether Odyssey's heat shield is intact. If it is not, they will incinerate during reentry. They release Aquarius and re-enter the Earth's atmosphere in Odyssey. After a tense, longer than normal period of radio silence due to ionization blackout, the astronauts report all is well and splash down in the Pacific Ocean. The three men are brought aboard the amphibious assault ship USS Iwo Jima.
As the astronauts are given a hero's welcome on deck, Lovell's narration describes the events that follow their return from space—including the investigation into the explosion, and the subsequent careers and lives of Haise, Swigert, Mattingly and Kranz—and ends with him wondering when mankind will return to the Moon.
Cast[edit]












Top to bottom: Hanks, Bacon and Paxton, who portray astronauts Lovell, Swigert and Haise respectively.
Tom Hanks as Apollo 13 Commander Jim Lovell. Jim Lovell stated that before the book was even written, the rights were being shopped to potential buyers[4] and that his first reaction was that actor Kevin Costner would be a good choice to play him.[5][6] However, by the time Howard acquired the director's position, Costner's name never came up in serious discussion, and Hanks had already been interested in doing a film based on Apollo 13. When Hanks' representative informed him that there was a script being passed around, he had the script sent to him.[4] John Travolta was initially offered the role of Lovell, but declined.[7]
Kevin Bacon as Apollo 13 backup CMP Jack Swigert
Bill Paxton as Apollo 13 Lunar Module Pilot Fred Haise
Gary Sinise as Apollo 13 prime Command Module Pilot (CMP) Ken Mattingly. Sinise was invited by Howard to read for any of the characters, and chose Mattingly.[4]
Ed Harris as White team Flight Director Gene Kranz. Harris described the film as "cramming for a final exam". Harris described Gene Kranz as "corny and like a dinosaur", but was respected by the crew.[4]
Kathleen Quinlan as Lovell's wife Marilyn
Chris Ellis as Director of Flight Crew Operations Deke Slayton
Joe Spano as "NASA Director", a composite character loosely based on Chris Kraft
Marc McClure as Black Team Flight Director Glynn Lunney
Clint Howard as White Team EECOM (Electrical, Environmental and Consumables Manager) Sy Liebergot
Ray McKinnon as White Team FIDO (Flight Dynamics Officer)
Todd Louiso as White Team FAO (Flight Activities Officer)
Loren Dean as EECOM John Aaron
Xander Berkeley as "Henry Hurt", a fictional NASA Office of Public Affairs staff member[8]
David Andrews as Apollo 12 Commander Pete Conrad
Christian Clemenson as Flight surgeon Dr. Charles Berry
Ben Marley as Apollo 13 backup Commander John Young
Brett Cullen as CAPCOM 1
Ned Vaughn as CAPCOM 2
Tracy Reiner as Haise's then-wife Mary
Mary Kate Schellhardt as Lovell's older daughter Barbara
Max Elliott Slade as Lovell's older son James (Jay), who attended military school at the time of the flight
Emily Ann Lloyd as Lovell's younger daughter Susan
Miko Hughes as Lovell's younger son Jeffrey
Thom Barry as an orderly at Blanch's retirement home
The real Jim Lovell appears as captain of the recovery ship USS Iwo Jima; Howard had intended to make him an admiral, but Lovell himself, having retired as a Captain, chose to appear in his actual rank. Horror film director Roger Corman, a mentor of Howard, appears as a congressman being given a VIP tour by Lovell of the Vehicle Assembly Building, as it had become something of a tradition for Corman to make a cameo appearance in his proteges' films.[9][10] The real Marilyn Lovell appeared among the spectators during the launch sequence.[5][5] CBS News anchor Walter Cronkite appears in archive news footage and can be heard in newly recorded announcements, some of which he edited himself to sound more authentic.[5]
In addition to his brother, Clint Howard, several other members of Ron Howard's family appear in the movie:
Rance Howard (his father) appears as the Lovell family minister.
Jean Speegle Howard (his mother) appears as Lovell's mother Blanch.
Cheryl Howard (his wife) and Bryce Dallas Howard (his daughter) appear as uncredited background performers in the scene where the astronauts wave goodbye to their families.[10]
Brad Pitt was offered a role in the film, but turned it down to star in Se7en.[11] Reportedly, the real Pete Conrad expressed interest in appearing in the film.[5]
Jeffrey Kluger appears as a television reporter.[10]
Production[edit]
Pre-production and props[edit]
While planning the film, director Ron Howard decided that every shot of the film would be original and that no mission footage would be used.[12] The spacecraft interiors were constructed by the Kansas Cosmosphere and Space Center's Space Works, who also restored the Apollo 13 Command Module. Two individual Lunar Modules and two Command Modules were constructed for filming. While each was a replica, composed of some of the original Apollo materials, they were built so that different sections were removable, which enabled filming to take place inside the capsules. Space Works also built modified Command and Lunar Modules for filming inside a Boeing KC-135 reduced gravity aircraft, and the pressure suits worn by the actors, which are exact reproductions of those worn by the Apollo astronauts, right down to the detail of being airtight. When the actors put the suits on with their helmets locked in place, air was pumped into the suits to cool them down and allow them to breathe, exactly as in launch preparations for the real Apollo missions.[13]
The real Mission Control center consisted of two control rooms located on the second and third floors of Building 30 at the Johnson Space Center in Houston, Texas. NASA offered the use of the control room for filming but Howard declined, opting instead to make his own replica from scratch.[5][12] Production designer Michael Corenblith and set decorator Merideth Boswell were in charge of the construction of the Mission Control set at Universal Studios. The set was equipped with giant rear-screen projection capabilities and a complex set of computers with individual video feeds to all the flight controller stations. The actors playing the flight controllers were able to communicate with each other on a private audio loop.[13] The Mission Control room built for the film was on the ground floor.[12] One NASA employee who was a consultant for the film said that the set was so realistic that he would leave at the end of the day and look for the elevator before remembering he was not in Mission Control.[5] By the time the film was made, the USS Iwo Jima had been scrapped, so her sister ship, the USS New Orleans, was used as the recovery ship instead.[12]



