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Worlds Apart (film)

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Worlds Apart
Worlds Apart 2008.jpg
Directed by
Niels Arden Oplev
Produced by
Thomas Heinesen
Written by
Niels Arden Oplev
 Steen Bille
Starring
Rosalinde Mynster
Pilou Asbæk
Jens Jørn Spottag

Music by
Jakob Groth
Cinematography
Lars Vestergaard
Edited by
Anne Østerud
Distributed by
Nordisk Film

Release dates

February 11, 2008 (Berlin International Film Festival)
February 22, 2008


Running time
 116 minutes
Country
Denmark
Language
Danish
Box office
$4,361,860[1]
Worlds Apart (Original title: To verdener) is a 2008 Danish drama directed by Niels Arden Oplev and written by Oplev and Steen Bille. The film stars Rosalinde Mynster and Pilou Asbæk. Based upon a true story, the film is about a 17-year-old Jehovah's Witness girl who struggles to reconcile her faith and her secret romance with a non-believer boy. Worlds Apart played at the 2008 Berlin International Film Festival and was submitted by Denmark for the 2009 Academy Award for Best Foreign Language Film.


Contents  [hide]
1 Plot
2 Cast
3 References
4 External links

Plot[edit]
Sara is a teenager who lives with her family, who are Jehovah's Witnesses. The family's devout image is questioned when the parents divorce as a consequence of the father's infidelity. One night at a party Sara meets Teis, an older boy who takes an interest in her. Teis is not a Witness, and their relationship is rejected by her father, but Sara falls in love and begins to doubt her faith. Facing ostracism from her faith and family, Sara must make the toughest choice of her young life.[2]
Cast[edit]

Actor
Role
Rosalinde Mynster Sara
Pilou Asbæk Teis
Jens Jørn Spottag Andreas Dahl
Sarah Boberg Karen
Anders W. Berthelsen John
Sarah Juel Werner Elisabeth
Jacob Ottensten August
Thomas Knuth-Winterfeldt Jonas
Charlotte Fich Jette
Hans Henrik Voetmann Vagn
Catrine Beck Thea
Hans Henrik Clemensen Erik
References[edit]
1.Jump up ^ http://boxofficemojo.com/movies/intl/?page=&id=_fESPELHOMGICO01
2.Jump up ^ http://www.imdb.com/title/tt1065318/plotsummary
External links[edit]
Worlds Apart at AllMovie
Worlds Apart at the Internet Movie Database
To verdener at Den Danske Film Database
To verdener at Det Danske Filminstitut


[hide]
v ·
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 e
 
Films directed by Niels Arden Oplev


Portland (1996) ·
 Fukssvansen (2001) ·
 Drømmen (2006) ·
 Worlds Apart (2008) ·
 The Girl with the Dragon Tattoo (2009) ·
 Dead Man Down (2013) ·
 Speed Walking (2014)
 

Stub icon This article related to Danish film is a stub. You can help Wikipedia by expanding it.




Stub icon This Jehovah's Witnesses-related article is a stub. You can help Wikipedia by expanding it.




  


Categories: 2008 films
Danish-language films
2000s romantic drama films
Danish films
Films directed by Niels Arden Oplev
Danish film stubs
Jehovah's Witnesses stubs





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Worlds Apart (film)

From Wikipedia, the free encyclopedia

Jump to: navigation, search


Worlds Apart
Worlds Apart 2008.jpg
Directed by
Niels Arden Oplev
Produced by
Thomas Heinesen
Written by
Niels Arden Oplev
 Steen Bille
Starring
Rosalinde Mynster
Pilou Asbæk
Jens Jørn Spottag

Music by
Jakob Groth
Cinematography
Lars Vestergaard
Edited by
Anne Østerud
Distributed by
Nordisk Film

Release dates

February 11, 2008 (Berlin International Film Festival)
February 22, 2008


Running time
 116 minutes
Country
Denmark
Language
Danish
Box office
$4,361,860[1]
Worlds Apart (Original title: To verdener) is a 2008 Danish drama directed by Niels Arden Oplev and written by Oplev and Steen Bille. The film stars Rosalinde Mynster and Pilou Asbæk. Based upon a true story, the film is about a 17-year-old Jehovah's Witness girl who struggles to reconcile her faith and her secret romance with a non-believer boy. Worlds Apart played at the 2008 Berlin International Film Festival and was submitted by Denmark for the 2009 Academy Award for Best Foreign Language Film.


