Disney's Frozen (2013) Wikipedia film pages part 2

Hans (Disney)

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Hans
Frozen character
Hans from Disney's Frozen.png
First appearance
Frozen
Created by
Chris Buck
Jennifer Lee
Portrayed by
Tyler Jacob Moore
 (Once Upon a Time)
Voiced by
Santino Fontana
Information

Occupation
Regent of Arendelle (briefly)
Title
Prince of the Southern Isles
Relatives
The King and Queen of the Southern Isles (parents)
 Twelve older brothers
Prince Hans of the Southern Isles is a fictional character from Walt Disney Animation Studios' 53rd animated film, Frozen (2013) and the film's main antagonist. Hans is voiced by Santino Fontana in the film, and later portrayed by Tyler Jacob Moore in the live action television series Once Upon a Time.
Hans is the thirteenth prince of the Southern Isles. Knowing that he will be unable to inherit the throne of his own country, he concocts a scheme to usurp the throne of another kingdom through marriage. Although he is portrayed as honest and noble throughout most of the film, he is later revealed to be cold, calculating, and cruel in nature.
The reveal of Hans’ villainy is a major plot twist in Frozen, this being revealed in the film's final act. Despite the acclaim that the film has received, Hans' last-minute betrayal has been the subject of mixed reception from critics. While the character's mastery of trickery and Fontana's performance have been praised, Hans' sudden and unexpected villainous transformation has been criticized for being too upsetting and confusing for the film's younger viewers, as well as several negative comparisons to earlier villains such as Scar from The Lion King and Gaston from Beauty and the Beast. However, many have considered the character's shift in personality to be a valuable lesson that children can learn from.


Contents  [hide]
1 Development 1.1 Origins and concept
1.2 Voice
1.3 Design and characterization
2 Appearances 2.1 Frozen
2.2 Frozen Fever
2.3 Once Upon a Time
3 Reception
4 References

Development[edit]
Origins and concept[edit]
The Disney studio made their first attempts to adapt Hans Christian Andersen's fairytale, The Snow Queen, as early as 1943, when Walt Disney considered the possibilities to produce a biography film of the author.[1] However, the story and the characters proved to be too symbolic[2] and implicit[3] that they posed unsolvable problems to Disney and his animators. Later on, other Disney executives had made efforts to translate this material to the big screen, however these proposals were all shelved due to similar issues.[1]
Voice[edit]



 Santino Fontana provided both the singing and speaking voice of Hans.
He is voiced in the film Frozen by actor Santino Fontana. About playing the role he confusingly said "It’s pretty great. It’s pretty liberating, ah, because you’re not, it’s kind of the freest sense of, you know. When I wanted to be an actor, I always think of like trying to get to the place of the floor is lava, that feeling of like you’re a little kid. You’re just playing like ah, the ground is lava. If I can get to that place of finding like here’s what I’m playing like a kid, um, it’s pretty thrilling. And the great thing about animation is you’re not limited by anything physical or even logical. You know what I mean?"[4]
Design and characterization[edit]
Usually the hero or heroine of the film undergoes a transformation (i.e. Aladdin goes from street rat to prince, Cinderella from servant to princess). In Frozen, Hans goes from a courtly charmer to power-hungry villain. According to Hyrum Osmond, one of the supervising animators for Hans, Hans initially appears as a handsome, dashing character. The crew wanted the audience to fall in love with him and the relationship he could have with Anna. Then they'd got to turn him around towards the climax and make it a big shock. According to Lino Di Salvo, Hans is a chameleon who adapts to any environment to make the other characters comfortable. And one of the biggest challenges in designing Hans, according to Bill Schwab, character design supervisor, was to make sure that they covered all aspects of his personality without fully tipping their hand to the audience. He shares similar personalities with various Disney villains. Notably, Lady Tremaine for the way he treats Anna near the climax of the end. He shares Ratigan from The Great Mouse Detective, Frollo from The Hunchback of Notre Dame, Scar from The Lion King, and Jafar's from Aladdin, intentions for wanting to murder their respective rulers and instill themselves as king (which only Ratigan, Frollo and Hans was able to almost fulfill, while Jafar decided he would force Jasmine to marry him and not kill her. On the other hand, Scar had succeed in killing Mufasa and taking over as king until he was finally foiled by Simba who forced his confession during their fight). He shares similarities to Gaston from Beauty and the Beast in which they were the youngest villains to appear and having the towns fall in love with them. However, the main difference is that Belle quickly saw Gaston for who he is and mistrusted him, whereas Hans gained Anna's trust before betraying her. Afterwards, he left a lasting and negative impact on Anna when she realizes that the warning Elsa, and later Kristoff, originally gave her about falling in love with someone she does not know was true.
Hyrum Osmond, one of the film's supervising animator, later revealed that during "Love Is an Open Door" musical sequence, featured a brief moment where Prince Hans, belting out a high note under a waterfall, closed his eyes and raised his arm, was a parody of a signature move by Donny Osmond, of which Hyrum is a nephew.[5]
Appearances[edit]
Frozen[edit]
Main article: Frozen (2013 film)
Once the Southern Isles is given word of Queen Elsa's coronation, Hans is the royal representative that attends in honor of his kingdom. Along with the other invited royalty, he arrives on the day of the event and is first seen arriving in Arendelle on his horse, Sitron, who accidentally runs into Princess Anna when she crashes into his horse, and falls into a rowboat. Using grace and charm, Hans immediately woos the lovesick princess, with Anna almost immediately falling for him due to his wondrous looks and undeniable charisma. Moments later, Hans attends Queen Elsa's crowning, waving to Anna as he watches alongside the other visiting royals and dignitaries. Later on that night, a ball is held in honor of the new queen and Hans appears at the celebration party, soon finding and inviting Anna for a romantic waltz after coincidentally bumping into her once again.
During their time together, Hans learns of Anna's longing of having someone special in her life, with her sister apparently developing a dislike of being around her by suddenly shutting Anna out one day when they were kids, to which Hans openly relates to, only furthering Anna's connection with him. And with this, Hans promises to never shut Anna out, unlike Elsa, much to the princess's absolute joy. By the end of their tour, Hans works up the courage to propose, with Anna agreeing in a heartbeat. The two head back to the royal throne room, where the party is being held, to ask for Elsa's blessing. Elsa coldly refuses, denying Anna marrying someone she just met, and subsequently ends the party. Suspecting he has an ulterior motive for wanting to marry Anna, she orders Hans to leave out of frustration. Heartbroken, Anna confronts her sister, but this accidentally exposes Elsa's abilities to conjure up ice and snow, much to Hans' shock, along with everyone else's. The Duke of Weselton immediately declares Elsa a monster, and orders his men to capture her. Elsa flees, accidentally causing an eternal winter over Arendelle while doing so, with Anna and Hans chasing after her until she runs across the surface of the fjord. Anna volunteers to go after Elsa, but Hans objects to her going by herself, considering it too dangerous. However, Anna insists that Hans stays behind to rule during her absence, to which the prince eventually agrees to.
It does not take long for Arendelle to turn into an icy wasteland. However, through it all, Hans proved to be a worthy ruler, winning the hearts of Arendelle's citizens, gaining their trust and loyalty through his seemingly benevolent and caring ways. Hans does so by distributing free cloaks to the public and setting up soup lines in the palace. The Duke of Weselton is furious that Hans is giving away Arendelle's tradeable goods. Scolding Hans, the Duke then openly expresses his suspicion over Anna and Elsa, believing they're conspiring together to doom them all. Hans immediately snaps and threatens to punish the Duke for treason if he does not silence himself. Just then, Anna's horse returns, riderless, making Hans believe Anna is in danger. With the royal guards and the Duke's men, Hans leads a rescue mission for Anna and a hunt for Elsa.
A few days later, the army arrives at Elsa's ice palace. As they are approaching the front steps, Elsa's snowlem bouncer, Marshmallow, disguised as a pile of snow by the staircase, suddenly attacks him. While Hans and his army battle Marshmallow, the Duke's two guards make their way inside to take on Elsa. Hans manages to defeat Marshmallow by slicing his leg off, sending him plunging into a gorge. With him out of the way, Hans and the others rush inside to find Anna, but she is nowhere in sight. Instead, they find Elsa merely seconds away from killing the Duke's two guards. Hans is able to stop her, freeing the two thugs. However, one of the thugs attempts to shoot her with his bolt, but Hans interferes and causes the bolt to shoot upward and shatter the hook on a massive chandelier, which crashes down and manages to knock Elsa unconscious. Captured, Elsa is imprisoned in Arendelle's dungeon. Hans decides to pay Elsa a visit, asking her to put an end to the winter. However, Elsa confesses she does not know how and asks to be released. Hans claims he will do what he can.
Anna suddenly returns and desperately begs Hans for a kiss. The two are given privacy, Anna explains that during her journey, Elsa froze her heart, and only an act of true love can save her from freezing to death. Hans smirks and rejects Anna. Confused, Anna tries to understand what's going on, but Hans simply explains his entire plot to marry her, arrange an "accident" for Elsa, and become king of Arendelle through marriage. Anna tries to stop him, but she is far too weak. After informing her his next move is to kill Elsa and bring back summer, Hans leaves Anna to die, locking the door and trapping her within to prevent others from finding her. Hans then returns to the Duke and the other dignitaries. He tells them Anna was killed by Elsa. He sentences Elsa to death for high treason.
Meanwhile, through her magic, Elsa manages to escape her cell by freezing her shackles until they become so brittle that they break, then freezing the wall of her cell until it collapses. Hans chases after her into the frozen fjords as a harsh blizzard consumes the kingdom. He eventually stumbles upon her, and claims to her she cannot escape all the horrible things she has already done. Elsa pleads for mercy, and asks him to take care of her sister for her, to which Hans responds by telling her that Anna has died from Elsa freezing her heart (or so Hans thinks, since Olaf has found Anna and helped her escape). Elsa collapses, and whilst she is distracted, Hans pulls out his sword and prepares to stab her. As he is swinging, Anna suddenly arrives and jumps in front of Hans's sword path, completely freezing solid just before Hans' blade strikes her and shatters. Anna's freezing causes a forceful blast, knocking Hans off his feet and rendering him unconscious.
When he awakens several moments later, he finds Arendelle thawed and peace restored. Enraged by what Hans did to Anna and what he was doing to Elsa, Kristoff approaches Hans intending to attack him, but Anna intervenes. Instead, Anna confronts Hans, and the sight of Anna alive and well confuses Hans, prompting him to ask how she survived the frozen heart curse. She turns her back to him, much to Hans' disbelief, then, in a swift movement, turns around again and punches him in the face and off the side of a ship. Humiliated and defeated, Hans is last seen imprisoned on a ship heading back to the Southern Isles. According to the French dignitary, Hans is set to receive an ultimate (and unspecified) punishment from his older brothers.
Frozen Fever[edit]
Hans briefly makes an appearance in Frozen Fever where he is seen cleaning up horse manure in the Southern Isles as part of his punishment from his family in his actions against Queen Elsa and Arendelle. After Elsa sneezes, she creates a large snowball that flies over to the Southern Isles and accidentally catapults Hans into a pile of manure, causing all the horses in the stable to laugh at his misfortune, much to his dismay.
Once Upon a Time[edit]

Hans
Once Upon a Time character
First appearance
"A Tale of Two Sisters"
Last appearance
"Heroes and Villains"
Created by
Edward Kitsis and Adam Horowitz
Portrayed by
Tyler Jacob Moore
Information

Family
King and Queen of the Southern Isles (parents)
Hans appears in the fourth season of Once Upon a Time and is played by Tyler Jacob Moore.[6] In the fourth season premiere, "A Tale of Two Sisters", Elsa reminds Anna that Hans and his older brothers still have a grudge against Arendelle for his treatment two years earlier and have been looking for a chance to repay Anna and Elsa for this ever since.[7] In the third episode "Rocky Road," Hans and his brothers have gathered outside of Arendelle with an army and he reveals a plan to his brothers to capture Elsa with a magical urn. Hans finds Elsa and Kristoff in the cave with the urn and holds Kristoff hostage in order to force Elsa to give him the urn. After retrieving the urn, Hans tries to use it to imprison Elsa, but inadvertently releases the Snow Queen instead. The Snow Queen, upset that Hans called Elsa a monster, freezes him while his brothers flee the cave.
Elsa and Anna later discover his frozen body untouched in the palace's east-wing room. He is later thawed out after 30 years (Arendelle was frozen by the Snow Queen.) and he becomes the new king of Arendelle. His first order was to have Anna and Kristoff arrested, and with help from Blackbeard he places the two into a trunk and sends them to their death at the bottom of the ocean, not knowing that Elsa, using Anna's necklace as a locator spell, brings the two to Storybrooke. However, soon after the Snow Queen sacrifices herself hence breaking the spell of shattered sight, Elsa, Anna and Kristoff return to Arendelle via a magical portal and quickly retake their throne and kingdom (with it implied that Anna once again punches Hans in the face, this time in the eye).
Reception[edit]
While the film has largely received critical acclaim,[8] some critics were divided on the reveal of Hans' duplicity. Gina Dalfonzo from The Atlantic questioned the reveal's age-appropriateness, saying, "Children will, in their lifetimes, necessarily learn that not everyone who looks or seems trustworthy is trustworthy—but Frozen’s big twist is a needlessly upsetting way to teach that lesson."[9] Other critics disagreed - Melissa Leon from The Daily Beast said, "Anna is being ridiculous. But unlike Snow White or Sleeping Beauty, the world of Frozen knows that. It uses Anna's ill-thought-out engagement to show exactly why the cliché is unrealistic and absurd—in her case, it even proves dangerous as ... her charming prince turns out to be a two-faced villain."[10] Alyssa Rosenberg of ThinkProgress took a moderate position, arguing, "Rather than declaring Prince Charming fantasies good or bad, I think Frozen is part of a tradition of adding heft to Prince Charming himself. And that's a good thing. [...] Frozen might have been a dud if Hans had only been a jerk. But, so help me, I found myself with some sympathy for the guy."[11]
References[edit]
1.^ Jump up to: a b Jim Hill (October 18, 2013). "Countdown to Disney "Frozen" : How one simple suggestion broke the ice on the "Snow Queen"'s decades-long story problems". The Los Angeles Times. Retrieved February 21, 2014.
2.Jump up ^ White, Cindy (October 11, 2013). "Inside Disney’s Frozen: Q&A with the Directors". Geek Mom. Retrieved 21 February 2014.
3.Jump up ^ Wright, Gary (November 24, 2013). "Frozen in Time: Disney’s Adaptation of a Literary Classic". Rotoscoper. Retrieved 21 February 2014.
4.Jump up ^ "Santino Fontana talks about his role as Prince Hans in Frozen #DisneyFrozenEvent". http://cincomom.com/. 2013. Retrieved March 10, 2014.
5.Jump up ^ McDaniel, Matt (March 18, 2014). "'Frozen' Secret Reference (With a Famous Family Connection) Revealed". Yahoo! Movies. Retrieved April 8, 2014.
6.Jump up ^ Tyler Jacob Moore Cast as Frozen's Prince Hans on Once Upon a Time E! Online, Retrieved July 29, 2014
7.Jump up ^ Once Upon a Time, season 4 episode 1, A Tale of Two Sisters
8.Jump up ^ Barnes, Brooks (1 December 2013). "Boys Don't Run Away From These Princesses". The New York Times. Retrieved 2 December 2013.
9.Jump up ^ Dalfonzo, Gina (10 December 2013). "Frozen's Cynical Twist on Prince Charming". The Atlantic. Retrieved 10 March 2014.
10.Jump up ^ Leon, Melissa (29 November 2013). "Disney's Sublimely Subversive 'Frozen' Isn't Your Typical Princess Movie". The Daily Beast. Retrieved 10 March 2014.
11.Jump up ^ Rosenberg, Alyssa (29 January 2014). "How Disney’s ‘Frozen’ Gets Its Bad Prince Charming Right". Think Progress. Retrieved 10 March 2014.

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Hans (Disney)

From Wikipedia, the free encyclopedia

Jump to: navigation, search


Hans
Frozen character
Hans from Disney's Frozen.png
First appearance
Frozen
Created by
Chris Buck
Jennifer Lee
Portrayed by
Tyler Jacob Moore
 (Once Upon a Time)
Voiced by
Santino Fontana
Information

Occupation
Regent of Arendelle (briefly)
Title
Prince of the Southern Isles
Relatives
The King and Queen of the Southern Isles (parents)
 Twelve older brothers
Prince Hans of the Southern Isles is a fictional character from Walt Disney Animation Studios' 53rd animated film, Frozen (2013) and the film's main antagonist. Hans is voiced by Santino Fontana in the film, and later portrayed by Tyler Jacob Moore in the live action television series Once Upon a Time.
Hans is the thirteenth prince of the Southern Isles. Knowing that he will be unable to inherit the throne of his own country, he concocts a scheme to usurp the throne of another kingdom through marriage. Although he is portrayed as honest and noble throughout most of the film, he is later revealed to be cold, calculating, and cruel in nature.
The reveal of Hans’ villainy is a major plot twist in Frozen, this being revealed in the film's final act. Despite the acclaim that the film has received, Hans' last-minute betrayal has been the subject of mixed reception from critics. While the character's mastery of trickery and Fontana's performance have been praised, Hans' sudden and unexpected villainous transformation has been criticized for being too upsetting and confusing for the film's younger viewers, as well as several negative comparisons to earlier villains such as Scar from The Lion King and Gaston from Beauty and the Beast. However, many have considered the character's shift in personality to be a valuable lesson that children can learn from.


Contents  [hide]
1 Development 1.1 Origins and concept
1.2 Voice
1.3 Design and characterization
2 Appearances 2.1 Frozen
2.2 Frozen Fever
2.3 Once Upon a Time
3 Reception
4 References

Development[edit]
Origins and concept[edit]
The Disney studio made their first attempts to adapt Hans Christian Andersen's fairytale, The Snow Queen, as early as 1943, when Walt Disney considered the possibilities to produce a biography film of the author.[1] However, the story and the characters proved to be too symbolic[2] and implicit[3] that they posed unsolvable problems to Disney and his animators. Later on, other Disney executives had made efforts to translate this material to the big screen, however these proposals were all shelved due to similar issues.[1]
Voice[edit]



 Santino Fontana provided both the singing and speaking voice of Hans.
He is voiced in the film Frozen by actor Santino Fontana. About playing the role he confusingly said "It’s pretty great. It’s pretty liberating, ah, because you’re not, it’s kind of the freest sense of, you know. When I wanted to be an actor, I always think of like trying to get to the place of the floor is lava, that feeling of like you’re a little kid. You’re just playing like ah, the ground is lava. If I can get to that place of finding like here’s what I’m playing like a kid, um, it’s pretty thrilling. And the great thing about animation is you’re not limited by anything physical or even logical. You know what I mean?"[4]
Design and characterization[edit]
Usually the hero or heroine of the film undergoes a transformation (i.e. Aladdin goes from street rat to prince, Cinderella from servant to princess). In Frozen, Hans goes from a courtly charmer to power-hungry villain. According to Hyrum Osmond, one of the supervising animators for Hans, Hans initially appears as a handsome, dashing character. The crew wanted the audience to fall in love with him and the relationship he could have with Anna. Then they'd got to turn him around towards the climax and make it a big shock. According to Lino Di Salvo, Hans is a chameleon who adapts to any environment to make the other characters comfortable. And one of the biggest challenges in designing Hans, according to Bill Schwab, character design supervisor, was to make sure that they covered all aspects of his personality without fully tipping their hand to the audience. He shares similar personalities with various Disney villains. Notably, Lady Tremaine for the way he treats Anna near the climax of the end. He shares Ratigan from The Great Mouse Detective, Frollo from The Hunchback of Notre Dame, Scar from The Lion King, and Jafar's from Aladdin, intentions for wanting to murder their respective rulers and instill themselves as king (which only Ratigan, Frollo and Hans was able to almost fulfill, while Jafar decided he would force Jasmine to marry him and not kill her. On the other hand, Scar had succeed in killing Mufasa and taking over as king until he was finally foiled by Simba who forced his confession during their fight). He shares similarities to Gaston from Beauty and the Beast in which they were the youngest villains to appear and having the towns fall in love with them. However, the main difference is that Belle quickly saw Gaston for who he is and mistrusted him, whereas Hans gained Anna's trust before betraying her. Afterwards, he left a lasting and negative impact on Anna when she realizes that the warning Elsa, and later Kristoff, originally gave her about falling in love with someone she does not know was true.
Hyrum Osmond, one of the film's supervising animator, later revealed that during "Love Is an Open Door" musical sequence, featured a brief moment where Prince Hans, belting out a high note under a waterfall, closed his eyes and raised his arm, was a parody of a signature move by Donny Osmond, of which Hyrum is a nephew.[5]
Appearances[edit]
Frozen[edit]
Main article: Frozen (2013 film)
Once the Southern Isles is given word of Queen Elsa's coronation, Hans is the royal representative that attends in honor of his kingdom. Along with the other invited royalty, he arrives on the day of the event and is first seen arriving in Arendelle on his horse, Sitron, who accidentally runs into Princess Anna when she crashes into his horse, and falls into a rowboat. Using grace and charm, Hans immediately woos the lovesick princess, with Anna almost immediately falling for him due to his wondrous looks and undeniable charisma. Moments later, Hans attends Queen Elsa's crowning, waving to Anna as he watches alongside the other visiting royals and dignitaries. Later on that night, a ball is held in honor of the new queen and Hans appears at the celebration party, soon finding and inviting Anna for a romantic waltz after coincidentally bumping into her once again.
During their time together, Hans learns of Anna's longing of having someone special in her life, with her sister apparently developing a dislike of being around her by suddenly shutting Anna out one day when they were kids, to which Hans openly relates to, only furthering Anna's connection with him. And with this, Hans promises to never shut Anna out, unlike Elsa, much to the princess's absolute joy. By the end of their tour, Hans works up the courage to propose, with Anna agreeing in a heartbeat. The two head back to the royal throne room, where the party is being held, to ask for Elsa's blessing. Elsa coldly refuses, denying Anna marrying someone she just met, and subsequently ends the party. Suspecting he has an ulterior motive for wanting to marry Anna, she orders Hans to leave out of frustration. Heartbroken, Anna confronts her sister, but this accidentally exposes Elsa's abilities to conjure up ice and snow, much to Hans' shock, along with everyone else's. The Duke of Weselton immediately declares Elsa a monster, and orders his men to capture her. Elsa flees, accidentally causing an eternal winter over Arendelle while doing so, with Anna and Hans chasing after her until she runs across the surface of the fjord. Anna volunteers to go after Elsa, but Hans objects to her going by herself, considering it too dangerous. However, Anna insists that Hans stays behind to rule during her absence, to which the prince eventually agrees to.
It does not take long for Arendelle to turn into an icy wasteland. However, through it all, Hans proved to be a worthy ruler, winning the hearts of Arendelle's citizens, gaining their trust and loyalty through his seemingly benevolent and caring ways. Hans does so by distributing free cloaks to the public and setting up soup lines in the palace. The Duke of Weselton is furious that Hans is giving away Arendelle's tradeable goods. Scolding Hans, the Duke then openly expresses his suspicion over Anna and Elsa, believing they're conspiring together to doom them all. Hans immediately snaps and threatens to punish the Duke for treason if he does not silence himself. Just then, Anna's horse returns, riderless, making Hans believe Anna is in danger. With the royal guards and the Duke's men, Hans leads a rescue mission for Anna and a hunt for Elsa.
A few days later, the army arrives at Elsa's ice palace. As they are approaching the front steps, Elsa's snowlem bouncer, Marshmallow, disguised as a pile of snow by the staircase, suddenly attacks him. While Hans and his army battle Marshmallow, the Duke's two guards make their way inside to take on Elsa. Hans manages to defeat Marshmallow by slicing his leg off, sending him plunging into a gorge. With him out of the way, Hans and the others rush inside to find Anna, but she is nowhere in sight. Instead, they find Elsa merely seconds away from killing the Duke's two guards. Hans is able to stop her, freeing the two thugs. However, one of the thugs attempts to shoot her with his bolt, but Hans interferes and causes the bolt to shoot upward and shatter the hook on a massive chandelier, which crashes down and manages to knock Elsa unconscious. Captured, Elsa is imprisoned in Arendelle's dungeon. Hans decides to pay Elsa a visit, asking her to put an end to the winter. However, Elsa confesses she does not know how and asks to be released. Hans claims he will do what he can.
Anna suddenly returns and desperately begs Hans for a kiss. The two are given privacy, Anna explains that during her journey, Elsa froze her heart, and only an act of true love can save her from freezing to death. Hans smirks and rejects Anna. Confused, Anna tries to understand what's going on, but Hans simply explains his entire plot to marry her, arrange an "accident" for Elsa, and become king of Arendelle through marriage. Anna tries to stop him, but she is far too weak. After informing her his next move is to kill Elsa and bring back summer, Hans leaves Anna to die, locking the door and trapping her within to prevent others from finding her. Hans then returns to the Duke and the other dignitaries. He tells them Anna was killed by Elsa. He sentences Elsa to death for high treason.
Meanwhile, through her magic, Elsa manages to escape her cell by freezing her shackles until they become so brittle that they break, then freezing the wall of her cell until it collapses. Hans chases after her into the frozen fjords as a harsh blizzard consumes the kingdom. He eventually stumbles upon her, and claims to her she cannot escape all the horrible things she has already done. Elsa pleads for mercy, and asks him to take care of her sister for her, to which Hans responds by telling her that Anna has died from Elsa freezing her heart (or so Hans thinks, since Olaf has found Anna and helped her escape). Elsa collapses, and whilst she is distracted, Hans pulls out his sword and prepares to stab her. As he is swinging, Anna suddenly arrives and jumps in front of Hans's sword path, completely freezing solid just before Hans' blade strikes her and shatters. Anna's freezing causes a forceful blast, knocking Hans off his feet and rendering him unconscious.
When he awakens several moments later, he finds Arendelle thawed and peace restored. Enraged by what Hans did to Anna and what he was doing to Elsa, Kristoff approaches Hans intending to attack him, but Anna intervenes. Instead, Anna confronts Hans, and the sight of Anna alive and well confuses Hans, prompting him to ask how she survived the frozen heart curse. She turns her back to him, much to Hans' disbelief, then, in a swift movement, turns around again and punches him in the face and off the side of a ship. Humiliated and defeated, Hans is last seen imprisoned on a ship heading back to the Southern Isles. According to the French dignitary, Hans is set to receive an ultimate (and unspecified) punishment from his older brothers.
Frozen Fever[edit]
Hans briefly makes an appearance in Frozen Fever where he is seen cleaning up horse manure in the Southern Isles as part of his punishment from his family in his actions against Queen Elsa and Arendelle. After Elsa sneezes, she creates a large snowball that flies over to the Southern Isles and accidentally catapults Hans into a pile of manure, causing all the horses in the stable to laugh at his misfortune, much to his dismay.
Once Upon a Time[edit]

Hans
Once Upon a Time character
First appearance
"A Tale of Two Sisters"
Last appearance
"Heroes and Villains"
Created by
Edward Kitsis and Adam Horowitz
Portrayed by
Tyler Jacob Moore
Information

Family
King and Queen of the Southern Isles (parents)
Hans appears in the fourth season of Once Upon a Time and is played by Tyler Jacob Moore.[6] In the fourth season premiere, "A Tale of Two Sisters", Elsa reminds Anna that Hans and his older brothers still have a grudge against Arendelle for his treatment two years earlier and have been looking for a chance to repay Anna and Elsa for this ever since.[7] In the third episode "Rocky Road," Hans and his brothers have gathered outside of Arendelle with an army and he reveals a plan to his brothers to capture Elsa with a magical urn. Hans finds Elsa and Kristoff in the cave with the urn and holds Kristoff hostage in order to force Elsa to give him the urn. After retrieving the urn, Hans tries to use it to imprison Elsa, but inadvertently releases the Snow Queen instead. The Snow Queen, upset that Hans called Elsa a monster, freezes him while his brothers flee the cave.
Elsa and Anna later discover his frozen body untouched in the palace's east-wing room. He is later thawed out after 30 years (Arendelle was frozen by the Snow Queen.) and he becomes the new king of Arendelle. His first order was to have Anna and Kristoff arrested, and with help from Blackbeard he places the two into a trunk and sends them to their death at the bottom of the ocean, not knowing that Elsa, using Anna's necklace as a locator spell, brings the two to Storybrooke. However, soon after the Snow Queen sacrifices herself hence breaking the spell of shattered sight, Elsa, Anna and Kristoff return to Arendelle via a magical portal and quickly retake their throne and kingdom (with it implied that Anna once again punches Hans in the face, this time in the eye).
Reception[edit]
While the film has largely received critical acclaim,[8] some critics were divided on the reveal of Hans' duplicity. Gina Dalfonzo from The Atlantic questioned the reveal's age-appropriateness, saying, "Children will, in their lifetimes, necessarily learn that not everyone who looks or seems trustworthy is trustworthy—but Frozen’s big twist is a needlessly upsetting way to teach that lesson."[9] Other critics disagreed - Melissa Leon from The Daily Beast said, "Anna is being ridiculous. But unlike Snow White or Sleeping Beauty, the world of Frozen knows that. It uses Anna's ill-thought-out engagement to show exactly why the cliché is unrealistic and absurd—in her case, it even proves dangerous as ... her charming prince turns out to be a two-faced villain."[10] Alyssa Rosenberg of ThinkProgress took a moderate position, arguing, "Rather than declaring Prince Charming fantasies good or bad, I think Frozen is part of a tradition of adding heft to Prince Charming himself. And that's a good thing. [...] Frozen might have been a dud if Hans had only been a jerk. But, so help me, I found myself with some sympathy for the guy."[11]
References[edit]
1.^ Jump up to: a b Jim Hill (October 18, 2013). "Countdown to Disney "Frozen" : How one simple suggestion broke the ice on the "Snow Queen"'s decades-long story problems". The Los Angeles Times. Retrieved February 21, 2014.
2.Jump up ^ White, Cindy (October 11, 2013). "Inside Disney’s Frozen: Q&A with the Directors". Geek Mom. Retrieved 21 February 2014.
3.Jump up ^ Wright, Gary (November 24, 2013). "Frozen in Time: Disney’s Adaptation of a Literary Classic". Rotoscoper. Retrieved 21 February 2014.
4.Jump up ^ "Santino Fontana talks about his role as Prince Hans in Frozen #DisneyFrozenEvent". http://cincomom.com/. 2013. Retrieved March 10, 2014.
5.Jump up ^ McDaniel, Matt (March 18, 2014). "'Frozen' Secret Reference (With a Famous Family Connection) Revealed". Yahoo! Movies. Retrieved April 8, 2014.
6.Jump up ^ Tyler Jacob Moore Cast as Frozen's Prince Hans on Once Upon a Time E! Online, Retrieved July 29, 2014
7.Jump up ^ Once Upon a Time, season 4 episode 1, A Tale of Two Sisters
8.Jump up ^ Barnes, Brooks (1 December 2013). "Boys Don't Run Away From These Princesses". The New York Times. Retrieved 2 December 2013.
9.Jump up ^ Dalfonzo, Gina (10 December 2013). "Frozen's Cynical Twist on Prince Charming". The Atlantic. Retrieved 10 March 2014.
10.Jump up ^ Leon, Melissa (29 November 2013). "Disney's Sublimely Subversive 'Frozen' Isn't Your Typical Princess Movie". The Daily Beast. Retrieved 10 March 2014.
11.Jump up ^ Rosenberg, Alyssa (29 January 2014). "How Disney’s ‘Frozen’ Gets Its Bad Prince Charming Right". Think Progress. Retrieved 10 March 2014.