"For actors, being able to actually shoot in zero gravity as opposed to being in incredibly painful and uncomfortable harnesses for special effects shots was all the difference between what would have been a horrible moviemaking experience as opposed to the completely glorious one that it actually was."
—Tom Hanks[13]
Howard anticipated difficulty in portraying weightlessness in a realistic manner. He discussed this with Steven Spielberg, who suggested using a KC-135 airplane, which can be flown in such a way as to create about 23 seconds of weightlessness, a method NASA has always used to train its astronauts for space flight. Howard obtained NASA's permission and assistance in filming in the realistic conditions aboard multiple KC-135 flights.[14]
Cast training and filming[edit]
To prepare for their roles in the film, Hanks, Paxton, and Bacon all attended the U.S. Space Camp in Huntsville, Alabama. While there, astronauts Jim Lovell and David Scott, commander of Apollo 15, did actual training exercises with the actors inside a simulated Command Module and Lunar Module.[dubious – discuss] The actors were also taught about each of the 500 buttons, toggles, and switches used to operate the spacecraft.[citation needed]
The actors then traveled to Johnson Space Center in Houston where they flew in NASA's KC-135 reduced gravity aircraft to simulate weightlessness in outer space. While in the KC-135, filming took place in bursts of 25 seconds, the length of each period of weightless that the plane could produce. The filmmakers eventually flew 612 parabolas which added up to a total of three hours and 54 minutes of weightlessness. Parts of the Command Module, Lunar Module and the tunnel that connected them were built by production designer Michael Corenblith, art directors David J. Bomba and Bruce Alan Miller and their crew to fit inside the KC-135. Filming in such an environment, while never done before for a film, was a tremendous time saver. In the KC-135, the actors moved wherever they wanted, surrounded by floating props; the camera and cameraman were weightless so filming could take place on any axis from which a shot could be set up.[citation needed]
In Los Angeles, Ed Harris and all the actors portraying flight controllers enrolled in a Flight Controller School led by Gerry Griffin, an Apollo 13 flight director, and flight controller Jerry Bostick. The actors studied audiotapes from the mission, reviewed hundreds of pages of NASA transcripts and attended a crash course in physics.[12][13] Astronaut Dave Scott was impressed with their efforts, stating that each actor was determined to make every scene technically correct, word for word.[4]
Soundtrack[edit]