Contents  [hide]
1 Plot
2 Cast
3 References
4 External links

Plot[edit]
Sara is a teenager who lives with her family, who are Jehovah's Witnesses. The family's devout image is questioned when the parents divorce as a consequence of the father's infidelity. One night at a party Sara meets Teis, an older boy who takes an interest in her. Teis is not a Witness, and their relationship is rejected by her father, but Sara falls in love and begins to doubt her faith. Facing ostracism from her faith and family, Sara must make the toughest choice of her young life.[2]
Cast[edit]

Actor
Role
Rosalinde Mynster Sara
Pilou Asbæk Teis
Jens Jørn Spottag Andreas Dahl
Sarah Boberg Karen
Anders W. Berthelsen John
Sarah Juel Werner Elisabeth
Jacob Ottensten August
Thomas Knuth-Winterfeldt Jonas
Charlotte Fich Jette
Hans Henrik Voetmann Vagn
Catrine Beck Thea
Hans Henrik Clemensen Erik
References[edit]
1.Jump up ^ http://boxofficemojo.com/movies/intl/?page=&id=_fESPELHOMGICO01
2.Jump up ^ http://www.imdb.com/title/tt1065318/plotsummary
External links[edit]
Worlds Apart at AllMovie
Worlds Apart at the Internet Movie Database
To verdener at Den Danske Film Database
To verdener at Det Danske Filminstitut


[hide]
v ·
 t ·
 e
 
Films directed by Niels Arden Oplev


Portland (1996) ·
 Fukssvansen (2001) ·
 Drømmen (2006) ·
 Worlds Apart (2008) ·
 The Girl with the Dragon Tattoo (2009) ·
 Dead Man Down (2013) ·
 Speed Walking (2014)
 

Stub icon This article related to Danish film is a stub. You can help Wikipedia by expanding it.




Stub icon This Jehovah's Witnesses-related article is a stub. You can help Wikipedia by expanding it.




  


Categories: 2008 films
Danish-language films
2000s romantic drama films
Danish films
Films directed by Niels Arden Oplev
Danish film stubs
Jehovah's Witnesses stubs





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This page was last modified on 30 August 2014, at 11:50.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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Big Eyes

From Wikipedia, the free encyclopedia

Jump to: navigation, search


Big Eyes
Big Eyes poster.jpg
Theatrical release poster

Directed by
Tim Burton
Produced by
Tim Burton
Scott Alexander
Larry Karaszewski
Lynette Howell

Written by
Scott Alexander
Larry Karaszewski

Starring
Amy Adams
Christoph Waltz
Danny Huston
Jon Polito
Krysten Ritter
Jason Schwartzman
Terence Stamp

Music by
Danny Elfman
Cinematography
Bruno Delbonnel
Edited by
JC Bond

Production
 company

Electric City Entertainment
Silverwood Films
Tim Burton Productions

Distributed by
The Weinstein Company

Release dates

December 25, 2014 (United States)


Running time
 105 minutes[1]
Country
United States
Language
English
Budget
$10 million[2]
Box office
$25.4 million[3]
Big Eyes is a 2014 American biographical drama film directed by Tim Burton, and starring Amy Adams and Christoph Waltz.
In the film, American artist Margaret Keane (Adams) draws portraits of children with large eyes. Her husband, Walter Keane (Waltz), markets them as his own work. In the 1950s and 1960s the portraits become phenomenally successful, and earn the couple a fortune. But Margaret is upset that she is lying and that Walter is taking her credit. She catches Walter in more lies. He becomes drunk and abusive, and she divorces him. On a radio interview, Margaret reveals that she and not Walter had been drawing the portraits. Walter accuses her of lying, she sues him for slander, and the judge asks each of them to demonstrate that they can draw a large-eye portrait.
The film had its world premiere in New York City on December 15, 2014.[4] It was released theatrically on December 25, 2014, in the United States by The Weinstein Company.[5] The film was met with positive reviews, praising the performances of both Adams and Waltz. Adams won the Golden Globe Award for Best Actress in a Motion Picture – Comedy or Musical and was nominated for a BAFTA Award for Best Actress in a Leading Role for her performance. The film was also additionally nominated for two other Golden Globe Awards for Waltz's performance and the film's theme song of the same name.


