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Big Eyes (2014) Poster
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Big Eyes (I) (2014)
PG-13 | 106 min | Biography, Drama | 25 December 2014 (USA)
7.0
Your rating:
-/10
Ratings: 7.0/10 from 26,472 users Metascore: 62/100
Reviews: 98 user | 270 critic | 40 from Metacritic.com
A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
Director: Tim Burton
Writers: Scott Alexander, Larry Karaszewski
Stars: Amy Adams, Christoph Waltz, Danny Huston | See full cast and crew »
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Won 1 Golden Globe. Another 1 win & 14 nominations. See more awards » .
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Big Eyes -- From visionary director Tim Burton (EDWARD SCISSORHANDS) comes the outrageous true story of one of the most extensive art frauds in the 20th century. Starring Christoph Waltz and Amy Adams.
Big Eyes -- A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
Photos
Still of Tim Burton in Big Eyes (2014) Big Eyes (2014) Still of Amy Adams and Christoph Waltz in Big Eyes (2014)
49 photos | 21 videos | 1141 news articles »
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Action | Crime | Drama
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In New York City 1981, an ambitious immigrant fights to protect his business and family during the most dangerous year in the city's history.
Director: J.C. Chandor
Stars: Oscar Isaac, Jessica Chastain, David Oyelowo
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Edit
Cast
Cast overview, first billed only:
Amy Adams Amy Adams ...
Margaret Keane
Christoph Waltz Christoph Waltz ...
Walter Keane
Danny Huston Danny Huston ...
Dick Nolan
Krysten Ritter Krysten Ritter ...
DeeAnn
Jason Schwartzman Jason Schwartzman ...
Ruben
Terence Stamp Terence Stamp ...
John Canaday
Jon Polito Jon Polito ...
Enrico Banducci
Delaney Raye Delaney Raye ...
Young Jane
Madeleine Arthur Madeleine Arthur ...
Older Jane
James Saito James Saito ...
Judge
Farryn VanHumbeck Farryn VanHumbeck ...
Lily
Guido Furlani Guido Furlani ...
Dino Olivetti
Elisabetta Fantone Elisabetta Fantone ...
Olivetti Girl
Emily Bruhn Emily Bruhn ...
2nd Olivetti Girl
Brent Chapman Brent Chapman ...
Factory Boss
See full cast »
.
Edit
Storyline
In San Francisco in the 1950s, Margaret was a woman trying to make it on her own after leaving her husband with only her daughter and her paintings. She meets gregarious ladies' man and fellow painter Walter Keane in a park while she was struggling to make an impact with her drawings of children with big eyes. The two quickly become a pair with outgoing Walter selling their paintings and quiet Margaret holed up at home painting even more children with big eyes. But Walter's actually selling her paintings as his own. A clash of financial success and critical failure soon sends Margaret reeling in her life of lies. With Walter still living the high life, Margaret's going to have to try making it on her own again and re-claiming her name and her paintings. Written by Anne Campbell
Plot Summary | Plot Synopsis
Plot Keywords: painting | abusive husband | artist | 1950s | painter | See All (54) »
Taglines: She created it. He sold it. And they bought it. See more »
Genres: Biography | Drama
Motion Picture Rating (MPAA)
Rated PG-13 for thematic elements and brief strong language | See all certifications »
Parents Guide: View content advisory »
.
Edit
Details
Official Sites: Official Facebook | Official site | See more »
Country: USA | Canada
Language: English | French | Italian
Release Date: 25 December 2014 (USA) See more »
Also Known As: Big Eyes: Retrato de una mentira See more »
Filming Locations: Vancouver, British Columbia, Canada See more »
Box Office
Budget: $10,000,000 (estimated)
Opening Weekend: $2,610,026 (USA) (2 January 2015)
Gross: $14,479,776 (USA) (20 March 2015)
See more »
Company Credits
Production Co: Weinstein Company, The, Silverwood Films, Tim Burton Productions See more »
Show detailed company contact information on IMDbPro »
Technical Specs
Runtime: 106 min
Sound Mix: Dolby Digital
Color: Color
Aspect Ratio: 1.85 : 1
See full technical specs » .
Edit
Did You Know?
Trivia
Amy Adams replaced Reese Witherspoon in the lead female role. She previously replaced Witherspoon in Night at the Museum: Battle of the Smithsonian (2009) and The Master (2012). See more »
Goofs
In an early scene where Margaret first appears in North Beach, a curb ramp can be seen on the sidewalk at Bannam Place and Green Street. Curb ramps did not exist in San Francisco in the 1950s. See more »
Quotes
Walter Keane: Get out of my house! My big house!
See more »
Connections
Featured in The Tonight Show Starring Jimmy Fallon: Christoph Waltz/Nicki Minaj feat. Skylar Grey (2014) See more »
Soundtracks
BIG EYES
Written by Lana Del Rey and Daniel Heath (as Daniel Heath)
Performed by Lana Del Rey
LANA DEL REY appears courtesy of Polydor UK/Interscope
See more » .
Frequently Asked Questions
Q: Where did Margaret find the money to go and stay in Hawaii after she left Walter?
See more (Spoiler Alert!) » .
User Reviews
Good but lacks substance for lasting impression
1 February 2015 | by Nicole of ArchonCinemaReviews.com (United States) – See all my reviews
Christoph Waltz steals the show in Big Eyes, Tim Burton's whimsical tale of an artist and a scandal set in the transporting setting of California in the 60's.
The story of Big Eyes is something straight out of the movies, but no, the tale of Margaret Keane and her artistry is based on fact and real life.
Tim Burton's Big Eyes is a dramatic narrative of Margaret Keane, the painter, mother and wife. Having left her husband, with daughter in tow, she seeks a new beginning in California. While there, she hopes to make a living through her art and subsequently meets and marries a man named Walter. Trying to navigate the art world and make a living, her husband claims credit for her artwork which eventually becomes highly profitable. Burton focuses on the awakening of Keane as an artist and to her husband's shortcomings and the legal difficulties in claiming ownership of her work.
Margaret Keane's life is a fascinating and near unbelievable one. And much of Big Eyes' success as a film rests comfortably on that very story. Well, Big Eyes rests on the story of Keane and on Christoph Waltz's immeasurable charm in his performance as Walter Keane.
The sad big eyed children made commercially famous by Keane are uniquely peculiar. Stylistically, it was only right that Tim Burton should direct a film about the painter. It is apparent that Big Eyes is a Burton film; however, Tim Burton subdues his style substantially so that the narrative of this marvelous woman can take center stage. Creatively, this is a refreshing departure for the director.
The Big Eyes movie parallels the artwork of Margaret Keane in an unintentional manner. Margaret Keane was able to look at a person and capture their essence and then put it on canvas with her own twist through large sad eyes. Similarly, Tim Burton takes the core elements of Keane's life and translates it to film with his own fanciful creative liberties. Though everything is in the movie adaptation of Big Eyes, it lacks substance and heart to connect with the audience to have a lasting impression.
Please check out our WEBSITE for all the reviews of recent releases and awards contenders.
10 of 14 people found this review helpful. Was this review helpful to you? Yes No
Review this title | See all 98 user reviews »
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Christoph was phenomenal supermomofboys
Why does Margaret's daughter sit in the back seat of the car? deandinopoulos
Golden Globes - Big Eyes and Birdman are comedies? homeimp
Tim should go back to animation spacdementia
I just went to a screening--it was great! domdisla
Lying to her daughter ladystardust847
Discuss Big Eyes (2014) on the IMDb message boards »
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Big Eyes (2014) Poster
Contact the Filmmakers on IMDbPro »
Top 500
Big Eyes (I) (2014)
PG-13 | 106 min | Biography, Drama | 25 December 2014 (USA)
7.0
Your rating:
-/10
Ratings: 7.0/10 from 26,472 users Metascore: 62/100
Reviews: 98 user | 270 critic | 40 from Metacritic.com
A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
Director: Tim Burton
Writers: Scott Alexander, Larry Karaszewski
Stars: Amy Adams, Christoph Waltz, Danny Huston | See full cast and crew »
+
Watchlist
Watch Trailer
Share...
.
Watch Now
From $3.99 on Amazon Instant Video
ad feedback
Quick Links
Full Cast and Crew
Trivia
Quotes
Awards
Message Board
Plot Summary
Parents Guide
User Reviews
Release Dates
Company Credits
Explore More
IMDb Picks: April
Visit our IMDb Picks section to see our recommendations of movies and TV shows coming out in April.
Still of Steve Coogan and Kathryn Hahn in Happyish (2015)
Happyish
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Related News
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22 April 2015 9:50 PM, EDT | Variety - Film News
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22 April 2015 2:34 PM, EDT | WeAreMovieGeeks.com
Lana Del Rey previews new song 'Life Is Beautiful' from The Age of Adaline
22 April 2015 6:01 AM, EDT | Digital Spy
See all 1141 related articles »
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Not alone
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created 15 Jan 2014
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Movies I look forward to.
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created 7 months ago
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My Watched List 2015
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created 3 months ago
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created 3 months ago
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Search for "Big Eyes" on Amazon.com
Search for "Big Eyes" on Amazon.com
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Title: Big Eyes (2014)
Big Eyes (2014) on IMDb 7/10
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Take The Quiz!
Test your knowledge of Big Eyes.
User Polls
poll image Coolest Movie Poster of 2014?
poll image Oscars 2015: Best Actress Snubs
poll image I want my portrait to be made by.....
poll image Most Anticipated Film: Winter 2015 Edition
poll image 2015 Oscar Predictions: Best Picture
poll image Oscars 2015: Best Original Song Snubs
See more polls »
Won 1 Golden Globe. Another 1 win & 14 nominations. See more awards » .
Videos
Big Eyes -- From visionary director Tim Burton (EDWARD SCISSORHANDS) comes the outrageous true story of one of the most extensive art frauds in the 20th century. Starring Christoph Waltz and Amy Adams.
Big Eyes -- A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
Photos
Still of Tim Burton in Big Eyes (2014) Big Eyes (2014) Still of Amy Adams and Christoph Waltz in Big Eyes (2014)
49 photos | 21 videos | 1141 news articles »
.
Learn more
People who liked this also liked...
A Most Violent Year
Cake
Wild
Kidnapping Mr. Heineken
The Voices
The Gambler
Inherent Vice
Still Alice
Unbroken
Maps to the Stars
◄ Prev 6 Next 6 ►
A Most Violent Year
Add to Watchlist
Next »
A Most Violent Year (2014)
Action | Crime | Drama
7.1/10
In New York City 1981, an ambitious immigrant fights to protect his business and family during the most dangerous year in the city's history.