Apollo 13: Music From The Motion Picture

Soundtrack album by James Horner

Released
27 June 1995
Genre
Soundtrack
Length
77:41
Label
MCA

Professional ratings

Review scores

Source
Rating
AllMusic 4/5 stars[15]
Filmtracks.com 5/5 stars[16]
SoundtrackNet 4/5 stars[17]
Tracksounds 9/10 stars[18]
The score to Apollo 13 was composed and conducted by James Horner. The soundtrack was released in 1995 by MCA Records and has seven tracks of score, eight period songs used in the film, and seven tracks of dialogue by the actors at a running time of nearly seventy-three minutes. The music also features solos by vocalist Annie Lennox and Tim Morrison on the trumpet. The score was a critical success and garnered Horner an Academy Award nomination for Best Original Score.[19]
All music composed by James Horner, except where noted.

Apollo 13: Original Motion Picture Soundtrack

No.
Title
Length

1. "Main Title"   1:32
2. "One Small Step"   0:42
3. "Night Train" (performed by James Brown) 3:27
4. "Groovin'" (performed by The Young Rascals) 2:26
5. "Somebody to Love" (performed by Jefferson Airplane) 2:55
6. "I Can See for Miles" (performed by The Who) 4:09
7. "Purple Haze" (performed by The Jimi Hendrix Experience) 2:48
8. "Launch Control"   3:28
9. "All Systems Go/The Launch"   6:39
10. "Welcome to Apollo 13"   0:38
11. "Spirit in the Sky" (performed by Norman Greenbaum) 3:50
12. "House Cleaning/Houston, We Have a Problem"   1:34
13. "Master Alarm"   2:54
14. "What's Going On?"   0:34
15. "Into the L.E.M."   3:43
16. "Out of Time/Shut Her Down"   2:20
17. "The Darkside of the Moon" (performed by Annie Lennox) 5:09
18. "Failure is Not an Option"   1:18
19. "Honky Tonkin'" (performed by Hank Williams) 2:42
20. "Blue Moon" (performed by The Mavericks) 4:09
21. "Waiting for Disaster/A Privilege"   0:43
22. "Re-Entry & Splashdown"   9:05
23. "End Titles" (performed by Annie Lennox) 5:34
Release[edit]
The film was released on 30 June 1995 in North America and on 22 September 1995 in the UK.
In September 2002 the film was re-released in IMAX. It was the first film to be digitally remastered using IMAX DMR technology.[20]
Box-office performance[edit]
The film was a box-office success, gaining $355,237,933 worldwide.[2] The film's widest release was 2,347 theaters.[2] The film's opening weekend and the latter two weeks placed it at #1 with a US gross of $25,353,380, which made up 14.7% of the total US gross.[2]
Apollo 13 box office revenue