Contents  [hide]
1 Plot
2 Cast
3 Production
4 Soundtrack
5 Reception 5.1 Box office
5.2 Critical reaction
5.3 Accolades
6 See also
7 References
8 External links

Plot[edit]


 This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (April 2015)
In 1958, Northern California, Margaret Ulbrich leaves her husband, something very uncommon at the time, and quickly packs her things and takes her young daughter with her. They drive to North Beach, San Francisco where her friend DeAnn lives. Having to support her daughter alone, Margaret applies for a job. She has no work experience, but studied at an art institute so she is put to work painting illustrations at a furniture factory. On the side, she draws people’s portraits at an outdoor art show, but is widely ignored. One day, Margaret catches the eye of Walter Keane, who is selling his street scene paintings nearby. He encourages Margaret to be more aggressive in her salesmanship, complimenting her pieces.
Margaret and Walter go out to a restaurant where Walter tells her about his life in Paris and how he studied at an art school there. While painting outside the Palace of Fine Arts, Walter asks Margaret why she draws eyes so big and she tells him how she was briefly deaf as a child and looked at people’s eyes to read them, viewing them as a window to the soul. A man recognizes Walter and it's revealed that he is actually a realtor, not a painter. He tells Margaret that he hates his job and all he has ever wanted to do was be an artist. When going through the mail, Margaret discovers that her husband wants to get full custody of Jane, calling her an unfit mother as a single woman. Walter proposes to her and they get married in Hawaii. Back in California, DeAnn is skeptical about Walter, given his reputation. Walter later tries to sell his work to an art gallery, in the process interrupting the owner, Ruben, as he tries to make a sale. Ruben points out that Walter only lived in Paris for a week and wonders why he keeps creating Parisian street scenes. Walter shows him Margaret’s Big Eyes paintings, but Ruben dislikes them and kicks him out.
Margaret and Walter go to the popular Hungry i jazz club in North Beach, San Francisco where he tries to convince the club’s owner Enrico Banducci to purchase his paintings. When Banducci refuses, Walter suggests that he can rent out the walls to exhibit his work. As Walter tries to promote the artwork at the club, a drunk woman is touched by one of Margaret’s paintings, disappointing him that she isn't interested in his own work, which proves hard to sell. Soon, Walter picks a fight with Banducci, who is knocked over the head with one of Margaret’s paintings. The fight ends up on the front page of the local newspaper. After Margaret bails Walter out of jail, he tells her how he took credit for one of her paintings, much to her disdain. The next time Walter goes to the club, it is packed with people, looking to get a sense of what has made the news. Dick Nolan, who has served as the film's narrator, introduces himself to Walter – he has a celebrity gossip column (probably based on Herb Caen) and wants to know more about Walter’s “hobo kid” paintings.
The Big Eyes paintings prove to be a huge success, even starting of a "Big Eyes" movement with many imitators, inspiring Margaret to paint more portraits while Walter handles the media attention. When Margaret goes to see Walter at the club, she overhears him impressing some female fans by claiming he painted the Big Eyes. They argue privately, with Walter telling her how he is only trying to sell paintings as buyers pay more when they meet the artist. Trying to convince her about how she should be happy about the money they are making, they are interrupted by a rich Italian industrialist who requests to know who the artist is. When Walter takes the credit, Margaret is left emotionally torn. Walter continues to generate publicity by giving paintings to the mayor, a Soviet diplomat, Joan Crawford, even opening up his own art gallery. Margaret continues to feels uneasy about the lie, even lying to Jane about the paintings. She goes to confessional at a church and admits she lied to her daughter at the urging of her husband. The priest tells her as a Christian, she knows that men are the head of the household and she should trust his judgment.
When the Keane Gallery opens, DeAnn is there and is suspicious about Walter being attributed to the Big Eyes paintings. At home, Walter watches television where an art critic appears during a commercial break and criticizes Keane’s work. Upstairs, Jane almost walks in on her mother painting in the off-limits art room, but is sideswiped by Walter. He asks Margaret about her work and says he’s going to go on television to defend it. She asks him what inspired his Parisian landscapes and if the streets were as lovely as he depicted. He says no as it was after the war – and then gets the angle for why "he" painted the Big Eyes portraits. On television, Walter laments about seeing orphaned children in a war-torn Paris, supposedly inspiring his art, which proves to touch the women. The interview dramatically increases the Keane Gallery popularity, but Walter is annoyed how none of the people actually want to buy expensive paintings. He realizes that they all want to take posters and starts selling the reproductions for 10 cents each. Despite the ongoing success, Margaret's conscience continues to plague her and she realizes that after so much work, she just wants to take credit for her own paintings.