Director: J.C. Chandor
Stars: Oscar Isaac, Jessica Chastain, David Oyelowo
Cake
Wild
Kidnapping Mr. Heineken
The Voices
The Gambler
Inherent Vice
Still Alice
Unbroken
Maps to the Stars
.
Edit
Cast
Cast overview, first billed only:
Amy Adams Amy Adams ...
Margaret Keane
Christoph Waltz Christoph Waltz ...
Walter Keane
Danny Huston Danny Huston ...
Dick Nolan
Krysten Ritter Krysten Ritter ...
DeeAnn
Jason Schwartzman Jason Schwartzman ...
Ruben
Terence Stamp Terence Stamp ...
John Canaday
Jon Polito Jon Polito ...
Enrico Banducci
Delaney Raye Delaney Raye ...
Young Jane
Madeleine Arthur Madeleine Arthur ...
Older Jane
James Saito James Saito ...
Judge
Farryn VanHumbeck Farryn VanHumbeck ...
Lily
Guido Furlani Guido Furlani ...
Dino Olivetti
Elisabetta Fantone Elisabetta Fantone ...
Olivetti Girl
Emily Bruhn Emily Bruhn ...
2nd Olivetti Girl
Brent Chapman Brent Chapman ...
Factory Boss
See full cast »
.
Edit
Storyline
In San Francisco in the 1950s, Margaret was a woman trying to make it on her own after leaving her husband with only her daughter and her paintings. She meets gregarious ladies' man and fellow painter Walter Keane in a park while she was struggling to make an impact with her drawings of children with big eyes. The two quickly become a pair with outgoing Walter selling their paintings and quiet Margaret holed up at home painting even more children with big eyes. But Walter's actually selling her paintings as his own. A clash of financial success and critical failure soon sends Margaret reeling in her life of lies. With Walter still living the high life, Margaret's going to have to try making it on her own again and re-claiming her name and her paintings. Written by Anne Campbell
Plot Summary | Plot Synopsis
Plot Keywords: painting | abusive husband | artist | 1950s | painter | See All (54) »
Taglines: She created it. He sold it. And they bought it. See more »
Genres: Biography | Drama
Motion Picture Rating (MPAA)
Rated PG-13 for thematic elements and brief strong language | See all certifications »
Parents Guide: View content advisory »
.
Edit
Details
Official Sites: Official Facebook | Official site | See more »
Country: USA | Canada
Language: English | French | Italian
Release Date: 25 December 2014 (USA) See more »
Also Known As: Big Eyes: Retrato de una mentira See more »
Filming Locations: Vancouver, British Columbia, Canada See more »
Box Office
Budget: $10,000,000 (estimated)
Opening Weekend: $2,610,026 (USA) (2 January 2015)
Gross: $14,479,776 (USA) (20 March 2015)
See more »
Company Credits
Production Co: Weinstein Company, The, Silverwood Films, Tim Burton Productions See more »
Show detailed company contact information on IMDbPro »
Technical Specs
Runtime: 106 min
Sound Mix: Dolby Digital
Color: Color
Aspect Ratio: 1.85 : 1
See full technical specs » .
Edit
Did You Know?
Trivia
Amy Adams replaced Reese Witherspoon in the lead female role. She previously replaced Witherspoon in Night at the Museum: Battle of the Smithsonian (2009) and The Master (2012). See more »
Goofs
In an early scene where Margaret first appears in North Beach, a curb ramp can be seen on the sidewalk at Bannam Place and Green Street. Curb ramps did not exist in San Francisco in the 1950s. See more »
Quotes
Walter Keane: Get out of my house! My big house!
See more »
Connections
Featured in The Tonight Show Starring Jimmy Fallon: Christoph Waltz/Nicki Minaj feat. Skylar Grey (2014) See more »
Soundtracks
BIG EYES
Written by Lana Del Rey and Daniel Heath (as Daniel Heath)
Performed by Lana Del Rey
LANA DEL REY appears courtesy of Polydor UK/Interscope
See more » .
Frequently Asked Questions
Q: Where did Margaret find the money to go and stay in Hawaii after she left Walter?
See more (Spoiler Alert!) » .
User Reviews
Good but lacks substance for lasting impression
1 February 2015 | by Nicole of ArchonCinemaReviews.com (United States) – See all my reviews
Christoph Waltz steals the show in Big Eyes, Tim Burton's whimsical tale of an artist and a scandal set in the transporting setting of California in the 60's.
The story of Big Eyes is something straight out of the movies, but no, the tale of Margaret Keane and her artistry is based on fact and real life.
Tim Burton's Big Eyes is a dramatic narrative of Margaret Keane, the painter, mother and wife. Having left her husband, with daughter in tow, she seeks a new beginning in California. While there, she hopes to make a living through her art and subsequently meets and marries a man named Walter. Trying to navigate the art world and make a living, her husband claims credit for her artwork which eventually becomes highly profitable. Burton focuses on the awakening of Keane as an artist and to her husband's shortcomings and the legal difficulties in claiming ownership of her work.
Margaret Keane's life is a fascinating and near unbelievable one. And much of Big Eyes' success as a film rests comfortably on that very story. Well, Big Eyes rests on the story of Keane and on Christoph Waltz's immeasurable charm in his performance as Walter Keane.
The sad big eyed children made commercially famous by Keane are uniquely peculiar. Stylistically, it was only right that Tim Burton should direct a film about the painter. It is apparent that Big Eyes is a Burton film; however, Tim Burton subdues his style substantially so that the narrative of this marvelous woman can take center stage. Creatively, this is a refreshing departure for the director.
The Big Eyes movie parallels the artwork of Margaret Keane in an unintentional manner. Margaret Keane was able to look at a person and capture their essence and then put it on canvas with her own twist through large sad eyes. Similarly, Tim Burton takes the core elements of Keane's life and translates it to film with his own fanciful creative liberties. Though everything is in the movie adaptation of Big Eyes, it lacks substance and heart to connect with the audience to have a lasting impression.
Please check out our WEBSITE for all the reviews of recent releases and awards contenders.
10 of 14 people found this review helpful. Was this review helpful to you? Yes No
Review this title | See all 98 user reviews »
.
Message Boards
Recent Posts
Christoph was phenomenal supermomofboys
Why does Margaret's daughter sit in the back seat of the car? deandinopoulos
Golden Globes - Big Eyes and Birdman are comedies? homeimp
Tim should go back to animation spacdementia
I just went to a screening--it was great! domdisla
Lying to her daughter ladystardust847
Discuss Big Eyes (2014) on the IMDb message boards »
.
Getting Started | Contributor Zone »
Contribute to This Page
Edit page
Write review
Create a character page for: John Canaday Enrico Banducci Judge Lily Dino Olivetti Olivetti Girl 2nd Olivetti Girl Factory Boss ----------- more... Create » ?
.
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Buy Movies on
DVD & Blu-ray Amazon India
Buy Movie and
TV Show DVDs DPReview
Digital
Photography Audible
Download
Audio Books
http://www.imdb.com/title/tt1126590/?ref_=nv_sr_3
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Big Eyes (2014) Poster
Big Eyes (I) (2014)
Trivia
Showing all 28 items
Jump to: Spoilers (3)
When Margaret and Walter are painting in front of the San Francisco palace of Fine Arts, the real Margaret Keane can be seen reading a book on the park bench behind them.
129 of 129 found this interesting | Share this
This is the first feature film directed by Tim Burton to not feature actors with whom he had previously worked. Though Batman was the first Burton film to feature a recurring actor in a major role his early films featured recurring actors in minor parts.
225 of 228 found this interesting | Share this
This is the first live action Tim Burton film to feature neither Johnny Depp nor Helena Bonham Carter since Mars Attacks! (1996).
179 of 184 found this interesting | Share this
The amount of sales of Margaret Keane Paintings soared ahead of the release of the film, with small paintings being sold for $8,500 a piece. Director Tim Burton also owns an extensive collection of her work. Keane has also painted portraits of Burton's partner Helena Bonham Carter and Burton's former Chihuahua.
83 of 85 found this interesting | Share this
Amy Adams liked the script when it was offered to her at first, but she originally turned down the role, because the character lacked "a stronger sense of self". However, working on American Hustle (2013) gave Adams a new perspective of the character, and she was won over because she was intrigued by the character's "quiet dignity", while the relationship between the mother and the daughter spoke to her as well.
78 of 81 found this interesting | Share this
Tim Burton and cinematographer Bruno Delbonnel wanted to shoot on 35mm film, but due to budget restrictions and the Vancouver Deluxe laboratory closing in 2012, they had to shoot digitally.
74 of 77 found this interesting | Share this
The original script featured a scene in which Margaret attempts to teach Walter to paint, but the scene was cut before filming.
42 of 43 found this interesting | Share this
Keane became a Jehovah's witness after the events portrayed in the film.
115 of 123 found this interesting | Share this
Lana Del Rey recorded two songs for the soundtrack, making it her first collaboration with Tim Burton. However, earlier in the year she did a recording for Maleficent (2014), which originally was set to be directed by Burton as well.
60 of 63 found this interesting | Share this
Kate Hudson and Thomas Haden Church were previously attached to play the lead roles. They were replaced with Reese Witherspoon and Ryan Reynolds. After a year in development, Witherspoon and Reynolds dropped out and Amy Adams and Christoph Waltz took the lead roles.
109 of 118 found this interesting | Share this
This was Tim Burton's second biopic. His previous biopic was Ed Wood (1994), which was released 20 years prior to this film. Both films were written by the duo Scott Alexander and Larry Karaszewski.
78 of 85 found this interesting | Share this
The blue book the two Witnesses place with Ms. Keane and from which she reads later in the film is "The Truth That Leads to Eternal Life".
45 of 48 found this interesting | Share this
Amy Adams' Golden Globe award for Best Performance by an Actress in a Leading Role, Comedy or Musical for this film marks her second consecutive Golden Globe win in that category. Her first win was for American Hustle (2013).
18 of 18 found this interesting | Share this
Amy Adams replaced Reese Witherspoon in the lead female role. She previously replaced Witherspoon in Night at the Museum: Battle of the Smithsonian (2009) and The Master (2012).