Source
Gross (USD)
 % Total
All time rank (unadjusted)
US $173,837,933[2] 48.9% 126[2]
Non-US $181,400,000[2] 51.1% N/A
Worldwide $355,237,933[2] 100.0% 140[2]
Reception[edit]
Apollo 13 received very positive reviews from film critics. Review aggregator Rotten Tomatoes reports that the film has an overall approval rating of 95% based on 81 reviews, with a weighted average score of 8.1/10.[21] At Metacritic, which assigns a normalized 0–100 rating to reviews from mainstream critics, calculated an average score of 77 based on 22 reviews.[22]
Roger Ebert of the Chicago Sun-Times praised the film in his review saying: "A powerful story, one of the year's best films, told with great clarity and remarkable technical detail, and acted without pumped-up histrionics."[23] Richard Corliss from Time highly praised the film, saying: "From lift-off to splashdown, Apollo 13 gives one hell of a ride."[24] Edward Guthmann of San Francisco Chronicle gave a mixed review and wrote: "I just wish that Apollo 13 worked better as a movie, and that Howard's threshold for corn, mush and twinkly sentiment weren't so darn wide."[25] Peter Travers from Rolling Stone praised the film and wrote: "Howard lays off the manipulation to tell the true story of the near-fatal 1970 Apollo 13 mission in painstaking and lively detail. It's easily Howard's best film."[26] Movie Room Reviews said "This film is arguably one of the most dramatic and horrendous spaceflight stories ever told".[27]
Janet Maslin made the film an NYT Critics' Pick, calling it an "absolutely thrilling" film that "unfolds with perfect immediacy, drawing viewers into the nail-biting suspense of a spellbinding true story." According to Maslin, "like Quiz Show, Apollo 13 beautifully evokes recent history in ways that resonate strongly today. Cleverly nostalgic in its visual style (Rita Ryack's costumes are especially right), it harks back to movie making without phony heroics and to the strong spirit of community that enveloped the astronauts and their families. Amazingly, this film manages to seem refreshingly honest while still conforming to the three-act dramatic format of a standard Hollywood hit. It is far and away the best thing Mr. Howard has done (and Far and Away was one of the other kind)."[28] The academic critic Raymond Malewitz focuses on the DIY aspects of the "mailbox" filtration system to illustrate the emergence of an unlikely hero in late twentieth-century American culture—"the creative, improvisational, but restrained thinker—who replaces the older prodigal cowboy heroes of American mythology and provides the country a better, more frugal example of an appropriate 'husband.'"[29]
Ron Howard stated that, after the first test preview of the film, one of the comment cards indicated "total disdain"; the audience member had written that it was a "typical Hollywood" ending and that the crew would never have survived.[30] Marilyn Lovell praised Quinlan's portrayal of her, stating she felt she could feel what Quinlan's character was going through, and remembered how she felt in her mind.[4]
Home media[edit]
A 10th-anniversary DVD of the film was released in 2005; it included both the theatrical version and the IMAX version, along with several extras.[31] The IMAX version has a 1.66:1 aspect ratio.[32]
In 2006, Apollo 13 was released on HD DVD; on 13 April 2010, it was released on Blu-ray disc, on the 40th anniversary of the Apollo 13 accident (Central Standard Time).[31]
Accolades[edit]

Year
Award
Category
Recipient
Result
Ref.
1996 Academy Awards (1996) Best Film Editing Mike Hill and Daniel Hanley Won [3]
Best Sound Rick Dior, Steve Pederson, Scott Millan, David MacMillan Won
Best Actor in a Supporting Role Ed Harris (lost to Kevin Spacey in Usual Suspects) Nominated
Best Actress in a Supporting Role Kathleen Quinlan (lost to Mira Sorvino Mighty Aphrodite) Nominated
Best Art Direction Michael Corenblith (art director), Merideth Boswell (set decorator) (lost to Restoration) Nominated
Best Original Dramatic Score James Horner (lost to Il Postino) Nominated
Best Picture Brian Grazer (lost to Braveheart) Nominated
Best Visual Effects Robert Legato, Michael Kanfer, Leslie Ekker, Matt Sweeney (lost to Babe) Nominated
Best Adapted Screenplay William Broyles Jr., Al Reinert (lost to Sense & Sensibility) Nominated
American Cinema Editors (Eddies) Best Edited Feature Film Mike Hill, Daniel P. Hanley Nominated 
American Society of Cinematographers Outstanding Achievement in Cinematography in Theatrical Releases Dean Cundey Nominated 
BAFTA Film Awards Best Production Design Michael Corenblith Won 
Outstanding Achievement in Special Visual Effects Robert Legato, Michael Kanfer, Matt Sweeney, Leslie Ekker Won
Best Cinematography Dean Cundey Nominated
Best Editing Mike Hill, Daniel Hanley Nominated
Best Sound David MacMillan, Rick Dior, Scott Millan, Steve Pederson Nominated
Casting Society of America (Artios) Best Casting for Feature Film, Drama Jane Jenkins, Janet Hirshenson Nominated 
Chicago Film Critics Association Awards Best Picture Apollo 13 Won 
Directors Guild of America Outstanding Directorial Achievement in Motion Pictures Ron Howard, Carl Clifford, Aldric La'Auli Porter, Jane Paul Won 
Golden Globe Awards Best Supporting Actor – Motion Picture Ed Harris as Gene Kranz Nominated 
Best Supporting Actress – Motion Picture Kathleen Quinlan as Marilyn Lovell Nominated
Best Director – Motion Picture Ron Howard Nominated
Best Motion Picture – Drama Apollo 13 Nominated
Heartland Film Festival Studio Crystal Heart Award Jeffrey Kluger Won 
Hugo Awards Best Dramatic Presentation Apollo 13 Nominated 
MTV Movie Awards Best Male Performance Tom Hanks as Jim Lovell Nominated 
Best Movie Apollo 13 Nominated
PGA Awards Motion Picture Producer of the Year Award Brian Grazer, Todd Hallowell Won 
Saturn Awards Best Action / Adventure / Thriller Film Apollo 13 Nominated 
Screen Actors Guild Awards Outstanding Performance by a Male Actor in a Supporting Role Ed Harris as Gene Kranz Won 
Outstanding Performance by a Cast Kevin Bacon, Tom Hanks, Ed Harris, Bill Paxton, Kathleen Quinlan and Gary Sinise Won
Space Foundation's Douglas S. Morrow Public Outreach Award Best Family Feature – Drama Apollo 13 Won [33]
Writers Guild of America Awards Best Screenplay Adapted from Another Medium William Broyles Jr., Al Reinert Nominated 
Young Artist Awards Best Family Feature – Drama Apollo 13 Nominated 
2001 American Film Institute AFI's 100 Years... 100 Thrills Apollo 13 Nominated 
2005 American Film Institute AFI's 100 Years... 100 Movie Quotes "Houston, we have a problem." (#50) Won [34]
2006 American Film Institute AFI's 100 Years... 100 Cheers Apollo 13 (#12) Won [34]
Technical and historical accuracy[edit]