As a result of so much success, Margaret and Walter soon move into a grande mansion. DeAnn comes to visit, where she forces her way into Margaret’s art studio and has her suspicions confirmed that Margaret is the true artist of the paintings. Walter kicks her out and tells her to never return. When deciding to create a new art piece and going through a crate to find a blank canvas, Margaret finds a stack of paintings with Parisian street scenes all signed by S. Cenic. She scrapes off Walter's signature from one of his hanged paintings, again revealing an original signature by “S. Cenic.” She confronts Walter about his lie, pointing out that he paints over the name and realizes she’s never seen him paint. He admits that he always wanted to be an artist, but never really had the talent. Days later, Walter learns of the 1964’s New York World’s Fair and demands Margaret paint something to put on display. When she refuses, he tells her that he “knows people” to have her whacked. Margaret slaves away in her painting room on the piece, angry at the overwhelming obligation. That night, Jane uses a key to get into the painting room. There, she sees her mom working on the “masterpiece” for the World’s Fair, where she tells her that she has always known that her mom is the real artist.
Walter soon throws a party to celebrate his success, but becomes furious when given senior critic, John Canady's, scathing review and angrily confronts him during the party about the supposed emotion that was put in the painting. However, Canady tells him that his work is kitsch and lacks genuine emotion. Infuriated, Walter tries to stab the critic with a fork. In the aftermath of the attack, the painting is removed from the UNICEF pavilion at the Fair. Back in California, Walter is still raging, now drunk. During his rant, he starts throwing matches at Jane and Margaret, almost setting them on fire. Fleeing from the home, Margaret drives off with Jane and declares that they will start a new life in Hawaii.
One year later, Margaret and Jane settle into a life in Honolulu. Walter calls Margaret on the phone, saying he will not agree to a legal separation unless she signs over the rights to every painting she has ever produced. Jane tells her that she needs to make some friends, but she is too paranoid to let anyone come over due to her fear that her secret will become known. One day, two Jehovah’s Witnesses come to the home and, after a long discussion, the women convince her that honesty is important. The next time Walter receives some artwork, it is signed MDH Keane.
On a Hawaiian radio show, Margaret admits that she is the actual painter of the work attributed to Walter Keane, making national news. Walter goes to Dick Nolan, claiming Margaret has gone insane. Margaret is furious and the Jehovah’s witnesses encourage her to fight for the truth. Margaret then sues both Walter and the newspapers that printed his version of the story for libel and slander. The court quickly dismisses the libel lawsuit, citing that Margaret has been corroborating his story in nearly 700 articles for over ten years. The newspaper editors’ expensive lawyers leave and Walter realizes he still has to defend himself against slander without representation, but decides to represent himself.
At the trial, Walter tries giving a speech to the jury, but is chastised by the judge for not asking Margaret questions. He asks why she would go along with the scheme and she said she was forced into it and he had her dominated. She felt she didn’t have any other options and giving away her paintings made her feel like losing a child. Walter convinced her without his salesmanship and promotion skills, they would never make money and be able to support the family. She calls him a "Jekyll and Hyde", reminding him of threatening to kill her if she ever told the truth. After Walter nauseates the jury and judge with a long talk about his perks of fame, the judge declares that the best way to prove who painted the Big Eye paintings is for them each to paint. He provides basic art tools and gives them each an hour to replicate their work. Margaret works steadily while Walter is hesitant and soon claims that his arm hurts too much from an injury for him to hold a paintbrush. It soon becomes clear that Margaret is telling the truth.
Outside, Margaret shows off the painting she did in court and tells a reporter she is calling it “Exhibit 224.” We learn that Margaret won the case on all points – defamation, emotional distress, damaged reputation. She says she doesn't care about money, but only wants credit for her work and feels that she has gotten her art back. A fan asks her to sign a copy of “Tomorrow’s Masters” and she does, finally autographing her own work.
Cast[edit]
Amy Adams as Margaret Keane
Christoph Waltz as Walter Keane
Danny Huston as Dick Nolan
Jon Polito as Enrico Banducci
Krysten Ritter as DeAnn
Jason Schwartzman as Ruben
Terence Stamp as John Canaday
Madeleine Arthur as Older Jane Ulbrich
Delaney Raye as Young Jane Ulbrich
Margaret Keane as Old Lady sitting on the park's bench
Production[edit]
Writers Scott Alexander and Larry Karaszewski negotiated over the life rights with Margaret Keane and wrote Big Eyes as a spec script. In October 2007, it was announced that development was moving forward with Alexander and Karaszewski directing their script and nightclub operator Andrew Meieran fully financing an under-$20 million budget through his Bureau of Moving Pictures banner.[6] Kate Hudson and Thomas Haden Church were set to star, and filming was to begin in June 2008, but was pushed back over prospects from a new Screen Actors Guild contract.[7][8]
In September 2010, it was announced that Tim Burton had also become involved as producer for the film,[9] and principal photography was scheduled to start in April 2012 with Reese Witherspoon and Ryan Reynolds attached to star.[10] By 2013, Burton had taken over directing reins and Big Eyes was set up at The Weinstein Company with Amy Adams and Christoph Waltz starring. Filming began in July 2013.[11]
Big Eyes is Burton's first film since Edward Scissorhands to be edited by someone other than Chris Lebenzon, who had other commitments with Maleficent the same year.
Soundtrack[edit]