41 of 47 found this interesting | Share this
In 1998, cartoon series the Powerpuff Girls debuts by animator Craig McCracken, featuring leads based on Keane's "waifs" (and a character named "Ms. Keane").
16 of 17 found this interesting | Share this
This is Tim Burton's first live action film not to feature Helena Bonham Carter since they met on the set of Planet of the Apes (2001).
28 of 32 found this interesting | Share this
The production budget, according to the producers at the Los Angeles screening, was $60 million.
26 of 30 found this interesting | Share this
This is Tim Burton's first film since Edward Scissorhands (1990) not to be edited by Chris Lebenzon.
21 of 24 found this interesting | Share this
In the 1990s Tim Burton, a Keane artwork collector and later director of the film Big Eyes (about Keane), commissioned the artist to paint a portrait of his then-girlfriend Lisa Marie.
7 of 8 found this interesting | Share this
This is Tim Burton's first live-action film since Sleepy Hollow (1999) not to be produced by Richard D. Zanuck, who died in 2012.
13 of 17 found this interesting | Share this
In the opening scenes of the film, Amy Adams character is seen driving her car on a winding road. It goes up a hill towards an obvious matte painting at the top (that doesn't exist in reality.) Within 20 seconds, she is shown driving down the very same "winding hill" that now has a new matte painting at its top, but with different added trees and shrubbery and is shot at a slightly different angle to create the illusion that this is a completely different place, but that she is still driving away from her original location.
4 of 4 found this interesting | Share this
The hungry i was one of San Francisco's most influential nightclubs in the 1950s. Originally located at 599 Jackson Street, the owner closed it in the mid-60s due to declining revenue. The rights to the name were purchased by a topless club on Broadway.
8 of 12 found this interesting | Share this
Reese Witherspoon dropped out of this movie to do Wild (2014)
4 of 6 found this interesting | Share this
Writers Scott Alexander and Larry Karaszewski was previously set to direct but Tim Burton has swapped places with Alexander and Karaszewski.
1 of 2 found this interesting | Share this
Amy Adams portrayed Lois Lane in the 2013 Man of Steel. Terence Stamp who portrays the New York Times art critic in Big Eyes had previously portrayed General Zod in 1980's Superman II.
4 of 27 found this interesting | Share this
Spoilers
The trivia items below may give away important plot points.
When Margaret is in the supermarket, she takes the famous "Campbell Soup", subject of the most famous print by Andy Warhol, just before she recognizes that her art is being reproduced on posters and postcards.
20 of 21 found this interesting | Share this
Just as Margaret recognizes when she discovers that even his Paris paintings are fake, we never physically see Walter actually paint. The most we see is of him adding one or two brush strokes to one of Margaret's own works.
20 of 23 found this interesting | Share this
Walter's alter ego as S. Cenic actually describes the paintings he claimed as his own as "scenic."
0 of 2 found this interesting | Share this
.
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Big Eyes (2014) Poster
Big Eyes (I) (2014)
Trivia
Showing all 28 items
Jump to: Spoilers (3)
When Margaret and Walter are painting in front of the San Francisco palace of Fine Arts, the real Margaret Keane can be seen reading a book on the park bench behind them.
129 of 129 found this interesting | Share this
This is the first feature film directed by Tim Burton to not feature actors with whom he had previously worked. Though Batman was the first Burton film to feature a recurring actor in a major role his early films featured recurring actors in minor parts.
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This is the first live action Tim Burton film to feature neither Johnny Depp nor Helena Bonham Carter since Mars Attacks! (1996).
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The amount of sales of Margaret Keane Paintings soared ahead of the release of the film, with small paintings being sold for $8,500 a piece. Director Tim Burton also owns an extensive collection of her work. Keane has also painted portraits of Burton's partner Helena Bonham Carter and Burton's former Chihuahua.
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Amy Adams liked the script when it was offered to her at first, but she originally turned down the role, because the character lacked "a stronger sense of self". However, working on American Hustle (2013) gave Adams a new perspective of the character, and she was won over because she was intrigued by the character's "quiet dignity", while the relationship between the mother and the daughter spoke to her as well.
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Tim Burton and cinematographer Bruno Delbonnel wanted to shoot on 35mm film, but due to budget restrictions and the Vancouver Deluxe laboratory closing in 2012, they had to shoot digitally.
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The original script featured a scene in which Margaret attempts to teach Walter to paint, but the scene was cut before filming.
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Keane became a Jehovah's witness after the events portrayed in the film.
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Lana Del Rey recorded two songs for the soundtrack, making it her first collaboration with Tim Burton. However, earlier in the year she did a recording for Maleficent (2014), which originally was set to be directed by Burton as well.
60 of 63 found this interesting | Share this
Kate Hudson and Thomas Haden Church were previously attached to play the lead roles. They were replaced with Reese Witherspoon and Ryan Reynolds. After a year in development, Witherspoon and Reynolds dropped out and Amy Adams and Christoph Waltz took the lead roles.
109 of 118 found this interesting | Share this
This was Tim Burton's second biopic. His previous biopic was Ed Wood (1994), which was released 20 years prior to this film. Both films were written by the duo Scott Alexander and Larry Karaszewski.
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The blue book the two Witnesses place with Ms. Keane and from which she reads later in the film is "The Truth That Leads to Eternal Life".
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Amy Adams' Golden Globe award for Best Performance by an Actress in a Leading Role, Comedy or Musical for this film marks her second consecutive Golden Globe win in that category. Her first win was for American Hustle (2013).
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Amy Adams replaced Reese Witherspoon in the lead female role. She previously replaced Witherspoon in Night at the Museum: Battle of the Smithsonian (2009) and The Master (2012).
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In 1998, cartoon series the Powerpuff Girls debuts by animator Craig McCracken, featuring leads based on Keane's "waifs" (and a character named "Ms. Keane").
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This is Tim Burton's first live action film not to feature Helena Bonham Carter since they met on the set of Planet of the Apes (2001).
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The production budget, according to the producers at the Los Angeles screening, was $60 million.
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This is Tim Burton's first film since Edward Scissorhands (1990) not to be edited by Chris Lebenzon.
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In the 1990s Tim Burton, a Keane artwork collector and later director of the film Big Eyes (about Keane), commissioned the artist to paint a portrait of his then-girlfriend Lisa Marie.
7 of 8 found this interesting | Share this
This is Tim Burton's first live-action film since Sleepy Hollow (1999) not to be produced by Richard D. Zanuck, who died in 2012.
13 of 17 found this interesting | Share this
In the opening scenes of the film, Amy Adams character is seen driving her car on a winding road. It goes up a hill towards an obvious matte painting at the top (that doesn't exist in reality.) Within 20 seconds, she is shown driving down the very same "winding hill" that now has a new matte painting at its top, but with different added trees and shrubbery and is shot at a slightly different angle to create the illusion that this is a completely different place, but that she is still driving away from her original location.
4 of 4 found this interesting | Share this
The hungry i was one of San Francisco's most influential nightclubs in the 1950s. Originally located at 599 Jackson Street, the owner closed it in the mid-60s due to declining revenue. The rights to the name were purchased by a topless club on Broadway.
8 of 12 found this interesting | Share this
Reese Witherspoon dropped out of this movie to do Wild (2014)
4 of 6 found this interesting | Share this
Writers Scott Alexander and Larry Karaszewski was previously set to direct but Tim Burton has swapped places with Alexander and Karaszewski.
1 of 2 found this interesting | Share this
Amy Adams portrayed Lois Lane in the 2013 Man of Steel. Terence Stamp who portrays the New York Times art critic in Big Eyes had previously portrayed General Zod in 1980's Superman II.
4 of 27 found this interesting | Share this
Spoilers
The trivia items below may give away important plot points.
When Margaret is in the supermarket, she takes the famous "Campbell Soup", subject of the most famous print by Andy Warhol, just before she recognizes that her art is being reproduced on posters and postcards.
20 of 21 found this interesting | Share this
Just as Margaret recognizes when she discovers that even his Paris paintings are fake, we never physically see Walter actually paint. The most we see is of him adding one or two brush strokes to one of Margaret's own works.
20 of 23 found this interesting | Share this
Walter's alter ego as S. Cenic actually describes the paintings he claimed as his own as "scenic."
0 of 2 found this interesting | Share this
.
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Big Eyes (2014) - Plot Summary Poster
Big Eyes (I) (2014)
Plot Summary
Showing all 2 plot summaries
In San Francisco in the 1950s, Margaret was a woman trying to make it on her own after leaving her husband with only her daughter and her paintings. She meets gregarious ladies' man and fellow painter Walter Keane in a park while she was struggling to make an impact with her drawings of children with big eyes. The two quickly become a pair with outgoing Walter selling their paintings and quiet Margaret holed up at home painting even more children with big eyes. But Walter's actually selling her paintings as his own. A clash of financial success and critical failure soon sends Margaret reeling in her life of lies. With Walter still living the high life, Margaret's going to have to try making it on her own again and re-claiming her name and her paintings.
- Written by Anne Campbell
A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
- Written by Anonymous
Synopsis
The opening title card reads: BASED ON TRUE EVENTS. The opening shot is one of Margaret's paintings...
See full synopsis » (Warning: contains spoilers!) .
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Big Eyes (2014) - Plot Summary Poster
Big Eyes (I) (2014)
Plot Summary
Showing all 2 plot summaries
In San Francisco in the 1950s, Margaret was a woman trying to make it on her own after leaving her husband with only her daughter and her paintings. She meets gregarious ladies' man and fellow painter Walter Keane in a park while she was struggling to make an impact with her drawings of children with big eyes. The two quickly become a pair with outgoing Walter selling their paintings and quiet Margaret holed up at home painting even more children with big eyes. But Walter's actually selling her paintings as his own. A clash of financial success and critical failure soon sends Margaret reeling in her life of lies. With Walter still living the high life, Margaret's going to have to try making it on her own again and re-claiming her name and her paintings.
- Written by Anne Campbell
A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
- Written by Anonymous
Synopsis
The opening title card reads: BASED ON TRUE EVENTS. The opening shot is one of Margaret's paintings...
See full synopsis » (Warning: contains spoilers!) .
See also
Taglines | Synopsis | Plot Keywords | Parents Guide
.
Getting Started | Contributor Zone »
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Big Eyes
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Taglines
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Not alone
a list of 45 titles
created 15 Jan 2014
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created 7 months ago
list image
My Watched List 2015
a list of 33 titles
created 3 months ago
list image
2015 Movies
a list of 22 titles
created 3 months ago
list image
Tim Burton
a list of 41 titles
created 6 days ago
See all related lists »
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Big Eyes (2014/I) More at IMDbPro »
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The opening title card reads: BASED ON TRUE EVENTS.