 Apollo 13 space capsule prop from the film.
The film depicts the crew hearing a bang quickly after Swigert followed directions from mission control to stir the oxygen and hydrogen tanks. In reality, the crew heard the bang 93 seconds later.[35]
The dialogue between ground control and the astronauts was taken nearly verbatim from transcripts and recordings, with the exception of one of the taglines of the film, "Houston, we have a problem." (This quote was voted #50 on the list "AFI's 100 Years... 100 Movie Quotes".) According to the mission transcript, the actual words uttered by Jack Swigert were "I believe we've had a problem here" (talking over Haise, who had started "Okay, Houston"). Ground control responded by saying "This is Houston, say again please." Jim Lovell then repeated, "Houston, we've had a problem."[36]
One other incorrect dialogue is after the reentry blackout. In the movie, Tom Hanks (as Lovell) says "Hello Houston... this is Odyssey... it's good to see you again". In the actual reentry, the Command Module was finally acquired by a Sikorsky SH-3D Sea King recovery aircraft which then relayed communications to Mission Control. Capcom and fellow astronaut Joe Kerwin (not Mattingly, who serves as Capcom in this scene in the movie) then made a call to the spacecraft "Odyssey, Houston standing by. Over." Jack Swigert, not Lovell, replied "Okay, Joe," and unlike in the movie, this was well before the parachutes deployed; the celebrations depicted at Mission Control were triggered by visual confirmation of their deployment.[37]
The tagline "Failure is not an option", stated in the film by Gene Kranz, also became very popular, but was not taken from the historical transcripts. The following story relates the origin of the phrase, from an email by Apollo 13 Flight Dynamics Officer Jerry Bostick:
"As far as the expression 'Failure is not an option', you are correct that Kranz never used that term. In preparation for the movie, the script writers, Al Reinart and Bill Broyles, came down to Clear Lake to interview me on 'What are the people in Mission Control really like?' One of their questions was 'Weren't there times when everybody, or at least a few people, just panicked?' My answer was 'No, when bad things happened, we just calmly laid out all the options, and failure was not one of them. We never panicked, and we never gave up on finding a solution.' I immediately sensed that Bill Broyles wanted to leave and assumed that he was bored with the interview. Only months later did I learn that when they got in their car to leave, he started screaming, 'That's it! That's the tag line for the whole movie, Failure is not an option. Now we just have to figure out who to have say it.' Of course, they gave it to the Kranz character, and the rest is history."[38]
A DVD commentary track, recorded by Jim and Marilyn Lovell and included with both the original and 10th-anniversary editions,[31] mentions several inaccuracies included in the film, all done for reasons of artistic license:



"We were working and watching the controls during that time. Because we came in shallow, it took us longer coming through the atmosphere where we had ionization. And the other thing was that we were just slow in answering."
—Jim Lovell, on the real reason for the delay in replying after Apollo 13's four-minute re-entry into Earth's atmosphere[39]
In the film, Mattingly plays a key role in solving a power consumption problem that Apollo 13 was faced with as it approached re-entry. Lovell points out in his commentary that Mattingly was a composite of several astronauts and engineers—including Charles Duke (whose rubella led to Mattingly's grounding)—all of whom played a role in solving that problem.[5]
When Jack Swigert is getting ready to dock with the LM, a concerned NASA technician says: "If Swigert can't dock this thing, we don't have a mission." Lovell and Haise also seem worried. In his DVD commentary, the real Jim Lovell says that if Swigert had been unable to dock with the LM, he or Haise could have done it. He also says that Swigert was a well-trained Command Module pilot and that no one was really worried about whether he was up to the job,[39] but he admitted that it made a nice sub-plot for the film. What Lovell and Haise were really worried about was the rendezvous with Swigert as they left the Moon.[5]
A scene set the night before the launch, showing the astronauts' family members saying their goodbyes while separated by a road, to reduce the possibility of any last-minute transmission of disease, depicted a tradition not begun until the Space Shuttle program.[5]
The film depicts Marilyn Lovell dropping her wedding ring down a shower drain. According to Jim Lovell, this did occur,[39] but the drain trap caught the ring and his wife was able to retrieve it.[5] Lovell has also confirmed that the scene in which his wife had a nightmare about him being "sucked through an open door of a spacecraft into outer space" also occurred, though he believes the nightmare was prompted by her seeing a scene in Marooned, a 1969 film they saw three months before Apollo 13 blasted off.[39]
See also[edit]
From the Earth to the Moon, a docudrama mini-series based around the Apollo missions.
Gravity, a 2013 film about astronauts escaping from orbit
Marooned, a 1969 film directed by John Sturges, about astronauts marooned in an Apollo Command/Service Module.