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Olaf (Disney)

From Wikipedia, the free encyclopedia

Jump to: navigation, search


Olaf
Frozen character
Olaf from Disney's Frozen.png
First appearance
Frozen
Created by
Chris Buck
Jennifer Lee
Voiced by
Josh Gad
Information

Species
Sentient snowman
Gender
Male
Olaf is a fictional snowman character from Walt Disney Animation Studios' 53rd animated film, Frozen (2013).


Contents  [hide]
1 Development 1.1 Origins and concept
1.2 Voice
1.3 Design and characterization
2 Appearances 2.1 Frozen
2.2 Other
2.3 Theme parks
3 Reception
4 References
5 External links

Development[edit]
Origins and concept[edit]
The Disney studio made their first attempts to adapt Hans Christian Andersen's fairytale, The Snow Queen, as early as 1943, when Walt Disney considered the possibility of producing a biography film of the author.[1] However, the story and the characters proved to be too symbolic[2][3] and posed unsolvable problems to Disney and his animators. Later on, other Disney executives had made efforts to translate this material to the big screen, however these proposals were all shelved due to similar issues.[1]
In 2008, Chris Buck pitched Disney his version of the story[4] called Anna and the Snow Queen, which was planned to be traditionally animated.[5] This version was "completely different" from Frozen; it had a storyline that stuck much closer to the original material and featured an entirely different Olaf character.[6] However, by early 2010, the project was scrapped again.[5][7] On December 22, 2011, Disney announced a new title for the film, Frozen, which would be released on November 27, 2013, and a different crew from the previous attempt.[8] The new script, which enjoyed "the same concept but was completely rewritten",[5] finally solved the long-term problem with Andersen's story by depicting Anna and Elsa as sisters.[9]
Voice[edit]
Josh Gad, a Tony-nominated actor best known for his performance as Elder Arnold Cunningham in Broadway's The Book of Mormon (which was co-written by the film's co-songwriter Robert Lopez),[10] was cast to voice Olaf.[11][12][13] Gad later expressed that getting a part in a Disney film was "kind of a dream come true" for him, as he has always been a fan of Disney films in general and their animated productions in particular.[14] "I grew up during the second golden age of Disney animation, when every movie that came out was an event – The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King," he said.[10] Impressed by the performances of comedic relief sidekicks such as Timon and Pumbaa in The Lion King, or The Genie in Aladdin, Gad set the goal to play characters of this type since his early age: "I remember [...] saying, "I want to do that one day. I really want to do that,"" he recalled.[10][14][15]
Design and characterization[edit]
As a snowman Anna and Elsa built together as kids, Olaf represents innocent love and the joy the sisters once had when they were young before being split. He isn't just funny, he's also got a "big role to play representing the innocent love in the scale of fear versus love."[16] It wasn't until he meant something to the girls that he resonated with us,",[17] "Olaf couldn't just be thrown in, he had to have a purpose" and that one of his purposes was to be the embodiment of the sisterly relationship that had gone cold.[18] "When Anna and Elsa were very little, and before Elsa's powers accidentally hurt Anna, they played. They'd sneak away and play with her powers. And you see them roll the snowman. He's not magical. He doesn't come to life. But they name him Olaf and he likes warm hugs." "It inspires the look. And so when Elsa is singing “Let It Go” obviously the first thing she goes to is the last moment she was happy. And it was that moment. And so he’s imbued with that. He’s innocent love." The continuous themes that can be seen throughout the movie revolve around the power of love and fear. Olaf, on one end of that spectrum, represents the most innocent kind form of love. It is possible that he resembles some of the characteristics of Anna's younger self. This provides a connection between the sisters' happy past and their ability to remember that love in difficult times. Overall his character provides much of the comic relief found in the film, while conveying lovable innocence and purity. "And so he was just a lot of fun, and emotionally he’ll bring a lot that we weren’t able to show you yet, too. So he’s funny in the kids-state-the-obvious kind of way." (Lee) "And he can say very poignant things too." (Buck)[2]
In very early versions of the film, Olaf was originally written as one of the guards at Elsa's castle when the concept of Elsa controlling a legion of menacing snowmen was still in the story.[18][19] Buck talked on this scrapped character setting, "We always talked about she was trying to learn about her powers. So we talked about it like it's the first pancake. You know that pancakes get burned on the bottom that you throw out. Well, that's Olaf. Olaf was her first pancake."[19] In order to keep the character from getting too complex, the directors wanted him to have a childlike innocence.[18] According to Lee, "When you're a child the awkwardness and the funny shapes you make with the snowmen, the heads are never perfect" and that's how they came up with the ideas when thinking what kids would think of a snowman.[18][19]
Gad also did plenty of improvements for Olaf during the recording sessions. But the directors were very careful not to risk the character taking over the story.[18] "Olaf was very much a sketch until we had Josh Gad, and then we would just get in the room and play and we'd have a lot of fun and that's really how we found his voice specifically and how he looks at the world. It really was working with Josh that did that."[20] "It was a lot funnier than I expected, thanks largely to Josh Gad's surprisingly well-written deluded snowman character" (Del Vecho).[21] Gad's studio performance was videotaped, and animators used his facial expressions and physical moves as a reference for animating the character.[17]
Hyrum Osmond, one of the film's animation supervisors, served as the character lead for Olaf.[21] Del Vecho described him as "quiet but he has a funny, wacky personality so we knew he'd bring a lot of comedy to it."[21] Osmond himself admitted that "My personality's a bit like Olaf."[17]
The filmmakers developed a new software called Spaces to aid artists in deconstructing Olaf and rebuilding him as part of the animation process.[22][23] "It was kind of an animator's dream," Osmond enthused. "You have a character that can come apart. We said to the animation crew, 'Just have fun with it.'" "The fun part of Olaf, we learned early on that his body parts can fall apart and we knew that we would want to take full advantage of that. You will see quite a bit more of that in the movie in a surprising way." (Chris Buck).[20] "Olaf has become his own sort of standout comic character and the animators are having fun animating him. There's a lot of squash in there – I mean, a lot – and he's the only character we can throw off a cliff and have him come apart on the way down, still survive and be happy.We have the contrast of Olaf being a Snowman but loving the idea of Summer" (Del Vecho)[21][21]
Appearances[edit]
Frozen[edit]
Main article: Frozen (2013 film)
His first appearance in Frozen is during Anna and Elsa's childhood as an inanimate snowman. Later, when Elsa becomes the ice queen, she creates him once more and unknowingly gives him life. While looking for Elsa, Anna finds the live version of Olaf and gives him the carrot nose that he had been missing, before he imagines himself in the summer, blissfully unaware that he would melt. Olaf then helps Anna reach the top of the North Mountain to find her sister.
After being expelled by Marshmallow, Olaf follows Anna (struck by Elsa's magic in the castle), Kristoff and Sven to the Valley of Living Rocks, where the trolls live, to seek help for saving Anna. There, the trolls try to marry Anna and Kristoff (Fixer Upper) and Olaf sings a sentence in the sequence.
The group thinks a "True Love's Kiss" can save Anna, and so head back to Arendelle. Olaf gets separated from the group on the way, and only appears again in the library after Hans' betrayal. Olaf comforts Anna, telling her the real meaning of love. Then they head out to the fjord to find Kristoff, but Olaf is blown away.
In the end, when Elsa finally dissipates the eternal winter and reestablishes herself as queen, she creates him a snow cloud to stand directly above him so he could fulfil his dream of living in summer without melting.
Other[edit]
Olaf appears in The Simpsons special, Simpsons ALS Ice Bucket Challenge.
He also makes an appearance in the Sky Adventures television advertisement.
Theme parks[edit]
At Disneyland, there was a talking audio-animatronic Olaf sitting on top the roof of the cottage that was home to the Anna and Elsa meet-and-greet.[24] From July 5 to September 1, 2014, as part of 'Frozen' Summer Fun show at Disney's Hollywood Studios, Olaf will appear in Olaf on Summer Vacation section to chime in and keep visitors updated on all his adventures. He is also available for pick-ups and take-along in various locations in the park. The character will also appear in "Frozen" Fireworks Spectacular section alongside Anna, Elsa and Kristoff, a fireworks display set to the music of Frozen.[25][26] Anna, Elsa, Kristoff, and Olaf will make appearances in Mickey’s Once Upon a Christmastime Parade, offered during Mickey’s Very Merry Christmas Party at Magic Kingdom in November and December 2014[27] (from November 7 to December 31).[28] Officially starting January 7, 2014, Olaf began making meet and greet appearances in Disney California Adventure at "Olaf's Snow Fest", and guests can to learn how to draw either Olaf or Marshmallow at the Disney Animation Building's Animation Academy as part of the park's "Frozen Fun" event.[29][30]
Reception[edit]
[icon] This section requires expansion. (May 2014)
Since the release of the film, Olaf has gained critical acclaim for his comedy and voice work of Josh Gad, with many[weasel words] critics comparing him to Genie from Aladdin, another "comic relief" character that received universal acclaim upon the film's original release.[citation needed]
References[edit]
1.^ Jump up to: a b Jim Hill (October 18, 2013). "Countdown to Disney "Frozen" : How one simple suggestion broke the ice on the "Snow Queen"'s decades-long story problems". The Los Angeles Times. Retrieved February 21, 2014.
2.^ Jump up to: a b White, Cindy (October 11, 2013). "Inside Disney’s Frozen: Q&A with the Directors". Geek Mom. Retrieved 21 February 2014.
3.Jump up ^ Wright, Gary (November 24, 2013). "Frozen in Time: Disney’s Adaptation of a Literary Classic". Rotoscoper. Retrieved 21 February 2014.
4.Jump up ^ Giardina, Carolyn (November 27, 2013). "Oscars: With 'Frozen,' Disney Invents a New Princess (and Secret Software)". The Hollywood Reporter. Retrieved February 21, 2014.
5.^ Jump up to: a b c Weintraub, Steve (November 25, 2013). "Josh Gad Talks FROZEN, His History with the Project, the Songs, the Status of TRIPLETS, Playing Sam Kinison, and More". Collider.comn. Event occurs at 0:33. Retrieved February 21, 2014.
6.Jump up ^ Hill, Jim (December 2, 2013). "How Josh Gad Almost Missed Out on the Chance to Voice Olaf the Snowman for Disney's Frozen". Huffington Post. Retrieved 21 February 2014.
7.Jump up ^ Chmielewski, Dawn C.; Eller, Claudia (March 9, 2010). "Disney restyles 'Rapunzel' to appeal to boys". Los Angeles Times. Retrieved April 6, 2010.
8.Jump up ^ Sciretta, Peter (December 22, 2011). "Walt Disney Animation Gives 'The Snow Queen' New Life, Retitled 'Frozen' – But Will It Be Hand Drawn?". SlashFilm. Retrieved December 22, 2011.
9.Jump up ^ Lowman, Rob (November 19, 2013). "Unfreezing ‘Frozen:’ The making of the newest fairy tale in 3D by Disney". Los Angeles Daily News. Retrieved February 21, 2014.
10.^ Jump up to: a b c Schneller, Johanna (December 6, 2013). "For Josh Gad, playing an animated snowman is a serious job". The Globe and Mail. Retrieved May 9, 2014.
11.Jump up ^ Nachman, Brett (August 16, 2012). "Disney In Depth: The Future Of Disney Animation (Frozen, Paperman, & Wreck-It Ralph) – A Recap Of D23's Destination D Event". Geeks of Doom. Retrieved August 17, 2012.
12.Jump up ^ Sarto, Dan (February 21, 2013). "Oscar® Tour SoCal Day 2 Continues at Disney Feature Animation". Animation World Network. Retrieved February 28, 2013.
13.Jump up ^ Snetiker, Marc (June 18, 2013). "Santino Fontana and Josh Gad Join Disney's Frozen, Starring Jonathan Groff & Idina Menzel". Broadway.com. Retrieved June 18, 2013.
14.^ Jump up to: a b Pock Ross, Adam (September 25, 2013). "Josh Gad Talks Disney's 'Frozen' and Being the Hottest Snowman Around". Yahoo! Movies. Retrieved 19 March 2014.
15.Jump up ^ Crouse, Richard (November 28, 2013). "Disney's Frozen: The story of actor Josh Gad, who never gave up on his Disney dreams". Metronews. Retrieved May 9, 2014.
16.Jump up ^ Pock Ross, Adam (October 8, 2013). "21 ‘Frozen’ Facts That Make Us Ready for Winter". Yahoo! Movies. Retrieved 26 February 2014.
17.^ Jump up to: a b c P. Means, Sean (November 26, 2013). "Preview: Finding the warm heart of Disney's 'Frozen'". The Salt Lake Tribune. Retrieved 26 February 2014.
18.^ Jump up to: a b c d e Lee, Michael (October 7, 2013). "50 Things You May Not Know About Disney’s "Frozen" [Updated]". Movie Viral. Retrieved 26 February 2014.
19.^ Jump up to: a b c Richard Chavez and Rebecca Murray (September 27, 2013). "'Frozen' Directors Chris Buck and Jennifer Lee Discuss the Animated Film - Behind the Scenes of Disney's 'Frozen'". About.com. Retrieved 26 February 2014.
20.^ Jump up to: a b Pock Ross, Adam (July 11, 2013). "‘Frozen’ Directors Put Next Animated Disney Classic On Ice". Yahoo! Movies. Retrieved 26 February 2014.
21.^ Jump up to: a b c d e Connelly, Brendon (September 25, 2013). "Inside The Research, Design And Animation Of Walt Disney’s Frozen With Producer Peter Del Vecho". Bleeding Cool. Retrieved 26 February 2014.
22.Jump up ^ Coyle, Emily (December 3, 2013). "6 Facts You Didn’t Know About Disney’s ‘Frozen’". Wall St. Cheat Sheet. Retrieved 26 February 2014.
23.Jump up ^ Failes, Ian (December 2, 2013). "The tech of Disney’s Frozen and Get a Horse!". FX Guide. Retrieved 26 February 2014.
24.Jump up ^ Brigante, Ricky (November 15, 2013). "Anna and Elsa joined by animated Olaf for "Frozen" character meet-and-greet in Royal Reception at Disneyland". Inside the Magic. Retrieved September 7, 2014.
25.Jump up ^ Slater, Shawn (June 26, 2014). "Get Ready to Experience ‘Frozen’ Summer Fun – Live at Disney’s Hollywood Studios". Disney Parks Blog (The Walt Disney Company). Retrieved June 26, 2014.
26.Jump up ^ Brigante, Ricky (June 26, 2014). "Frozen Summer Fun LIVE! coming to Walt Disney World with royal welcome, stage show, fireworks, and park wide party". Inside the Magic (Distant Creations Group, LLC.). Retrieved June 26, 2014.
27.Jump up ^ Staggs, Tom (September 12, 2014). "‘Frozen’ Attraction Coming to Epcot". Disney Parks Blog. Retrieved September 12, 2014.
28.Jump up ^ Brigante, Ricky (September 12, 2014). ""Frozen" ride announced for Walt Disney World in 2016 to replace Maelstrom at Epcot, "Frozen" Christmas also revealed". Inside the Magic. Retrieved 14 September 2014.
29.Jump up ^ Slater, Shawn (December 5, 2014). "New ‘Frozen Fun’ Opens at Disneyland Resort January 7". Disney Parks Blog. Retrieved December 5, 2014.
30.Jump up ^ Graser, Marc (December 5, 2014). "Disney Adds ‘Frozen’ Experiences to Disneyland, California Adventure Theme Parks". Variety. Retrieved December 5, 2014.
External links[edit]
Official character page

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[hide]
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Films
Frozen (2013) ·
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Characters
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Crew
Chris Buck ·
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 Christophe Beck
 

Music
"Frozen Heart" ·
 "Do You Want to Build a Snowman?" ·
 "For the First Time in Forever" ·
 "Love Is an Open Door" ·
 "Let It Go" ·
 "Reindeer(s) Are Better Than People" ·
 "In Summer" ·
 "Fixer Upper" ·
 "Making Today a Perfect Day"
 

Television
Once Upon a Time ("There's No Place Like Home" ·
 season 4) (2014) ·
 The Story of Frozen: Making a Disney Animated Classic (2014)
 

Video games
Frozen: Olaf's Quest (2013) ·
 Frozen Free Fall (2013) ·
 Disney Infinity (2013) ·
 Club Penguin (2013) ·
 Disney Infinity: Marvel Super Heroes (2014) ·
 Fantasia: Music Evolved (2014) ·
 Little Big Planet 3 (2014)
 

Related
List of accolades received by Frozen ·
 Walt Disney Animation Studios ·
 The Snow Queen (1845) ·
 Hans Christian Andersen ·
 Disney on Ice ·
 Disney Movies Anywhere ·
 Get a Horse! (2013 short) ·
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Olaf (Disney)

From Wikipedia, the free encyclopedia

Jump to: navigation, search


Olaf
Frozen character
Olaf from Disney's Frozen.png
First appearance
Frozen
Created by
Chris Buck
Jennifer Lee
Voiced by
Josh Gad
Information

Species
Sentient snowman
Gender
Male
Olaf is a fictional snowman character from Walt Disney Animation Studios' 53rd animated film, Frozen (2013).


Contents  [hide]
1 Development 1.1 Origins and concept
1.2 Voice
1.3 Design and characterization
2 Appearances 2.1 Frozen
2.2 Other
2.3 Theme parks
3 Reception
4 References
5 External links

Development[edit]
Origins and concept[edit]
The Disney studio made their first attempts to adapt Hans Christian Andersen's fairytale, The Snow Queen, as early as 1943, when Walt Disney considered the possibility of producing a biography film of the author.[1] However, the story and the characters proved to be too symbolic[2][3] and posed unsolvable problems to Disney and his animators. Later on, other Disney executives had made efforts to translate this material to the big screen, however these proposals were all shelved due to similar issues.[1]
In 2008, Chris Buck pitched Disney his version of the story[4] called Anna and the Snow Queen, which was planned to be traditionally animated.[5] This version was "completely different" from Frozen; it had a storyline that stuck much closer to the original material and featured an entirely different Olaf character.[6] However, by early 2010, the project was scrapped again.[5][7] On December 22, 2011, Disney announced a new title for the film, Frozen, which would be released on November 27, 2013, and a different crew from the previous attempt.[8] The new script, which enjoyed "the same concept but was completely rewritten",[5] finally solved the long-term problem with Andersen's story by depicting Anna and Elsa as sisters.[9]
Voice[edit]
Josh Gad, a Tony-nominated actor best known for his performance as Elder Arnold Cunningham in Broadway's The Book of Mormon (which was co-written by the film's co-songwriter Robert Lopez),[10] was cast to voice Olaf.[11][12][13] Gad later expressed that getting a part in a Disney film was "kind of a dream come true" for him, as he has always been a fan of Disney films in general and their animated productions in particular.[14] "I grew up during the second golden age of Disney animation, when every movie that came out was an event – The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King," he said.[10] Impressed by the performances of comedic relief sidekicks such as Timon and Pumbaa in The Lion King, or The Genie in Aladdin, Gad set the goal to play characters of this type since his early age: "I remember [...] saying, "I want to do that one day. I really want to do that,"" he recalled.[10][14][15]
Design and characterization[edit]
As a snowman Anna and Elsa built together as kids, Olaf represents innocent love and the joy the sisters once had when they were young before being split. He isn't just funny, he's also got a "big role to play representing the innocent love in the scale of fear versus love."[16] It wasn't until he meant something to the girls that he resonated with us,",[17] "Olaf couldn't just be thrown in, he had to have a purpose" and that one of his purposes was to be the embodiment of the sisterly relationship that had gone cold.[18] "When Anna and Elsa were very little, and before Elsa's powers accidentally hurt Anna, they played. They'd sneak away and play with her powers. And you see them roll the snowman. He's not magical. He doesn't come to life. But they name him Olaf and he likes warm hugs." "It inspires the look. And so when Elsa is singing “Let It Go” obviously the first thing she goes to is the last moment she was happy. And it was that moment. And so he’s imbued with that. He’s innocent love." The continuous themes that can be seen throughout the movie revolve around the power of love and fear. Olaf, on one end of that spectrum, represents the most innocent kind form of love. It is possible that he resembles some of the characteristics of Anna's younger self. This provides a connection between the sisters' happy past and their ability to remember that love in difficult times. Overall his character provides much of the comic relief found in the film, while conveying lovable innocence and purity. "And so he was just a lot of fun, and emotionally he’ll bring a lot that we weren’t able to show you yet, too. So he’s funny in the kids-state-the-obvious kind of way." (Lee) "And he can say very poignant things too." (Buck)[2]
In very early versions of the film, Olaf was originally written as one of the guards at Elsa's castle when the concept of Elsa controlling a legion of menacing snowmen was still in the story.[18][19] Buck talked on this scrapped character setting, "We always talked about she was trying to learn about her powers. So we talked about it like it's the first pancake. You know that pancakes get burned on the bottom that you throw out. Well, that's Olaf. Olaf was her first pancake."[19] In order to keep the character from getting too complex, the directors wanted him to have a childlike innocence.[18] According to Lee, "When you're a child the awkwardness and the funny shapes you make with the snowmen, the heads are never perfect" and that's how they came up with the ideas when thinking what kids would think of a snowman.[18][19]
Gad also did plenty of improvements for Olaf during the recording sessions. But the directors were very careful not to risk the character taking over the story.[18] "Olaf was very much a sketch until we had Josh Gad, and then we would just get in the room and play and we'd have a lot of fun and that's really how we found his voice specifically and how he looks at the world. It really was working with Josh that did that."[20] "It was a lot funnier than I expected, thanks largely to Josh Gad's surprisingly well-written deluded snowman character" (Del Vecho).[21] Gad's studio performance was videotaped, and animators used his facial expressions and physical moves as a reference for animating the character.[17]
Hyrum Osmond, one of the film's animation supervisors, served as the character lead for Olaf.[21] Del Vecho described him as "quiet but he has a funny, wacky personality so we knew he'd bring a lot of comedy to it."[21] Osmond himself admitted that "My personality's a bit like Olaf."[17]
The filmmakers developed a new software called Spaces to aid artists in deconstructing Olaf and rebuilding him as part of the animation process.[22][23] "It was kind of an animator's dream," Osmond enthused. "You have a character that can come apart. We said to the animation crew, 'Just have fun with it.'" "The fun part of Olaf, we learned early on that his body parts can fall apart and we knew that we would want to take full advantage of that. You will see quite a bit more of that in the movie in a surprising way." (Chris Buck).[20] "Olaf has become his own sort of standout comic character and the animators are having fun animating him. There's a lot of squash in there – I mean, a lot – and he's the only character we can throw off a cliff and have him come apart on the way down, still survive and be happy.We have the contrast of Olaf being a Snowman but loving the idea of Summer" (Del Vecho)[21][21]
Appearances[edit]
Frozen[edit]
Main article: Frozen (2013 film)
His first appearance in Frozen is during Anna and Elsa's childhood as an inanimate snowman. Later, when Elsa becomes the ice queen, she creates him once more and unknowingly gives him life. While looking for Elsa, Anna finds the live version of Olaf and gives him the carrot nose that he had been missing, before he imagines himself in the summer, blissfully unaware that he would melt. Olaf then helps Anna reach the top of the North Mountain to find her sister.
After being expelled by Marshmallow, Olaf follows Anna (struck by Elsa's magic in the castle), Kristoff and Sven to the Valley of Living Rocks, where the trolls live, to seek help for saving Anna. There, the trolls try to marry Anna and Kristoff (Fixer Upper) and Olaf sings a sentence in the sequence.
The group thinks a "True Love's Kiss" can save Anna, and so head back to Arendelle. Olaf gets separated from the group on the way, and only appears again in the library after Hans' betrayal. Olaf comforts Anna, telling her the real meaning of love. Then they head out to the fjord to find Kristoff, but Olaf is blown away.
In the end, when Elsa finally dissipates the eternal winter and reestablishes herself as queen, she creates him a snow cloud to stand directly above him so he could fulfil his dream of living in summer without melting.
Other[edit]
Olaf appears in The Simpsons special, Simpsons ALS Ice Bucket Challenge.
He also makes an appearance in the Sky Adventures television advertisement.
Theme parks[edit]
At Disneyland, there was a talking audio-animatronic Olaf sitting on top the roof of the cottage that was home to the Anna and Elsa meet-and-greet.[24] From July 5 to September 1, 2014, as part of 'Frozen' Summer Fun show at Disney's Hollywood Studios, Olaf will appear in Olaf on Summer Vacation section to chime in and keep visitors updated on all his adventures. He is also available for pick-ups and take-along in various locations in the park. The character will also appear in "Frozen" Fireworks Spectacular section alongside Anna, Elsa and Kristoff, a fireworks display set to the music of Frozen.[25][26] Anna, Elsa, Kristoff, and Olaf will make appearances in Mickey’s Once Upon a Christmastime Parade, offered during Mickey’s Very Merry Christmas Party at Magic Kingdom in November and December 2014[27] (from November 7 to December 31).[28] Officially starting January 7, 2014, Olaf began making meet and greet appearances in Disney California Adventure at "Olaf's Snow Fest", and guests can to learn how to draw either Olaf or Marshmallow at the Disney Animation Building's Animation Academy as part of the park's "Frozen Fun" event.[29][30]
Reception[edit]
[icon] This section requires expansion. (May 2014)
Since the release of the film, Olaf has gained critical acclaim for his comedy and voice work of Josh Gad, with many[weasel words] critics comparing him to Genie from Aladdin, another "comic relief" character that received universal acclaim upon the film's original release.[citation needed]
References[edit]
1.^ Jump up to: a b Jim Hill (October 18, 2013). "Countdown to Disney "Frozen" : How one simple suggestion broke the ice on the "Snow Queen"'s decades-long story problems". The Los Angeles Times. Retrieved February 21, 2014.
2.^ Jump up to: a b White, Cindy (October 11, 2013). "Inside Disney’s Frozen: Q&A with the Directors". Geek Mom. Retrieved 21 February 2014.
3.Jump up ^ Wright, Gary (November 24, 2013). "Frozen in Time: Disney’s Adaptation of a Literary Classic". Rotoscoper. Retrieved 21 February 2014.
4.Jump up ^ Giardina, Carolyn (November 27, 2013). "Oscars: With 'Frozen,' Disney Invents a New Princess (and Secret Software)". The Hollywood Reporter. Retrieved February 21, 2014.
5.^ Jump up to: a b c Weintraub, Steve (November 25, 2013). "Josh Gad Talks FROZEN, His History with the Project, the Songs, the Status of TRIPLETS, Playing Sam Kinison, and More". Collider.comn. Event occurs at 0:33. Retrieved February 21, 2014.
6.Jump up ^ Hill, Jim (December 2, 2013). "How Josh Gad Almost Missed Out on the Chance to Voice Olaf the Snowman for Disney's Frozen". Huffington Post. Retrieved 21 February 2014.
7.Jump up ^ Chmielewski, Dawn C.; Eller, Claudia (March 9, 2010). "Disney restyles 'Rapunzel' to appeal to boys". Los Angeles Times. Retrieved April 6, 2010.
8.Jump up ^ Sciretta, Peter (December 22, 2011). "Walt Disney Animation Gives 'The Snow Queen' New Life, Retitled 'Frozen' – But Will It Be Hand Drawn?". SlashFilm. Retrieved December 22, 2011.
9.Jump up ^ Lowman, Rob (November 19, 2013). "Unfreezing ‘Frozen:’ The making of the newest fairy tale in 3D by Disney". Los Angeles Daily News. Retrieved February 21, 2014.
10.^ Jump up to: a b c Schneller, Johanna (December 6, 2013). "For Josh Gad, playing an animated snowman is a serious job". The Globe and Mail. Retrieved May 9, 2014.
11.Jump up ^ Nachman, Brett (August 16, 2012). "Disney In Depth: The Future Of Disney Animation (Frozen, Paperman, & Wreck-It Ralph) – A Recap Of D23's Destination D Event". Geeks of Doom. Retrieved August 17, 2012.
12.Jump up ^ Sarto, Dan (February 21, 2013). "Oscar® Tour SoCal Day 2 Continues at Disney Feature Animation". Animation World Network. Retrieved February 28, 2013.
13.Jump up ^ Snetiker, Marc (June 18, 2013). "Santino Fontana and Josh Gad Join Disney's Frozen, Starring Jonathan Groff & Idina Menzel". Broadway.com. Retrieved June 18, 2013.
14.^ Jump up to: a b Pock Ross, Adam (September 25, 2013). "Josh Gad Talks Disney's 'Frozen' and Being the Hottest Snowman Around". Yahoo! Movies. Retrieved 19 March 2014.
15.Jump up ^ Crouse, Richard (November 28, 2013). "Disney's Frozen: The story of actor Josh Gad, who never gave up on his Disney dreams". Metronews. Retrieved May 9, 2014.
16.Jump up ^ Pock Ross, Adam (October 8, 2013). "21 ‘Frozen’ Facts That Make Us Ready for Winter". Yahoo! Movies. Retrieved 26 February 2014.
17.^ Jump up to: a b c P. Means, Sean (November 26, 2013). "Preview: Finding the warm heart of Disney's 'Frozen'". The Salt Lake Tribune. Retrieved 26 February 2014.
18.^ Jump up to: a b c d e Lee, Michael (October 7, 2013). "50 Things You May Not Know About Disney’s "Frozen" [Updated]". Movie Viral. Retrieved 26 February 2014.
19.^ Jump up to: a b c Richard Chavez and Rebecca Murray (September 27, 2013). "'Frozen' Directors Chris Buck and Jennifer Lee Discuss the Animated Film - Behind the Scenes of Disney's 'Frozen'". About.com. Retrieved 26 February 2014.
20.^ Jump up to: a b Pock Ross, Adam (July 11, 2013). "‘Frozen’ Directors Put Next Animated Disney Classic On Ice". Yahoo! Movies. Retrieved 26 February 2014.
21.^ Jump up to: a b c d e Connelly, Brendon (September 25, 2013). "Inside The Research, Design And Animation Of Walt Disney’s Frozen With Producer Peter Del Vecho". Bleeding Cool. Retrieved 26 February 2014.
22.Jump up ^ Coyle, Emily (December 3, 2013). "6 Facts You Didn’t Know About Disney’s ‘Frozen’". Wall St. Cheat Sheet. Retrieved 26 February 2014.
23.Jump up ^ Failes, Ian (December 2, 2013). "The tech of Disney’s Frozen and Get a Horse!". FX Guide. Retrieved 26 February 2014.
24.Jump up ^ Brigante, Ricky (November 15, 2013). "Anna and Elsa joined by animated Olaf for "Frozen" character meet-and-greet in Royal Reception at Disneyland". Inside the Magic. Retrieved September 7, 2014.
25.Jump up ^ Slater, Shawn (June 26, 2014). "Get Ready to Experience ‘Frozen’ Summer Fun – Live at Disney’s Hollywood Studios". Disney Parks Blog (The Walt Disney Company). Retrieved June 26, 2014.
26.Jump up ^ Brigante, Ricky (June 26, 2014). "Frozen Summer Fun LIVE! coming to Walt Disney World with royal welcome, stage show, fireworks, and park wide party". Inside the Magic (Distant Creations Group, LLC.). Retrieved June 26, 2014.
27.Jump up ^ Staggs, Tom (September 12, 2014). "‘Frozen’ Attraction Coming to Epcot". Disney Parks Blog. Retrieved September 12, 2014.
28.Jump up ^ Brigante, Ricky (September 12, 2014). ""Frozen" ride announced for Walt Disney World in 2016 to replace Maelstrom at Epcot, "Frozen" Christmas also revealed". Inside the Magic. Retrieved 14 September 2014.
29.Jump up ^ Slater, Shawn (December 5, 2014). "New ‘Frozen Fun’ Opens at Disneyland Resort January 7". Disney Parks Blog. Retrieved December 5, 2014.
30.Jump up ^ Graser, Marc (December 5, 2014). "Disney Adds ‘Frozen’ Experiences to Disneyland, California Adventure Theme Parks". Variety. Retrieved December 5, 2014.
External links[edit]
Official character page