Big Eyes: Music From the Original Motion Picture

Soundtrack album by various artists

Released
December 23, 2014
Genre
Film soundtrack
Label
Interscope Records
It was reported in November 2014 that singer Lana Del Rey would contribute with two original songs to the soundtrack. The songs "Big Eyes" and "I Can Fly", which Lana Del Rey wrote and performed, were leaked in December 2014; the soundtrack album and both songs were officially released on December 23, 2014.[12]

No.
Title
Performer(s)
Length

1. "Big Eyes"   Lana Del Rey 4:41
2. "Bludan"   Cast of Big Eyes 3:15
3. "Doxy"   Miles Davis & Sonny Rollins 4:55
4. "Hey Now"   The Red Garland Trio 3:41
5. "Tropicville"   Cast of Big Eyes 3:10
6. "Rik-A-Tik"   The Lively Ones 3:02
7. "A Minor Goof"   Cal Tjader 3:54
8. "I Can Fly"   Lana Del Rey 5:48
9. "Opening"   Danny Elfman 3:59
10. "Who's the Artist?"   Danny Elfman 2:56
11. "Margaret"   Danny Elfman 3:03
12. "Walter"   Danny Elfman 4:49
13. "Victory"   Danny Elfman 4:59
14. "End Credits"   Danny Elfman 1:12
Reception[edit]
Box office[edit]
As of March 29, 2015, Big Eyes has grossed $14.5 million in North America and $11 million in other territories for a worldwide total of $25.4 million, against a budget of $10 million.[3]
In its opening weekend, the film grossed $3 million, finishing in 15th place at the box office.
Critical reaction[edit]
Big Eyes has received positive reviews, particularly for Waltz and Adams' performances, the script and Burton's direction. On Rotten Tomatoes, the film holds a rating of 71%, based on 156 reviews, with an average rating of 6.7/10. The site's consensus reads, "Well-acted, thought-provoking and a refreshing change of pace for Tim Burton, Big Eyes works both as a biopic and as a timelessly relevant piece of (feminist) social commentary" on the difficulty women often have achieving recognition in a male dominated world.[13] On Metacritic, the film has a score of 62 out of 100, based on 40 critics, indicating "generally favorable reviews".[14]
Accolades[edit]

List of awards and nominations

Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref


British Academy Film Awards
February 8, 2015 Best Actress in a Leading Role Amy Adams Nominated [15]
Best Production Design Rick Heinrichs, Shane Vieau Nominated
Casting Society of America
January 22, 2015 Studio or Independent Comedy Jeanne McCarthy, Nicole Abellera, Coreen Mayrs, Heike Brandstatter Nominated [16]
Critic's Choice Awards
January 15, 2015 Best Song Lana Del Rey for "Big Eyes" Nominated [17]
Golden Globe Awards
January 11, 2015 Best Actor – Comedy or Musical Christoph Waltz Nominated
Best Actress – Comedy or Musical Amy Adams Won
Best Original Song Lana Del Rey for "Big Eyes" Nominated
Independent Spirit Awards
February 21, 2015 Best Screenplay Scott Alexander and Larry Karaszewski Nominated [18]