Moon-Mdf-2005.jpgMoon portal
 Earth-moon.jpgSpace portal
 RocketSunIcon.svgSpaceflight portal
 STS-41-B MMU.jpgHuman spaceflight portal
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References[edit]
 This article incorporates public domain material from websites or documents of the National Aeronautics and Space Administration.
1.Jump up ^ "CNN Showbiz News:Apollo 13". CNN. Retrieved 9 April 2009.
2.^ Jump up to: a b c d e f g h i "Apollo 13 (1995)". Box Office Mojo. Retrieved 9 April 2009.
3.^ Jump up to: a b "Academy Awards, USA: 1996". awardsdatabase.oscars.org. Archived from the original on 27 February 2009. Retrieved 8 April 2009.
4.^ Jump up to: a b c d e f "Lost Moon: The Triumph of Apollo 13". Retrieved 1 January 2012.
5.^ Jump up to: a b c d e f g h i j k Apollo 13: 2-Disc Anniversary Edition (Disc 1), Special Features:Commentary track by Jim and Marilyn Lovell (DVD). Universal Studios. 19 April 2005.
6.Jump up ^ "Lost Moon: The Triumph of Apollo 13". Retrieved 1 January 2012.
7.Jump up ^ "Film Casting that Might Have Been for John Travolta and Richard Gere". Retrieved 1 January 2012.
8.Jump up ^ The character in the film is a composite of protocol officer Bob McMurrey, who relayed the request for permission to erect a TV tower to Marilyn Lovell, and an unnamed OPA staffer who made the request on the phone, to whom she personally denied it as Quinlan did to "Henry" in the film. "Henry" is also seen performing other OPA functions, such as conducting a press conference. Kluger, Jeffrey; Jim Lovell (July 1995). Lost Moon: The Perilous Voyage of Apollo 13 (First Pocket Books printing ed.). New York: Pocket Books. pp. 118, 209–210, 387. ISBN 0-671-53464-5.
9.Jump up ^ "Repertoire Of Horrors: The Films Of Roger Corman". Retrieved 1 January 2012.
10.^ Jump up to: a b c Apollo 13: 2-Disc Anniversary Edition (Disc 1), Special Features:Commentary track by Ron Howard (DVD). Universal Studios. 19 April 2005.
11.Jump up ^ "Brad Pitt - A Quick Overview". Retrieved 1 January 2012.
12.^ Jump up to: a b c d e Apollo 13: 2-Disc Anniversary Edition (Disc 1), Production Notes (DVD). Universal Studios. 19 March 2005.
13.^ Jump up to: a b c d "Production Notes (Press Release)". IMAX. Retrieved 9 April 2009.
14.Jump up ^ "Ron Howard Weightless Again Over Apollo 13's DGA Win". Retrieved 16 December 2011.
15.Jump up ^ Apollo 13 at AllMusic
16.Jump up ^ Filmtracks review
17.Jump up ^ Soundtrack.Net review
18.Jump up ^ Tracksounds review
19.Jump up ^ Apollo 13 soundtrack review at Filmtracks. Retrieved 24 February 2011.
20.Jump up ^ "History of IMAX". Retrieved 11 February 2011.
21.Jump up ^ "Apollo 13". Rotten Tomatoes. Archived from the original on 20 August 2010. Retrieved 24 August 2010.
22.Jump up ^ "Apollo 13 Reviews". Metacritic. Retrieved 25 September 2011.
23.Jump up ^ "Apollo 13: Roger Ebert". Chicago Sun-Times. 30 June 1995. Retrieved 11 April 2009.
24.Jump up ^ "Apollo 13:Review". [[Time (magazine)|]]. 3 July 1995. Retrieved 11 April 2009.[dead link]
25.Jump up ^ Guthmann, Edward (30 June 1995). "Apollo 13 Review: Story heroic, but it just doesn't fly.". San Francisco Chronicle. Retrieved 11 April 2009.
26.Jump up ^ "Apollo 13 Review:Rolling Stone". [[Rolling Stone (magazine)|]]. Retrieved 11 April 2009.
27.Jump up ^ "Movie Review: "Apollo 13"". Movie Room Reviews. Retrieved February 26, 2013.
28.Jump up ^ Maslin, Janet (30 June 1995). "Apollo 13, a Movie for the Fourth of July". The New York Times. Retrieved 30 September 2011.
29.Jump up ^ Malewitz, Raymond (5 September 2014). "getting Rugged With Thing Theory". Stanford UP. Retrieved 30 September 2014.
30.Jump up ^ Howard, Ron (8 December 2008). "A conversation about the film "Frost/Nixon"". [[Charlie Rose (TV series)|]]. Archived from the original on 11 December 2008. Retrieved 8 December 2008.
31.^ Jump up to: a b c "Apollo 13 Blu Ray Release". Universal Studios. Retrieved 29 September 2011.[not in citation given]
32.Jump up ^ "Apollo 13 (DVD - 2005)". Lethbridge Public Library. Retrieved 30 December 2011.
33.Jump up ^ "Symposium Awards". National Space Symposium. Retrieved 26 April 2009.[dead link]
34.^ Jump up to: a b "AFI's 100 years...100 quotes". AFI. Archived from the original on 26 March 2009. Retrieved 13 April 2009.
35.Jump up ^ Apollo 13 Timeline, Apollo by the Numbers: A Statistical Reference, NASA History Series, Office of Policy and Plans, Richard W. Orloff, Sept. 2004. See "Oxygen tank #2 fans on. Stabilization control system electrical disturbance indicated a power transient. 055:53:20."
36.Jump up ^ "Page 167 of Apollo 13's transcript on Spacelog". Retrieved 10 June 2011.
37.Jump up ^ "Apollo 13's reentry transcript on Spacelog".
38.Jump up ^ "ORIGIN OF APOLLO 13 QUOTE: "FAILURE IS NOT AN OPTION."". SPACEACTS.COM. Retrieved 4 April 2010.
39.^ Jump up to: a b c d William, Lena (19 July 1995). "In Space, No Room For Fear". The New York Times. Retrieved 30 September 2011.
External links[edit]
 Wikimedia Commons has media related to Apollo 13 (film).
 Wikiquote has quotations related to: the film Apollo 13
Apollo 13 at the TCM Movie Database
Apollo 13 at the Internet Movie Database
Apollo 13 at AllMovie
Apollo 13 at Rotten Tomatoes
Apollo 13 at Box Office Mojo


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