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Cast
Kristen Bell ·
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Crew
Chris Buck ·
 Jennifer Lee ·
 Peter Del Vecho ·
 John Lasseter ·
 Kristen Anderson-Lopez ·
 Robert Lopez ·
 Christophe Beck
 

Music
"Frozen Heart" ·
 "Do You Want to Build a Snowman?" ·
 "For the First Time in Forever" ·
 "Love Is an Open Door" ·
 "Let It Go" ·
 "Reindeer(s) Are Better Than People" ·
 "In Summer" ·
 "Fixer Upper" ·
 "Making Today a Perfect Day"
 

Television
Once Upon a Time ("There's No Place Like Home" ·
 season 4) (2014) ·
 The Story of Frozen: Making a Disney Animated Classic (2014)
 

Video games
Frozen: Olaf's Quest (2013) ·
 Frozen Free Fall (2013) ·
 Disney Infinity (2013) ·
 Club Penguin (2013) ·
 Disney Infinity: Marvel Super Heroes (2014) ·
 Fantasia: Music Evolved (2014) ·
 Little Big Planet 3 (2014)
 

Related
List of accolades received by Frozen ·
 Walt Disney Animation Studios ·
 The Snow Queen (1845) ·
 Hans Christian Andersen ·
 Disney on Ice ·
 Disney Movies Anywhere ·
 Get a Horse! (2013 short) ·
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Kristoff (Disney)

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Kristoff
Frozen character
Kristoff Bjorgman.png
Kristoff, the male lead in Frozen

First appearance
Frozen (2013)
Created by
Chris Buck
Jennifer Lee
Portrayed by
Scott Michael Foster (Once Upon a Time)
Voiced by
Jonathan Groff (Frozen)
 Tyree Brown (as a child in Frozen)
Information

Full name
Kristoff Bjorgman[1]
Occupation
Iceman
Title
Royal Ice Master and Deliverer
Family
Bulda(adoptive mother)
 Sven (companion)
 Grand Pabbie(adoptive grandfather)
 Rock Trolls
 (adoptive
family)
Kristoff Bjorgman[1] is a fictional character who appears in Walt Disney Animation Studios' 53rd animated feature Frozen (2013). He is voiced primarily by actor Jonathan Groff.
Kristoff is a roguish iceman living together with his reindeer companion Sven. Albeit preferring a solitary life, he helps Princess Anna of Arendelle to find her older sister Elsa in the North Mountain.


Contents  [hide]
1 Development 1.1 Origins and conception
1.2 Voice
1.3 Physical appearance
2 Appearance 2.1 Frozen
2.2 Once Upon A Time
2.3 Theme parks
3 Reception
4 References
5 External links

Development
Origins and conception
In the early development, Kristoff was originally Kai as in Hans Christian Andersen's The Snow Queen, but later he was designed as combination of Kai and the robber girl.
Voice
He is primarily voiced by Jonathan Groff.
Physical appearance
Kristoff is tall, rugged, handsome, and in his early twenties. His build is a distinct variation on most Disney heroes. He has broad shoulders, large hands and feet, and a muscular build. He is significantly larger than Anna and over 6' tall when he stands up straight (as shown by the fact that he bends over to get through the front door of Wandering Oaken's Trading Post & Sauna). His build is a realistic consequence of his rough life as a mountain-dwelling ice harvester.
Appearance
Frozen
Main article: Frozen (2013 film)
Kristoff is the first major character to appear in the movie, and is introduced during "Frozen Heart", as an eight-year-old orphan boy with his baby reindeer, Sven, who becomes his best friend. He is trying to mimic the harvest ice like grown-up icemen do. Later that night, Sven is pulling him through the woods when the two horses belonging to the royal family of Arendelle ride past him at speed while transporting Anna to the trolls. Kristoff becomes intrigued as one of them is leaving behind a trail of ice (as that horse is carrying a distraught Elsa). From a distance, Kristoff watches as Pabbie, leader of the trolls, heals Anna's head. At the same time, one of the female trolls Bulda adopts Kristoff as her own child.
13 years later, Kristoff grows to be an ice harvester who lives in the mountains near Arendelle. He is briefly seen in Arendelle selling ice while the camera tracks through Arendelle prior to Elsa's coronation. Kristoff is not seen again until Anna shows up at Wandering Oaken's Trading Post & Sauna on her search for Elsa. Kristoff arrives moments after Anna shows up, covered in snow, seeking to purchase carrots for Sven and climbing rope. From him, Anna knows that the blizzard in Arendelle comes from the North Mountain. Anna assumes that is where Elsa is hiding. However, he is thrown out of the store for calling Oaken a crook. Anna buys all of Kristoff's items and urges him to take her on a trip up the North Mountain. Kristoff is reluctant to help her at first but eventually gives in.
As Anna and Kristoff head for the North Mountain, Kristoff is incredulous learning about her whirlwind engagement to Hans. The conversation is cut short when their sled is attacked by hungry wolves. Although Anna, Kristoff and Sven escape by jumping over a chasm, the sled falls to the bottom of the ravine and explodes (much to Kristoff's dismay, as he just paid it off). The next day, they meet Olaf, an anthropomorphic snowman unknowingly created by Elsa, who leads them the rest of the way to Elsa's ice castle. Kristoff waits outside while Anna tries to persuade Elsa to go back to Arendelle in order to put an end to the winter inadvertently created by Elsa but fails, and accidentally gets hit in the heart. Kristoff manages to rush Anna to Pabbie, but Pabbie says only "an act of true love" can save her. Thinking it is a "true love's kiss" from Hans, they head back to Arendelle. At the castle gate, he sadly hands Anna over to Hans.
On the way back into the mountains, Sven attempts to push him back to Arendelle, but he refuses, thinking it is selfish to fulfill his love instead of letting Anna be saved by Hans. However, a giant snowstorm appears over Arendelle, prompting him to return. There he eventually finds Anna, but then he has to watch Anna freeze solid as she chooses to sacrifice herself, saving Elsa from being killed by Hans. Moments later Anna revives, as self-sacrifice counts as "an act of true love" which he is overjoyed by.
In the end, he gets a new sleigh from Anna, and the two share a kiss.
Once Upon A Time

Kristoff
Once Upon a Time character
First appearance
"A Tale of Two Sisters"
Last appearance
"Heroes and Villains"
Created by
Edward Kitsis & Adam Horowitz
Portrayed by
Scott Michael Foster
Information

Aliases
Iceman
Family
Grand Pabbie (adoptive grandfather ) , Bulda (adoptive mother), the Rock Trolls (adoptive family)
 Queen Gerda and King of Arendelle (in-laws)
 Elsa (sister-in-law)
Significant other(s)
Anna (wife)
Relatives
Sven (companion)
Kristoff appears in the fourth season of Once Upon a Time played by Scott Michael Foster. Two years after the event of Frozen, Kristoff is engaged to Anna and is shown as an acquaintance of David from the Enchanted Forest.[2] Shortly after Anna leaves for the Enchanted Forest, Kristoff spies on Hans and his brothers after discovering that they have an army outside of Arendelle and learns that Hans is looking for an urn that can trap Elsa. Leading Elsa to the urn, he is held hostage by Hans until Hans inadvertently releases the Snow Queen.
Theme parks
From July 5 to September 1, 2014, as part of 'Frozen' Summer Fun show at Disney's Hollywood Studios, Anna and Elsa will appear in a horse-drawn sleigh making their way down Hollywood Boulevard, alongside Kristoff and skaters, skiers and ice cutters in the Anna and Elsa's Royal Welcome section. The sisters will also make appearances in For the First Time in Forever: A "Frozen" Sing-Along Celebration, where they are joined by royal historians to retell the history of Arendelle; and "Frozen" Fireworks Spectacular alongside Kristoff and Olaf, a fireworks display set to the music of Frozen.[3][4] Officially starting January 7, 2014, Kristoff began making appearances alongside Anna and Elsa at Disney California Adventure in "For the First Time in Forever – A Frozen Sing-Along Celebration" in Hollywood Land as part of the park's "Frozen Fun" event.[5][6]
Reception
[icon] This section requires expansion. (December 2014)
Collider.com writer Matt Goldberg commented that Kristoff was "slightly less interesting than his love-interest (Anna)", but the cuteness of Anna and Kristoff’s relationship compensates the defect.[7]
References
1.^ Jump up to: a b [Frozen: The Essential Guide p. 32 (Dk Essential Guides)]
2.Jump up ^ Petralia, Christine (September 28, 2014). "Once Upon a Time' Season 4 Premiere Recap: 'Frozen's' Elsa Comes to Storybrooke to Find Her Sister". Buddy TV. Retrieved October 7, 2014.
3.Jump up ^ Slater, Shawn (June 26, 2014). "Get Ready to Experience ‘Frozen’ Summer Fun – Live at Disney’s Hollywood Studios". Disney Parks Blog (The Walt Disney Company). Retrieved June 26, 2014.
4.Jump up ^ Brigante, Ricky (June 26, 2014). "Frozen Summer Fun LIVE! coming to Walt Disney World with royal welcome, stage show, fireworks, and park wide party". Inside the Magic (Distant Creations Group, LLC.). Retrieved June 26, 2014.
5.Jump up ^ Slater, Shawn (December 5, 2014). "New ‘Frozen Fun’ Opens at Disneyland Resort January 7". Disney Parks Blog. Retrieved December 5, 2014.
6.Jump up ^ Graser, Marc (December 5, 2014). "Disney Adds ‘Frozen’ Experiences to Disneyland, California Adventure Theme Parks". Variety. Retrieved December 5, 2014.
7.Jump up ^ Goldberg, Matt (November 28, 2013). "FROZEN Review". Collider.com. Retrieved December 28, 2013.
External links
##Official character page

Portal icon Disney portal
Portal icon Fictional characters portal


[hide]
v ·
 t ·
 e
 
Disney's Frozen


Films
Frozen (2013) ·
 Frozen Fever (2015 short) ·
 Frozen 2 (TBA)
 

Characters
Anna ·
 Elsa ·
 Kristoff ·
 Olaf ·
 Hans
 

Cast
Kristen Bell ·
 Idina Menzel ·
 Jonathan Groff ·
 Josh Gad ·
 Santino Fontana
 

Crew
Chris Buck ·
 Jennifer Lee ·
 Peter Del Vecho ·
 John Lasseter ·
 Kristen Anderson-Lopez ·
 Robert Lopez ·
 Christophe Beck
 

Music
"Frozen Heart" ·
 "Do You Want to Build a Snowman?" ·
 "For the First Time in Forever" ·
 "Love Is an Open Door" ·
 "Let It Go" ·
 "Reindeer(s) Are Better Than People" ·
 "In Summer" ·
 "Fixer Upper" ·
 "Making Today a Perfect Day"
 

Television
Once Upon a Time ("There's No Place Like Home" ·
 season 4) (2014) ·
 The Story of Frozen: Making a Disney Animated Classic (2014)
 

Video games
Frozen: Olaf's Quest (2013) ·
 Frozen Free Fall (2013) ·
 Disney Infinity (2013) ·
 Club Penguin (2013) ·
 Disney Infinity: Marvel Super Heroes (2014) ·
 Fantasia: Music Evolved (2014) ·
 Little Big Planet 3 (2014)
 

Related
List of accolades received by Frozen ·
 Walt Disney Animation Studios ·
 The Snow Queen (1845) ·
 Hans Christian Andersen ·
 Disney on Ice ·
 Disney Movies Anywhere ·
 Get a Horse! (2013 short) ·
 List of highest-grossing films ·
 List of films considered the best ·
 List of Once Upon a Time creatures and races
 

Category Category ·
 Portal Portal
 

  


Categories: Disney's Frozen characters
Fictional characters introduced in 2013
Fictional Scandinavian people
Once Upon a Time (TV series) characters






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Page semi-protected

Kristoff (Disney)

From Wikipedia, the free encyclopedia

Jump to: navigation, search


Kristoff
Frozen character
Kristoff Bjorgman.png
Kristoff, the male lead in Frozen

First appearance
Frozen (2013)
Created by
Chris Buck
Jennifer Lee
Portrayed by
Scott Michael Foster (Once Upon a Time)
Voiced by
Jonathan Groff (Frozen)
 Tyree Brown (as a child in Frozen)
Information

Full name
Kristoff Bjorgman[1]
Occupation
Iceman
Title
Royal Ice Master and Deliverer
Family
Bulda(adoptive mother)
 Sven (companion)
 Grand Pabbie(adoptive grandfather)
 Rock Trolls
 (adoptive
family)
Kristoff Bjorgman[1] is a fictional character who appears in Walt Disney Animation Studios' 53rd animated feature Frozen (2013). He is voiced primarily by actor Jonathan Groff.
Kristoff is a roguish iceman living together with his reindeer companion Sven. Albeit preferring a solitary life, he helps Princess Anna of Arendelle to find her older sister Elsa in the North Mountain.


Contents  [hide]
1 Development 1.1 Origins and conception
1.2 Voice
1.3 Physical appearance
2 Appearance 2.1 Frozen
2.2 Once Upon A Time
2.3 Theme parks
3 Reception
4 References
5 External links

Development
Origins and conception
In the early development, Kristoff was originally Kai as in Hans Christian Andersen's The Snow Queen, but later he was designed as combination of Kai and the robber girl.
Voice
He is primarily voiced by Jonathan Groff.
Physical appearance
Kristoff is tall, rugged, handsome, and in his early twenties. His build is a distinct variation on most Disney heroes. He has broad shoulders, large hands and feet, and a muscular build. He is significantly larger than Anna and over 6' tall when he stands up straight (as shown by the fact that he bends over to get through the front door of Wandering Oaken's Trading Post & Sauna). His build is a realistic consequence of his rough life as a mountain-dwelling ice harvester.
Appearance
Frozen
Main article: Frozen (2013 film)
Kristoff is the first major character to appear in the movie, and is introduced during "Frozen Heart", as an eight-year-old orphan boy with his baby reindeer, Sven, who becomes his best friend. He is trying to mimic the harvest ice like grown-up icemen do. Later that night, Sven is pulling him through the woods when the two horses belonging to the royal family of Arendelle ride past him at speed while transporting Anna to the trolls. Kristoff becomes intrigued as one of them is leaving behind a trail of ice (as that horse is carrying a distraught Elsa). From a distance, Kristoff watches as Pabbie, leader of the trolls, heals Anna's head. At the same time, one of the female trolls Bulda adopts Kristoff as her own child.
13 years later, Kristoff grows to be an ice harvester who lives in the mountains near Arendelle. He is briefly seen in Arendelle selling ice while the camera tracks through Arendelle prior to Elsa's coronation. Kristoff is not seen again until Anna shows up at Wandering Oaken's Trading Post & Sauna on her search for Elsa. Kristoff arrives moments after Anna shows up, covered in snow, seeking to purchase carrots for Sven and climbing rope. From him, Anna knows that the blizzard in Arendelle comes from the North Mountain. Anna assumes that is where Elsa is hiding. However, he is thrown out of the store for calling Oaken a crook. Anna buys all of Kristoff's items and urges him to take her on a trip up the North Mountain. Kristoff is reluctant to help her at first but eventually gives in.
As Anna and Kristoff head for the North Mountain, Kristoff is incredulous learning about her whirlwind engagement to Hans. The conversation is cut short when their sled is attacked by hungry wolves. Although Anna, Kristoff and Sven escape by jumping over a chasm, the sled falls to the bottom of the ravine and explodes (much to Kristoff's dismay, as he just paid it off). The next day, they meet Olaf, an anthropomorphic snowman unknowingly created by Elsa, who leads them the rest of the way to Elsa's ice castle. Kristoff waits outside while Anna tries to persuade Elsa to go back to Arendelle in order to put an end to the winter inadvertently created by Elsa but fails, and accidentally gets hit in the heart. Kristoff manages to rush Anna to Pabbie, but Pabbie says only "an act of true love" can save her. Thinking it is a "true love's kiss" from Hans, they head back to Arendelle. At the castle gate, he sadly hands Anna over to Hans.
On the way back into the mountains, Sven attempts to push him back to Arendelle, but he refuses, thinking it is selfish to fulfill his love instead of letting Anna be saved by Hans. However, a giant snowstorm appears over Arendelle, prompting him to return. There he eventually finds Anna, but then he has to watch Anna freeze solid as she chooses to sacrifice herself, saving Elsa from being killed by Hans. Moments later Anna revives, as self-sacrifice counts as "an act of true love" which he is overjoyed by.
In the end, he gets a new sleigh from Anna, and the two share a kiss.
Once Upon A Time

Kristoff
Once Upon a Time character
First appearance
"A Tale of Two Sisters"
Last appearance
"Heroes and Villains"
Created by
Edward Kitsis & Adam Horowitz
Portrayed by
Scott Michael Foster
Information

Aliases
Iceman
Family
Grand Pabbie (adoptive grandfather ) , Bulda (adoptive mother), the Rock Trolls (adoptive family)
 Queen Gerda and King of Arendelle (in-laws)
 Elsa (sister-in-law)
Significant other(s)
Anna (wife)
Relatives
Sven (companion)
Kristoff appears in the fourth season of Once Upon a Time played by Scott Michael Foster. Two years after the event of Frozen, Kristoff is engaged to Anna and is shown as an acquaintance of David from the Enchanted Forest.[2] Shortly after Anna leaves for the Enchanted Forest, Kristoff spies on Hans and his brothers after discovering that they have an army outside of Arendelle and learns that Hans is looking for an urn that can trap Elsa. Leading Elsa to the urn, he is held hostage by Hans until Hans inadvertently releases the Snow Queen.
Theme parks
From July 5 to September 1, 2014, as part of 'Frozen' Summer Fun show at Disney's Hollywood Studios, Anna and Elsa will appear in a horse-drawn sleigh making their way down Hollywood Boulevard, alongside Kristoff and skaters, skiers and ice cutters in the Anna and Elsa's Royal Welcome section. The sisters will also make appearances in For the First Time in Forever: A "Frozen" Sing-Along Celebration, where they are joined by royal historians to retell the history of Arendelle; and "Frozen" Fireworks Spectacular alongside Kristoff and Olaf, a fireworks display set to the music of Frozen.[3][4] Officially starting January 7, 2014, Kristoff began making appearances alongside Anna and Elsa at Disney California Adventure in "For the First Time in Forever – A Frozen Sing-Along Celebration" in Hollywood Land as part of the park's "Frozen Fun" event.[5][6]
Reception
[icon] This section requires expansion. (December 2014)
Collider.com writer Matt Goldberg commented that Kristoff was "slightly less interesting than his love-interest (Anna)", but the cuteness of Anna and Kristoff’s relationship compensates the defect.[7]
References
1.^ Jump up to: a b [Frozen: The Essential Guide p. 32 (Dk Essential Guides)]
2.Jump up ^ Petralia, Christine (September 28, 2014). "Once Upon a Time' Season 4 Premiere Recap: 'Frozen's' Elsa Comes to Storybrooke to Find Her Sister". Buddy TV. Retrieved October 7, 2014.
3.Jump up ^ Slater, Shawn (June 26, 2014). "Get Ready to Experience ‘Frozen’ Summer Fun – Live at Disney’s Hollywood Studios". Disney Parks Blog (The Walt Disney Company). Retrieved June 26, 2014.
4.Jump up ^ Brigante, Ricky (June 26, 2014). "Frozen Summer Fun LIVE! coming to Walt Disney World with royal welcome, stage show, fireworks, and park wide party". Inside the Magic (Distant Creations Group, LLC.). Retrieved June 26, 2014.
5.Jump up ^ Slater, Shawn (December 5, 2014). "New ‘Frozen Fun’ Opens at Disneyland Resort January 7". Disney Parks Blog. Retrieved December 5, 2014.
6.Jump up ^ Graser, Marc (December 5, 2014). "Disney Adds ‘Frozen’ Experiences to Disneyland, California Adventure Theme Parks". Variety. Retrieved December 5, 2014.
7.Jump up ^ Goldberg, Matt (November 28, 2013). "FROZEN Review". Collider.com. Retrieved December 28, 2013.
External links
##Official character page

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Anna (Disney)

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Anna
Frozen character
Anna Frozen.png
Created by
Chris Buck
Jennifer Lee

Voiced by
Kristen Bell
Livvy Stubenrauch (as a child, speaking)
Katie Lopez (as a child, singing)
Agatha Lee Monn (9 years old, singing)

Information

Title
Princess of Arendelle
Family
The King and Queen of Arendelle (parents)
Queen Elsa of Arendelle (older sister)

Princess Anna of Arendelle is a fictional character who appears in Walt Disney Animation Studios' 53rd animated feature Frozen (2013). She is voiced by Kristen Bell as an adult. At the beginning of the film, Livvy Stubenrauch and Katie Lopez provided her speaking and singing voice as a young child, respectively. Agatha Lee Monn portrayed her as a nine-year-old (singing).
Created by co-directors Jennifer Lee and Chris Buck, Anna is loosely based on Gerda, a character of the Danish fairytale The Snow Queen by Hans Christian Andersen. In the Disney film adaptation, Anna is depicted as the princess of Arendelle, a fictional Scandinavian kingdom and the younger sister of Princess Elsa (Idina Menzel), who is the heiress to the throne and possesses the elemental ability to create and control ice and snow. When Elsa exiles herself from the kingdom after inadvertently sending Arendelle into an eternal winter on the evening of her coronation, fearless and faithful Anna is determined to set out on a dangerous adventure to bring her sister back and save both her kingdom and her family.
The original fairytale in general and the character of the Snow Queen in particular posed long-term problems to adapt into a feature-length production. Several film executives, including Walt Disney, made their attempts towards the story and numerous adaptations were shelved as the filmmakers could not work out the characters. Finally, directors Buck and Lee solved the issue by portraying Anna and Elsa as sisters, establishing a dynamic relationship between the characters.
Anna has received widespread critical acclaim from film critics, who praised the determination and enthusiasm in her personality. Bell was also extolled by various reviewers for her performance in the film. There are unconfirmed reports that Anna will be inducted into the Disney Princess line-up along with Elsa, becoming the 12th official member.[1]


Contents  [hide]
1 Development 1.1 Origins and conception
1.2 Voice
1.3 Design and characterization 1.3.1 Character model

2 Appearances 2.1 Frozen
2.2 Once Upon a Time
2.3 Miscellaneous 2.3.1 Merchandise
2.3.2 Theme parks

3 Reception 3.1 Critical reviews
3.2 Accolades
4 References
5 External links

Development[edit]
Origins and conception[edit]



 An illustration of Gerda, the character Anna is based upon.
Attempts to produce an adaption of The Snow Queen in the Disney studio dated back to 1943, when Walt Disney considered collaborating with Samuel Goldwyn to produce a biography film of Hans Christian Andersen. However, the story and particularly the Snow Queen character proved to be too problematic to Disney and his animators. Namely one of the troubles they encountered was that the original story lacked necessary interaction between the main protagonist, Gerda (who later served as an inspiration for Anna), and the Snow Queen. Most obviously, Andersen's version did not feature any confrontation between them: when brave little Gerda enters the Snow Queen's ice castle and sheds her tears on Kay, the Snow Queen is nowhere to be seen. There just was not enough character conflict to form a full-length feature.[2] Later on, Glen Keane, Paul and Gaëtan Brizzi, Harvey Fierstein, Dick Zondag and Dave Goetz were among other Disney executives to make efforts towards translating this potential material to the big screen, but none of them made their way. Around 2008, Chris Buck pitched Disney his version of The Snow Queen. At the time, the project was planned to be traditionally animated under the name of Anna and the Snow Queen. However, by early 2010, the project encountered the same problem and was stuck again.[3] Jennifer Lee, Frozen's co-director, later recalled, "The issue with the original for us in a lot of ways is it's a very symbolic story. It's very hard to translate symbolism into concrete things. Film is concrete, so you translate it."[4]
After the success of Tangled, on December 22, 2011, Disney announced a release date, November 27, 2013, for the film, together with a new title, Frozen, and Peter Del Vecho and John Lasseter took up as the project's producers. Now, when the film was revived again, one of the main challenges that Buck and his team had to face with was the character.[5] The storyboards were presented to John Lasseter, who would tell the assembled production team "You haven't dug deep enough." Lasseter commended that Chris Buck's latest version was fun and very light-hearted, but the characters were not multifaceted, and thus did not resonate for the producer.[2]
The original character of Gerda, known as Anna, was one of the three major characters in the script at this time, along with the Snow Queen, Elsa and Kristoff, loosely based on Kay. The characters were not considered to be well-rounded[6] or relatable, but an interpersonal, family dynamic was created once Anna and Elsa were established as sisters, an idea suggested by someone on the writing team that no one remembered who.[2][7][8] This changed the story dramatically,[9] shifting from the conflict between the good and the evil to the conflict between love and fear.[10] Buck stated that their script still retained basic parts of the story and the character of Gerda, citing the similarities between the original story and his version, "[Gerda] won't give up on finding her friend Kai. The only thing she really has in her, she's not a superhero or anything, but she has love. And it's love that conquers fear in the end."[4]
Voice[edit]