The opening shot is one of Margaret's paintings, then replicated over and over, in mass production. We read the quote: "I think what Keane has done is just terrific. It has to be good. If it were bad, so many people wouldn't like it, attributed to Andy Warhol."
The movie is narrated by a newspaper editor named Dick Nolan (Danny Huston). Opening in the year 1958 in Northern California. Margaret Ulbrich (Amy Adams) packs up her things and takes her young daughter, Jane, away; she is leaving her husband behind, something which was very uncommon in those days. They drive up to North Beach, San Francisco where her best friend Dee-Ann (Krysten Ritter) lives and they move in with her. Dee-Ann tells Margaret about the art galleries in town.
Having to support her daughter alone, Margaret applies for a job. She has no work experience but studied at an art institute so she is put to work painting illustrations at a furniture factory. On the side, she draws peoples portraits at an outdoor art show but is widely ignored. There, Margaret catches the eye of Walter Keane (Christoph Waltz), flirting with women and selling his street scene paintings nearby for $35. He encourages Margaret to be more aggressive in her salesmanship, trying to convince a young girl to buy a portrait before realizing she is Margaret's daughter and the model for her work.
Margaret and Walter go out to a restaurant; Walter says they wont have to pay because he has given them artwork, revealing he is good at making deals. He tells her about living in Paris and how he studied at an art school there; then compliments Margaret's work saying he wishes he could paint people instead of street scenes.
Margaret paints Jane outside the Palace of Fine Arts. Jane points out that Walters canvas is blank but he says he needs to be inspired before he can start. Walter asks Margaret why she draws eyes so big and she says eyes are the windows to the soul and tells him when she was little, she was deaf for a short period of time and she found herself looking at peoples eyes to read them. A man recognizes Walter and she learns that he is a realtor and not a painter. He tells her that he hates his job and all he ever wanted to do was be an artist.
Walter and Margaret share an affectionate moment in her place, much to the annoyance of Jane. When she goes through the mail, Margaret discovers that her husband wants to get full custody of Jane, calling her an unfit mother as a single woman. Walter proposes to her, saying they can raise Jane together. They get married in Hawaii, a place Margaret ends up loving. She paints a portrait and now signs it KEANE.
Back in California, Margaret tells Dee-Ann all about Hawaii. Dee-Ann, having promised never to hold back her feelings about Margaret's lovers after her last failed marriage, tells her that Walter has been with every woman on the art circuit. Margaret tells her she's not naïve and that Walter is a good provider. She gets her fortune cookie, which tells her success is about to come.
Walter tries to sell his work to an art gallery, in the process interrupting the owner, Ruben (Jason Schwartzman) as he tries to make a sale. Ruben points out that Walter only lived in Paris for a week and wonders why he keeps creating Parisian street scenes. Walter shows him Margaret's Big Eyes paintings but Ruben scoffs at them, saying the eyes are like big stale jellybeans. He tells Walter to leave before the taste police arrives.
Margaret and Walter to go an exclusive jazz club with Walter complaining that arts popularity is determined by a committee who meet for brunch and decide whats cool. Margaret argues that art is purchased when it speaks to people but Walter doesn't agree. Walter tries to convince the clubs owner to purchase his paintings; when the owner refuses, Walter suggests that he can rent out the walls to exhibit his work.
Walter tries to promote the artwork at the club but is stationed by the restrooms and nobody pays any attention to the paintings hanging nearby. A drunk woman is touched by one of Margaret's paintings. Walter is disappointed to hear shes not interested in his own work; nonetheless, Margaret's painting sells. Walter goes upstairs and fights with the club owner about setting him up down near the restrooms. Cameras photograph the fight, in which the owner is knocked over the head with one of Margaret's paintings. It ends up on the front page of the local newspaper.
Margaret bails Walter out of jail. He tells her that he let a couple think he had painted the Big Eyes to make a sale. She tells him never to do that again.
The next time Walter goes to the club, it is packed with people, looking to get a sense of what has made the news. The club owner is excited at all the new activity and stages a fight with Walter to generate more buzz. Dick Nolan, who has served as our narrator, introduces himself to William he has a celebrity gossip column and wants to know more about Walters hobo kid paintings.
Walter surprises a sleeping Margaret by showing her all the money they've made from sales. He tells her he needs more paintings and that they've become a great team she does what she loves (painting) while he does all the schmoozing at the club. Walter does just that, taking his job as salesman very seriously. Margaret surprises him at the club and overhears Walter trying to impress some women by claiming he painted the Big Eyes. They argue privately he tells her he is just trying to sell paintings and buyers pay more when they meet the artist. She points out she is only staying home because he demanded it. He tells her they should focus on making money and he wouldn't mind if someone else took credit for his Parisian landscapes. She is surprised he can give away credit for his work and has no emotional connection to them. The argument is interrupted when a rich Italian industrialist walks by and wants to know who the artist is. Margaret is torn on how to respond but Walter pipes up, claiming it is him and ends up making a $5,000 sale. Afterwards, Margaret says he is being dishonest but he tells her that they're both KEANE so now they are one and the same.
Dick Nolan reports as Walter generates publicity by giving away paintings to the mayor, a Soviet diplomat, Joan Crawford. Walter decides to open up his own Keane Gallery but Margaret feels uneasy about the lie. When they are putting up a poster to promote the opening, Jane tells her mother she remembers when she posed for the painting on the advertisement. Margaret has to convince Jane that she is remembering incorrectly and Walter says he was mimicking Margaret's style when he made it.
Margaret goes to confessional and admits she has lied to her daughter, at the urging of her husband, although she is not that kind of person. The priest asks if her husband is that kind of person. She defends him and says he just wants to make money so they can buy a house. The priest tells her as a Christian, she knows that men are the head of the household and she should trust his judgment.
The Keane Gallery opens. Dee-Ann is there and she hints to Margaret that she is suspicious about Walter being attributed to the Big Eyes paintings. A man asks Margaret if she paints, too, and she doesn't know how to answer. Walter is asked about his techniques and is caught in a lie when he claims to have done a painting in oils when its actually acrylic. The guy asks Walter what inspires him to paint little girls and he has to make up a loquacious response.
At home, Walter is watching Perry Mason. An art critic appears during the commercial break, chastising Keane's work because he's won no awards and is only known because he's publicized by Dick Nolan. Upstairs, Jane almost walks in on her mother painting in the off-limits art room but is sideswiped by Walter, who tells Jane to go get ice cream from a nearby truck. Margaret tells him she hates lying to her daughter but he points out Jane now has a trust fund. He asks her about her work and says hes going to go on television to defend it. She asks him what inspired his Parisian landscapes and if the streets were as lovely as he depicted; he says, no, it was after the war and then gets the angle for why he (allegedly) painted the Big Eyes portraits.
On television, Walter claims seeing orphaned children in a war-torn Paris was what inspired his work. The women on the panel are touched. The Keane Gallery gets even more popular people rip the promotional posters off of poles and ask them to be autographed. Walter gets annoyed that none of these people actually want to buy expensive paintings but realizes that they all want to take posters he starts selling the reproductions for 10 cents each and realizes they can make money off of reproductions.
At the supermarket, Big Eyes replicas are on display. Margaret observes a book on Numerology and then is distracted when she starts seeing everyone with GIANT EYES. She goes home and paints a new portrait one with elongated features and small eyes. Walter is confused when he sees it. Margaret tells him she wants to sign it as herself, so that she can honestly tell people she is also a painter. He becomes paranoid and tells her that if she tells anybody, the empire collapses and they have to return all the money because they've committed fraud. She breaks down, saying that shes locked up in the room for 10 hours and that she just wants to have credit for the new paintings.
Walter turns this into a new angle for publicity a family of painters, with Margaret's abilities minimized by including Jane in the story, showing off her childish work. Dick Nolan, interviewing for this story, tells Margaret people don't buy lady art but Margaret reminds him of Georgia O'Keeffe. When she talks about Modigliani and painting, Walter shuts her down, telling her to stick to the family angle. The interview is interrupted by Lily, a 10-year-old girl who is revealed to be Walters daughter. Margaret pulls him aside and is angry that he never told her about his daughter; Walter says hes supposed to have visitations once a month but he never enforced this. She asks how he can keep something big such a secret. He tells her he puts up with HER daughter and never complains. She tells him shes going to pretend he didn't say that.
At the gallery, a man admires Margaret's work meaning her new style. He asks why she signs it MDH and she explains she loves the number 7, pointing out M is the 13th letter, D is the 4th number, H is 8, 1+3+4+8=16, 1+6=7. Walter pulls her aside and chastises her for talking about numerology. Nearby, two snobby men lambast the artwork but admire Walter for turning it into a business, selling reproductions and postcards. Ruben stumbles upon a display of Keane artwork in a store window and says, Christ. Its a movement.
Now Margaret and Walter live in a five-bedroom mansion 30 minutes away. Dee-Ann comes to visit, astonished at the size of the estate and mentioning that Margaret has been out of touch. Dee-Ann forces her way into Margaret's art studio, despite her pleas; Walter arrives home then, pretending that they share the space and the artwork on display was produced by him. There is awkwardness between Dee-Ann and Walter at dinner. Later, Walter kicks her out and tells her never to return again. Dee-Ann screams out "fuck you!" and drives off.
Jane and Margaret are outside playing. She goes into her painting room and confesses to her dog that she is the one who painted the Big Eyes and nobody knows but him. She decides to paint a new painting of a woman with her dog; while going through a crate to find a blank canvas, she finds a stack of paintings with Parisian street scenes but they are all signed by S. CENIC.
Margaret runs into the living room and scrapes off KEANES signature on one of the Parisian landscapes that is hanging there. It is revealed to be originally signed by S. CENIC. Walter later comes home, bragging about all the important people he got to hang out with. He says a dignitary from China is visiting the town and Margaret should paint a big-eyed/slanty-eyed little kid for her. Margaret suggests she give him one of his Parisian street scene paintings but says she might already have a Cenic. Walter is caught in a lie and tells her that Cenic was his nickname in Paris since the other students admired his SCENIC art pieces. She knows he is lying, pointing out that he paints over the name, and realizes that shes never seen him paint even though she thought she had. She asks if hes ever been to Paris. He admits that he always wanted to be an artist but never really had the talent. Later that night, Margaret refuses to let Walter sleep with her, telling him there are three extra bedrooms and he should pick one.