Kristen Bell provided the voice for Anna.
On March 5, 2012, Kristen Bell was cast to voice the adult Anna.[11][12] Livvy Stubenrauch was chosen to portray Anna as a young child,[13][14][15] while Katie Lopez, daughter of the husband-and-wife songwriting team of the film, Kristen Anderson-Lopez and Robert Lopez, provided the singing voice for young Anna in "Do You Want to Build a Snowman?" musical sequence.[16][17] Additionally, Agatha Lee Monn, daughter of the film's director Jennifer Lee, portrayed teenage Anna in this song.[7][18][19][20] Lee explained about these casting decisions, "We really wanted to use the first two verses of this song to show you Anna's personality. And we wanted the singing to be done by real-sounding kids, not necessarily Broadway kids."[20] Kristen Bell and Idina Menzel (who voiced Elsa in the film) had both auditioned for Rapunzel in Tangled and had already known each other, but they did not get the part.[18][21]
Talking about her feelings when she got the part, Bell expressed, "Since I was 4 years old, I dreamed of being in a Disney animated film," she said. "It was the first goal I ever set for myself. It seemed like it would be a very unrealistic one."[12] She described Disney movies as "the ones [she] watched over and over again when [she] was a kid," and continued, "I knew every line from The Little Mermaid. I love Aladdin. When asked about her favorite Disney character, Bell said, "Ariel from The Little Mermaid. Because I think it was a shift that Disney had, where a female lead—the "princess," I guess—didn't just want to find her mate. She was singing "I want to be where the people are. I want to see the world. I want to venture outside my comfort zone.""[22] Bell described her initial reaction when she first found that she was cast as "I was in glee".[23] Lee admitted Bell's casting selection was influenced after the filmmakers listened a couple of vocal tracks from The Little Mermaid, including "Part of Your World" that the actress recorded when she was young, stating that without these recordings, it would've been very difficult to the find the right one to play Anna.[18][24]
The two directors, Buck and Lee, were also impressed by how Kristen and Idina related.[9][25] "During one of our early read-throughs, Kristen and Idina sang a ballad to each other which had so much emotion that everyone in the room was in tears," Buck said. "It not only showed how great their voices were together, but showed the power the music would have in the story."[26] However, Bell wasn't all confidence when recording with Menzel,[12][27] described the experiences working with her co-star as "nerve-racking".[23] The duo had rehearsed at Idina's house a song called "Wind Beneath My Wings", in which Bell greatly commended Idina's powerful voice.[23] Regarding the songs that she performed in the film, Kristen said, "We're singing the lovely songs of Kristen and Bobby Lopez, who wrote 'Book of Mormon.' So it's really, really funny music. It's really good music. They're amazing to work for."[28]
Director Jennifer Lee strongly believed that there couldn't be any other Anna but Kristen Bell, saying, "It was definitely a wonderful surprise hearing her voice [during auditions], not knowing that she had been classically trained. Also, she had such a warm, sweet voice. She was everything that we could've hoped for Anna."[27] Co-director Chris Buck shared Lee's ideas, commenting, "Kristen Bell for Anna was the very first person that we saw. We did a lot of casting to find Anna, but she just hit it out of the park. From the beginning we loved her, and she just kind of became Anna and Anna became her. I don't know which one is which."[29][30] Idina Menzel was also surprised by her co-star's singing ability, stating that, "I didn't know how great a singer she was. I quickly found out and need to constantly tell her because she doesn't tell anybody else! She's always playing it down."[27] Songwriter Kristen Anderson-Lopez later commended Bell's quick comprehension of her ideas, saying that she would collaborate with the actress for "the rest of [her] life" if she could.[31] Anna's animator Becky Bresee commented that Bell's voice "lends itself well, so you are taking bits and pieces."[32]
During production, Bell and Menzel had to do a lot of recordings and re-recordings, and were required to be together in the same room when on the key emotional scenes between Anna and Elsa. "We even got Kristen and Idina together for a song. That really helped elevate the song because they have a duet in the movie and it definitely helped drive that," said producer Peter Del Vecho. Chris Buck later commented that getting the actresses in together as much as they could helped add the real, amazing chemistry between them and made them really interact.[32] Bell's recording sessions were completed while she was pregnant, and later she had to re-record some of the lines after giving birth, as her voice had deepened.[33] After watching the completed film, Bell described her performance as "cool and weird and surreal and jarring", saying that she was really proud that Anna "came out like she did that [the directors] let [Bell] do her like this."[34]
Design and characterization[edit]
Anna in particular and the whole film in general had undergone a number of changes in the story, most notably making the heroine the younger sister of the Snow Queen.[9] Describing the character's development process, director Jennifer Lee admitted, "Even with Anna there was a tug of war for a long time. There are elements of it that we didn't land on with Anna until late into production, so we changed some of the animation to support it."[35] Bell generally described her character as "She doesn't have good postures, she's not very elegant, but she's a good person and she's utterly determined." Lee added, "She doesn't have any superpowers, but Anna is one of these ordinary people doing an extraordinary thing."[12] Contrary to her sister Elsa who represents fear, Anna represents love,[7][36][37] she is filled with optimism[37] with an extraordinary heart.[36] Director Chris Buck later stated, "[Anna's] secret weapon is love,"[10] while head of story Paul Briggs commented that she is "a character who is willing to stand beside you and stand up for what's right. Her sister was born with a condition that's shaped a world where Anna doesn't belong."[38] In the images of Frozen's main characters released by Disney in July 2013, Anna and her role in the film was described as follows:

Anna is more daring than graceful and, at times, can act before she thinks. But she’s also the most optimistic and caring person you’ll ever meet. She longs to reconnect with her sister, Elsa, as they were close during their childhood. When Elsa accidentally unleashes a magical secret that locks the kingdom of Arendelle in an eternal winter, Anna embarks on a dangerous adventure to make things right. Armed with only her fearlessness, a never-give-up attitude and her faith in others, Anna is determined to save both her kingdom and her family.[39]
"I'm really excited to show it to people. I became a part of the kind of movie I wanted to see as a kid," she said. "I always loved Disney animation, but there was something about the females that was unattainable to me. Their posture was too good and they were too well-spoken, and I feel like I really made this girl much more relatable and weirder and scrappier and more excitable and awkward. I'm really proud of that."
—Kristen Bell on her approach to the character of Anna.[28]
In order to have one person fully understand and develop their own character, as well as later be able to impart that to the crew, the film's directors and producers decided to have character leads and supervising animators on specific characters.[40] First-time character lead Becky Bresee serves as the supervising animator for Anna.[9][40] She described her job as "making the character more believable". To achieve this, she had to act out part of a sequence in the movie between Anna and Kristoff for a number of times, each of them emphasizing the character's gestures differently. "Anna's a little bit nervous and uncomfortable, and I had to find a way to put that into the animation," explained Bresee.[9]
Bell said that at first Anna was written plainer and more general. "In the first draft of the script she was written more, in my opinion, prissy. She was kind of specific and very girly," which Bell didn't find appealing. She admitted that she had always wanted to be part of Disney animated feature, but she "wanted to be a very specific type of princess", who "was way more awkward than the normal princesses", not someone with too good postures or too well-spoken.[23][28][41] As she was offered the role of Anna, she came up with a lot of suggestions for the directors. They were responsive and allowed the actress to mould the character the way she wanted, since they wanted the film to be truthful.[22][23] Bell significantly made specific changes to Anna, including the infusion and incorporation of the actress' own personality to the character,[41][42] embodying a relatable heroine,[28] which received full support from the directors.[43] She called the scene where Anna first meets Hans is a "typical Disney moment", as they come too close physically and find out that they both fall in love with each other. Bell wanted Anna's words to reflect what she herself would say in real life, which included some "nonsensical rambling". "I think I said, "This is awkward. You're not awkward. Me, I'm awkward. You're gorgeous. Wait—what?" Words just spill out of her mouth too quickly and she has to backtrack." Bell continued.[22] Or the whole scene where she wakes up in the beginning with saliva all over the face, Bell "wanted her to also have hair in her mouth", which took inspiration from her own real life. "Sometimes I wake up like that. Then you have hair in your mouth, and you start coughing. The animators totally got what I was trying to do. It's cool, and way more fun when stuff is realistic like that, instead of the perfection of waking up with mascara on."[23] Anna's snorting and tripping over also drew inspirations from Bell's real life.[23][42] Bell's recording sessions were also videotaped to assist in animating the character, and animators took into considerations even subtle things like the actress' biting her lip a lot.[44] According to director Jennifer Lee, Anna is a bit flawed.[43]
"I think I'll be the most proud of this character for a long time. There was so much of me that was put into this character. There was a lot of collaboration, and not just in the fact of, here is the character, and here is what I want to bring, and here is what you want to bring. I really wanted to infuse her with who I am. I wanted the heart behind it to be that things didn’t come to her; the birds didn't come and braid her hair. She went out and fought for things. I'm really proud that little girls will be able to see that, because that’s what I wanted. So I will be thinking about her for a while."
—Kristen Bell on Anna's influence to her in the future.[23]
When asked about Anna's biggest charm, Bell said that "her charm is caught somewhere between her sincerity and optimism. Anna is genuine, sincere and compounded with optimism, and eternally optimistic people are the most charismatic people, much more attractive than those with a bad mood." She also expressed why the character seemed to loveable to her, "To have Anna in a situation where she starts the movie without any friends, because her lifestyle hasn’t allowed her to have a full kingdom. She runs around, because she wants friends."[23][41] Bell called the film's story is "another turning point" for Disney animation because the love depicted in this story is the love between siblings, a non-romantic love. Anna wants the world and she wants to explore, but she also wants to nurture the relationships around her, particularly the family relationship. "It's very non-traditional for a Disney movie," she added.[34]
Regarding Bell's influence on Anna, director Chris Buck said her personality was just so fun and energetic. "We had an Anna character but Kristen really came in and pushed it and made it even funnier and even sweeter I think, and more believable as a three-dimensional character," he said.[45] He also admitted that he "fell in love with [Bell]'s voice and [Bell]'s spirit". Director Jennifer Lee said that she loved Bell because the actress shared a similarity with her, that girls could be funny. "So she was a fantastic collaborator," Lee added.[4] Songwriting duo Kristen-Anderson Lopez and Robert Lopez later commented that they had written a lot of first songs for Kristen, for Anna but, "The more we were working with Kristen Bell, the more, the more she influenced." They quickly understand who Anna was because Anna's Kristen Bell.[46]



 From left to right: Anna's coronation dress, her winter travel outfit and her summer casual wear.
Anna's costumes in the film were informed by the research of Norwegian clothing styles. Based on these findings, art director Brittney Lee and her team later found out what materials should be used for the costumes.[32] Co-director Jennifer Lee created a cheerful wardrobe featuring "playful" floral patterns and saturated colors in order to accurately reflect Anna's personality. The animators also took into account the climate that Anna is living in, costuming her in heavy wools and velvets, reflecting traditional winter clothing of the Scandinavian area.[47][48] The animators added structures to the costumes in a way, such as pleated dresses, that allows movements, giving the character a free range of "twirl[ing] all she wants" throughout the film. In order to deepen the cultural context of the film, rosemaling, a traditional form of Norwegian decorative folk art, was added to almost every character's costumes.[32] Anna and her sister, Elsa, also enjoyed a large number of types of costumes and the layers of costuming that have never been done before. As these characters are running around in the snow, they have to have petticoats, undergarments, capes, "and they have all these layers and layers of things that are all meticulously designed," Brittney explained.[29][32]
Character model[edit]
Anna has distinguishable facial features of a typical Disney heroine, including big eyes, thin lips and a small nose. Her physical appearance has drawn much comparison between her and Rapunzel from Tangled, however there are considerable differences between them. Anna's eyes are slightly more upturned, her cheeks are a bit fuller, her face and chin are generally rounder, and her eyebrows and eyelashes are thicker than Rapunzel's. She also has more freckles than Rapunzel and even has them on her shoulders. Anna's eyebrows wrinkle when they move, and she has prevalent neck muscles that appear when she speaks.[49] Anna's travel outfit generally consists of magenta, black, dark and light blue, with flowery designs on the bottom of her dress.[50]
Appearances[edit]
Frozen[edit]
Main article: Frozen (2013 film)
Anna is the younger child in the royal family of Arendelle, whose older sister, Elsa is born with the power to create and control ice and snow. As children, they enjoy the life of princesses using Elsa's abilities to create a winter wonderland for their enjoyment. After they create a snowman named Olaf in the throne room, Elsa accidentally strikes Anna unconscious with her magic. The king and queen hurriedly take Anna to the mountain trolls for help. The troll king, Pabbie, erases Anna's memory of her sister's magic, nulling Elsa's power, only leaving memory of the fun the sisters shared. Pabbie warns Elsa to control her powers—a strike to Anna's heart would have been fatal. In an effort to protect Anna, the king and queen lock the castle gates and generally restrict Elsa to her new separate bedroom. Confused by the sudden loss of contact by Elsa, Anna makes repeated failed attempts to draw her out of her room. Elsa cares too much for her sister, traumatized by the near-death experience and she resists reconnecting with Anna. Eventually, the younger sister ceases trying to rekindle their bond. The sisters become even more isolated from each other after their parents, the King and Queen of Arendelle, die in a shipwreck. Devastated by the news, Anna tries to reunite with her sister, looking for love and comfort in the tragedy. Elsa remains in her room, not attending her parents' funeral.
Three years later, when Elsa becomes a young adult, she is set to be crowned queen. The people of Arendelle are joyously preparing for her coronation day. Anna is flushed with excitement as the castle gates are opened for the first time since the sisters' childhood. The young princess expresses how cheerful she is when she leaves her lonely life and meets people, as well as her hopes to find romance and a love interest. While exploring the town, Anna bumps into a horse owned by Prince Hans of the Southern Isles. Despite the awkward meeting at first, the pair quickly get acquainted and develop a mutual attraction for each other. Though Elsa fears of her secret being revealed to the public, her coronation goes on without incident. At the reception party, Anna is offered a waltz from Hans and the two have a date around the kingdom. They later find out that they have much in common, and Anna agrees to Hans' marriage proposal. Anna asks for Elsa's blessing to marry Hans, but she refuses and criticizes her for engaging with someone she has just met. This raises an argument between the two with Anna losing her temper, culminating in Elsa getting angry and accidentally exposing her abilities. Upon the guests' (including Anna) horrified reactions, Elsa flees the castle in panic and goes into hiding in the icy mountains. During her retreat, she inadvertently unleashes an eternal winter throughout Arendelle. Far from there, Elsa decides to let go her powers and build an enormous ice palace. Anna, believing it's her fault, determines to find her sister and bring her back, leaving Hans in charge of Arendelle.
At a trading post on her journey, Anna meets a mountain man named Kristoff, an ice harvester who agrees to lead her to the North Mountain, where he knows that a magical phenomenon has occurred and helps her escape a pack of wolves, resulting in his sled being destroyed after falling down into a large hole and catching on fire. The duo and Kristoff's reindeer Sven, encounter the sister's snowman, Olaf, who was unknowingly brought to life by Elsa and later leads them to her palace. The sisters reunite, but Elsa is reluctant to help Anna by ending the eternal winter. Upset, she loses control of her powers, striking Anna in her heart. Desperate to get her sister to leave, Elsa creates a giant snow creature, and it throws Anna and her friends away from the palace. Upon noticing Anna's hair is turning white, Kristoff takes her back to his adoptive family of trolls. Pabbie tells Anna that her heart has been frozen by her sister's magic and only an act of true love can save her from freezing completely. Kristoff, believing that a romantic kiss from Hans will heal her, takes Anna back to the kingdom.
Meanwhile, Hans has led a group of soldiers to the ice palace. Elsa's defenses are not enough and she is taken back to Arendelle's dungeon unconscious. At the castle, Anna's request for a kiss is denied by Hans, who reveals their engagement was merely a ploy to seize the throne of Arendelle. He locks Anna in her room without a fire, leaving her to die. Hans falsely claims that Anna is already dead and that they spoke their marriage vows before she died, making him the ruler of Arendelle. Olaf aids Anna while revealing to her Kristoff's love for her. Elsa also escapes into the fjord, her fears triggering a massive blizzard, but breaks down in shock when Hans tells her that she killed Anna and the blizzard stops. While the end of the storm allows Anna to reunite with Kristoff, she sees Hans ready to kill Elsa, and with her final breath, she stops him from killing her sister and inadvertently knocks him unconscious just as she freezes solid—a result of the earlier accident.
As Elsa grieves for her sister, Anna begins to thaw, since her choice to sacrifice herself to save her elder sister rather than herself constitutes "an act of true love". Realizing love is the key to controlling her powers, Elsa is able to thaw the kingdom and use her magic safely in public. Anna confronts Hans and punches him in the face, making him fall off the ship into the water. She then buys Kristoff a previously-promised new sled and they share a kiss, starting their new relationship. Anna and Elsa's sisterly bond is rekindled, with Elsa promising never to shut the castle gates again, much to Anna's joy.
Once Upon a Time[edit]

Anna
Once Upon a Time character
First appearance
"A Tale of Two Sisters" (4.01)
Last appearance
"Heroes and Villains" (4.12)
Created by
Edward Kitsis
Adam Horowitz

Portrayed by
Elizabeth Lail
Information

Aliases
Joan
Occupation
Princess of Arendelle
Family
Queen Gerda and the King of Arendelle (parents)
Elsa (older sister)
Ingrid/Snow Queen and Helga (maternal aunts)

Significant other(s)
Kristoff (husband)
Anna appears in the fourth season of Once Upon a Time, with actress Elizabeth Lail portraying the character.[51] Following the events of the film Frozen, Anna is preparing to wed Kristoff when Elsa finds a diary from their mother stating their real reason for their parents' fatal trip. Determined to seek answers, Anna postpones her wedding and travels to the Enchanted Forest (known as Misthaven in Arendelle). Anna meets David, a friend of Kristoff's, and trains him in swordsmanship so he can defend his farm from the evil warlord Bo Peep. Following Bo Peep's defeat, David gives Anna his horse and David's mother gives Anna the name of Rumplestiltskin, a powerful wizard who she believes can give her the answers she is looking for. Anna visits Rumplestiltskin (Robert Carlyle) who tells her that the King and Queen of Arendelle came to him, and he will tell her what they said if she administers a potion to an old man. Anna is afraid the potion is poison and pours it into the old man's fire. She returns to Rumplestiltskin's lair and lies, saying she has given the man the potion, and quickly learns it was an antidote, not a poison. In not giving him the drink, Anna has broken her deal with Rumplestiltskin and subjected the man to turn into a mouse. The deal, when broken, meant that Anna had to be Rumplestiltskin's slave—but, alas, Anna gets control of the dagger that controls him, and orders him to never harm her or her sister, and to send her back home with Rumplestiltskin's weapon, a magic-stealing hat. Back in Arendelle, Anna admits to Kristoff that Rumplestiltskin told her that her parents were afraid of Elsa. She does not tell this to Elsa, but is shocked to see that Elsa is learning to control her power—due to a new woman by the name of Ingrid (Elizabeth Mitchell), who claims she is their mother's sister and also has magic snow powers like her sister Elsa. Anna never knew their mother had a sister, so she is immediately skeptical. She goes to meet Grand Pabbie and the rock trolls to find out if this is the truth. While purchasing supplies at Oaken's shop, Anna runs into Belle (Emilie de Ravin) and they become friends. Together, they journey to the rock trolls, where Anna learns that her mother had two sisters named Ingrid and Helga, but Grand Pabbie changed everyone's memory in all of Arendelle. On the return journey back to the castle, Anna and Belle run into Ingrid. Ingrid sees that Anna has Rumplestiltskin's magic-stealing hat and believes she will betray her, so she grabs hold of Anna and imprisons her. Ingrid tells Anna that she has nothing in common with either her or Elsa as she has no magic as they, and now Ingrid must replace her. Eventually, Anna reunites with her sister, helps Ingrid see the errors of her ways, and marries Kristoff.
With the introduction of Frozen characters, the season 4 of Once Upon a Time saw a 31-percent increase in ratings from the autumn of 2013 (9.3 million viewers), marking its best ratings in almost two years.[52]
Miscellaneous[edit]
Merchandise[edit]



 Anna's meet-and-greets at Disneyland.
Along with Elsa, Anna is set to be officially inducted into the Disney Princess line-up,[53] a marketing franchise aimed primarily at young girls that manufactures and releases products such as toys, video and audio recordings, clothing, and video games.[54] On November 6, 2013, Disney Consumer Products began releasing a line of merchandise featuring Anna in Disney Store and other retailers.[55][56] Various versions of Anna dolls include the fashion doll set, the mini-doll set, plush doll, Anna-as-a-toddler doll,[56] and a special version called Musical Magic Elsa and Anna Dolls, which lights up and plays their signature songs that appear in the film when users hold their hands or they hold each other's hands.[55][57] Anna's merchandise also covers a wide range of other products, such as rolling luggage, boots, clothes, nightgowns, bowls, plates, coffee mugs, and home décors.[55][56] In addition, the film was adapted as simplified storybooks for children, with diverse versions featuring sound effects, original character voices,[58] and mini projectors that project movie images on the wall.[59] One of those books, called A Sister More Like Me, includes illustrations by Brittney Lee, the film's visual development artist.[60][61][62] Both Anna and Elsa appear as playable characters in Disney Infinity through the use of their corresponding figurines.[63]
Theme parks[edit]
In November 2013, prior to the release of Frozen, Anna and Elsa began daily meet-and-greet sessions at Walt Disney Parks and Resorts in Florida and California, US. In Walt Disney World, the sisters had their debut on October 22, 2013, in a temporary attraction at Disney's Hollywood Studios while their main attractions in Epcot were being built,[64] then officially made appearances in the Norway Pavilion of Epcot on November 2, 2013,[65] alongside a gallery of Norwegian culture which the film's setting and design drew inspirations from.[66] A cottage called the "Royal Reception" was set up in the Fantasyland section of Disneyland, featuring the pair and an audio-animatronic Olaf speaking on the cottage roof.[67] In February 2014, these meet-and-greet sessions were extended indefinitely, with wait time to meet the princesses frequently exceeding two hours, which is longer than any previous Disney characters.[68][69] As of March 2014, it was reported that this wait time had reached four or five hours.[70] Additionally, Elsa, Anna, and Olaf were given a Frozen-themed float for Disneyland Paris' Disney Magic on Parade.[71][72][73][74] On March 9, 2014, the three made appearances again on their own Frozen parade float in Festival of Fantasy Parade at Magic Kingdom theme park, Walt Disney World, with Anna showing up in her coronation dress for the first time in a Disney park.[75] On April 20, 2014, Anna and Elsa moved from Epcot to the Princess Fairytale Hall at Magic Kingdom, with wait time to see the characters amounted to three hours, comparing to Cinderella and Rapunzel's 15 minutes.[76][77]
Anna made a few appearances in Disney California Adventure's Winter Dreams, a 30-minute, winter-themed new show of the nighttime spectacle World of Color with Olaf, the show's host, and Elsa.[78][79] Disneyland Paris's nighttime spectacular Disney Dreams! featured Anna as the French co-narrator of the show, alongside the English-speaking Olaf.[74][80] Scenes from the original film, featuring Anna and other characters like Olaf and Kristoff, appear on the castle while Elsa is singing "Let It Go", during the Frozen segment in the Magic Kingdom nighttime projection show, Celebrate the Magic.[81] Coinciding with the film's release, Anna began making meet-and-greet sessions aboard the Disney Cruise Line's Disney Dream cruise ship.[82]
On May 16, 2014, it was announced that Disneyland would debut a Frozen pre-parade featuring Anna, Elsa, and Olaf. It premiered June 13, 2014, and precedes performances of Mickey's Soundsational Parade.[83] From July 5 to September 1, 2014, as part of 'Frozen' Summer Fun show at Disney's Hollywood Studios, Anna and Elsa will appear in a horse-drawn sleigh making their way down Hollywood Boulevard, alongside Kristoff and skaters, skiers and ice cutters in the Anna and Elsa's Royal Welcome section. The sisters will also make appearances in For the First Time in Forever: A "Frozen" Sing-Along Celebration, where they are joined by royal historians to retell the history of Arendelle; and "Frozen" Fireworks Spectacular alongside Kristoff and Olaf, a fireworks display set to the music of Frozen. Other characters from the film will also appear in their respective offerings: Olaf in Olaf on Summer Vacation, the Oaken's family in Wandering Oaken's Trading Post & Frozen Funland, and "Coolest Summer Ever" Dance Party featuring a DJ and live band.[84][85] In response to strong demand, Disney Parks subsequently announced on August 7 that Frozen Summer Fun would be extended to September 28.[86]
On August 19, 2014, it was initially announced that Elsa & Anna's Boutique (replacing Studio Disney 365) would open mid-September in Downtown Disney at the Disneyland Resort. The opening date was later changed to October 6, 2014, and the store name was changed to "Anna & Elsa's Boutique". The location includes products inspired by Anna, Elsa, and Olaf.[87][88][89][90]
While there hadn't been any official announcements from Disney regarding a coronation for Anna and Elsa, it had been announced in late August 2014 that a special character meal would be held by a group of travel agents in the morning of September 24, 2014. While not officially organized by Disney, the event, called My Royal Coronation, would feature the official Anna and Elsa characters owned by Disney with assistance from the company.[91] On September 12, 2014, Walt Disney World announced that a Frozen attraction was scheduled to open in early 2016 at Epcot's World Showcase in the Norway pavilion, replacing the park's Maelstrom ride. The attraction will feature the whole kingdom of Arendelle with music and scenes from the film, as well as meet-and-greets with Anna and Elsa.[92][93] Anna, Elsa, Kristoff, and Olaf will make appearances in Mickey’s Once Upon a Christmastime Parade, offered during Mickey’s Very Merry Christmas Party at Magic Kingdom in November and December 2014[92] (from November 7 to December 31).[93]
On November 13, 2014, prior to "A Sparkling Christmas" Evert, Anna and Elsa began meet-and-greet sessions at Hong Kong Disneyland.[94]
Beginning December 20, 2014, the Anna and Elsa meet and greet at Disneyland Resort was moved from Disneyland park to a new location in the Disney Animation Building called "Anna and Elsa’s Royal Welcome" in Disney California Adventure. In addition, the Storybook Land Canal Boats at Disneyland were updated to include the village of Arendelle from the film, including Anna and Elsa's castle, these new additions replaced The Old Mill section of the attraction. Officially starting January 7, 2015, Anna began making appearances alongside Elsa and Kristoff at Disney California Adventure in "For the First Time in Forever—A Frozen Sing-Along Celebration" in Hollywood Land as part of the park's "Frozen Fun" event. Also starting January 7, Anna and Elsa are making appearances in a Frozen play at the Royal Theatre in Disneyland park.[95][96]
Reception[edit]
Critical reviews[edit]
"What's so great about Frozen is that we get two strong heroines, both complex and flawed whose journeys are incredibly identifiable. Anna is plucky and socially awkward and that's great because many girls will identify with a girl who isn't necessarily naturally poised like some of the original princesses. This is a girl who hasn't had much human contact and when she does just explodes into unfiltered extroversion and naiveté."
—Sabina Ibarra, Geek Exchange film critic.[97]
Collider.com writer Matt Goldberg referred to Anna as a character who "can go from cute to melancholy to odd to defiant and never miss a beat".[98] Emma Koonse of Christian Post described her and Elsa as the "most lovable and charismatic characters yet",[41] while Tony Hicks of San Jose Mercury News wrote that both Anna and Elsa were depicted as devoted from the start, and "[Anna's] confusion and Elsa's anguish as she shuts herself away from the world—and her sister—is palatable."[99] Deepanjana Pal from First Post commented that Anna "is very much a child who needs to grow up and she does in the course of the film."[100] The Wall Street Journal suggested that the character become more endearing for being "exactly the free spirit she seems to be".[101] Noah Lee of The Coast News was impressed by the heroine duo Anna and Elsa, and said, "I never lost interest in the drastic measures Anna took or the tribulations Elsa faced."[102] Travis Bean, a reviewer of Community Newspaper Group put emphasis on the lessons that kids could perceive from the film, saying, "Children can also root for Anna to race through the forest and break through Elsa's icy walls and prove that love conquers all fears."[103] Linda Barnard, Toronto Star film critic, described the sisters as "engaging female characters", particularly praised Anna for her funny and iron-willed characteristics.[104] Sabina Ibarra from Geek Exchange commended that the directors had crafted two very real girls "who come into their own and also come together in this amazing tale."[97]
Kristen Bell was lauded for her performance as Anna in the film. Michelle Im, writing for the Eye of the Tiger referred to the character as "bubbly and spirited", and commented, "Not only was [Bell] able to nail those vibratos and belting notes in her songs, it was actually her singing them."[105] The Coast News review of the film wrote that Bell "earns top marks" for instilling a spirited sensibility in the clumsy but well-meaning Anna.[102] Cinenerd, a film critic for Blogcritics, commended the actress' singing ability, stating that she and Menzel "sing their hearts out, with two showstoppers in Let it Go and For the First Time in Forever".[106] Colin Covert of Colorado Springs' The Gazette considered Bell's performance as a "flawless delivery".[13] Matt Goldberg extolled the relationship between Anna and her elder sister Elsa, writing, "There's so much to love about Frozen, but at the top of the list is the emphasis on [Anna] and Elsa's relationship. Anna still has an infatuation with the charming Hans and romantic chemistry with the flustered Kristoff, but her greatest love is for her sister. [Elsa] is mostly scared and guilt-ridden. She's an incredibly sympathetic character, and it's a fresh spin on depicting estrangement between siblings. Anna has so much life and enthusiasm, and we want to see her share it with Elsa."[98] Magdalena Lachowicz of The Heights referred to this sisterly bond as "what truly makes the film and the moral that comes with it", commenting, "the plot is set up to lead the viewer into thinking that it needs to be true love's kiss—something which Anna then goes to seek. This journey sends her on a difficult adventure in which she learns about both sacrifice and love."[107] Debbie Lynn Elias of Culver City Observer commented, "Female driven with confidence and positivity, Elsa and Anna are like two sides of a coin, both strong, albeit one through power and confidence and the other through clumsy sticktuitiveness and love,"[108] while Stephen Holden from The New York Times appreciated that instead of a romantic attachment, it was a sisterly love and devotion that drove the story, which departed greatly from traditional Disney formula.[109] Noah Lee described Anna and Elsa's relationship as "genuine", saying, "watching those themes of family and love versus isolation and fear touched my heart in more ways than one."[102]
However, the character was not without criticisms. Michelle Im from the Eye of the Tiger referred to Anna's falling immediately in love with a prince as the only personal development in her character, and found it "disappointing" in comparison with Elsa's emotionally evolving personality.[105] Anna Smith of The Guardian disliked that both Anna and Elsa were drawn with slender figures and large eyes as is typical of Disney princesses.[110]
Accolades[edit]
Both Anna and Elsa were nominated for Best Animated Female by the Alliance of Women Film Journalists, with only Anna winning the award.[111] Frozen also won Women Film Critics Circle award in the same category.[112]
References[edit]
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64.Jump up ^ "Anna and Elsa From "Frozen"—First Appearance at Walt Disney World in Preparation for Epcot Meet and Greet (Photos, Video)". Mousestep. October 22, 2013. Retrieved February 7, 2014. |first1= missing |last1= in Authors list (help)
65.Jump up ^ Denise (November 2, 2013). "Anna and Elsa From "Frozen" Make Their Official Debut in Epcot's Norway Pavilion (Photos, Video)". MouseSteps. Retrieved March 4, 2014.
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68.Jump up ^ Tully, Sarah (February 20, 2014). "'Frozen' characters draw unprecedented lines at Disneyland". Orange County Register. Retrieved March 11, 2014.
69.Jump up ^ "Disney's 'Frozen' meet-and-greet at Epcot to continue indefinitely". Doctor Disney. February 10, 2014. Retrieved March 11, 2014.
70.Jump up ^ Bevil, Dewayne (March 1, 2014). "Could Disney's 'Frozen' play bigger role in theme parks?". Orlando Sentinel. Retrieved April 6, 2014.
71.Jump up ^ Lee, Banks (December 7, 2013). "Day two of filming for the 2013 Disney Parks Christmas Day Parade—Photos/Video". Orlando Attractions Magazine. Retrieved February 7, 2014.
72.Jump up ^ Fickley-Baker, Jennifer (November 21, 2013). "Disneyland Paris Offers Up a 'Frozen' Holiday Celebration". Disney Parks Blog. Retrieved February 7, 2014.
73.Jump up ^ "Olaf to star in Disneyland Paris DISNEY DREAMS OF CHRISTMAS nighttime castle show for Christmas season". Mouse Info. November 8, 2013. Retrieved February 7, 2014.
74.^ Jump up to: a b Monti, Andrea (November 11, 2013). ""Disney DREAMS celebrates Christmas" is among the great new holiday treats that Disneyland Paris is serving up for Xmas 2013". Jim Hill Media. Retrieved February 7, 2014.
75.Jump up ^ Brigante, Ricky (March 9, 2014). "Festival of Fantasy parade debuts high-energy entertainment at Walt Disney World with 'Frozen,' 'Tangled', among fun floats". Inside the Magic. Retrieved March 11, 2014.
76.Jump up ^ Brigante, Ricky (April 20, 2014). ""Frozen" characters find new home at Walt Disney World as FastPass+ cuts wait to meet Anna and Elsa—when it works". Inside the Magic. Retrieved April 21, 2014.
77.Jump up ^ Fickley-Baker, Jennifer (April 20, 2014). "'Frozen' Anna & Elsa Arrive at Princess Fairytale Hall Today". Disney Parks Blog. Retrieved April 21, 2014.
78.Jump up ^ Brigante, Ricky (November 15, 2013). "World of Color—Winter Dreams all-new nighttime Disneyland show debuts featuring Frozen, Toy Story, holiday songs". Inside the Magic. Retrieved February 7, 2014.
79.Jump up ^ "Fun Facts, Figures and History: 'World of Color' and Holiday 'Winter Dreams'" (PDF). Disneyland News. January 7, 2014. Retrieved February 7, 2014.
80.Jump up ^ Monti, Andrea (November 23, 2013). "Disneyland Paris: Intervista a Katy Harris". Parks Mania (in Italian). Retrieved February 7, 2014.
81.Jump up ^ Fickley-Baker, Jennifer (November 21, 2013). "‘Frozen’ Segment Added to ‘Celebrate the Magic’ at Magic Kingdom Park". Disney Parks Blog. Retrieved February 7, 2014.
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86.Jump up ^ Wynne, Sharon Kennedy (August 7, 2014). "'Frozen' still hot at Disney theme park, celebration extended". Tampa Bay Times. Retrieved August 7, 2014.
87.Jump up ^ Harker, Michelle (August 19, 2014). "Elsa & Anna’s Boutique and More Thrilling Transformations Coming to the Disneyland Resort". Disney Parks Blog. Archived from the original on August 20, 2014. Retrieved August 19, 2014.
88.Jump up ^ "Studio Disney 365 to Transform into Elsa and Anna’s Boutique". LaughingPlace.com. August 19, 2014. Retrieved August 19, 2014.
89.Jump up ^ Harker, Michelle (September 16, 2014). "Update: Anna & Elsa’s Boutique in the Downtown Disney District at the Disneyland Resort". Disney Parks Blog. Retrieved September 16, 2014.
90.Jump up ^ "Anna & Elsa’s Boutique to Open October 6". LaughingPlace.com. September 16, 2014. Retrieved September 16, 2014.
91.Jump up ^ "Anna and Elsa to appear in "My Royal Coronation" event at Walt Disney World as travel agents bring "Frozen" character meal to Epcot". Inside the Magic. August 26, 2014. Retrieved August 28, 2014.
92.^ Jump up to: a b Staggs, Tom (September 12, 2014). "‘Frozen’ Attraction Coming to Epcot". Disney Parks Blog. Retrieved September 12, 2014.
93.^ Jump up to: a b Brigante, Ricky (September 12, 2014). ""Frozen" ride announced for Walt Disney World in 2016 to replace Maelstrom at Epcot, "Frozen" Christmas also revealed". Inside the Magic. Retrieved September 14, 2014.
94.Jump up ^ "Hong Kong Disneyland launches "Disney Paint the Night" Parade from October 2014".
95.Jump up ^ Slater, Shawn (December 5, 2014). "New ‘Frozen Fun’ Opens at Disneyland Resort January 7". Disney Parks Blog. Retrieved December 5, 2014.
96.Jump up ^ Graser, Marc (December 5, 2014). "Disney Adds ‘Frozen’ Experiences to Disneyland, California Adventure Theme Parks". Variety. Retrieved December 5, 2014.
97.^ Jump up to: a b Ibarra, Sabina (December 3, 2013). "Frozen Review: Disney Conjures a New Timeless Classic". Geek Exchange. Archived from the original on December 9, 2013. Retrieved February 18, 2014.
98.^ Jump up to: a b Goldberg, Matt (November 28, 2013). "FROZEN Review". Collider.com. Retrieved December 28, 2013.
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100.Jump up ^ Pal, Deepanjana (January 31, 2014). "Frozen review: This modern Snow Queen will melt your heart". First Post. Retrieved February 18, 2014.
101.Jump up ^ "Splendid Sights, Musical Might Melt 'Frozen'". The Wall Street Journal. November 28, 2013. Retrieved February 18, 2014.
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105.^ Jump up to: a b Im, Michelle (December 16, 2013). ""Frozen" meets standards set by previous Disney movies". Eye of the Tiger. Retrieved February 16, 2014.
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111.Jump up ^ "2013 EDA Award Winners". Alliance of Women Film Journalists. December 19, 2013. Retrieved December 19, 2013.
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Anna (Disney)

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Anna
Frozen character
Anna Frozen.png
Created by
Chris Buck
Jennifer Lee

Voiced by
Kristen Bell
Livvy Stubenrauch (as a child, speaking)
Katie Lopez (as a child, singing)
Agatha Lee Monn (9 years old, singing)

Information

Title
Princess of Arendelle
Family
The King and Queen of Arendelle (parents)
Queen Elsa of Arendelle (older sister)

Princess Anna of Arendelle is a fictional character who appears in Walt Disney Animation Studios' 53rd animated feature Frozen (2013). She is voiced by Kristen Bell as an adult. At the beginning of the film, Livvy Stubenrauch and Katie Lopez provided her speaking and singing voice as a young child, respectively. Agatha Lee Monn portrayed her as a nine-year-old (singing).
Created by co-directors Jennifer Lee and Chris Buck, Anna is loosely based on Gerda, a character of the Danish fairytale The Snow Queen by Hans Christian Andersen. In the Disney film adaptation, Anna is depicted as the princess of Arendelle, a fictional Scandinavian kingdom and the younger sister of Princess Elsa (Idina Menzel), who is the heiress to the throne and possesses the elemental ability to create and control ice and snow. When Elsa exiles herself from the kingdom after inadvertently sending Arendelle into an eternal winter on the evening of her coronation, fearless and faithful Anna is determined to set out on a dangerous adventure to bring her sister back and save both her kingdom and her family.
The original fairytale in general and the character of the Snow Queen in particular posed long-term problems to adapt into a feature-length production. Several film executives, including Walt Disney, made their attempts towards the story and numerous adaptations were shelved as the filmmakers could not work out the characters. Finally, directors Buck and Lee solved the issue by portraying Anna and Elsa as sisters, establishing a dynamic relationship between the characters.
Anna has received widespread critical acclaim from film critics, who praised the determination and enthusiasm in her personality. Bell was also extolled by various reviewers for her performance in the film. There are unconfirmed reports that Anna will be inducted into the Disney Princess line-up along with Elsa, becoming the 12th official member.[1]


Contents  [hide]
1 Development 1.1 Origins and conception
1.2 Voice
1.3 Design and characterization 1.3.1 Character model

2 Appearances 2.1 Frozen
2.2 Once Upon a Time
2.3 Miscellaneous 2.3.1 Merchandise
2.3.2 Theme parks

3 Reception 3.1 Critical reviews
3.2 Accolades
4 References
5 External links

Development[edit]
Origins and conception[edit]



 An illustration of Gerda, the character Anna is based upon.
Attempts to produce an adaption of The Snow Queen in the Disney studio dated back to 1943, when Walt Disney considered collaborating with Samuel Goldwyn to produce a biography film of Hans Christian Andersen. However, the story and particularly the Snow Queen character proved to be too problematic to Disney and his animators. Namely one of the troubles they encountered was that the original story lacked necessary interaction between the main protagonist, Gerda (who later served as an inspiration for Anna), and the Snow Queen. Most obviously, Andersen's version did not feature any confrontation between them: when brave little Gerda enters the Snow Queen's ice castle and sheds her tears on Kay, the Snow Queen is nowhere to be seen. There just was not enough character conflict to form a full-length feature.[2] Later on, Glen Keane, Paul and Gaëtan Brizzi, Harvey Fierstein, Dick Zondag and Dave Goetz were among other Disney executives to make efforts towards translating this potential material to the big screen, but none of them made their way. Around 2008, Chris Buck pitched Disney his version of The Snow Queen. At the time, the project was planned to be traditionally animated under the name of Anna and the Snow Queen. However, by early 2010, the project encountered the same problem and was stuck again.[3] Jennifer Lee, Frozen's co-director, later recalled, "The issue with the original for us in a lot of ways is it's a very symbolic story. It's very hard to translate symbolism into concrete things. Film is concrete, so you translate it."[4]
After the success of Tangled, on December 22, 2011, Disney announced a release date, November 27, 2013, for the film, together with a new title, Frozen, and Peter Del Vecho and John Lasseter took up as the project's producers. Now, when the film was revived again, one of the main challenges that Buck and his team had to face with was the character.[5] The storyboards were presented to John Lasseter, who would tell the assembled production team "You haven't dug deep enough." Lasseter commended that Chris Buck's latest version was fun and very light-hearted, but the characters were not multifaceted, and thus did not resonate for the producer.[2]
The original character of Gerda, known as Anna, was one of the three major characters in the script at this time, along with the Snow Queen, Elsa and Kristoff, loosely based on Kay. The characters were not considered to be well-rounded[6] or relatable, but an interpersonal, family dynamic was created once Anna and Elsa were established as sisters, an idea suggested by someone on the writing team that no one remembered who.[2][7][8] This changed the story dramatically,[9] shifting from the conflict between the good and the evil to the conflict between love and fear.[10] Buck stated that their script still retained basic parts of the story and the character of Gerda, citing the similarities between the original story and his version, "[Gerda] won't give up on finding her friend Kai. The only thing she really has in her, she's not a superhero or anything, but she has love. And it's love that conquers fear in the end."[4]
Voice[edit]



Kristen Bell provided the voice for Anna.
On March 5, 2012, Kristen Bell was cast to voice the adult Anna.[11][12] Livvy Stubenrauch was chosen to portray Anna as a young child,[13][14][15] while Katie Lopez, daughter of the husband-and-wife songwriting team of the film, Kristen Anderson-Lopez and Robert Lopez, provided the singing voice for young Anna in "Do You Want to Build a Snowman?" musical sequence.[16][17] Additionally, Agatha Lee Monn, daughter of the film's director Jennifer Lee, portrayed teenage Anna in this song.[7][18][19][20] Lee explained about these casting decisions, "We really wanted to use the first two verses of this song to show you Anna's personality. And we wanted the singing to be done by real-sounding kids, not necessarily Broadway kids."[20] Kristen Bell and Idina Menzel (who voiced Elsa in the film) had both auditioned for Rapunzel in Tangled and had already known each other, but they did not get the part.[18][21]
Talking about her feelings when she got the part, Bell expressed, "Since I was 4 years old, I dreamed of being in a Disney animated film," she said. "It was the first goal I ever set for myself. It seemed like it would be a very unrealistic one."[12] She described Disney movies as "the ones [she] watched over and over again when [she] was a kid," and continued, "I knew every line from The Little Mermaid. I love Aladdin. When asked about her favorite Disney character, Bell said, "Ariel from The Little Mermaid. Because I think it was a shift that Disney had, where a female lead—the "princess," I guess—didn't just want to find her mate. She was singing "I want to be where the people are. I want to see the world. I want to venture outside my comfort zone.""[22] Bell described her initial reaction when she first found that she was cast as "I was in glee".[23] Lee admitted Bell's casting selection was influenced after the filmmakers listened a couple of vocal tracks from The Little Mermaid, including "Part of Your World" that the actress recorded when she was young, stating that without these recordings, it would've been very difficult to the find the right one to play Anna.[18][24]
The two directors, Buck and Lee, were also impressed by how Kristen and Idina related.[9][25] "During one of our early read-throughs, Kristen and Idina sang a ballad to each other which had so much emotion that everyone in the room was in tears," Buck said. "It not only showed how great their voices were together, but showed the power the music would have in the story."[26] However, Bell wasn't all confidence when recording with Menzel,[12][27] described the experiences working with her co-star as "nerve-racking".[23] The duo had rehearsed at Idina's house a song called "Wind Beneath My Wings", in which Bell greatly commended Idina's powerful voice.[23] Regarding the songs that she performed in the film, Kristen said, "We're singing the lovely songs of Kristen and Bobby Lopez, who wrote 'Book of Mormon.' So it's really, really funny music. It's really good music. They're amazing to work for."[28]
Director Jennifer Lee strongly believed that there couldn't be any other Anna but Kristen Bell, saying, "It was definitely a wonderful surprise hearing her voice [during auditions], not knowing that she had been classically trained. Also, she had such a warm, sweet voice. She was everything that we could've hoped for Anna."[27] Co-director Chris Buck shared Lee's ideas, commenting, "Kristen Bell for Anna was the very first person that we saw. We did a lot of casting to find Anna, but she just hit it out of the park. From the beginning we loved her, and she just kind of became Anna and Anna became her. I don't know which one is which."[29][30] Idina Menzel was also surprised by her co-star's singing ability, stating that, "I didn't know how great a singer she was. I quickly found out and need to constantly tell her because she doesn't tell anybody else! She's always playing it down."[27] Songwriter Kristen Anderson-Lopez later commended Bell's quick comprehension of her ideas, saying that she would collaborate with the actress for "the rest of [her] life" if she could.[31] Anna's animator Becky Bresee commented that Bell's voice "lends itself well, so you are taking bits and pieces."[32]
During production, Bell and Menzel had to do a lot of recordings and re-recordings, and were required to be together in the same room when on the key emotional scenes between Anna and Elsa. "We even got Kristen and Idina together for a song. That really helped elevate the song because they have a duet in the movie and it definitely helped drive that," said producer Peter Del Vecho. Chris Buck later commented that getting the actresses in together as much as they could helped add the real, amazing chemistry between them and made them really interact.[32] Bell's recording sessions were completed while she was pregnant, and later she had to re-record some of the lines after giving birth, as her voice had deepened.[33] After watching the completed film, Bell described her performance as "cool and weird and surreal and jarring", saying that she was really proud that Anna "came out like she did that [the directors] let [Bell] do her like this."[34]
Design and characterization[edit]
Anna in particular and the whole film in general had undergone a number of changes in the story, most notably making the heroine the younger sister of the Snow Queen.[9] Describing the character's development process, director Jennifer Lee admitted, "Even with Anna there was a tug of war for a long time. There are elements of it that we didn't land on with Anna until late into production, so we changed some of the animation to support it."[35] Bell generally described her character as "She doesn't have good postures, she's not very elegant, but she's a good person and she's utterly determined." Lee added, "She doesn't have any superpowers, but Anna is one of these ordinary people doing an extraordinary thing."[12] Contrary to her sister Elsa who represents fear, Anna represents love,[7][36][37] she is filled with optimism[37] with an extraordinary heart.[36] Director Chris Buck later stated, "[Anna's] secret weapon is love,"[10] while head of story Paul Briggs commented that she is "a character who is willing to stand beside you and stand up for what's right. Her sister was born with a condition that's shaped a world where Anna doesn't belong."[38] In the images of Frozen's main characters released by Disney in July 2013, Anna and her role in the film was described as follows:

Anna is more daring than graceful and, at times, can act before she thinks. But she’s also the most optimistic and caring person you’ll ever meet. She longs to reconnect with her sister, Elsa, as they were close during their childhood. When Elsa accidentally unleashes a magical secret that locks the kingdom of Arendelle in an eternal winter, Anna embarks on a dangerous adventure to make things right. Armed with only her fearlessness, a never-give-up attitude and her faith in others, Anna is determined to save both her kingdom and her family.[39]
"I'm really excited to show it to people. I became a part of the kind of movie I wanted to see as a kid," she said. "I always loved Disney animation, but there was something about the females that was unattainable to me. Their posture was too good and they were too well-spoken, and I feel like I really made this girl much more relatable and weirder and scrappier and more excitable and awkward. I'm really proud of that."
—Kristen Bell on her approach to the character of Anna.[28]
In order to have one person fully understand and develop their own character, as well as later be able to impart that to the crew, the film's directors and producers decided to have character leads and supervising animators on specific characters.[40] First-time character lead Becky Bresee serves as the supervising animator for Anna.[9][40] She described her job as "making the character more believable". To achieve this, she had to act out part of a sequence in the movie between Anna and Kristoff for a number of times, each of them emphasizing the character's gestures differently. "Anna's a little bit nervous and uncomfortable, and I had to find a way to put that into the animation," explained Bresee.[9]
Bell said that at first Anna was written plainer and more general. "In the first draft of the script she was written more, in my opinion, prissy. She was kind of specific and very girly," which Bell didn't find appealing. She admitted that she had always wanted to be part of Disney animated feature, but she "wanted to be a very specific type of princess", who "was way more awkward than the normal princesses", not someone with too good postures or too well-spoken.[23][28][41] As she was offered the role of Anna, she came up with a lot of suggestions for the directors. They were responsive and allowed the actress to mould the character the way she wanted, since they wanted the film to be truthful.[22][23] Bell significantly made specific changes to Anna, including the infusion and incorporation of the actress' own personality to the character,[41][42] embodying a relatable heroine,[28] which received full support from the directors.[43] She called the scene where Anna first meets Hans is a "typical Disney moment", as they come too close physically and find out that they both fall in love with each other. Bell wanted Anna's words to reflect what she herself would say in real life, which included some "nonsensical rambling". "I think I said, "This is awkward. You're not awkward. Me, I'm awkward. You're gorgeous. Wait—what?" Words just spill out of her mouth too quickly and she has to backtrack." Bell continued.[22] Or the whole scene where she wakes up in the beginning with saliva all over the face, Bell "wanted her to also have hair in her mouth", which took inspiration from her own real life. "Sometimes I wake up like that. Then you have hair in your mouth, and you start coughing. The animators totally got what I was trying to do. It's cool, and way more fun when stuff is realistic like that, instead of the perfection of waking up with mascara on."[23] Anna's snorting and tripping over also drew inspirations from Bell's real life.[23][42] Bell's recording sessions were also videotaped to assist in animating the character, and animators took into considerations even subtle things like the actress' biting her lip a lot.[44] According to director Jennifer Lee, Anna is a bit flawed.[43]
"I think I'll be the most proud of this character for a long time. There was so much of me that was put into this character. There was a lot of collaboration, and not just in the fact of, here is the character, and here is what I want to bring, and here is what you want to bring. I really wanted to infuse her with who I am. I wanted the heart behind it to be that things didn’t come to her; the birds didn't come and braid her hair. She went out and fought for things. I'm really proud that little girls will be able to see that, because that’s what I wanted. So I will be thinking about her for a while."
—Kristen Bell on Anna's influence to her in the future.[23]
When asked about Anna's biggest charm, Bell said that "her charm is caught somewhere between her sincerity and optimism. Anna is genuine, sincere and compounded with optimism, and eternally optimistic people are the most charismatic people, much more attractive than those with a bad mood." She also expressed why the character seemed to loveable to her, "To have Anna in a situation where she starts the movie without any friends, because her lifestyle hasn’t allowed her to have a full kingdom. She runs around, because she wants friends."[23][41] Bell called the film's story is "another turning point" for Disney animation because the love depicted in this story is the love between siblings, a non-romantic love. Anna wants the world and she wants to explore, but she also wants to nurture the relationships around her, particularly the family relationship. "It's very non-traditional for a Disney movie," she added.[34]
Regarding Bell's influence on Anna, director Chris Buck said her personality was just so fun and energetic. "We had an Anna character but Kristen really came in and pushed it and made it even funnier and even sweeter I think, and more believable as a three-dimensional character," he said.[45] He also admitted that he "fell in love with [Bell]'s voice and [Bell]'s spirit". Director Jennifer Lee said that she loved Bell because the actress shared a similarity with her, that girls could be funny. "So she was a fantastic collaborator," Lee added.[4] Songwriting duo Kristen-Anderson Lopez and Robert Lopez later commented that they had written a lot of first songs for Kristen, for Anna but, "The more we were working with Kristen Bell, the more, the more she influenced." They quickly understand who Anna was because Anna's Kristen Bell.[46]



 From left to right: Anna's coronation dress, her winter travel outfit and her summer casual wear.
Anna's costumes in the film were informed by the research of Norwegian clothing styles. Based on these findings, art director Brittney Lee and her team later found out what materials should be used for the costumes.[32] Co-director Jennifer Lee created a cheerful wardrobe featuring "playful" floral patterns and saturated colors in order to accurately reflect Anna's personality. The animators also took into account the climate that Anna is living in, costuming her in heavy wools and velvets, reflecting traditional winter clothing of the Scandinavian area.[47][48] The animators added structures to the costumes in a way, such as pleated dresses, that allows movements, giving the character a free range of "twirl[ing] all she wants" throughout the film. In order to deepen the cultural context of the film, rosemaling, a traditional form of Norwegian decorative folk art, was added to almost every character's costumes.[32] Anna and her sister, Elsa, also enjoyed a large number of types of costumes and the layers of costuming that have never been done before. As these characters are running around in the snow, they have to have petticoats, undergarments, capes, "and they have all these layers and layers of things that are all meticulously designed," Brittney explained.[29][32]
Character model[edit]
Anna has distinguishable facial features of a typical Disney heroine, including big eyes, thin lips and a small nose. Her physical appearance has drawn much comparison between her and Rapunzel from Tangled, however there are considerable differences between them. Anna's eyes are slightly more upturned, her cheeks are a bit fuller, her face and chin are generally rounder, and her eyebrows and eyelashes are thicker than Rapunzel's. She also has more freckles than Rapunzel and even has them on her shoulders. Anna's eyebrows wrinkle when they move, and she has prevalent neck muscles that appear when she speaks.[49] Anna's travel outfit generally consists of magenta, black, dark and light blue, with flowery designs on the bottom of her dress.[50]
Appearances[edit]
Frozen[edit]
Main article: Frozen (2013 film)
Anna is the younger child in the royal family of Arendelle, whose older sister, Elsa is born with the power to create and control ice and snow. As children, they enjoy the life of princesses using Elsa's abilities to create a winter wonderland for their enjoyment. After they create a snowman named Olaf in the throne room, Elsa accidentally strikes Anna unconscious with her magic. The king and queen hurriedly take Anna to the mountain trolls for help. The troll king, Pabbie, erases Anna's memory of her sister's magic, nulling Elsa's power, only leaving memory of the fun the sisters shared. Pabbie warns Elsa to control her powers—a strike to Anna's heart would have been fatal. In an effort to protect Anna, the king and queen lock the castle gates and generally restrict Elsa to her new separate bedroom. Confused by the sudden loss of contact by Elsa, Anna makes repeated failed attempts to draw her out of her room. Elsa cares too much for her sister, traumatized by the near-death experience and she resists reconnecting with Anna. Eventually, the younger sister ceases trying to rekindle their bond. The sisters become even more isolated from each other after their parents, the King and Queen of Arendelle, die in a shipwreck. Devastated by the news, Anna tries to reunite with her sister, looking for love and comfort in the tragedy. Elsa remains in her room, not attending her parents' funeral.
Three years later, when Elsa becomes a young adult, she is set to be crowned queen. The people of Arendelle are joyously preparing for her coronation day. Anna is flushed with excitement as the castle gates are opened for the first time since the sisters' childhood. The young princess expresses how cheerful she is when she leaves her lonely life and meets people, as well as her hopes to find romance and a love interest. While exploring the town, Anna bumps into a horse owned by Prince Hans of the Southern Isles. Despite the awkward meeting at first, the pair quickly get acquainted and develop a mutual attraction for each other. Though Elsa fears of her secret being revealed to the public, her coronation goes on without incident. At the reception party, Anna is offered a waltz from Hans and the two have a date around the kingdom. They later find out that they have much in common, and Anna agrees to Hans' marriage proposal. Anna asks for Elsa's blessing to marry Hans, but she refuses and criticizes her for engaging with someone she has just met. This raises an argument between the two with Anna losing her temper, culminating in Elsa getting angry and accidentally exposing her abilities. Upon the guests' (including Anna) horrified reactions, Elsa flees the castle in panic and goes into hiding in the icy mountains. During her retreat, she inadvertently unleashes an eternal winter throughout Arendelle. Far from there, Elsa decides to let go her powers and build an enormous ice palace. Anna, believing it's her fault, determines to find her sister and bring her back, leaving Hans in charge of Arendelle.
At a trading post on her journey, Anna meets a mountain man named Kristoff, an ice harvester who agrees to lead her to the North Mountain, where he knows that a magical phenomenon has occurred and helps her escape a pack of wolves, resulting in his sled being destroyed after falling down into a large hole and catching on fire. The duo and Kristoff's reindeer Sven, encounter the sister's snowman, Olaf, who was unknowingly brought to life by Elsa and later leads them to her palace. The sisters reunite, but Elsa is reluctant to help Anna by ending the eternal winter. Upset, she loses control of her powers, striking Anna in her heart. Desperate to get her sister to leave, Elsa creates a giant snow creature, and it throws Anna and her friends away from the palace. Upon noticing Anna's hair is turning white, Kristoff takes her back to his adoptive family of trolls. Pabbie tells Anna that her heart has been frozen by her sister's magic and only an act of true love can save her from freezing completely. Kristoff, believing that a romantic kiss from Hans will heal her, takes Anna back to the kingdom.
Meanwhile, Hans has led a group of soldiers to the ice palace. Elsa's defenses are not enough and she is taken back to Arendelle's dungeon unconscious. At the castle, Anna's request for a kiss is denied by Hans, who reveals their engagement was merely a ploy to seize the throne of Arendelle. He locks Anna in her room without a fire, leaving her to die. Hans falsely claims that Anna is already dead and that they spoke their marriage vows before she died, making him the ruler of Arendelle. Olaf aids Anna while revealing to her Kristoff's love for her. Elsa also escapes into the fjord, her fears triggering a massive blizzard, but breaks down in shock when Hans tells her that she killed Anna and the blizzard stops. While the end of the storm allows Anna to reunite with Kristoff, she sees Hans ready to kill Elsa, and with her final breath, she stops him from killing her sister and inadvertently knocks him unconscious just as she freezes solid—a result of the earlier accident.
As Elsa grieves for her sister, Anna begins to thaw, since her choice to sacrifice herself to save her elder sister rather than herself constitutes "an act of true love". Realizing love is the key to controlling her powers, Elsa is able to thaw the kingdom and use her magic safely in public. Anna confronts Hans and punches him in the face, making him fall off the ship into the water. She then buys Kristoff a previously-promised new sled and they share a kiss, starting their new relationship. Anna and Elsa's sisterly bond is rekindled, with Elsa promising never to shut the castle gates again, much to Anna's joy.
Once Upon a Time[edit]

Anna
Once Upon a Time character
First appearance
"A Tale of Two Sisters" (4.01)
Last appearance
"Heroes and Villains" (4.12)
Created by
Edward Kitsis
Adam Horowitz

Portrayed by
Elizabeth Lail
Information

Aliases
Joan
Occupation
Princess of Arendelle
Family
Queen Gerda and the King of Arendelle (parents)
Elsa (older sister)
Ingrid/Snow Queen and Helga (maternal aunts)

Significant other(s)
Kristoff (husband)
Anna appears in the fourth season of Once Upon a Time, with actress Elizabeth Lail portraying the character.[51] Following the events of the film Frozen, Anna is preparing to wed Kristoff when Elsa finds a diary from their mother stating their real reason for their parents' fatal trip. Determined to seek answers, Anna postpones her wedding and travels to the Enchanted Forest (known as Misthaven in Arendelle). Anna meets David, a friend of Kristoff's, and trains him in swordsmanship so he can defend his farm from the evil warlord Bo Peep. Following Bo Peep's defeat, David gives Anna his horse and David's mother gives Anna the name of Rumplestiltskin, a powerful wizard who she believes can give her the answers she is looking for. Anna visits Rumplestiltskin (Robert Carlyle) who tells her that the King and Queen of Arendelle came to him, and he will tell her what they said if she administers a potion to an old man. Anna is afraid the potion is poison and pours it into the old man's fire. She returns to Rumplestiltskin's lair and lies, saying she has given the man the potion, and quickly learns it was an antidote, not a poison. In not giving him the drink, Anna has broken her deal with Rumplestiltskin and subjected the man to turn into a mouse. The deal, when broken, meant that Anna had to be Rumplestiltskin's slave—but, alas, Anna gets control of the dagger that controls him, and orders him to never harm her or her sister, and to send her back home with Rumplestiltskin's weapon, a magic-stealing hat. Back in Arendelle, Anna admits to Kristoff that Rumplestiltskin told her that her parents were afraid of Elsa. She does not tell this to Elsa, but is shocked to see that Elsa is learning to control her power—due to a new woman by the name of Ingrid (Elizabeth Mitchell), who claims she is their mother's sister and also has magic snow powers like her sister Elsa. Anna never knew their mother had a sister, so she is immediately skeptical. She goes to meet Grand Pabbie and the rock trolls to find out if this is the truth. While purchasing supplies at Oaken's shop, Anna runs into Belle (Emilie de Ravin) and they become friends. Together, they journey to the rock trolls, where Anna learns that her mother had two sisters named Ingrid and Helga, but Grand Pabbie changed everyone's memory in all of Arendelle. On the return journey back to the castle, Anna and Belle run into Ingrid. Ingrid sees that Anna has Rumplestiltskin's magic-stealing hat and believes she will betray her, so she grabs hold of Anna and imprisons her. Ingrid tells Anna that she has nothing in common with either her or Elsa as she has no magic as they, and now Ingrid must replace her. Eventually, Anna reunites with her sister, helps Ingrid see the errors of her ways, and marries Kristoff.
With the introduction of Frozen characters, the season 4 of Once Upon a Time saw a 31-percent increase in ratings from the autumn of 2013 (9.3 million viewers), marking its best ratings in almost two years.[52]
Miscellaneous[edit]
Merchandise[edit]