Days later, Walter learns of the 1964's New York Worlds Fair. At dinner, he demands Margaret paint something to put on display. She refuses and he tells her hell have her whacked if she doesn't adding that he knows people. She cries, taunting him to kill her after keeping their secret for so long and pointing out that she no longer has any friends. He is unsympathetic and tells her that there will be 70 million visitors to the Worlds Fair and they should reveal his masterpiece there. She tells him that you cant announce a masterpiece and that Michelangelo took four years to paint the Sistine Chapel. He tells her that UNICEF is sponsoring the Hall of Education and suggests she does a Cinerama-sized painting showing the children of the world. Margaret is upset because she says art cant be contrived; it has to be inspired Walter doesn't understand this concept.
Margaret slaves away in her painting room on the piece, angry at the overwhelming obligation. He asks her to provide some preliminary sketches of hers so it can be published in a coffee table book titled Tomorrows Masters.
That night, Jane is hungry for dinner and she uses a key to get into the painting room. There, she sees her mom working on the masterpiece for the Worlds Fair. Jane tells her she knows her mom is the real artist.
John Canady (Terence Stamp), a senior art critic at the New York Times, castigates the Worlds Hall display (called Tomorrow Forever). A civic leader tells him that the work wasn't chosen but Mr. Keane contacted them directly and they decided to include him after a discussion at a luncheon. Meanwhile, Walter is throwing a large party filled with important people to celebrate his success the upcoming book, the Worlds Fair piece. Margaret mentions she wants a divorce. Walter is thrown for a loop when he is given John Canady's scathing review of the Tomorrow Forever exhibit in the New York Times. Since John is at the party, Walter screams at him. Canady tells him his work is kitsch and Walter tries to stab him with a fork.
Back in California, Walter is still raging, now drunk. He says he will sue Canady, the Worlds Fair, UNICEF then screams at Margaret for betraying him with her painting. He starts throwing matches at Jane and Margaret. They run into the painting room and lock themselves in. Crazily, he watches them through the doors keyhole and then throws matches inside. Margaret stomps out the flames and then runs off with Jane. They drive away; Margaret tells Jane in the car that they're going to start a new life in Hawaii.
Several years later, Margaret and Jane settle into a life in Honolulu. Walter calls Margaret on the phone, only knowing how to reach her recently because she has sent divorce papers to him. He reminds her about their enterprise and says he will not agree to a separation unless she signs over the rights to every painting shes ever produced. She agrees because divorce is more important to her. This surprises him so he takes it a step further and asks about future revenue stream. He tells her he wants 100 more Walter Keanes. She doesn't object.
Margaret paints new work, shipping them in large crates from Hawaii to California. She is overprotective towards Jane, who tells her she needs to make some friends; she has been too paranoid letting anyone come over, for fear they should discover she is the one creating Walters artwork. One day, two Jehovahs Witnesses come to the home and talk to Margaret about the Bible. After a long discussion, the women convince Margaret that honesty is important. The next time Walter receives some artwork, it is signed MDH Keane.
On a Hawaiian radio show, Margaret admits that she is the actual painter of the work attributed to Walter Keane. This makes national news. Walter goes to Dick Nolan, claiming Margaret has gone nuts and uses the sketches in Tomorrows Masters attributed to 1946 as proof that he was the author (although these were her own sketches made at a later date).
Margaret is furious and the Jehovahs witnesses encourage her to fight for the truth; Jane suggests a lawsuit and Margaret complies, suing both Walter and the newspapers that printed his version of the story for libel and slander.
Reporters swam the courthouse in Honolulu the art world is abuzz, wondering if Margaret really is the true painter or if shes just a bitter ex-wife. Margaret walks by the reporters without a word but Walter stops, pompously, telling them he hopes Margaret gets the psychiatric care she needs.
The court quickly dismisses the libel lawsuit, citing that Margaret has been corroborating his story in nearly 700 articles over ten years. The newspaper editors expensive lawyers leave and Walter realizes he still has to defend himself against slander, without representation. He agrees to defend himself, explaining that hes always taken care of himself and doesn't need any rent-a-suits to defend his name.
Newspapers latch onto this story, with Dick Nolan pointing out that Walter isn't fit to represent himself the only thing he knows about courtrooms is from watching Perry Mason on TV. At the trial, Walter tries giving a speech to the jury but is chastised by the judge for not asking Margaret questions. He asks why she would go along with the scheme and she said she was forced into it and he had her dominated. She felt she didn't have any other options and giving away her paintings made her feel like losing a child. Walter convinced her without his salesmanship and promotion skills, they would never make money and be able to support the family. She calls him a Jekyll and Hyde, reminding him of threatening to kill her if she ever told the truth.
Walter questions himself, running back and forth in and out of the witness stand to do so. He brags about all the important people he's gotten to meet and all the places hes gotten to travel, nauseating the jury. The judge finally stops him, telling him this is a case of he said/she said and the best way to prove who painted the Big Eye paintings is for them each to paint. He gives them each an hour to replicate their work. Margaret works steadily but Walter is hesitant; he finally claims his arm hurts too much from an injury for him to hold a paintbrush. In the end, it is clear that Margaret was telling the truth.
Outside, Margaret shows off the painting she did in court and tells a reporter she is calling it Exhibit 224. We learn that Margaret won the case on all points defamation, emotional distress, damaged reputation. She says she doesn't care about money; she just wants credit for her work and now she feels she has gotten her art back. A fan asks her to sign a copy of Tomorrows Masters and she does, finally autographing her own work.
A series of closing cards say that Walter continued to deny Margaret's claims to the very end until he died in 2000, bitter and penniless, never producing another painting.
Margaret found happiness in Hawaii and eventually moved back to San Francisco and opened a new gallery. She still paints everyday. The final shot shows a photo of the real Margaret Keane seated next to the actress Amy Adams who plays her in this film.
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IMDb > Big Eyes (2014/I) > Synopsis
Big Eyes
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Synopsis for
Big Eyes (2014/I) More at IMDbPro »
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The opening title card reads: BASED ON TRUE EVENTS.
The opening shot is one of Margaret's paintings, then replicated over and over, in mass production. We read the quote: "I think what Keane has done is just terrific. It has to be good. If it were bad, so many people wouldn't like it, attributed to Andy Warhol."
The movie is narrated by a newspaper editor named Dick Nolan (Danny Huston). Opening in the year 1958 in Northern California. Margaret Ulbrich (Amy Adams) packs up her things and takes her young daughter, Jane, away; she is leaving her husband behind, something which was very uncommon in those days. They drive up to North Beach, San Francisco where her best friend Dee-Ann (Krysten Ritter) lives and they move in with her. Dee-Ann tells Margaret about the art galleries in town.
Having to support her daughter alone, Margaret applies for a job. She has no work experience but studied at an art institute so she is put to work painting illustrations at a furniture factory. On the side, she draws peoples portraits at an outdoor art show but is widely ignored. There, Margaret catches the eye of Walter Keane (Christoph Waltz), flirting with women and selling his street scene paintings nearby for $35. He encourages Margaret to be more aggressive in her salesmanship, trying to convince a young girl to buy a portrait before realizing she is Margaret's daughter and the model for her work.
Margaret and Walter go out to a restaurant; Walter says they wont have to pay because he has given them artwork, revealing he is good at making deals. He tells her about living in Paris and how he studied at an art school there; then compliments Margaret's work saying he wishes he could paint people instead of street scenes.
Margaret paints Jane outside the Palace of Fine Arts. Jane points out that Walters canvas is blank but he says he needs to be inspired before he can start. Walter asks Margaret why she draws eyes so big and she says eyes are the windows to the soul and tells him when she was little, she was deaf for a short period of time and she found herself looking at peoples eyes to read them. A man recognizes Walter and she learns that he is a realtor and not a painter. He tells her that he hates his job and all he ever wanted to do was be an artist.
Walter and Margaret share an affectionate moment in her place, much to the annoyance of Jane. When she goes through the mail, Margaret discovers that her husband wants to get full custody of Jane, calling her an unfit mother as a single woman. Walter proposes to her, saying they can raise Jane together. They get married in Hawaii, a place Margaret ends up loving. She paints a portrait and now signs it KEANE.
Back in California, Margaret tells Dee-Ann all about Hawaii. Dee-Ann, having promised never to hold back her feelings about Margaret's lovers after her last failed marriage, tells her that Walter has been with every woman on the art circuit. Margaret tells her she's not naïve and that Walter is a good provider. She gets her fortune cookie, which tells her success is about to come.
Walter tries to sell his work to an art gallery, in the process interrupting the owner, Ruben (Jason Schwartzman) as he tries to make a sale. Ruben points out that Walter only lived in Paris for a week and wonders why he keeps creating Parisian street scenes. Walter shows him Margaret's Big Eyes paintings but Ruben scoffs at them, saying the eyes are like big stale jellybeans. He tells Walter to leave before the taste police arrives.
Margaret and Walter to go an exclusive jazz club with Walter complaining that arts popularity is determined by a committee who meet for brunch and decide whats cool. Margaret argues that art is purchased when it speaks to people but Walter doesn't agree. Walter tries to convince the clubs owner to purchase his paintings; when the owner refuses, Walter suggests that he can rent out the walls to exhibit his work.
Walter tries to promote the artwork at the club but is stationed by the restrooms and nobody pays any attention to the paintings hanging nearby. A drunk woman is touched by one of Margaret's paintings. Walter is disappointed to hear shes not interested in his own work; nonetheless, Margaret's painting sells. Walter goes upstairs and fights with the club owner about setting him up down near the restrooms. Cameras photograph the fight, in which the owner is knocked over the head with one of Margaret's paintings. It ends up on the front page of the local newspaper.
Margaret bails Walter out of jail. He tells her that he let a couple think he had painted the Big Eyes to make a sale. She tells him never to do that again.
The next time Walter goes to the club, it is packed with people, looking to get a sense of what has made the news. The club owner is excited at all the new activity and stages a fight with Walter to generate more buzz. Dick Nolan, who has served as our narrator, introduces himself to William he has a celebrity gossip column and wants to know more about Walters hobo kid paintings.