 Anna's meet-and-greets at Disneyland.
Along with Elsa, Anna is set to be officially inducted into the Disney Princess line-up,[53] a marketing franchise aimed primarily at young girls that manufactures and releases products such as toys, video and audio recordings, clothing, and video games.[54] On November 6, 2013, Disney Consumer Products began releasing a line of merchandise featuring Anna in Disney Store and other retailers.[55][56] Various versions of Anna dolls include the fashion doll set, the mini-doll set, plush doll, Anna-as-a-toddler doll,[56] and a special version called Musical Magic Elsa and Anna Dolls, which lights up and plays their signature songs that appear in the film when users hold their hands or they hold each other's hands.[55][57] Anna's merchandise also covers a wide range of other products, such as rolling luggage, boots, clothes, nightgowns, bowls, plates, coffee mugs, and home décors.[55][56] In addition, the film was adapted as simplified storybooks for children, with diverse versions featuring sound effects, original character voices,[58] and mini projectors that project movie images on the wall.[59] One of those books, called A Sister More Like Me, includes illustrations by Brittney Lee, the film's visual development artist.[60][61][62] Both Anna and Elsa appear as playable characters in Disney Infinity through the use of their corresponding figurines.[63]
Theme parks[edit]
In November 2013, prior to the release of Frozen, Anna and Elsa began daily meet-and-greet sessions at Walt Disney Parks and Resorts in Florida and California, US. In Walt Disney World, the sisters had their debut on October 22, 2013, in a temporary attraction at Disney's Hollywood Studios while their main attractions in Epcot were being built,[64] then officially made appearances in the Norway Pavilion of Epcot on November 2, 2013,[65] alongside a gallery of Norwegian culture which the film's setting and design drew inspirations from.[66] A cottage called the "Royal Reception" was set up in the Fantasyland section of Disneyland, featuring the pair and an audio-animatronic Olaf speaking on the cottage roof.[67] In February 2014, these meet-and-greet sessions were extended indefinitely, with wait time to meet the princesses frequently exceeding two hours, which is longer than any previous Disney characters.[68][69] As of March 2014, it was reported that this wait time had reached four or five hours.[70] Additionally, Elsa, Anna, and Olaf were given a Frozen-themed float for Disneyland Paris' Disney Magic on Parade.[71][72][73][74] On March 9, 2014, the three made appearances again on their own Frozen parade float in Festival of Fantasy Parade at Magic Kingdom theme park, Walt Disney World, with Anna showing up in her coronation dress for the first time in a Disney park.[75] On April 20, 2014, Anna and Elsa moved from Epcot to the Princess Fairytale Hall at Magic Kingdom, with wait time to see the characters amounted to three hours, comparing to Cinderella and Rapunzel's 15 minutes.[76][77]
Anna made a few appearances in Disney California Adventure's Winter Dreams, a 30-minute, winter-themed new show of the nighttime spectacle World of Color with Olaf, the show's host, and Elsa.[78][79] Disneyland Paris's nighttime spectacular Disney Dreams! featured Anna as the French co-narrator of the show, alongside the English-speaking Olaf.[74][80] Scenes from the original film, featuring Anna and other characters like Olaf and Kristoff, appear on the castle while Elsa is singing "Let It Go", during the Frozen segment in the Magic Kingdom nighttime projection show, Celebrate the Magic.[81] Coinciding with the film's release, Anna began making meet-and-greet sessions aboard the Disney Cruise Line's Disney Dream cruise ship.[82]
On May 16, 2014, it was announced that Disneyland would debut a Frozen pre-parade featuring Anna, Elsa, and Olaf. It premiered June 13, 2014, and precedes performances of Mickey's Soundsational Parade.[83] From July 5 to September 1, 2014, as part of 'Frozen' Summer Fun show at Disney's Hollywood Studios, Anna and Elsa will appear in a horse-drawn sleigh making their way down Hollywood Boulevard, alongside Kristoff and skaters, skiers and ice cutters in the Anna and Elsa's Royal Welcome section. The sisters will also make appearances in For the First Time in Forever: A "Frozen" Sing-Along Celebration, where they are joined by royal historians to retell the history of Arendelle; and "Frozen" Fireworks Spectacular alongside Kristoff and Olaf, a fireworks display set to the music of Frozen. Other characters from the film will also appear in their respective offerings: Olaf in Olaf on Summer Vacation, the Oaken's family in Wandering Oaken's Trading Post & Frozen Funland, and "Coolest Summer Ever" Dance Party featuring a DJ and live band.[84][85] In response to strong demand, Disney Parks subsequently announced on August 7 that Frozen Summer Fun would be extended to September 28.[86]
On August 19, 2014, it was initially announced that Elsa & Anna's Boutique (replacing Studio Disney 365) would open mid-September in Downtown Disney at the Disneyland Resort. The opening date was later changed to October 6, 2014, and the store name was changed to "Anna & Elsa's Boutique". The location includes products inspired by Anna, Elsa, and Olaf.[87][88][89][90]
While there hadn't been any official announcements from Disney regarding a coronation for Anna and Elsa, it had been announced in late August 2014 that a special character meal would be held by a group of travel agents in the morning of September 24, 2014. While not officially organized by Disney, the event, called My Royal Coronation, would feature the official Anna and Elsa characters owned by Disney with assistance from the company.[91] On September 12, 2014, Walt Disney World announced that a Frozen attraction was scheduled to open in early 2016 at Epcot's World Showcase in the Norway pavilion, replacing the park's Maelstrom ride. The attraction will feature the whole kingdom of Arendelle with music and scenes from the film, as well as meet-and-greets with Anna and Elsa.[92][93] Anna, Elsa, Kristoff, and Olaf will make appearances in Mickey’s Once Upon a Christmastime Parade, offered during Mickey’s Very Merry Christmas Party at Magic Kingdom in November and December 2014[92] (from November 7 to December 31).[93]
On November 13, 2014, prior to "A Sparkling Christmas" Evert, Anna and Elsa began meet-and-greet sessions at Hong Kong Disneyland.[94]
Beginning December 20, 2014, the Anna and Elsa meet and greet at Disneyland Resort was moved from Disneyland park to a new location in the Disney Animation Building called "Anna and Elsa’s Royal Welcome" in Disney California Adventure. In addition, the Storybook Land Canal Boats at Disneyland were updated to include the village of Arendelle from the film, including Anna and Elsa's castle, these new additions replaced The Old Mill section of the attraction. Officially starting January 7, 2015, Anna began making appearances alongside Elsa and Kristoff at Disney California Adventure in "For the First Time in Forever—A Frozen Sing-Along Celebration" in Hollywood Land as part of the park's "Frozen Fun" event. Also starting January 7, Anna and Elsa are making appearances in a Frozen play at the Royal Theatre in Disneyland park.[95][96]
Reception[edit]
Critical reviews[edit]
"What's so great about Frozen is that we get two strong heroines, both complex and flawed whose journeys are incredibly identifiable. Anna is plucky and socially awkward and that's great because many girls will identify with a girl who isn't necessarily naturally poised like some of the original princesses. This is a girl who hasn't had much human contact and when she does just explodes into unfiltered extroversion and naiveté."
—Sabina Ibarra, Geek Exchange film critic.[97]
Collider.com writer Matt Goldberg referred to Anna as a character who "can go from cute to melancholy to odd to defiant and never miss a beat".[98] Emma Koonse of Christian Post described her and Elsa as the "most lovable and charismatic characters yet",[41] while Tony Hicks of San Jose Mercury News wrote that both Anna and Elsa were depicted as devoted from the start, and "[Anna's] confusion and Elsa's anguish as she shuts herself away from the world—and her sister—is palatable."[99] Deepanjana Pal from First Post commented that Anna "is very much a child who needs to grow up and she does in the course of the film."[100] The Wall Street Journal suggested that the character become more endearing for being "exactly the free spirit she seems to be".[101] Noah Lee of The Coast News was impressed by the heroine duo Anna and Elsa, and said, "I never lost interest in the drastic measures Anna took or the tribulations Elsa faced."[102] Travis Bean, a reviewer of Community Newspaper Group put emphasis on the lessons that kids could perceive from the film, saying, "Children can also root for Anna to race through the forest and break through Elsa's icy walls and prove that love conquers all fears."[103] Linda Barnard, Toronto Star film critic, described the sisters as "engaging female characters", particularly praised Anna for her funny and iron-willed characteristics.[104] Sabina Ibarra from Geek Exchange commended that the directors had crafted two very real girls "who come into their own and also come together in this amazing tale."[97]
Kristen Bell was lauded for her performance as Anna in the film. Michelle Im, writing for the Eye of the Tiger referred to the character as "bubbly and spirited", and commented, "Not only was [Bell] able to nail those vibratos and belting notes in her songs, it was actually her singing them."[105] The Coast News review of the film wrote that Bell "earns top marks" for instilling a spirited sensibility in the clumsy but well-meaning Anna.[102] Cinenerd, a film critic for Blogcritics, commended the actress' singing ability, stating that she and Menzel "sing their hearts out, with two showstoppers in Let it Go and For the First Time in Forever".[106] Colin Covert of Colorado Springs' The Gazette considered Bell's performance as a "flawless delivery".[13] Matt Goldberg extolled the relationship between Anna and her elder sister Elsa, writing, "There's so much to love about Frozen, but at the top of the list is the emphasis on [Anna] and Elsa's relationship. Anna still has an infatuation with the charming Hans and romantic chemistry with the flustered Kristoff, but her greatest love is for her sister. [Elsa] is mostly scared and guilt-ridden. She's an incredibly sympathetic character, and it's a fresh spin on depicting estrangement between siblings. Anna has so much life and enthusiasm, and we want to see her share it with Elsa."[98] Magdalena Lachowicz of The Heights referred to this sisterly bond as "what truly makes the film and the moral that comes with it", commenting, "the plot is set up to lead the viewer into thinking that it needs to be true love's kiss—something which Anna then goes to seek. This journey sends her on a difficult adventure in which she learns about both sacrifice and love."[107] Debbie Lynn Elias of Culver City Observer commented, "Female driven with confidence and positivity, Elsa and Anna are like two sides of a coin, both strong, albeit one through power and confidence and the other through clumsy sticktuitiveness and love,"[108] while Stephen Holden from The New York Times appreciated that instead of a romantic attachment, it was a sisterly love and devotion that drove the story, which departed greatly from traditional Disney formula.[109] Noah Lee described Anna and Elsa's relationship as "genuine", saying, "watching those themes of family and love versus isolation and fear touched my heart in more ways than one."[102]
However, the character was not without criticisms. Michelle Im from the Eye of the Tiger referred to Anna's falling immediately in love with a prince as the only personal development in her character, and found it "disappointing" in comparison with Elsa's emotionally evolving personality.[105] Anna Smith of The Guardian disliked that both Anna and Elsa were drawn with slender figures and large eyes as is typical of Disney princesses.[110]
Accolades[edit]
Both Anna and Elsa were nominated for Best Animated Female by the Alliance of Women Film Journalists, with only Anna winning the award.[111] Frozen also won Women Film Critics Circle award in the same category.[112]
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62.Jump up ^ McDonnell, Chris (November 26, 2013). "Artist of the Day: Brittney Lee". Cartoon Brew. Retrieved March 3, 2014. "This week we continue looking at some of the talented artists whose efforts made possible the new Disney feature Frozen. Brittney Lee is credited on the film as a visual development artist."
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73.Jump up ^ "Olaf to star in Disneyland Paris DISNEY DREAMS OF CHRISTMAS nighttime castle show for Christmas season". Mouse Info. November 8, 2013. Retrieved February 7, 2014.
74.^ Jump up to: a b Monti, Andrea (November 11, 2013). ""Disney DREAMS celebrates Christmas" is among the great new holiday treats that Disneyland Paris is serving up for Xmas 2013". Jim Hill Media. Retrieved February 7, 2014.
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76.Jump up ^ Brigante, Ricky (April 20, 2014). ""Frozen" characters find new home at Walt Disney World as FastPass+ cuts wait to meet Anna and Elsa—when it works". Inside the Magic. Retrieved April 21, 2014.
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Elsa (Disney)

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Elsa
Frozen character
Elsa from Disney's Frozen.png
Created by
Chris Buck
Jennifer Lee

Voiced by
Idina Menzel
Eva Bella (as a child)
Spencer Lacey Ganus (as a teenager)

Information

Title
Queen of Arendelle
Princess of Arendelle

Family
The King and Queen of Arendelle (parents)
Princess Anna of Arendelle (younger sister)

Queen Elsa of Arendelle, is a fictional character who appears in Walt Disney Animation Studios' 53rd animated film Frozen (2013). She is voiced primarily by Broadway actress and singer Idina Menzel. At the beginning of the film, she is voiced by Eva Bella as a young child and by Spencer Lacey Ganus as a teenager.
Created by director Chris Buck, Elsa is loosely based on the title character of The Snow Queen, a Danish fairytale by Hans Christian Andersen. In the Disney film adaption, she is introduced as the princess of the fictional Scandinavian kingdom of Arendelle, heiress to the throne and the elder sister of Princess Anna (Kristen Bell). Elsa has the magical ability to create and manipulate ice and snow. She inadvertently sends Arendelle into an eternal winter on the evening of her coronation. Throughout the film, she struggles first with controlling and concealing her abilities and then with liberating herself from her fears of unintentionally harming others, especially her younger sister.
The Snow Queen character, neutral but cold-hearted in the original fairytale and villain in numerous adaptations of the character, proved difficult to adapt to film due to her transparent depiction. Several film executives, including Walt Disney, attempted to build on the character, and a number of scheduled film adaptions were shelved when they could not work out the character. Buck and his co-director, Jennifer Lee, were ultimately able to solve the dilemma by depicting Elsa and Anna as sisters. This led to Elsa being gradually rewritten as a sympathetic, misunderstood character.
Elsa has enjoyed a largely positive reception from reviewers, who praised her complex characterization and vulnerability. Menzel was also widely praised for her vocal performance of Elsa, especially that of her performance of the song "Let It Go", with critics frequently calling her a "powerhouse".[1] There are unconfirmed reports that Elsa will be inducted into the Disney Princess line-up along with Anna, becoming the 13th official member.[2]


Contents  [hide]
1 Development 1.1 Origins and concept
1.2 Voice
1.3 Design and characterization 1.3.1 Abilities

2 Appearances 2.1 Frozen
2.2 Frozen Fever
2.3 Once Upon a Time
2.4 Miscellaneous 2.4.1 Merchandise
2.4.2 Theme parks

3 Reception 3.1 Critical reviews 3.1.1 "Let It Go"
3.2 Accolades
4 References
5 External links

Development[edit]
Origins and concept[edit]



 An illustration of the Snow Queen, the character Elsa is based upon.
Attempts were made as early as 1937 by Walt Disney to adapt Hans Christian Andersen's fairy tale, The Snow Queen, into a film. The tale focuses on two children, one named Gerda, who served as the basis for Princess Anna, and the other named Kai, who is "cursed with negativity" after his heart is pierced with a shard of glass from an enchanted mirror and is later kidnapped by the Snow Queen.[3][4] However, Disney struggled with creating a believable, multi-dimensional adaption of the fairy tale's title character,[5] who was intended to be a villain.[6] In the story, she is described as "a woman, dressed in garments of white gauze, which looked like millions of starry snow-flakes linked together. She was fair and beautiful, but made of ice—shining and glittering ice. Still she was alive and her eyes sparkled like bright stars, but there was neither peace nor rest in their glance."[5] Disney was unable to find a way to make the Snow Queen more "real" and eventually abandoned film plans.[5]
Several film executives later made efforts towards the project, including Paul and Gaëtan Brizzi, Dick Zondag, Glen Keane, and Dave Goetz. In 2011, director Chris Buck began work on another attempted adaption and also faced challenges with the Snow Queen character. Producer Peter Del Vecho explained that this was primarily because she was not relatable and too isolated, having no personal connections. As a result, they could not explain her motivations. After several changes were proposed, someone on the writing team suggested making the Snow Queen Anna's sister. "Once we realized that these characters could be siblings and have a relationship, everything changed," Del Vecho relayed.[5]
The Snow Queen, now given the name Elsa, continued to be cast as a villain,[7] and Disney released the following synopsis for Frozen in May 2013:

When Anna is cursed by her estranged sister, the cold-hearted Snow Queen, Anna's only hope of reversing the curse is to survive a perilous but thrilling journey across an icy and unforgiving landscape. Joined by a rugged, thrill-seeking outdoorsman, his one-antlered reindeer and a hapless snowman, Anna must race against time, conquer the elements and battle an army of menacing snowmen if she ever hopes to melt her frozen heart.[3]
Earlier manuscripts included more antagonistic actions by Elsa, such as intentionally cursing Arendelle with an eternal winter. Additionally, she is shown creating an army of snowmen similar to the original Snow Queen's army of snowflakes; the comedic character of Olaf was at the time written as a smaller snowman who was cast out by Elsa for being too unintimidating.[3][8] Within two months, however, scripts were altered to give emphasis to her lack of control over her powers.[9] Olaf was reduced to the only snowman created by Elsa, and he instead serves as a reminder of the sisters' childhood friendship.[10] In the final version, Elsa creates a single giant snow creature that Olaf nicknames "Marshmallow" to act as a guard after being branded as a monster for her powers.[9] According to director Jennifer Lee, the character ultimately became more of a composite of both Kai and the Snow Queen, enhancing her increasingly sympathetic portrayal.[4] Del Vecho added, "There are times when Elsa does villainous things but because you understand where it comes from, from this desire to defend herself, you can always relate to her."[11]
Voice[edit]



Idina Menzel provided both the singing and speaking voice of Elsa.
Eva Bella and Spencer Lacey Ganus were cast to portray Elsa as a young child and as a teenager, respectively.[12][13] Actress and singer Megan Mullally was originally cast to voice an adult Elsa.[14] but was replaced by Idina Menzel, a Broadway actress and singer best known for performing as Elphaba in Wicked.[1] Menzel already knew Kristen Bell,[15] who voiced Anna, and had previously auditioned for a lead role in the 2010 Walt Disney film Tangled.[16] She was not cast for the part, but the casting director recorded her singing and later showed the recording to Frozen '​s film executives.[16] Menzel was surprised when she was subsequently asked to audition,[16] and she received the role after reading the script out loud.[15] In interviews, she acknowledged similarities between Elsa, her then-current role, and Elphaba, her previous role.[17] Namely, she said, they were both very powerful and very misunderstood individuals.[18] She further said that she related to the characters, having hidden her singing talent from her peers at school. "I didn't want to alienate anyone," she explained. "If everyone was singing along in the car to a Madonna song, I didn't join in because when we're younger we're afraid of sticking out or showing off, when in fact we should own those things that make us really unique."[1]
Director Chris Buck believed that Menzel's vocals would help in the portrayal of the character, saying, "Idina has a sense of vulnerability in her voice. She plays a very strong character, but someone who lives in fear—so we needed someone who could portray both sides of the character, and Idina was just amazing."[19] Menzel was unaccustomed to working with animated films and being required to portray her character's feelings with her voice alone, though she did not find it particularly challenging.[18] While recording, she was able to "play" with her voice, trying various tones to establish the ranges in Elsa's emotions. For example, Menzel wanted there to be a difference between the ways she sounded when she was being bold and when she was angry.[15] She would also physically restrict her hands from moving as she recorded the film's early scenes in order to project how her character was "so afraid to move and feel anything that it would come out and hurt people".[20]
During production, Menzel and Jonathan Groff, who portrays Kristoff, went to the animation studio to explain to their animators how they were approaching their characters.[21] Animators asked Menzel questions about her singing, observed how she breathed as she sang live, and made videorecordings of her recording sessions; they then animated Elsa's breathing to match Menzel's breathing, for further realism.[20][22] Her voice supplied inspiration for Elsa's most prominent song, "Let It Go". According to composer Robert Lopez, Menzel's vocal range was able to clearly convey Elsa's "low, vulnerable, fragile side" as well as her power and self-realization.[23] Menzel commented that it was "an honor" to have the song and that she enjoyed recording it. "It's a collision of a bunch of forces that are all coming together in the right way," she explained. "The character, what she is singing and what she is experiencing; beautiful lyrics, beautiful melody and a little bit of me."[20] Buck and Lee were also surprised by how compatible Menzel and Kristen Bell's voices were. At one point during a table read, they sang a ballad (later revealed as "Wind Beneath My Wings"[24]) back and forth to one another with so much sentiment that it reportedly left everyone who was present with tears in their eyes.[25] Subsequently, Lee wanted Menzel and Bell to be in the same room when they were recording the important emotional scenes of the film.[26]
Design and characterization[edit]
Following the casting of Idina Menzel, Elsa's characterization underwent several alterations. According to Menzel, she was originally scripted as a one-dimensional antagonist but was gradually revised as a more vulnerable, multifaceted figure.[27] Menzel further described her character as "extremely complicated and misunderstood".[19] Director Jennifer Lee stated that Elsa is largely driven by fear throughout the film,[28] while Menzel added that she was also struggling with her potential to be "a strong, powerful, extraordinary woman".[15] Executive producer and animator John Lasseter became very "protective of Elsa" and was adamant about portraying her in a more favorable, sympathetic light.[29] Writer and director Jennifer Lee stated on Twitter that Elsa's body language and mannerisms were "intentional to show anxiety and depression".[30] In July 2013, Disney released images of the film's main characters along with outlines of their roles in the story. Elsa received the following description:

From the outside, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret—she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her.[31]
Elsa's supervising animator was Wayne Unten, who asked for that role because he was fascinated by her complexity.[32] Unten carefully developed Elsa's facial expressions in order to bring out her fear as contrasted against Anna's fearlessness.[32] For their work on designing and animating Elsa, Unten and three other Disney Animation employees later won an award for Outstanding Animated Character in an Animated Feature Motion Picture at the 2013 Visual Effects Society Awards: Joy Johnson, character technical director (rigging); Alexander Alvarado, look development artist (Disney's job title for texture artists); and Chad Stubblefield, modeling supervisor.[33] FX technical director Yoo Jae-hyun worked for a year-and-a-half on creating Elsa's ice-based special effects, including effects associated with her dress.[34][35]
Producers identified the scene in which Elsa sings "Let It Go" as a pivotal point in the character's development. The scene depicts her choice to "let go" of her fear of using her powers. Character design supervisor Bill Schwab said, "Before 'Let It Go,' Elsa is really buttoned up, her hair is up—everything is perfect. During the song, she gives herself permission to be who she is and everything changes—her hair is more wild, her gown is magical. She's finally free—even if she is all alone."[19] Animators designed Elsa's appearance to reflect her metamorphosis; in the beginning, she is shown primarily in restrictive and confining outfits.[36] Menzel said that, after accepting her abilities, Elsa's appearance becomes "very vampy", continuing, "She's quite sexy for Disney, I have to say—they're pushing the limits there a little bit! But there's a gleam in her eye and a supermodel walk that goes with it and, for me, it was fun to be a blonde because I'm not in real life."[1] In a January 2014 interview with John August and Aline Brosh McKenna, Lee disclosed that Lasseter personally helped with conceptualizing Elsa's physical transformation: "[M]y favorite thing about it ... is the actual model for doing it was John Lasseter .... he was a huge help in talking through how we translate that emotional journey ... with the animation ... [H]e got up and he’s like, .... 'her hair goes, and she transforms, and she struts,' and he’s doing it. He’s acting it out."[37]
"We imagined what it would be like to be chased out of the kingdom. To have to let go of everything you know and all the people you love. And yet the incredible release you'd have to finally let go of everything you've holding back your entire life."
—Kristen Anderson-Lopez on writing Elsa's song, "Let It Go", and the choice to make her a protagonist rather than a villain.[38]
The scene was also a pivotal point in the development of Elsa's character and was initially planned to depict her becoming evil. Robert Lopez, who composed the song with his wife, Kristen Anderson-Lopez, explained, "Elsa was going to go from being this perfect princess that had tried to keep her personality down her whole life to saying, 'Screw it. I'm gonna be me.'"[38] They had wanted to use the song as a way to gain a better understanding of the character and what she would be like if she was no longer living in fear, which ultimately resulted in her becoming much more complex.[25] The final lyrics and Menzel's "ability to be so fragile and vulnerable and then break into this powerhouse voice" turned the plot around and led to Elsa being revised as a "good" character.[38] She initially attempts to suppress her powers in order to avoid hurting others, particularly Anna, and when she is no longer able to do so, she banishes herself from the kingdom to protect those around her.[19][39] Lead writer Paul Briggs said that Anna's support is what Elsa needs most when her secret is exposed. "The strength of the family bond is what makes this story so powerful," he explained, "because it's her sibling who's willing to look beyond her powers and stand between her and the world if that's what it takes."[19]



 Early concept art depicting a darker version of Elsa inspired by Amy Winehouse.
Elsa's appearance had to be redesigned following her transition from antagonist to protagonist. She was originally drawn in a style similar to typical Disney villains, with blue skin and spiky black hair.[29] A few months after the film's release, visual development artist Claire Keane (the daughter of Disney Legend Glen Keane) published early concept art of Elsa that was modeled after the singer Amy Winehouse.[40] At the time, she was imagined as having blue "bouffant" hair as well as "a deep, soulful voice and dramatic mood swings".[40] Lasseter reportedly influenced the creation of the character's much softer final appearance, particularly in regards to her very thick blonde hair, which animators found difficult to design. Art director Michael Giaimo said that while a number of strategies were proposed for Elsa's hair, Lasseter would push the animation team to continue making improvements, saying, "It's not aspirational enough. We want people to feel like this hair is a beautiful statement."[41] During a research trip, producers found that "there are lots of braids" worn by women in Norway; they then hired a stylist from New York named "Danilo" who helped to create a style that would reflect that while still being "a little different".[42][43][44] A new animation program called Tonic was invented to assist with the task, and the character's hair ultimately required 420,000 CGI threads.[36][45] By contrast, Anna was given roughly 140,000 hairs[42][46] while Rapunzel from Tangled had only required 27,000 CGI threads for her hair.[45]
Abilities[edit]