Walter surprises a sleeping Margaret by showing her all the money they've made from sales. He tells her he needs more paintings and that they've become a great team she does what she loves (painting) while he does all the schmoozing at the club. Walter does just that, taking his job as salesman very seriously. Margaret surprises him at the club and overhears Walter trying to impress some women by claiming he painted the Big Eyes. They argue privately he tells her he is just trying to sell paintings and buyers pay more when they meet the artist. She points out she is only staying home because he demanded it. He tells her they should focus on making money and he wouldn't mind if someone else took credit for his Parisian landscapes. She is surprised he can give away credit for his work and has no emotional connection to them. The argument is interrupted when a rich Italian industrialist walks by and wants to know who the artist is. Margaret is torn on how to respond but Walter pipes up, claiming it is him and ends up making a $5,000 sale. Afterwards, Margaret says he is being dishonest but he tells her that they're both KEANE so now they are one and the same.
Dick Nolan reports as Walter generates publicity by giving away paintings to the mayor, a Soviet diplomat, Joan Crawford. Walter decides to open up his own Keane Gallery but Margaret feels uneasy about the lie. When they are putting up a poster to promote the opening, Jane tells her mother she remembers when she posed for the painting on the advertisement. Margaret has to convince Jane that she is remembering incorrectly and Walter says he was mimicking Margaret's style when he made it.
Margaret goes to confessional and admits she has lied to her daughter, at the urging of her husband, although she is not that kind of person. The priest asks if her husband is that kind of person. She defends him and says he just wants to make money so they can buy a house. The priest tells her as a Christian, she knows that men are the head of the household and she should trust his judgment.
The Keane Gallery opens. Dee-Ann is there and she hints to Margaret that she is suspicious about Walter being attributed to the Big Eyes paintings. A man asks Margaret if she paints, too, and she doesn't know how to answer. Walter is asked about his techniques and is caught in a lie when he claims to have done a painting in oils when its actually acrylic. The guy asks Walter what inspires him to paint little girls and he has to make up a loquacious response.
At home, Walter is watching Perry Mason. An art critic appears during the commercial break, chastising Keane's work because he's won no awards and is only known because he's publicized by Dick Nolan. Upstairs, Jane almost walks in on her mother painting in the off-limits art room but is sideswiped by Walter, who tells Jane to go get ice cream from a nearby truck. Margaret tells him she hates lying to her daughter but he points out Jane now has a trust fund. He asks her about her work and says hes going to go on television to defend it. She asks him what inspired his Parisian landscapes and if the streets were as lovely as he depicted; he says, no, it was after the war and then gets the angle for why he (allegedly) painted the Big Eyes portraits.
On television, Walter claims seeing orphaned children in a war-torn Paris was what inspired his work. The women on the panel are touched. The Keane Gallery gets even more popular people rip the promotional posters off of poles and ask them to be autographed. Walter gets annoyed that none of these people actually want to buy expensive paintings but realizes that they all want to take posters he starts selling the reproductions for 10 cents each and realizes they can make money off of reproductions.
At the supermarket, Big Eyes replicas are on display. Margaret observes a book on Numerology and then is distracted when she starts seeing everyone with GIANT EYES. She goes home and paints a new portrait one with elongated features and small eyes. Walter is confused when he sees it. Margaret tells him she wants to sign it as herself, so that she can honestly tell people she is also a painter. He becomes paranoid and tells her that if she tells anybody, the empire collapses and they have to return all the money because they've committed fraud. She breaks down, saying that shes locked up in the room for 10 hours and that she just wants to have credit for the new paintings.
Walter turns this into a new angle for publicity a family of painters, with Margaret's abilities minimized by including Jane in the story, showing off her childish work. Dick Nolan, interviewing for this story, tells Margaret people don't buy lady art but Margaret reminds him of Georgia O'Keeffe. When she talks about Modigliani and painting, Walter shuts her down, telling her to stick to the family angle. The interview is interrupted by Lily, a 10-year-old girl who is revealed to be Walters daughter. Margaret pulls him aside and is angry that he never told her about his daughter; Walter says hes supposed to have visitations once a month but he never enforced this. She asks how he can keep something big such a secret. He tells her he puts up with HER daughter and never complains. She tells him shes going to pretend he didn't say that.
At the gallery, a man admires Margaret's work meaning her new style. He asks why she signs it MDH and she explains she loves the number 7, pointing out M is the 13th letter, D is the 4th number, H is 8, 1+3+4+8=16, 1+6=7. Walter pulls her aside and chastises her for talking about numerology. Nearby, two snobby men lambast the artwork but admire Walter for turning it into a business, selling reproductions and postcards. Ruben stumbles upon a display of Keane artwork in a store window and says, Christ. Its a movement.
Now Margaret and Walter live in a five-bedroom mansion 30 minutes away. Dee-Ann comes to visit, astonished at the size of the estate and mentioning that Margaret has been out of touch. Dee-Ann forces her way into Margaret's art studio, despite her pleas; Walter arrives home then, pretending that they share the space and the artwork on display was produced by him. There is awkwardness between Dee-Ann and Walter at dinner. Later, Walter kicks her out and tells her never to return again. Dee-Ann screams out "fuck you!" and drives off.
Jane and Margaret are outside playing. She goes into her painting room and confesses to her dog that she is the one who painted the Big Eyes and nobody knows but him. She decides to paint a new painting of a woman with her dog; while going through a crate to find a blank canvas, she finds a stack of paintings with Parisian street scenes but they are all signed by S. CENIC.
Margaret runs into the living room and scrapes off KEANES signature on one of the Parisian landscapes that is hanging there. It is revealed to be originally signed by S. CENIC. Walter later comes home, bragging about all the important people he got to hang out with. He says a dignitary from China is visiting the town and Margaret should paint a big-eyed/slanty-eyed little kid for her. Margaret suggests she give him one of his Parisian street scene paintings but says she might already have a Cenic. Walter is caught in a lie and tells her that Cenic was his nickname in Paris since the other students admired his SCENIC art pieces. She knows he is lying, pointing out that he paints over the name, and realizes that shes never seen him paint even though she thought she had. She asks if hes ever been to Paris. He admits that he always wanted to be an artist but never really had the talent. Later that night, Margaret refuses to let Walter sleep with her, telling him there are three extra bedrooms and he should pick one.
Days later, Walter learns of the 1964's New York Worlds Fair. At dinner, he demands Margaret paint something to put on display. She refuses and he tells her hell have her whacked if she doesn't adding that he knows people. She cries, taunting him to kill her after keeping their secret for so long and pointing out that she no longer has any friends. He is unsympathetic and tells her that there will be 70 million visitors to the Worlds Fair and they should reveal his masterpiece there. She tells him that you cant announce a masterpiece and that Michelangelo took four years to paint the Sistine Chapel. He tells her that UNICEF is sponsoring the Hall of Education and suggests she does a Cinerama-sized painting showing the children of the world. Margaret is upset because she says art cant be contrived; it has to be inspired Walter doesn't understand this concept.
Margaret slaves away in her painting room on the piece, angry at the overwhelming obligation. He asks her to provide some preliminary sketches of hers so it can be published in a coffee table book titled Tomorrows Masters.
That night, Jane is hungry for dinner and she uses a key to get into the painting room. There, she sees her mom working on the masterpiece for the Worlds Fair. Jane tells her she knows her mom is the real artist.
John Canady (Terence Stamp), a senior art critic at the New York Times, castigates the Worlds Hall display (called Tomorrow Forever). A civic leader tells him that the work wasn't chosen but Mr. Keane contacted them directly and they decided to include him after a discussion at a luncheon. Meanwhile, Walter is throwing a large party filled with important people to celebrate his success the upcoming book, the Worlds Fair piece. Margaret mentions she wants a divorce. Walter is thrown for a loop when he is given John Canady's scathing review of the Tomorrow Forever exhibit in the New York Times. Since John is at the party, Walter screams at him. Canady tells him his work is kitsch and Walter tries to stab him with a fork.
Back in California, Walter is still raging, now drunk. He says he will sue Canady, the Worlds Fair, UNICEF then screams at Margaret for betraying him with her painting. He starts throwing matches at Jane and Margaret. They run into the painting room and lock themselves in. Crazily, he watches them through the doors keyhole and then throws matches inside. Margaret stomps out the flames and then runs off with Jane. They drive away; Margaret tells Jane in the car that they're going to start a new life in Hawaii.
Several years later, Margaret and Jane settle into a life in Honolulu. Walter calls Margaret on the phone, only knowing how to reach her recently because she has sent divorce papers to him. He reminds her about their enterprise and says he will not agree to a separation unless she signs over the rights to every painting shes ever produced. She agrees because divorce is more important to her. This surprises him so he takes it a step further and asks about future revenue stream. He tells her he wants 100 more Walter Keanes. She doesn't object.
Margaret paints new work, shipping them in large crates from Hawaii to California. She is overprotective towards Jane, who tells her she needs to make some friends; she has been too paranoid letting anyone come over, for fear they should discover she is the one creating Walters artwork. One day, two Jehovahs Witnesses come to the home and talk to Margaret about the Bible. After a long discussion, the women convince Margaret that honesty is important. The next time Walter receives some artwork, it is signed MDH Keane.
On a Hawaiian radio show, Margaret admits that she is the actual painter of the work attributed to Walter Keane. This makes national news. Walter goes to Dick Nolan, claiming Margaret has gone nuts and uses the sketches in Tomorrows Masters attributed to 1946 as proof that he was the author (although these were her own sketches made at a later date).
Margaret is furious and the Jehovahs witnesses encourage her to fight for the truth; Jane suggests a lawsuit and Margaret complies, suing both Walter and the newspapers that printed his version of the story for libel and slander.
Reporters swam the courthouse in Honolulu the art world is abuzz, wondering if Margaret really is the true painter or if shes just a bitter ex-wife. Margaret walks by the reporters without a word but Walter stops, pompously, telling them he hopes Margaret gets the psychiatric care she needs.
The court quickly dismisses the libel lawsuit, citing that Margaret has been corroborating his story in nearly 700 articles over ten years. The newspaper editors expensive lawyers leave and Walter realizes he still has to defend himself against slander, without representation. He agrees to defend himself, explaining that hes always taken care of himself and doesn't need any rent-a-suits to defend his name.
Newspapers latch onto this story, with Dick Nolan pointing out that Walter isn't fit to represent himself the only thing he knows about courtrooms is from watching Perry Mason on TV. At the trial, Walter tries giving a speech to the jury but is chastised by the judge for not asking Margaret questions. He asks why she would go along with the scheme and she said she was forced into it and he had her dominated. She felt she didn't have any other options and giving away her paintings made her feel like losing a child. Walter convinced her without his salesmanship and promotion skills, they would never make money and be able to support the family. She calls him a Jekyll and Hyde, reminding him of threatening to kill her if she ever told the truth.
Walter questions himself, running back and forth in and out of the witness stand to do so. He brags about all the important people he's gotten to meet and all the places hes gotten to travel, nauseating the jury. The judge finally stops him, telling him this is a case of he said/she said and the best way to prove who painted the Big Eye paintings is for them each to paint. He gives them each an hour to replicate their work. Margaret works steadily but Walter is hesitant; he finally claims his arm hurts too much from an injury for him to hold a paintbrush. In the end, it is clear that Margaret was telling the truth.
Outside, Margaret shows off the painting she did in court and tells a reporter she is calling it Exhibit 224. We learn that Margaret won the case on all points defamation, emotional distress, damaged reputation. She says she doesn't care about money; she just wants credit for her work and now she feels she has gotten her art back. A fan asks her to sign a copy of Tomorrows Masters and she does, finally autographing her own work.
A series of closing cards say that Walter continued to deny Margaret's claims to the very end until he died in 2000, bitter and penniless, never producing another painting.
Margaret found happiness in Hawaii and eventually moved back to San Francisco and opened a new gallery. She still paints everyday. The final shot shows a photo of the real Margaret Keane seated next to the actress Amy Adams who plays her in this film.
Page last updated by hampact9, 2 months ago
Top Contributors: mep1019, hampact9 (View full history)
SynopsisEditHistoryDiscuss
r73731
Related Links
Plot summary Plot keywords FAQ
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Trivia Main details MoKA: keyword discovery
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Title: Worlds Apart (2008)
Worlds Apart (2008) on IMDb 7.1/10
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Test your knowledge of Worlds Apart.
5 wins & 12 nominations. See more awards » .
Photos
Rosalinde Mynster and Pilou Asbæk in Worlds Apart (2008) Rosalinde Mynster and Catrine Beck in Worlds Apart (2008) Anders W. Berthelsen and Rosalinde Mynster in Worlds Apart (2008) Sarah Boberg, Jens Jørn Spottag, Rosalinde Mynster and Pilou Asbæk in Worlds Apart (2008) Sarah Boberg, Niels Arden Oplev, Jens Jørn Spottag, Steen Bille and Pilou Asbæk in Worlds Apart (2008)
8 photos | 1 news article »
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Drama
6.6/10
Martin (14) is forced to deal with confused sexuality and the loss of a mother in a provincial setting in the mid-seventies, where the famed Danish liberation of porn has had its influence on the grownups.
Director: Niels Arden Oplev
Stars: Villads Bøye, Anders W. Berthelsen, Sidse Babett Knudsen
Fukssvansen
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Accused
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.
Edit
Cast
Credited cast:
Rosalinde Mynster Rosalinde Mynster ...
Sara (as Rosalinde Spanning)
Pilou Asbæk Pilou Asbæk ...
Teis
Jens Jørn Spottag Jens Jørn Spottag ...
Andreas
Sarah Boberg Sarah Boberg ...
Karen (as Sarah Kjærgaard Boberg)
Anders W. Berthelsen Anders W. Berthelsen ...
John
Sarah Juel Werner Sarah Juel Werner ...
Elisabeth
Jacob Ottensten Jacob Ottensten ...
August (as Jacob August Ottensten)
Thomas Knuth-Winterfeldt Thomas Knuth-Winterfeldt ...
Jonas
Charlotte Fich Charlotte Fich ...
Jette
Hans Henrik Voetmann Hans Henrik Voetmann ...
Vagn
Catrine Beck Catrine Beck ...
Thea
Hans Henrik Clemensen Hans Henrik Clemensen ...
Erik
Rest of cast listed alphabetically:
Lasse Handberg Lasse Handberg ...
Mand med baby
Jytte Kvinesdal Jytte Kvinesdal ...
Theas mor
Amalie Lindegård Amalie Lindegård ...
Charlotte
See full cast »
.
Edit
Storyline
Sara is a teenager who lives with her family, who are Jehova's Witnesses. The family's devout image is questioned when the parents divorce as a consequence of the father's infidelity. One night at a party Sara meets Teis, an older boy who takes an interest in her. Teis is not a Witness, and their relationship is rejected by her father, but Sara falls in love and begins to doubt her faith. Facing ostracism from her faith and family, Sara must make the toughest choice of her young life. Written by Peter Brandt Nielsen
Plot Summary | Add Synopsis
Plot Keywords: jehovah | divorce | ostracism | religion | jehovah's witness | See All (76) »
Genres: Drama
Certificate: See all certifications »
Parents Guide: View content advisory »
.
Edit
Details
Official Sites: Official site [Denmark]
Country: Denmark
Language: Danish
Release Date: 22 February 2008 (Denmark) See more »
Also Known As: A hit fogságában See more »
Filming Locations: Copenhagen, Denmark See more »
Company Credits
Production Co: Nordisk Film See more »
Show detailed company contact information on IMDbPro »
Technical Specs
Sound Mix: Dolby SR | Dolby Digital
Color: Color
Aspect Ratio: 2.35 : 1
See full technical specs » .
Edit
Did You Know?
Trivia
While the story is fictionalized in places it is mostly true to Tabita's story. The titles at the end of the film about Sara's future accurately reflect Tabita's life. See more »
Goofs
When Sara and Teis meet up in Odense (she arrives at Odense Train Station with the train from Southern Fyn), they walk around in a shopping mall in Aarhus. See more »
Connections
Referenced in To verdener - En virkelig historie (2008) See more »
Soundtracks
The Creeps (Asles Full Blown Creep Remix)
Written by Camille Jones
Performed by Camille Jones
Courtesy of Data Records
See more » .
Frequently Asked Questions
This FAQ is empty. Add the first question. .
User Reviews
Very Moving
29 March 2011 | by michelle-halloway (Australia) – See all my reviews
I was moved deeply nearly to tears watching this film on SBS 2 last night. The film deals with important issues in such a sincere and sensitive way. The film shared a great deal with my personal experience to choose between my faith and my now (ex) fiancé. An impossible decision that has brought a life time of pain and regrets. It is a terrible dilemma for a young person to face these issues. I am glad this important and wonderful film was made because I expect many people have had to go through this and it is heartbreaking, but helpful to see how others manage the situation. Always be true to yourself. We can find the Lord Yahweh anywhere, you don't have to be in a church. As long as you obey His commandments, we need His guidance and discernment when it is not always His will but Mans religion which is different. Good Luck to all young people to be strong and find happiness without control and brainwashing.
5 of 6 people found this review helpful. Was this review helpful to you? Yes No
Review this title | See all 20 user reviews »
.
Message Boards
Recent Posts
Filled with inaccuracies SnookTheCrook
More information about Jehovah's Witnesses bse20038
US release? ube-5
The world ended in 1914!!! timkat10
Discuss Worlds Apart (2008) on the IMDb message boards »
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Worlds Apart (2008) Poster
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SEE RANK
Worlds Apart (2008)
"To verdener" (original title)
116 min | Drama | 22 February 2008 (Denmark)
7.1
Your rating:
-/10
Ratings: 7.1/10 from 1,936 users
Reviews: 20 user | 5 critic
The daughter of a Jehovah's Witness is forced to choose between religion and love when she falls for someone outside her faith.
Director: Niels Arden Oplev
Writers: Steen Bille, Niels Arden Oplev
Stars: Rosalinde Mynster, Pilou Asbæk, Jens Jørn Spottag | See full cast and crew »
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Related News
Two Teasers From Danish Cyber-Thriller Man Som Hatar Kvinnor (The Girl With The Dragon Tattoo)
4 November 2008 7:27 PM, EST | Twitch
Create a list »
User Lists
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list image
My personal Berlinale Ranking - 2008
a list of 27 titles
created 18 Feb 2012
list image
FSS Ratings
a list of 41 titles
created 18 Jul 2012
list image
ΔΑΝΕΖΙΚΕΣ ΤΑΙΝΙΕΣ
a list of 23 titles
created 15 Oct 2013
list image
All time faves!
a list of 32 titles
created 6 months ago
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2015 elokuvat
a list of 35 titles
created 4 months ago
See all related lists »
Related Items
Search for "Worlds Apart" on Amazon.com
Search for "Worlds Apart" on Amazon.com
Connect with IMDb
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Title: Worlds Apart (2008)
Worlds Apart (2008) on IMDb 7.1/10
Want to share IMDb's rating on your own site? Use the HTML below.
Show HTML View more styles
Take The Quiz!
Test your knowledge of Worlds Apart.
5 wins & 12 nominations. See more awards » .
Photos
Rosalinde Mynster and Pilou Asbæk in Worlds Apart (2008) Rosalinde Mynster and Catrine Beck in Worlds Apart (2008) Anders W. Berthelsen and Rosalinde Mynster in Worlds Apart (2008) Sarah Boberg, Jens Jørn Spottag, Rosalinde Mynster and Pilou Asbæk in Worlds Apart (2008) Sarah Boberg, Niels Arden Oplev, Jens Jørn Spottag, Steen Bille and Pilou Asbæk in Worlds Apart (2008)
8 photos | 1 news article »
.
Learn more
People who liked this also liked...
Speed Walking
Fukssvansen
Portland
R
What No One Knows
Accused
Crying for Love
Yes Nurse! No Nurse!
A Family
Terribly Happy
Will You Marry Us?
Oct 29 2009
Deity
◄ Prev 6 Next 6 ►
Speed Walking
Add to Watchlist
Next »
Speed Walking (2014)
Drama
6.6/10
Martin (14) is forced to deal with confused sexuality and the loss of a mother in a provincial setting in the mid-seventies, where the famed Danish liberation of porn has had its influence on the grownups.
Director: Niels Arden Oplev
Stars: Villads Bøye, Anders W. Berthelsen, Sidse Babett Knudsen
Fukssvansen
Portland
R
What No One Knows
Accused
Crying for Love
Yes Nurse! No Nurse!
A Family
Terribly Happy
.
Edit
Cast
Credited cast:
Rosalinde Mynster Rosalinde Mynster ...
Sara (as Rosalinde Spanning)
Pilou Asbæk Pilou Asbæk ...
Teis
Jens Jørn Spottag Jens Jørn Spottag ...
Andreas
Sarah Boberg Sarah Boberg ...