 Elsa's ice castle becoming jagged and darker, representing her emotional state in the later half of the film.
Since Elsa is introduced as a young child at the beginning of the film, animators wanted the first glimpse of her powers to reflect her innocent and fanciful state of mind at the time. This included giving her first snowflakes a simple design. Her snow and ice patterns later become more intricate and complex when she is an adult. Co-effects supervisor Marlon West elaborated, "When Elsa finally lets go and really starts owning her cryokinetic abilities, we wanted the ice and snow that she make to get across the idea that Elsa has now grown up and become this beautiful, elegant, confident and powerful young woman."[47]
Her ice castle, which she creates while singing "Let It Go", was designed to illustrate the maturing of her powers as well as to be "a manifestation of her feelings to the world".[47][48] The palace is initially beautiful; however, after she is made aware of the destruction she has inadvertently caused, and as she is increasingly vilified and hunted by others, it becomes darker and more distorted, with jagged icicles forming on the walls. The film's design team was uncertain about how it should look and drew out designs for various ice castles filled with snow. Lasseter suggested basing the structure and patterns on snowflakes. For example, an enormous snowflake would serve as the foundation, and the palace would be hexagon-shaped. Lasseter also wanted snowflake patterns to influence the manner in which Elsa creates the palace. "Snowflakes are these tiny little ice crystals that form in mid-air. And when there are changes in temperature and humidity, these snowflakes start growing in a pattern that's known as branching and plating," said co-effects supervisor Dale Mayeda. "[Lasseter] said 'You know, when Elsa builds her ice palace, it would be so amazing if—every step of the way as this castle forms out of thin air—it's just branching and plating, branching and plating all along the way."[47]
Fifty animators worked on the scene in which the castle is built, and one frame required 30 hours to render.[47] They later extended similar techniques to Elsa's clothing. While the traditional Norwegian rosemaling was the inspiration for her costuming early in the film, her ice gown was designed similarly to her palace, with snowflakes heavily influencing the style. Her cape itself is a large snowflake.[26]
Appearances[edit]
Frozen[edit]
Main article: Frozen (2013 film)
Elsa, princess of Arendelle and heiress to the throne, is born with the ability to create and control ice and snow. As a child, she uses her abilities to create a winter wonderland to play in with her younger sister and best friend, Princess Anna. One night, Elsa accidentally harms Anna with her powers. The king and queen of Arendelle hurriedly take Anna to a tribe of mountain trolls to be healed. While healing Anna, the trolls inform the royals present that Elsa's abilities will grow, becoming both beautiful and very dangerous so she must learn to control them. While the trolls erase Anna's memory of the incident and of her elder sister's powers in general, Elsa is traumatized by the event. The king and queen take steps to control and hide Elsa's ice powers: the castle gates are locked, Elsa is shut away in her bedroom for most of the time, she is given gloves to help suppress her powers and is told to hold in her emotions as well. Nonetheless her powers continue to grow even stronger and so she becomes fearful of harming those she cares about most. Meanwhile, her sister Anna is less happy and confused by the loss of contact with her elder sister and tries, without success, to coax her out of her room. When the sisters grow into teenagers, the ship in which the king and queen are sailing runs aground and they drown, leaving Anna and Elsa feeling even more lonely.
Three years pass, and Elsa, now of age, is set to formally succeed her father as the queen of Arendelle. Though she is afraid of opening the castle to the large crowds, her coronation goes on relatively peacefully. However, at the reception party, Anna asks for Elsa's blessing to marry Prince Hans of the Southern Isles, whom Anna had met earlier that day. Elsa refuses to bless Hans's offer to marry Anna; he is someone she barely knows, prompting an argument between the two. Being so upset Elsa accidentally reveals her power. Upon the guests' and her subjects' horror and being accused of sorcery and called a monster, Elsa flees the castle and retreats into the icy mountains. In the process, her emotions unleash an "eternal" winter throughout Arendelle. While there, she decides to embrace, finally, all her powers and builds an enormous ice palace where she believes she can live freely without fear of hurting people. She also rebuilds her childhood snowman, Olaf, and unknowingly brings him to life.
Anna, determined to find Elsa and bring her back, travels through the mountains, encountering Olaf and a mountain man named Kristoff. They reach the ice palace, where Anna attempts to persuade Elsa to return home and mend their relationship. When Elsa ultimately resists (due to her memory of hurting Anna as a child with her powers resurfacing ) Anna tells her about the state that Arendelle and all its people was left in. Horrified, Elsa lashes out and accidentally freezes Anna's heart. Now even more horrified at the prospect of hurting her sister and people with her powers Elsa forces Anna, Kristoff and Olaf out by creating a gigantic snow creature (called Marshmallow by Olaf), that is a symbol of her desire to be alone so as to be able to use her powers without hurting anyone. After this, her ice castle evidently becomes darker and more grotesque, reflecting her torment and re-ignited fears. Meanwhile, Anna becomes weaker day by day and Kristoff takes her back to the trolls, who tell them that only an act of true love can save her life.
Hans and a group of soldiers attack the now ugly ice palace. Elsa seizes two soldiers who attempt to assassinate her. Hans convinces her to spare them to prove that she is not a monster. However, she is knocked unconscious and taken to her castle's dungeon. Hans visits her and urges her to end the winter but she admits that she has no idea know how to. After he leaves, she is able to break free from the chains by freezing them and escapes the cell, though her fears trigger a massive blizzard. Anna returns to the castle, believing that a romantic kiss from Hans will be the "act of true love" to save her. Instead, he informs her that his offer of marriage (engagement) had been the first step of a plot to get him the throne of Arendelle. Olaf tells Anna that Kristoff is in love with her and she believes that his kiss will cure her. They rush to find Kristoff. Hans confronts Elsa and tells her that she has killed Anna. Devastated, Elsa collapses and the blizzard stops suddenly. Hans approaches her and swings his sword to kill her, but Anna turns away from an approaching Kristoff with her last bit of strength and blocks Hans' attack as she freezes solid.
Moments later, Anna begins to thaw, as her choice to save her sister rather than herself constituted an "act of true love". Elsa realizes that love is the key to controlling her powers and ends the kingdom's eternal winter. Summer returns to Arendelle, Elsa regains the throne and is able to use and safely control her powers, while the sisters' bond is restored. She exiles Hans back to the Southern Isles to face punishment from his family and cuts off trade with the Duke of Weselton's town for his earlier behavior towards her.
Frozen Fever[edit]
Main article: Frozen Fever
Nearly a year after the events of the first film, Elsa tries to make Anna's 19th birthday as perfect as possible a way of making up for the years they spent apart. To do so, she works heavily with Kristoff, Sven and Olaf to make this a reality. Upon making sure that her surprise party in the palace courtyard is ready, she leaves Kristoff in charge while she goes to get Anna. However, Elsa starts to come down with a cold as she leads Anna on a treasure hunt to find all the gifts that have been made for her. Without realizing it, each sneeze she makes creates small snowmen called "snowgies", which create trouble for Kristoff, Sven and Olaf. As Anna notices Elsa's cold getting worse, she tries in vain to get Elsa to stop exerting herself, even having her take medicine received from the trader Oaken. Unfortunately, the cold medicine causes Elsa to become intoxicated, and she nearly falls from Arendelle's clock tower. Upon admitting to Anna that she is indeed sick, she allows Anna to escort her home feeling she has ruined everything, and finds that the party has gone off successfully for Anna (as well as discovering her snowgie creations), and still slightly intoxicated, she ends the party by sneezing into the birthday bugle horn, which sends her snowball all the way to the Southern Isles and hits the now-demoted Hans, causing him to fall into a pile of horse manure. After, Anna tells a now bed-ridden Elsa that she has given her the best birthday ever by letting her take care of her sister.
Once Upon a Time[edit]

Elsa
Once Upon a Time character
First appearance
"There's No Place Like Home" (3.22)
Last appearance
"Heroes and Villains" (4.12)
Created by
Edward Kitsis
Adam Horowitz

Portrayed by
Georgina Haig
Information

Aliases
Ice Queen
Occupation
Queen of Arendelle
Family
Queen Gerda and King of Arendelle (parents)
Anna (younger sister)
Ingrid/Snow Queen and Helga (maternal aunts)
Kristoff (brother-in-law)

Elsa, also known in the series as the Snow Queen, appears as a recurring character in the fourth season of the television series Once Upon a Time, where she is portrayed by Georgina Haig.
At the end of the show's third season finale, "There's No Place Like Home", Emma Swan (Snow White and Prince Charming's daughter) and Captain Hook accidentally bring back an urn from Rumplestiltskin's vault after their excursion into the past. The urn releases a blue liquid that coalesces into Elsa. She takes off her glove and destroys the urn with an icy blast. She strides out of the barn, leaving a trail of frozen ground. In the fourth season premiere, "A Tale of Two Sisters", Elsa's story is shown in the present day as well as flashbacks taking place two years after the events of the film. In the past, she discovers that her and Anna's parents set off not on a diplomatic mission, but on a journey to Misthaven—the 'Enchanted Forest' where most of Storybrooke's fairy-tale residents came from—to discover more about Elsa's powers, with Anna travelling to Misthaven to find out more about her parents' voyage. In the present, Elsa is frightened by her sudden exposure into the town of modern-day Storybrooke and re-conjures Marshmallow for protection. Marshmallow is defeated by Regina Mills (the Evil Queen), while Elsa discovers a necklace she gave long ago to Anna in Mr. Gold's (Rumplestiltskin's) shop, leaving her resolved to learn what happened to her sister.[49]
As the season progresses, Elsa befriends series protagonist Emma Swan, Emma and the series' central cast resolving the help Elsa find Anna. The group eventually discovers that a figure named the Snow Queen (a more faithful adaptation of the original fairy tale's character) is somehow responsible for Elsa's trapping in her urn, a woman with similar powers to Elsa. They soon discover that the Snow Queen is Elsa's aunt, Ingrid, who was forgotten from Arendelle when Elsa's mother, Gerda, used the power of the troll king to erase everyones memory of her, not wishing for the world to remember how Ingrid accidentally murdered their third sister. Ingrid soon discovered a prophecy that stated she would one day have the love of her sisters again. With Ingrid's sisters dead however, she believed she would be forced to create new sisters. For this, she chose Emma and Elsa. Ingrid had stalked Emma her entire life in preparation for the prophecy to become true, and manipulated events in Arendelle to bring Elsa to her. Being convinced that she could only gain their love when she was the only one left, she obtained a mirror capable of bringing out the worst in people (the mirror coming directly from The Snow Queen fairy tale). If a piece of the mirror were to get in someones eye, they would see nothing but hatred in the world. Ingrid had planned to use this on everyone in Storybrooke (dubbed the Spell of Shattered Sight), forcing all of its citizens to kill each other while she, Emma, and Elsa remained immune. Ingrid had also used this to her advantage on Anna, forcing Anna to trap Elsa in the urn they originally found Elsa in.
Back in Arendelle, Anna (who has woken up from the spell) tried to track down a device known as a wishing star, which will have the power to bring her and Kristoff to wherever Elsa is. It was apparently the necklace Elsa had given Anna long ago, Elsa using it to bring Anna and Kristoff to Storybrooke. However, the Spell of Shattered Sight had already begun, and the only ones immune to it were Elsa, Emma, and Anna (Anna because it was already used on her a while ago). Tracking down a note written by Elsa and Anna's mother right before her death, the three bring it to Ingrid. It reads that Gerda forgave Ingrid for all that had transpired and still loved her, Ingrid realizing this was what the prophecy meant by regaining her sister's love. Realizing there is no point in killing the town now, the Snow Queen kills herself using the mirror, which deactivates the curse, though a bit of it remained in Storybrooke, reinstating the town line, making it impossible to return to town if you are to leave it.
With the help of Rumpelstiltskin, they are able to discover a door that will lead back to Arendelle, though they will not be able to return, as the door will disappear after its use. Anna and Kristoff depart, while Elsa and Emma share a tearful goodbye before returning to Arendelle with her little sister to attended the long-awaited wedding between Anna and Kristof.
With the introduction of Frozen characters, the season 4 of Once Upon a Time saw a 31-percent increase in ratings from the autumn of 2013 (9.3 million viewers), marking its best ratings in almost two years.[50]
Miscellaneous[edit]
Merchandise[edit]
Along with Anna, Elsa is expected to be officially inducted into the Disney Princess line-up,[2] a marketing franchise aimed primarily at young girls that manufactures and releases products such as toys, video and audio recordings, clothing, and video games.[51] In December 2013, Disney began releasing "Musical Magic Elsa and Anna Dolls", which played their signature songs that appear in the film.[52] Numerous other doll versions of Elsa were released for purchase, including fashion doll sets, mini dolls, plush dolls, and Elsa-as-a-toddler dolls.[53] A dress up costume for children was modeled after Elsa's ice gown along with gloves similar to ones she wears in the film.[53] Together with Anna, she was depicted on various Frozen-inspired dishware such as plates and coffee mugs.[53] Other Elsa-inspired merchandise includes luggage, nightgowns, and home décor.[54] Additionally, simplified versions of the film were adapted to children's storybooks, including one with voice audio and another called A Sister More Like Me that was illustrated by Brittney Lee.[55] Elsa and Anna also both appear as playable characters in Disney Infinity through the use of their corresponding figurines.[56]
In early 2014, most Frozen merchandise, including dolls and dresses, were sold out nearly everywhere, including Disney stores and theme parks.[57] In early November 2014, Disney announced that it had sold over three million Frozen costumes in North America alone, of which Elsa was the no. 1 best-selling Disney costume of all time, followed by Anna at no. 2.[58] Hallmark created a Queen Elsa Christmas tree ornament after much interest was expressed when the Olaf ornament was announced in 2014.
Theme parks[edit]



 Elsa meet-and-greet at Disneyland in California.
In November, before the release of Frozen, Anna and Elsa began making appearances at Walt Disney Parks and Resorts in Florida and California through meet and greets. In Walt Disney World, the attractions were set up in the Norway Pavilion of Epcot in recognition of the Scandinavian cultural elements that went into the film's design.[59] In Disneyland, a winter-themed cottage was set up in the Fantasyland section, with a talking audio-animatronic Olaf sitting on the cottage roof.[60] In February 2014, these meet-and-greet sessions were extended indefinitely, with wait time to meet the princesses frequently exceeding two hours, which is longer than any previous Disney characters.[61][62] Additionally, Elsa, Anna, and Olaf were given a Frozen-themed float for Disneyland Paris' Disney Magic on Parade.[63] On March 9, 2014, the three made appearances again on their own Frozen parade float in Festival of Fantasy Parade at Magic Kingdom theme park.[64] On April 20, 2014, Anna and Elsa moved from Epcot to the Princess Fairytale Hall at Magic Kingdom, with wait time to see the characters amounted to three hours, compared to Cinderella's and Rapunzel's 15 minutes.[65][66]
Elsa's performance of "Let It Go" became the central feature in Disney California Adventure's Winter Dreams,[67] a 30-minute, winter-themed adaption of the nighttime show World of Color, which showcases scenes from Disney films.[68] Disneyland Paris' nighttime spectacular, Disney Dreams!, also added Elsa's performance of "Let It Go" to their attractions,[69] and she was given a similar role during the Magic Kingdom show, Celebrate the Magic, with her singing interspersed with scenes from the movie.[70]
On May 16, 2014, it was announced that Disneyland would debut a Frozen pre-parade featuring Elsa, Anna and Olaf. It premiered June 13, 2014, and precedes performances of Mickey's Soundsational Parade.[71] From July 5 to September 1, 2014, as part of 'Frozen' Summer Fun show at Disney's Hollywood Studios, Anna and Elsa will appear in a horse-drawn sleigh making their way down Hollywood Boulevard, alongside Kristoff and skaters, skiers and ice cutters in the Anna and Elsa's Royal Welcome section. The sisters will also make appearances in For the First Time in Forever: A "Frozen" Sing-Along Celebration, where they are joined by royal historians to retell the history of Arendelle; and "Frozen" Fireworks Spectacular alongside Kristoff and Olaf, a fireworks display set to the music of Frozen.[72][73] In response to strong demand, Disney Parks subsequently announced on August 7 that Frozen Summer Fun would be extended to September 28.[74]
On August 19, 2014, it was initially announced that Elsa & Anna's Boutique (replacing Studio Disney 365) would open mid-September in Downtown Disney at the Disneyland Resort. The opening date was later changed to October 6, 2014, and the store name was changed to "Anna & Elsa's Boutique". The location includes products inspired by Anna, Elsa, and Olaf.[75][76][77][78]
While there had not been any official announcements from Disney regarding a coronation for Anna and Elsa, it had been announced in late August 2014 that a special character meal would be held by a group of travel agents in the morning of September 24, 2014. While not officially organized by Disney, the event, called My Royal Coronation, would feature the official Anna and Elsa characters owned by Disney with assistance from the company.[79] On September 12, 2014, Walt Disney World announced that a Frozen attraction was scheduled to open in early 2016 at Epcot's World Showcase in the Norway pavilion, replacing the park's Maelstrom ride. The attraction will feature the whole kingdom of Arendelle with music and scenes from the film, as well as meet-and-greets with Anna and Elsa.[80][81] Anna, Elsa, Kristoff, and Olaf will make appearances in Mickey’s Once Upon a Christmastime Parade, offered during Mickey’s Very Merry Christmas Party at Magic Kingdom in November and December 2014[80] (from November 7 to December 31).[81] Also starting from November, every night Elsa will use her powers to transform Cinderella Castle into an ice palace.[80]
On November 13, 2014, prior to "A Sparkling Christmas" Evert, Anna and Elsa began meet-and-greet sessions at Hong Kong Disneyland.[82]
Beginning December 20, 2014, the Anna and Elsa meet and greet at Disneyland Resort was moved from Disneyland park to a new location in the Disney Animation Building called "Anna and Elsa’s Royal Welcome" in Disney California Adventure. In addition, the Storybook Land Canal Boats at Disneyland were updated to include the village of Arendelle from the film, including Anna and Elsa's castle and Elsa's ice palace. These new additions replaced The Old Mill section of the attraction. Officially starting January 7, 2015, Elsa began making appearances alongside Anna and Kristoff at Disney California Adventure in "For the First Time in Forever—A Frozen Sing-Along Celebration" in Hollywood Land as part of the park's "Frozen Fun" event. Also starting January 7, Anna and Elsa are making appearances in a Frozen play at the Royal Theatre in Disneyland park.[83][84]
Reception[edit]
Critical reviews[edit]
"Not content to merely turn True Love into a cautionary tale, [the writers] doubled down and made Elsa into [a] flawed hero warped by her upbringing and parents' heartfelt but damaging desire to keep their children safe...Elsa is aloof. And scared. And over-protective. And insecure. And full of guilt. Because people—even animated people—are the sum total of their personalities combined with their experiences. Which is something even live action films forget at least 63% of the time."
—Donna Dickens, entertainment editor.[85]
The character of Elsa was widely praised by reviewers for her multifaceted, evolving personality. Matt Goldberg of Collider.com commented that she was "an incredibly sympathetic character"[86] while Deepanjana Pal of First Post (India) praised the decision to rewrite her as a protagonist and said, "Elsa is no evil, frosty vision of twisted and toxic maternity like the original Snow Queen. She's a young woman in difficult circumstances, frightened, trying to understand her abilities and burdened by expectation and convention. It's easy to sympathise with her and marvel at her ability when she builds her spectacular palace in the mountains. Next to her, Anna is very much a child who needs to grow up and she does in the course of the film."[87] Stuff.co.nz's James Croot compared her "humiliation and exile" to that of Simba in The Lion King.[88] Katherine Webb, a reviewer for Wall St. Cheat Sheet, said that the scenes depicting Elsa gaining confidence and individuality delivered "an exciting message to send to young girls looking for a new princess role model".[89]
Travis Bean of Cedar Falls Times suggested that Elsa's ice powers, a "personal oddity" that made her self-conscious, as well as her selflessness in withdrawing into isolation in order to avoid hurting others allowed children to connect more with the plot of Frozen.[90] Laurie Levy from Chicago Now wrote that her young grandchildren "admired Elsa for being smart, strong, magical, and powerful" and did not care that she had no romantic subplot.[91] Magdalena Lachowicz, a film critic for The Heights, opined that Elsa's relationship with Anna was the most important part of the movie,[92] and Stephen Holden of The New York Times liked that, in departure from traditional Disney formula, it was a sibling's love rather than romantic love that was able to "thaw the icy heart of the frightened Elsa".[93] Tony Hicks of San Jose Mercury News wrote, "[Anna's] confusion and Elsa's anguish as she shuts herself away from the world—and her sister—is palatable."[94] Emma Koonse of Christian Post opined that together the sisters were Disney's "most lovable and charismatic characters yet",[39] and Debbie Lynn Elias of Culver City Observer commented, "Elsa and Anna are like two sides of a coin, both strong, albeit one through power and confidence and the other through clumsy sticktuitiveness and love."[95]
Several reviewers commented that Elsa was more interesting than Anna, Frozen '​s primary protagonist. ABS-CBN writer Fred Hawson described Elsa as "an incredible character with a unique and interesting predicament because of the powers she possessed" and expressed the opinion that Frozen should have focused more on her rather than Anna.[96] Samra Muslim of The Express Tribune wrote that it was her presence that kept viewers "hooked" throughout the movie, elaborating, "Her character is complex and sympathetic and deserved to be explored even further. Instead the story revolves more around the relationship of the two sisters and Anna who is the typical, feisty, charming Disney heroine and her love trysts—instead of the alluring Elsa."[97]
The character was not devoid of criticism. Charlotte O'Sullivan from the London Evening Standard gave a more negative assessment of Elsa, saying that she "resembles one of those brittle mentors on The X Factor. Purple eyeshadow, tiny waist, kitten heels".[98] Anna Smith of The Guardian disliked that both Elsa and Anna were drawn with slender figures and large eyes as is typical of Disney princesses.[99] Slate's Dana Stevens wrote that "it's impossible not to thrill to Elsa's surging sense of power" but criticized the choice to illustrate her growing confidence by changing her appearance; Stevens further expressed concern that the switch from the character's modest coronation gown to "a slinky, slit-to-the-thigh dress with a transparent snowflake-patterned train and a pair of silver-white high heels" and a hairstyle that suggested "come-hither bad-girl seduction" was overly sexual.[100] Christy Lemire compared Elsa to Carrie, another well-known fictional female who unleashes magical powers when agitated.[101]
"Let It Go"[edit]
Main article: Let It Go (Disney song)
Idina Menzel also received praise for her singing, with Amon Warmann of Cine Vue saying her voice "positively soars in these musical ballads".[102] Reviewers frequently focused on her performance of "Let It Go", described by Entertainment Weekly '​s Marc Snetiker as "an incredible anthem of liberation" in which Elsa decides to no longer fear her powers.[103] Various critics said that Menzel had been a "powerhouse" during the scene;[1] Linda Barnard from The Star commented that Menzel "can shatter icicles with her powerful voice".[104]
Matt DeTruck of The Rochester City Newspaper wrote, "Menzel should be credited for providing as much power and passion to this performance as she did in her most famous role."[105] Donald Clark of Irish Times added, "Elsa's flight to the glaciers triggers a song that, in its defiant paean to self-reliance, could play comfortably beside camp showtune anthems such as I Am What I Am and Don't Rain on My Parade. The opening and closing choruses of Let It Go end with a sly, spat-out refrain: 'The cold never bothered me anyway!' You go, girl."[106] Nasim Asl of The Oxford Student continued, "Menzel, especially, steals the show with her performance of 'Let It Go'. Her Wicked-esque belting out works perfectly with such an incredible animated sequence—the building of the ice castle really demonstrates the prowess of Disney animation, and results in, arguably, one of the most spectacular power ballads seen by any animated character, ever."[107]
Accolades[edit]
In December 2013, Elsa and Anna were both nominated for Best Animated Female by the Alliance of Women Film Journalists, with only Anna winning the award, a few weeks later.[108] Elsa won all three awards out of three nominations at the 2013 Visual Effects Society Awards, including Outstanding Animated Character in an Animated Feature Motion Picture, Outstanding Created Environment in an Animated Feature Motion Picture for her ice palace, and Outstanding FX and Simulation Animation in an Animated Feature Motion Picture for her blizzard.[33][109] Her signature song, "Let It Go", won Best Original Song at the Academy Awards,[110] the Phoenix Film Critics Society Awards[111] and the Critics' Choice Awards,[112] and also received Golden Globe Award,[113] the Satellite Awards,[114] the Broadcast Film Critics Association Award,[115] and the Houston Film Critics Society Award nominations.[116]
Time ranked Elsa as the most influential fictional character of 2014.[117]
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78.Jump up ^ "Anna & Elsa’s Boutique to Open October 6". LaughingPlace.com. September 16, 2014. Retrieved September 16, 2014.
79.Jump up ^ "Anna and Elsa to appear in "My Royal Coronation" event at Walt Disney World as travel agents bring "Frozen" character meal to Epcot". Inside the Magic. August 26, 2014. Retrieved August 28, 2014.
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82.Jump up ^ "Hong Kong Disneyland launches "Disney Paint the Night" Parade from October 2014".
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External links[edit]

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Disney's Frozen "Let It Go" Sequence Performed by Idina Menzel on YouTube


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Elsa (Disney)

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Elsa
Frozen character
Elsa from Disney's Frozen.png
Created by
Chris Buck
Jennifer Lee

Voiced by
Idina Menzel
Eva Bella (as a child)
Spencer Lacey Ganus (as a teenager)

Information

Title
Queen of Arendelle
Princess of Arendelle

Family
The King and Queen of Arendelle (parents)
Princess Anna of Arendelle (younger sister)

Queen Elsa of Arendelle, is a fictional character who appears in Walt Disney Animation Studios' 53rd animated film Frozen (2013). She is voiced primarily by Broadway actress and singer Idina Menzel. At the beginning of the film, she is voiced by Eva Bella as a young child and by Spencer Lacey Ganus as a teenager.
Created by director Chris Buck, Elsa is loosely based on the title character of The Snow Queen, a Danish fairytale by Hans Christian Andersen. In the Disney film adaption, she is introduced as the princess of the fictional Scandinavian kingdom of Arendelle, heiress to the throne and the elder sister of Princess Anna (Kristen Bell). Elsa has the magical ability to create and manipulate ice and snow. She inadvertently sends Arendelle into an eternal winter on the evening of her coronation. Throughout the film, she struggles first with controlling and concealing her abilities and then with liberating herself from her fears of unintentionally harming others, especially her younger sister.
The Snow Queen character, neutral but cold-hearted in the original fairytale and villain in numerous adaptations of the character, proved difficult to adapt to film due to her transparent depiction. Several film executives, including Walt Disney, attempted to build on the character, and a number of scheduled film adaptions were shelved when they could not work out the character. Buck and his co-director, Jennifer Lee, were ultimately able to solve the dilemma by depicting Elsa and Anna as sisters. This led to Elsa being gradually rewritten as a sympathetic, misunderstood character.
Elsa has enjoyed a largely positive reception from reviewers, who praised her complex characterization and vulnerability. Menzel was also widely praised for her vocal performance of Elsa, especially that of her performance of the song "Let It Go", with critics frequently calling her a "powerhouse".[1] There are unconfirmed reports that Elsa will be inducted into the Disney Princess line-up along with Anna, becoming the 13th official member.[2]


Contents  [hide]
1 Development 1.1 Origins and concept
1.2 Voice
1.3 Design and characterization 1.3.1 Abilities

2 Appearances 2.1 Frozen
2.2 Frozen Fever
2.3 Once Upon a Time
2.4 Miscellaneous 2.4.1 Merchandise
2.4.2 Theme parks

3 Reception 3.1 Critical reviews 3.1.1 "Let It Go"
3.2 Accolades
4 References
5 External links

Development[edit]
Origins and concept[edit]



 An illustration of the Snow Queen, the character Elsa is based upon.
Attempts were made as early as 1937 by Walt Disney to adapt Hans Christian Andersen's fairy tale, The Snow Queen, into a film. The tale focuses on two children, one named Gerda, who served as the basis for Princess Anna, and the other named Kai, who is "cursed with negativity" after his heart is pierced with a shard of glass from an enchanted mirror and is later kidnapped by the Snow Queen.[3][4] However, Disney struggled with creating a believable, multi-dimensional adaption of the fairy tale's title character,[5] who was intended to be a villain.[6] In the story, she is described as "a woman, dressed in garments of white gauze, which looked like millions of starry snow-flakes linked together. She was fair and beautiful, but made of ice—shining and glittering ice. Still she was alive and her eyes sparkled like bright stars, but there was neither peace nor rest in their glance."[5] Disney was unable to find a way to make the Snow Queen more "real" and eventually abandoned film plans.[5]
Several film executives later made efforts towards the project, including Paul and Gaëtan Brizzi, Dick Zondag, Glen Keane, and Dave Goetz. In 2011, director Chris Buck began work on another attempted adaption and also faced challenges with the Snow Queen character. Producer Peter Del Vecho explained that this was primarily because she was not relatable and too isolated, having no personal connections. As a result, they could not explain her motivations. After several changes were proposed, someone on the writing team suggested making the Snow Queen Anna's sister. "Once we realized that these characters could be siblings and have a relationship, everything changed," Del Vecho relayed.[5]
The Snow Queen, now given the name Elsa, continued to be cast as a villain,[7] and Disney released the following synopsis for Frozen in May 2013:

When Anna is cursed by her estranged sister, the cold-hearted Snow Queen, Anna's only hope of reversing the curse is to survive a perilous but thrilling journey across an icy and unforgiving landscape. Joined by a rugged, thrill-seeking outdoorsman, his one-antlered reindeer and a hapless snowman, Anna must race against time, conquer the elements and battle an army of menacing snowmen if she ever hopes to melt her frozen heart.[3]
Earlier manuscripts included more antagonistic actions by Elsa, such as intentionally cursing Arendelle with an eternal winter. Additionally, she is shown creating an army of snowmen similar to the original Snow Queen's army of snowflakes; the comedic character of Olaf was at the time written as a smaller snowman who was cast out by Elsa for being too unintimidating.[3][8] Within two months, however, scripts were altered to give emphasis to her lack of control over her powers.[9] Olaf was reduced to the only snowman created by Elsa, and he instead serves as a reminder of the sisters' childhood friendship.[10] In the final version, Elsa creates a single giant snow creature that Olaf nicknames "Marshmallow" to act as a guard after being branded as a monster for her powers.[9] According to director Jennifer Lee, the character ultimately became more of a composite of both Kai and the Snow Queen, enhancing her increasingly sympathetic portrayal.[4] Del Vecho added, "There are times when Elsa does villainous things but because you understand where it comes from, from this desire to defend herself, you can always relate to her."[11]
Voice[edit]



Idina Menzel provided both the singing and speaking voice of Elsa.
Eva Bella and Spencer Lacey Ganus were cast to portray Elsa as a young child and as a teenager, respectively.[12][13] Actress and singer Megan Mullally was originally cast to voice an adult Elsa.[14] but was replaced by Idina Menzel, a Broadway actress and singer best known for performing as Elphaba in Wicked.[1] Menzel already knew Kristen Bell,[15] who voiced Anna, and had previously auditioned for a lead role in the 2010 Walt Disney film Tangled.[16] She was not cast for the part, but the casting director recorded her singing and later showed the recording to Frozen '​s film executives.[16] Menzel was surprised when she was subsequently asked to audition,[16] and she received the role after reading the script out loud.[15] In interviews, she acknowledged similarities between Elsa, her then-current role, and Elphaba, her previous role.[17] Namely, she said, they were both very powerful and very misunderstood individuals.[18] She further said that she related to the characters, having hidden her singing talent from her peers at school. "I didn't want to alienate anyone," she explained. "If everyone was singing along in the car to a Madonna song, I didn't join in because when we're younger we're afraid of sticking out or showing off, when in fact we should own those things that make us really unique."[1]
Director Chris Buck believed that Menzel's vocals would help in the portrayal of the character, saying, "Idina has a sense of vulnerability in her voice. She plays a very strong character, but someone who lives in fear—so we needed someone who could portray both sides of the character, and Idina was just amazing."[19] Menzel was unaccustomed to working with animated films and being required to portray her character's feelings with her voice alone, though she did not find it particularly challenging.[18] While recording, she was able to "play" with her voice, trying various tones to establish the ranges in Elsa's emotions. For example, Menzel wanted there to be a difference between the ways she sounded when she was being bold and when she was angry.[15] She would also physically restrict her hands from moving as she recorded the film's early scenes in order to project how her character was "so afraid to move and feel anything that it would come out and hurt people".[20]
During production, Menzel and Jonathan Groff, who portrays Kristoff, went to the animation studio to explain to their animators how they were approaching their characters.[21] Animators asked Menzel questions about her singing, observed how she breathed as she sang live, and made videorecordings of her recording sessions; they then animated Elsa's breathing to match Menzel's breathing, for further realism.[20][22] Her voice supplied inspiration for Elsa's most prominent song, "Let It Go". According to composer Robert Lopez, Menzel's vocal range was able to clearly convey Elsa's "low, vulnerable, fragile side" as well as her power and self-realization.[23] Menzel commented that it was "an honor" to have the song and that she enjoyed recording it. "It's a collision of a bunch of forces that are all coming together in the right way," she explained. "The character, what she is singing and what she is experiencing; beautiful lyrics, beautiful melody and a little bit of me."[20] Buck and Lee were also surprised by how compatible Menzel and Kristen Bell's voices were. At one point during a table read, they sang a ballad (later revealed as "Wind Beneath My Wings"[24]) back and forth to one another with so much sentiment that it reportedly left everyone who was present with tears in their eyes.[25] Subsequently, Lee wanted Menzel and Bell to be in the same room when they were recording the important emotional scenes of the film.[26]
Design and characterization[edit]
Following the casting of Idina Menzel, Elsa's characterization underwent several alterations. According to Menzel, she was originally scripted as a one-dimensional antagonist but was gradually revised as a more vulnerable, multifaceted figure.[27] Menzel further described her character as "extremely complicated and misunderstood".[19] Director Jennifer Lee stated that Elsa is largely driven by fear throughout the film,[28] while Menzel added that she was also struggling with her potential to be "a strong, powerful, extraordinary woman".[15] Executive producer and animator John Lasseter became very "protective of Elsa" and was adamant about portraying her in a more favorable, sympathetic light.[29] Writer and director Jennifer Lee stated on Twitter that Elsa's body language and mannerisms were "intentional to show anxiety and depression".[30] In July 2013, Disney released images of the film's main characters along with outlines of their roles in the story. Elsa received the following description:

From the outside, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret—she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her.[31]
Elsa's supervising animator was Wayne Unten, who asked for that role because he was fascinated by her complexity.[32] Unten carefully developed Elsa's facial expressions in order to bring out her fear as contrasted against Anna's fearlessness.[32] For their work on designing and animating Elsa, Unten and three other Disney Animation employees later won an award for Outstanding Animated Character in an Animated Feature Motion Picture at the 2013 Visual Effects Society Awards: Joy Johnson, character technical director (rigging); Alexander Alvarado, look development artist (Disney's job title for texture artists); and Chad Stubblefield, modeling supervisor.[33] FX technical director Yoo Jae-hyun worked for a year-and-a-half on creating Elsa's ice-based special effects, including effects associated with her dress.[34][35]
Producers identified the scene in which Elsa sings "Let It Go" as a pivotal point in the character's development. The scene depicts her choice to "let go" of her fear of using her powers. Character design supervisor Bill Schwab said, "Before 'Let It Go,' Elsa is really buttoned up, her hair is up—everything is perfect. During the song, she gives herself permission to be who she is and everything changes—her hair is more wild, her gown is magical. She's finally free—even if she is all alone."[19] Animators designed Elsa's appearance to reflect her metamorphosis; in the beginning, she is shown primarily in restrictive and confining outfits.[36] Menzel said that, after accepting her abilities, Elsa's appearance becomes "very vampy", continuing, "She's quite sexy for Disney, I have to say—they're pushing the limits there a little bit! But there's a gleam in her eye and a supermodel walk that goes with it and, for me, it was fun to be a blonde because I'm not in real life."[1] In a January 2014 interview with John August and Aline Brosh McKenna, Lee disclosed that Lasseter personally helped with conceptualizing Elsa's physical transformation: "[M]y favorite thing about it ... is the actual model for doing it was John Lasseter .... he was a huge help in talking through how we translate that emotional journey ... with the animation ... [H]e got up and he’s like, .... 'her hair goes, and she transforms, and she struts,' and he’s doing it. He’s acting it out."[37]
"We imagined what it would be like to be chased out of the kingdom. To have to let go of everything you know and all the people you love. And yet the incredible release you'd have to finally let go of everything you've holding back your entire life."
—Kristen Anderson-Lopez on writing Elsa's song, "Let It Go", and the choice to make her a protagonist rather than a villain.[38]
The scene was also a pivotal point in the development of Elsa's character and was initially planned to depict her becoming evil. Robert Lopez, who composed the song with his wife, Kristen Anderson-Lopez, explained, "Elsa was going to go from being this perfect princess that had tried to keep her personality down her whole life to saying, 'Screw it. I'm gonna be me.'"[38] They had wanted to use the song as a way to gain a better understanding of the character and what she would be like if she was no longer living in fear, which ultimately resulted in her becoming much more complex.[25] The final lyrics and Menzel's "ability to be so fragile and vulnerable and then break into this powerhouse voice" turned the plot around and led to Elsa being revised as a "good" character.[38] She initially attempts to suppress her powers in order to avoid hurting others, particularly Anna, and when she is no longer able to do so, she banishes herself from the kingdom to protect those around her.[19][39] Lead writer Paul Briggs said that Anna's support is what Elsa needs most when her secret is exposed. "The strength of the family bond is what makes this story so powerful," he explained, "because it's her sibling who's willing to look beyond her powers and stand between her and the world if that's what it takes."[19]



 Early concept art depicting a darker version of Elsa inspired by Amy Winehouse.
Elsa's appearance had to be redesigned following her transition from antagonist to protagonist. She was originally drawn in a style similar to typical Disney villains, with blue skin and spiky black hair.[29] A few months after the film's release, visual development artist Claire Keane (the daughter of Disney Legend Glen Keane) published early concept art of Elsa that was modeled after the singer Amy Winehouse.[40] At the time, she was imagined as having blue "bouffant" hair as well as "a deep, soulful voice and dramatic mood swings".[40] Lasseter reportedly influenced the creation of the character's much softer final appearance, particularly in regards to her very thick blonde hair, which animators found difficult to design. Art director Michael Giaimo said that while a number of strategies were proposed for Elsa's hair, Lasseter would push the animation team to continue making improvements, saying, "It's not aspirational enough. We want people to feel like this hair is a beautiful statement."[41] During a research trip, producers found that "there are lots of braids" worn by women in Norway; they then hired a stylist from New York named "Danilo" who helped to create a style that would reflect that while still being "a little different".[42][43][44] A new animation program called Tonic was invented to assist with the task, and the character's hair ultimately required 420,000 CGI threads.[36][45] By contrast, Anna was given roughly 140,000 hairs[42][46] while Rapunzel from Tangled had only required 27,000 CGI threads for her hair.[45]
Abilities[edit]



 Elsa's ice castle becoming jagged and darker, representing her emotional state in the later half of the film.
Since Elsa is introduced as a young child at the beginning of the film, animators wanted the first glimpse of her powers to reflect her innocent and fanciful state of mind at the time. This included giving her first snowflakes a simple design. Her snow and ice patterns later become more intricate and complex when she is an adult. Co-effects supervisor Marlon West elaborated, "When Elsa finally lets go and really starts owning her cryokinetic abilities, we wanted the ice and snow that she make to get across the idea that Elsa has now grown up and become this beautiful, elegant, confident and powerful young woman."[47]
Her ice castle, which she creates while singing "Let It Go", was designed to illustrate the maturing of her powers as well as to be "a manifestation of her feelings to the world".[47][48] The palace is initially beautiful; however, after she is made aware of the destruction she has inadvertently caused, and as she is increasingly vilified and hunted by others, it becomes darker and more distorted, with jagged icicles forming on the walls. The film's design team was uncertain about how it should look and drew out designs for various ice castles filled with snow. Lasseter suggested basing the structure and patterns on snowflakes. For example, an enormous snowflake would serve as the foundation, and the palace would be hexagon-shaped. Lasseter also wanted snowflake patterns to influence the manner in which Elsa creates the palace. "Snowflakes are these tiny little ice crystals that form in mid-air. And when there are changes in temperature and humidity, these snowflakes start growing in a pattern that's known as branching and plating," said co-effects supervisor Dale Mayeda. "[Lasseter] said 'You know, when Elsa builds her ice palace, it would be so amazing if—every step of the way as this castle forms out of thin air—it's just branching and plating, branching and plating all along the way."[47]
Fifty animators worked on the scene in which the castle is built, and one frame required 30 hours to render.[47] They later extended similar techniques to Elsa's clothing. While the traditional Norwegian rosemaling was the inspiration for her costuming early in the film, her ice gown was designed similarly to her palace, with snowflakes heavily influencing the style. Her cape itself is a large snowflake.[26]
Appearances[edit]
Frozen[edit]
Main article: Frozen (2013 film)
Elsa, princess of Arendelle and heiress to the throne, is born with the ability to create and control ice and snow. As a child, she uses her abilities to create a winter wonderland to play in with her younger sister and best friend, Princess Anna. One night, Elsa accidentally harms Anna with her powers. The king and queen of Arendelle hurriedly take Anna to a tribe of mountain trolls to be healed. While healing Anna, the trolls inform the royals present that Elsa's abilities will grow, becoming both beautiful and very dangerous so she must learn to control them. While the trolls erase Anna's memory of the incident and of her elder sister's powers in general, Elsa is traumatized by the event. The king and queen take steps to control and hide Elsa's ice powers: the castle gates are locked, Elsa is shut away in her bedroom for most of the time, she is given gloves to help suppress her powers and is told to hold in her emotions as well. Nonetheless her powers continue to grow even stronger and so she becomes fearful of harming those she cares about most. Meanwhile, her sister Anna is less happy and confused by the loss of contact with her elder sister and tries, without success, to coax her out of her room. When the sisters grow into teenagers, the ship in which the king and queen are sailing runs aground and they drown, leaving Anna and Elsa feeling even more lonely.
Three years pass, and Elsa, now of age, is set to formally succeed her father as the queen of Arendelle. Though she is afraid of opening the castle to the large crowds, her coronation goes on relatively peacefully. However, at the reception party, Anna asks for Elsa's blessing to marry Prince Hans of the Southern Isles, whom Anna had met earlier that day. Elsa refuses to bless Hans's offer to marry Anna; he is someone she barely knows, prompting an argument between the two. Being so upset Elsa accidentally reveals her power. Upon the guests' and her subjects' horror and being accused of sorcery and called a monster, Elsa flees the castle and retreats into the icy mountains. In the process, her emotions unleash an "eternal" winter throughout Arendelle. While there, she decides to embrace, finally, all her powers and builds an enormous ice palace where she believes she can live freely without fear of hurting people. She also rebuilds her childhood snowman, Olaf, and unknowingly brings him to life.
Anna, determined to find Elsa and bring her back, travels through the mountains, encountering Olaf and a mountain man named Kristoff. They reach the ice palace, where Anna attempts to persuade Elsa to return home and mend their relationship. When Elsa ultimately resists (due to her memory of hurting Anna as a child with her powers resurfacing ) Anna tells her about the state that Arendelle and all its people was left in. Horrified, Elsa lashes out and accidentally freezes Anna's heart. Now even more horrified at the prospect of hurting her sister and people with her powers Elsa forces Anna, Kristoff and Olaf out by creating a gigantic snow creature (called Marshmallow by Olaf), that is a symbol of her desire to be alone so as to be able to use her powers without hurting anyone. After this, her ice castle evidently becomes darker and more grotesque, reflecting her torment and re-ignited fears. Meanwhile, Anna becomes weaker day by day and Kristoff takes her back to the trolls, who tell them that only an act of true love can save her life.
Hans and a group of soldiers attack the now ugly ice palace. Elsa seizes two soldiers who attempt to assassinate her. Hans convinces her to spare them to prove that she is not a monster. However, she is knocked unconscious and taken to her castle's dungeon. Hans visits her and urges her to end the winter but she admits that she has no idea know how to. After he leaves, she is able to break free from the chains by freezing them and escapes the cell, though her fears trigger a massive blizzard. Anna returns to the castle, believing that a romantic kiss from Hans will be the "act of true love" to save her. Instead, he informs her that his offer of marriage (engagement) had been the first step of a plot to get him the throne of Arendelle. Olaf tells Anna that Kristoff is in love with her and she believes that his kiss will cure her. They rush to find Kristoff. Hans confronts Elsa and tells her that she has killed Anna. Devastated, Elsa collapses and the blizzard stops suddenly. Hans approaches her and swings his sword to kill her, but Anna turns away from an approaching Kristoff with her last bit of strength and blocks Hans' attack as she freezes solid.
Moments later, Anna begins to thaw, as her choice to save her sister rather than herself constituted an "act of true love". Elsa realizes that love is the key to controlling her powers and ends the kingdom's eternal winter. Summer returns to Arendelle, Elsa regains the throne and is able to use and safely control her powers, while the sisters' bond is restored. She exiles Hans back to the Southern Isles to face punishment from his family and cuts off trade with the Duke of Weselton's town for his earlier behavior towards her.
Frozen Fever[edit]
Main article: Frozen Fever
Nearly a year after the events of the first film, Elsa tries to make Anna's 19th birthday as perfect as possible a way of making up for the years they spent apart. To do so, she works heavily with Kristoff, Sven and Olaf to make this a reality. Upon making sure that her surprise party in the palace courtyard is ready, she leaves Kristoff in charge while she goes to get Anna. However, Elsa starts to come down with a cold as she leads Anna on a treasure hunt to find all the gifts that have been made for her. Without realizing it, each sneeze she makes creates small snowmen called "snowgies", which create trouble for Kristoff, Sven and Olaf. As Anna notices Elsa's cold getting worse, she tries in vain to get Elsa to stop exerting herself, even having her take medicine received from the trader Oaken. Unfortunately, the cold medicine causes Elsa to become intoxicated, and she nearly falls from Arendelle's clock tower. Upon admitting to Anna that she is indeed sick, she allows Anna to escort her home feeling she has ruined everything, and finds that the party has gone off successfully for Anna (as well as discovering her snowgie creations), and still slightly intoxicated, she ends the party by sneezing into the birthday bugle horn, which sends her snowball all the way to the Southern Isles and hits the now-demoted Hans, causing him to fall into a pile of horse manure. After, Anna tells a now bed-ridden Elsa that she has given her the best birthday ever by letting her take care of her sister.
Once Upon a Time[edit]

Elsa
Once Upon a Time character
First appearance
"There's No Place Like Home" (3.22)
Last appearance
"Heroes and Villains" (4.12)
Created by
Edward Kitsis
Adam Horowitz

Portrayed by
Georgina Haig
Information

Aliases
Ice Queen
Occupation
Queen of Arendelle
Family
Queen Gerda and King of Arendelle (parents)
Anna (younger sister)
Ingrid/Snow Queen and Helga (maternal aunts)
Kristoff (brother-in-law)

Elsa, also known in the series as the Snow Queen, appears as a recurring character in the fourth season of the television series Once Upon a Time, where she is portrayed by Georgina Haig.
At the end of the show's third season finale, "There's No Place Like Home", Emma Swan (Snow White and Prince Charming's daughter) and Captain Hook accidentally bring back an urn from Rumplestiltskin's vault after their excursion into the past. The urn releases a blue liquid that coalesces into Elsa. She takes off her glove and destroys the urn with an icy blast. She strides out of the barn, leaving a trail of frozen ground. In the fourth season premiere, "A Tale of Two Sisters", Elsa's story is shown in the present day as well as flashbacks taking place two years after the events of the film. In the past, she discovers that her and Anna's parents set off not on a diplomatic mission, but on a journey to Misthaven—the 'Enchanted Forest' where most of Storybrooke's fairy-tale residents came from—to discover more about Elsa's powers, with Anna travelling to Misthaven to find out more about her parents' voyage. In the present, Elsa is frightened by her sudden exposure into the town of modern-day Storybrooke and re-conjures Marshmallow for protection. Marshmallow is defeated by Regina Mills (the Evil Queen), while Elsa discovers a necklace she gave long ago to Anna in Mr. Gold's (Rumplestiltskin's) shop, leaving her resolved to learn what happened to her sister.[49]
As the season progresses, Elsa befriends series protagonist Emma Swan, Emma and the series' central cast resolving the help Elsa find Anna. The group eventually discovers that a figure named the Snow Queen (a more faithful adaptation of the original fairy tale's character) is somehow responsible for Elsa's trapping in her urn, a woman with similar powers to Elsa. They soon discover that the Snow Queen is Elsa's aunt, Ingrid, who was forgotten from Arendelle when Elsa's mother, Gerda, used the power of the troll king to erase everyones memory of her, not wishing for the world to remember how Ingrid accidentally murdered their third sister. Ingrid soon discovered a prophecy that stated she would one day have the love of her sisters again. With Ingrid's sisters dead however, she believed she would be forced to create new sisters. For this, she chose Emma and Elsa. Ingrid had stalked Emma her entire life in preparation for the prophecy to become true, and manipulated events in Arendelle to bring Elsa to her. Being convinced that she could only gain their love when she was the only one left, she obtained a mirror capable of bringing out the worst in people (the mirror coming directly from The Snow Queen fairy tale). If a piece of the mirror were to get in someones eye, they would see nothing but hatred in the world. Ingrid had planned to use this on everyone in Storybrooke (dubbed the Spell of Shattered Sight), forcing all of its citizens to kill each other while she, Emma, and Elsa remained immune. Ingrid had also used this to her advantage on Anna, forcing Anna to trap Elsa in the urn they originally found Elsa in.
Back in Arendelle, Anna (who has woken up from the spell) tried to track down a device known as a wishing star, which will have the power to bring her and Kristoff to wherever Elsa is. It was apparently the necklace Elsa had given Anna long ago, Elsa using it to bring Anna and Kristoff to Storybrooke. However, the Spell of Shattered Sight had already begun, and the only ones immune to it were Elsa, Emma, and Anna (Anna because it was already used on her a while ago). Tracking down a note written by Elsa and Anna's mother right before her death, the three bring it to Ingrid. It reads that Gerda forgave Ingrid for all that had transpired and still loved her, Ingrid realizing this was what the prophecy meant by regaining her sister's love. Realizing there is no point in killing the town now, the Snow Queen kills herself using the mirror, which deactivates the curse, though a bit of it remained in Storybrooke, reinstating the town line, making it impossible to return to town if you are to leave it.
With the help of Rumpelstiltskin, they are able to discover a door that will lead back to Arendelle, though they will not be able to return, as the door will disappear after its use. Anna and Kristoff depart, while Elsa and Emma share a tearful goodbye before returning to Arendelle with her little sister to attended the long-awaited wedding between Anna and Kristof.
With the introduction of Frozen characters, the season 4 of Once Upon a Time saw a 31-percent increase in ratings from the autumn of 2013 (9.3 million viewers), marking its best ratings in almost two years.[50]
Miscellaneous[edit]
Merchandise[edit]
Along with Anna, Elsa is expected to be officially inducted into the Disney Princess line-up,[2] a marketing franchise aimed primarily at young girls that manufactures and releases products such as toys, video and audio recordings, clothing, and video games.[51] In December 2013, Disney began releasing "Musical Magic Elsa and Anna Dolls", which played their signature songs that appear in the film.[52] Numerous other doll versions of Elsa were released for purchase, including fashion doll sets, mini dolls, plush dolls, and Elsa-as-a-toddler dolls.[53] A dress up costume for children was modeled after Elsa's ice gown along with gloves similar to ones she wears in the film.[53] Together with Anna, she was depicted on various Frozen-inspired dishware such as plates and coffee mugs.[53] Other Elsa-inspired merchandise includes luggage, nightgowns, and home décor.[54] Additionally, simplified versions of the film were adapted to children's storybooks, including one with voice audio and another called A Sister More Like Me that was illustrated by Brittney Lee.[55] Elsa and Anna also both appear as playable characters in Disney Infinity through the use of their corresponding figurines.[56]
In early 2014, most Frozen merchandise, including dolls and dresses, were sold out nearly everywhere, including Disney stores and theme parks.[57] In early November 2014, Disney announced that it had sold over three million Frozen costumes in North America alone, of which Elsa was the no. 1 best-selling Disney costume of all time, followed by Anna at no. 2.[58] Hallmark created a Queen Elsa Christmas tree ornament after much interest was expressed when the Olaf ornament was announced in 2014.
Theme parks[edit]



 Elsa meet-and-greet at Disneyland in California.
In November, before the release of Frozen, Anna and Elsa began making appearances at Walt Disney Parks and Resorts in Florida and California through meet and greets. In Walt Disney World, the attractions were set up in the Norway Pavilion of Epcot in recognition of the Scandinavian cultural elements that went into the film's design.[59] In Disneyland, a winter-themed cottage was set up in the Fantasyland section, with a talking audio-animatronic Olaf sitting on the cottage roof.[60] In February 2014, these meet-and-greet sessions were extended indefinitely, with wait time to meet the princesses frequently exceeding two hours, which is longer than any previous Disney characters.[61][62] Additionally, Elsa, Anna, and Olaf were given a Frozen-themed float for Disneyland Paris' Disney Magic on Parade.[63] On March 9, 2014, the three made appearances again on their own Frozen parade float in Festival of Fantasy Parade at Magic Kingdom theme park.[64] On April 20, 2014, Anna and Elsa moved from Epcot to the Princess Fairytale Hall at Magic Kingdom, with wait time to see the characters amounted to three hours, compared to Cinderella's and Rapunzel's 15 minutes.[65][66]
Elsa's performance of "Let It Go" became the central feature in Disney California Adventure's Winter Dreams,[67] a 30-minute, winter-themed adaption of the nighttime show World of Color, which showcases scenes from Disney films.[68] Disneyland Paris' nighttime spectacular, Disney Dreams!, also added Elsa's performance of "Let It Go" to their attractions,[69] and she was given a similar role during the Magic Kingdom show, Celebrate the Magic, with her singing interspersed with scenes from the movie.[70]
On May 16, 2014, it was announced that Disneyland would debut a Frozen pre-parade featuring Elsa, Anna and Olaf. It premiered June 13, 2014, and precedes performances of Mickey's Soundsational Parade.[71] From July 5 to September 1, 2014, as part of 'Frozen' Summer Fun show at Disney's Hollywood Studios, Anna and Elsa will appear in a horse-drawn sleigh making their way down Hollywood Boulevard, alongside Kristoff and skaters, skiers and ice cutters in the Anna and Elsa's Royal Welcome section. The sisters will also make appearances in For the First Time in Forever: A "Frozen" Sing-Along Celebration, where they are joined by royal historians to retell the history of Arendelle; and "Frozen" Fireworks Spectacular alongside Kristoff and Olaf, a fireworks display set to the music of Frozen.[72][73] In response to strong demand, Disney Parks subsequently announced on August 7 that Frozen Summer Fun would be extended to September 28.[74]
On August 19, 2014, it was initially announced that Elsa & Anna's Boutique (replacing Studio Disney 365) would open mid-September in Downtown Disney at the Disneyland Resort. The opening date was later changed to October 6, 2014, and the store name was changed to "Anna & Elsa's Boutique". The location includes products inspired by Anna, Elsa, and Olaf.[75][76][77][78]
While there had not been any official announcements from Disney regarding a coronation for Anna and Elsa, it had been announced in late August 2014 that a special character meal would be held by a group of travel agents in the morning of September 24, 2014. While not officially organized by Disney, the event, called My Royal Coronation, would feature the official Anna and Elsa characters owned by Disney with assistance from the company.[79] On September 12, 2014, Walt Disney World announced that a Frozen attraction was scheduled to open in early 2016 at Epcot's World Showcase in the Norway pavilion, replacing the park's Maelstrom ride. The attraction will feature the whole kingdom of Arendelle with music and scenes from the film, as well as meet-and-greets with Anna and Elsa.[80][81] Anna, Elsa, Kristoff, and Olaf will make appearances in Mickey’s Once Upon a Christmastime Parade, offered during Mickey’s Very Merry Christmas Party at Magic Kingdom in November and December 2014[80] (from November 7 to December 31).[81] Also starting from November, every night Elsa will use her powers to transform Cinderella Castle into an ice palace.[80]
On November 13, 2014, prior to "A Sparkling Christmas" Evert, Anna and Elsa began meet-and-greet sessions at Hong Kong Disneyland.[82]
Beginning December 20, 2014, the Anna and Elsa meet and greet at Disneyland Resort was moved from Disneyland park to a new location in the Disney Animation Building called "Anna and Elsa’s Royal Welcome" in Disney California Adventure. In addition, the Storybook Land Canal Boats at Disneyland were updated to include the village of Arendelle from the film, including Anna and Elsa's castle and Elsa's ice palace. These new additions replaced The Old Mill section of the attraction. Officially starting January 7, 2015, Elsa began making appearances alongside Anna and Kristoff at Disney California Adventure in "For the First Time in Forever—A Frozen Sing-Along Celebration" in Hollywood Land as part of the park's "Frozen Fun" event. Also starting January 7, Anna and Elsa are making appearances in a Frozen play at the Royal Theatre in Disneyland park.[83][84]
Reception[edit]
Critical reviews[edit]
"Not content to merely turn True Love into a cautionary tale, [the writers] doubled down and made Elsa into [a] flawed hero warped by her upbringing and parents' heartfelt but damaging desire to keep their children safe...Elsa is aloof. And scared. And over-protective. And insecure. And full of guilt. Because people—even animated people—are the sum total of their personalities combined with their experiences. Which is something even live action films forget at least 63% of the time."
—Donna Dickens, entertainment editor.[85]
The character of Elsa was widely praised by reviewers for her multifaceted, evolving personality. Matt Goldberg of Collider.com commented that she was "an incredibly sympathetic character"[86] while Deepanjana Pal of First Post (India) praised the decision to rewrite her as a protagonist and said, "Elsa is no evil, frosty vision of twisted and toxic maternity like the original Snow Queen. She's a young woman in difficult circumstances, frightened, trying to understand her abilities and burdened by expectation and convention. It's easy to sympathise with her and marvel at her ability when she builds her spectacular palace in the mountains. Next to her, Anna is very much a child who needs to grow up and she does in the course of the film."[87] Stuff.co.nz's James Croot compared her "humiliation and exile" to that of Simba in The Lion King.[88] Katherine Webb, a reviewer for Wall St. Cheat Sheet, said that the scenes depicting Elsa gaining confidence and individuality delivered "an exciting message to send to young girls looking for a new princess role model".[89]
Travis Bean of Cedar Falls Times suggested that Elsa's ice powers, a "personal oddity" that made her self-conscious, as well as her selflessness in withdrawing into isolation in order to avoid hurting others allowed children to connect more with the plot of Frozen.[90] Laurie Levy from Chicago Now wrote that her young grandchildren "admired Elsa for being smart, strong, magical, and powerful" and did not care that she had no romantic subplot.[91] Magdalena Lachowicz, a film critic for The Heights, opined that Elsa's relationship with Anna was the most important part of the movie,[92] and Stephen Holden of The New York Times liked that, in departure from traditional Disney formula, it was a sibling's love rather than romantic love that was able to "thaw the icy heart of the frightened Elsa".[93] Tony Hicks of San Jose Mercury News wrote, "[Anna's] confusion and Elsa's anguish as she shuts herself away from the world—and her sister—is palatable."[94] Emma Koonse of Christian Post opined that together the sisters were Disney's "most lovable and charismatic characters yet",[39] and Debbie Lynn Elias of Culver City Observer commented, "Elsa and Anna are like two sides of a coin, both strong, albeit one through power and confidence and the other through clumsy sticktuitiveness and love."[95]
Several reviewers commented that Elsa was more interesting than Anna, Frozen '​s primary protagonist. ABS-CBN writer Fred Hawson described Elsa as "an incredible character with a unique and interesting predicament because of the powers she possessed" and expressed the opinion that Frozen should have focused more on her rather than Anna.[96] Samra Muslim of The Express Tribune wrote that it was her presence that kept viewers "hooked" throughout the movie, elaborating, "Her character is complex and sympathetic and deserved to be explored even further. Instead the story revolves more around the relationship of the two sisters and Anna who is the typical, feisty, charming Disney heroine and her love trysts—instead of the alluring Elsa."[97]
The character was not devoid of criticism. Charlotte O'Sullivan from the London Evening Standard gave a more negative assessment of Elsa, saying that she "resembles one of those brittle mentors on The X Factor. Purple eyeshadow, tiny waist, kitten heels".[98] Anna Smith of The Guardian disliked that both Elsa and Anna were drawn with slender figures and large eyes as is typical of Disney princesses.[99] Slate's Dana Stevens wrote that "it's impossible not to thrill to Elsa's surging sense of power" but criticized the choice to illustrate her growing confidence by changing her appearance; Stevens further expressed concern that the switch from the character's modest coronation gown to "a slinky, slit-to-the-thigh dress with a transparent snowflake-patterned train and a pair of silver-white high heels" and a hairstyle that suggested "come-hither bad-girl seduction" was overly sexual.[100] Christy Lemire compared Elsa to Carrie, another well-known fictional female who unleashes magical powers when agitated.[101]
"Let It Go"[edit]
Main article: Let It Go (Disney song)
Idina Menzel also received praise for her singing, with Amon Warmann of Cine Vue saying her voice "positively soars in these musical ballads".[102] Reviewers frequently focused on her performance of "Let It Go", described by Entertainment Weekly '​s Marc Snetiker as "an incredible anthem of liberation" in which Elsa decides to no longer fear her powers.[103] Various critics said that Menzel had been a "powerhouse" during the scene;[1] Linda Barnard from The Star commented that Menzel "can shatter icicles with her powerful voice".[104]
Matt DeTruck of The Rochester City Newspaper wrote, "Menzel should be credited for providing as much power and passion to this performance as she did in her most famous role."[105] Donald Clark of Irish Times added, "Elsa's flight to the glaciers triggers a song that, in its defiant paean to self-reliance, could play comfortably beside camp showtune anthems such as I Am What I Am and Don't Rain on My Parade. The opening and closing choruses of Let It Go end with a sly, spat-out refrain: 'The cold never bothered me anyway!' You go, girl."[106] Nasim Asl of The Oxford Student continued, "Menzel, especially, steals the show with her performance of 'Let It Go'. Her Wicked-esque belting out works perfectly with such an incredible animated sequence—the building of the ice castle really demonstrates the prowess of Disney animation, and results in, arguably, one of the most spectacular power ballads seen by any animated character, ever."[107]
Accolades[edit]
In December 2013, Elsa and Anna were both nominated for Best Animated Female by the Alliance of Women Film Journalists, with only Anna winning the award, a few weeks later.[108] Elsa won all three awards out of three nominations at the 2013 Visual Effects Society Awards, including Outstanding Animated Character in an Animated Feature Motion Picture, Outstanding Created Environment in an Animated Feature Motion Picture for her ice palace, and Outstanding FX and Simulation Animation in an Animated Feature Motion Picture for her blizzard.[33][109] Her signature song, "Let It Go", won Best Original Song at the Academy Awards,[110] the Phoenix Film Critics Society Awards[111] and the Critics' Choice Awards,[112] and also received Golden Globe Award,[113] the Satellite Awards,[114] the Broadcast Film Critics Association Award,[115] and the Houston Film Critics Society Award nominations.[116]
Time ranked Elsa as the most influential fictional character of 2014.[117]
References[edit]
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External links[edit]

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Disney's Frozen "Let It Go" Sequence Performed by Idina Menzel on YouTube


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