Karen (as Sarah Kjærgaard Boberg)
Anders W. Berthelsen Anders W. Berthelsen ...
John
Sarah Juel Werner Sarah Juel Werner ...
Elisabeth
Jacob Ottensten Jacob Ottensten ...
August (as Jacob August Ottensten)
Thomas Knuth-Winterfeldt Thomas Knuth-Winterfeldt ...
Jonas
Charlotte Fich Charlotte Fich ...
Jette
Hans Henrik Voetmann Hans Henrik Voetmann ...
Vagn
Catrine Beck Catrine Beck ...
Thea
Hans Henrik Clemensen Hans Henrik Clemensen ...
Erik
Rest of cast listed alphabetically:
Lasse Handberg Lasse Handberg ...
Mand med baby
Jytte Kvinesdal Jytte Kvinesdal ...
Theas mor
Amalie Lindegård Amalie Lindegård ...
Charlotte
See full cast »
.
Edit
Storyline
Sara is a teenager who lives with her family, who are Jehova's Witnesses. The family's devout image is questioned when the parents divorce as a consequence of the father's infidelity. One night at a party Sara meets Teis, an older boy who takes an interest in her. Teis is not a Witness, and their relationship is rejected by her father, but Sara falls in love and begins to doubt her faith. Facing ostracism from her faith and family, Sara must make the toughest choice of her young life. Written by Peter Brandt Nielsen
Plot Summary | Add Synopsis
Plot Keywords: jehovah | divorce | ostracism | religion | jehovah's witness | See All (76) »
Genres: Drama
Certificate: See all certifications »
Parents Guide: View content advisory »
.
Edit
Details
Official Sites: Official site [Denmark]
Country: Denmark
Language: Danish
Release Date: 22 February 2008 (Denmark) See more »
Also Known As: A hit fogságában See more »
Filming Locations: Copenhagen, Denmark See more »
Company Credits
Production Co: Nordisk Film See more »
Show detailed company contact information on IMDbPro »
Technical Specs
Sound Mix: Dolby SR | Dolby Digital
Color: Color
Aspect Ratio: 2.35 : 1
See full technical specs » .
Edit
Did You Know?
Trivia
While the story is fictionalized in places it is mostly true to Tabita's story. The titles at the end of the film about Sara's future accurately reflect Tabita's life. See more »
Goofs
When Sara and Teis meet up in Odense (she arrives at Odense Train Station with the train from Southern Fyn), they walk around in a shopping mall in Aarhus. See more »
Connections
Referenced in To verdener - En virkelig historie (2008) See more »
Soundtracks
The Creeps (Asles Full Blown Creep Remix)
Written by Camille Jones
Performed by Camille Jones
Courtesy of Data Records
See more » .
Frequently Asked Questions
This FAQ is empty. Add the first question. .
User Reviews
Very Moving
29 March 2011 | by michelle-halloway (Australia) – See all my reviews
I was moved deeply nearly to tears watching this film on SBS 2 last night. The film deals with important issues in such a sincere and sensitive way. The film shared a great deal with my personal experience to choose between my faith and my now (ex) fiancé. An impossible decision that has brought a life time of pain and regrets. It is a terrible dilemma for a young person to face these issues. I am glad this important and wonderful film was made because I expect many people have had to go through this and it is heartbreaking, but helpful to see how others manage the situation. Always be true to yourself. We can find the Lord Yahweh anywhere, you don't have to be in a church. As long as you obey His commandments, we need His guidance and discernment when it is not always His will but Mans religion which is different. Good Luck to all young people to be strong and find happiness without control and brainwashing.
5 of 6 people found this review helpful. Was this review helpful to you? Yes No
Review this title | See all 20 user reviews »
.
Message Boards
Recent Posts
Filled with inaccuracies SnookTheCrook
More information about Jehovah's Witnesses bse20038
US release? ube-5
The world ended in 1914!!! timkat10
Discuss Worlds Apart (2008) on the IMDb message boards »
.
Getting Started | Contributor Zone »
Contribute to This Page
Edit page
Write review
Create a character page for: Karen August Jonas Jette Vagn Thea Erik Mand med baby Theas mor Charlotte ----------- more... Create » ?
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Worlds Apart (2008) Poster
Worlds Apart (2008)
Trivia
Showing all 3 items
In the last scene, the girl in the train who looks up and smiles at Sara is the "real life-Sara". Her name is Tabita, and the director got the inspiration for the film from reading her story in a national Danish newspaper in 2006.
3 of 3 found this interesting | Share this
Denmark's official submission to the 2009 Foreign Language Oscar.
1 of 1 found this interesting | Share this
While the story is fictionalized in places it is mostly true to Tabita's story. The titles at the end of the film about Sara's future accurately reflect Tabita's life.
1 of 1 found this interesting | Share this
.
See also
Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks
.
Getting Started | Contributor Zone »
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Worlds Apart
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User Lists
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list image
My personal Berlinale Ranking - 2008
a list of 27 titles
created 18 Feb 2012
list image
FSS Ratings
a list of 41 titles
created 18 Jul 2012
list image
ΔΑΝΕΖΙΚΕΣ ΤΑΙΝΙΕΣ
a list of 23 titles
created 15 Oct 2013
list image
All time faves!
a list of 32 titles
created 6 months ago
list image
2015 elokuvat
a list of 35 titles
created 4 months ago
See all related lists »
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Worlds Apart (2008) Poster
Worlds Apart (2008)
Trivia
Showing all 3 items
In the last scene, the girl in the train who looks up and smiles at Sara is the "real life-Sara". Her name is Tabita, and the director got the inspiration for the film from reading her story in a national Danish newspaper in 2006.
3 of 3 found this interesting | Share this
Denmark's official submission to the 2009 Foreign Language Oscar.
1 of 1 found this interesting | Share this
While the story is fictionalized in places it is mostly true to Tabita's story. The titles at the end of the film about Sara's future accurately reflect Tabita's life.
1 of 1 found this interesting | Share this
.
See also
Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks
.
Getting Started | Contributor Zone »
Contribute to This Page
Edit page
.
ad feedback
Worlds Apart
Did You Know?
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Explore More
Share this page:
Create a list »
User Lists
Related lists from IMDb users
list image
My personal Berlinale Ranking - 2008
a list of 27 titles
created 18 Feb 2012
list image
FSS Ratings
a list of 41 titles
created 18 Jul 2012
list image
ΔΑΝΕΖΙΚΕΣ ΤΑΙΝΙΕΣ
a list of 23 titles
created 15 Oct 2013
list image
All time faves!
a list of 32 titles
created 6 months ago
list image
2015 elokuvat
a list of 35 titles
created 4 months ago
See all related lists »
Home | Search | Site Index | In Theaters | Coming Soon | Top Movies | Top 250 | TV | News | Message Boards | Press Room
Register | Advertising | Contact Us | Jobs | IMDbPro | Box Office Mojo | Withoutabox
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TV Online Prime Instant Video
Unlimited Streaming
of Movies & TV Amazon Germany
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Buy Movies on
DVD & Blu-ray Amazon France
Buy Movies on
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Buy Movie and
TV Show DVDs DPReview
Digital
Photography Audible
Download
Audio Books
http://www.imdb.com/title/tt1065318/trivia?ref_=tt_ql_2
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Worlds Apart (2008) - Plot Summary Poster
Worlds Apart (2008)
Plot Summary
Showing all 2 plot summaries
Sara is a teenager who lives with her family, who are Jehova's Witnesses. The family's devout image is questioned when the parents divorce as a consequence of the father's infidelity. One night at a party Sara meets Teis, an older boy who takes an interest in her. Teis is not a Witness, and their relationship is rejected by her father, but Sara falls in love and begins to doubt her faith. Facing ostracism from her faith and family, Sara must make the toughest choice of her young life.
- Written by Peter Brandt Nielsen
The daughter of a Jehovah's Witness is forced to choose between religion and love when she falls for someone outside her faith.
- Written by IMDb editor
Synopsis
It looks like we don't have any Synopsis for this title yet.
Be the first to contribute! Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide.
.
See also
Taglines | Synopsis | Plot Keywords | Parents Guide
.
Getting Started | Contributor Zone »
Contribute to This Page
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.
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Worlds Apart
Storyline
Taglines
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Synopsis
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Share this page:
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User Lists
Related lists from IMDb users
list image
My personal Berlinale Ranking - 2008
a list of 27 titles
created 18 Feb 2012
list image
FSS Ratings
a list of 41 titles
created 18 Jul 2012
list image
ΔΑΝΕΖΙΚΕΣ ΤΑΙΝΙΕΣ
a list of 23 titles
created 15 Oct 2013
list image
All time faves!
a list of 32 titles
created 6 months ago
list image
2015 elokuvat
a list of 35 titles
created 4 months ago
See all related lists »
Home | Search | Site Index | In Theaters | Coming Soon | Top Movies | Top 250 | TV | News | Message Boards | Press Room
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Copyright © 1990-2015 IMDb.com, Inc.
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An company.
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Watch Movies &
TV Online Prime Instant Video
Unlimited Streaming
of Movies & TV Amazon Germany
Buy Movies on
DVD & Blu-ray Amazon Italy
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Buy Movie and
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Worlds Apart (2008) - Plot Summary Poster
Worlds Apart (2008)
Plot Summary
Showing all 2 plot summaries
Sara is a teenager who lives with her family, who are Jehova's Witnesses. The family's devout image is questioned when the parents divorce as a consequence of the father's infidelity. One night at a party Sara meets Teis, an older boy who takes an interest in her. Teis is not a Witness, and their relationship is rejected by her father, but Sara falls in love and begins to doubt her faith. Facing ostracism from her faith and family, Sara must make the toughest choice of her young life.
- Written by Peter Brandt Nielsen
The daughter of a Jehovah's Witness is forced to choose between religion and love when she falls for someone outside her faith.
- Written by IMDb editor
Synopsis
It looks like we don't have any Synopsis for this title yet.
Be the first to contribute! Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide.
.
See also
Taglines | Synopsis | Plot Keywords | Parents Guide
.
Getting Started | Contributor Zone »
Contribute to This Page
Edit page
.
ad feedback
Worlds Apart
Storyline
Taglines
Plot Summary
Synopsis
Plot Keywords
Parents Guide
Explore More
Share this page:
Create a list »
User Lists
Related lists from IMDb users
list image
My personal Berlinale Ranking - 2008
a list of 27 titles
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