See also[edit]
"Big Eyes" (Lana Del Rey song)
References[edit]
1.Jump up ^ "BIG EYES (12A)". British Board of Film Classification. December 10, 2014. Retrieved December 10, 2014.
2.Jump up ^ "Big Eyes". The Numbers.
3.^ Jump up to: a b "Big Eyes". Box Office Mojo.
4.Jump up ^ "Harvey Weinstein Praises ‘Big Eyes’ Screenwriters-Producers at Film’s Premiere". Variety.
5.Jump up ^ "Press Conference For The Weinstein Company's "BIG EYES"". Yahoo.
6.Jump up ^ Fleming, Michael (October 15, 2007). "Alexander, Karaszewski think ‘Big’". Variety. Retrieved October 24, 2014.
7.Jump up ^ Fleming, Michael (February 5, 2008). "Kate Hudson to star in ‘Big Eyes’". Variety. Retrieved October 24, 2014.
8.Jump up ^ Fleming, Michael (April 2, 2008). "Church to play Keane in ‘Big Eyes’". Variety. Retrieved October 24, 2014.
9.Jump up ^ Mike Fleming (2010-08-19). "Tim Burton Reunites With 'Ed Wood' Scribes For 'Addams Family' And 'Big Eyes'". Deadline.com. Retrieved 2014-09-21.
10.Jump up ^ Sneider, Jeff (January 22, 2012). "Witherspoon, Reynolds land ‘Big Eyes’". Variety. Retrieved October 24, 2014.
11.Jump up ^ Fleming, Michael (April 2, 2013). "Tim Burton To Direct ‘Big Eyes'; The Weinstein Company Putting Finishing Brush Strokes On Deal For Painting Saga". Deadline.com. Retrieved October 24, 2014.
12.Jump up ^ "Big Eyes: Music From the Original Motion Picture". iTunes. December 23, 2014. Retrieved January 3, 2015.
13.Jump up ^ "Big Eyes". Rotten Tomatoes. Retrieved March 23, 2015.
14.Jump up ^ "'Big Eyes' Reviews". Metacritic. Retrieved December 28, 2014.
15.Jump up ^ "BAFTA Nominations: ‘Grand Budapest Hotel’ Leads With 11 – Full List". Deadline.com. January 8, 2015. Retrieved January 9, 2015.
16.Jump up ^ "Casting Society Unveils Artios Film Nominees". Deadline.com. January 6, 2015. Retrieved January 6, 2015.
17.Jump up ^ "2015 Golden Globe Nominations". Rotten Tomatoes. December 11, 2014. Retrieved January 1, 2015.
18.Jump up ^ "2015 Film Independent Spirit Awards Announced". Rotten Tomatoes. November 25, 2014. Retrieved December 18, 2014.
External links[edit]
Big Eyes at the Internet Movie Database
Big Eyes at Box Office Mojo
Big Eyes at Rotten Tomatoes
Big Eyes at Metacritic
Big Eyes at History vs. Hollywood


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Big Eyes

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Big Eyes
Big Eyes poster.jpg
Theatrical release poster

Directed by
Tim Burton
Produced by
Tim Burton
Scott Alexander
Larry Karaszewski
Lynette Howell

Written by
Scott Alexander
Larry Karaszewski

Starring
Amy Adams
Christoph Waltz
Danny Huston
Jon Polito
Krysten Ritter
Jason Schwartzman
Terence Stamp

Music by
Danny Elfman
Cinematography
Bruno Delbonnel
Edited by
JC Bond

Production
 company

Electric City Entertainment
Silverwood Films
Tim Burton Productions

Distributed by
The Weinstein Company

Release dates

December 25, 2014 (United States)


Running time
 105 minutes[1]
Country
United States
Language
English
Budget
$10 million[2]
Box office
$25.4 million[3]
Big Eyes is a 2014 American biographical drama film directed by Tim Burton, and starring Amy Adams and Christoph Waltz.
In the film, American artist Margaret Keane (Adams) draws portraits of children with large eyes. Her husband, Walter Keane (Waltz), markets them as his own work. In the 1950s and 1960s the portraits become phenomenally successful, and earn the couple a fortune. But Margaret is upset that she is lying and that Walter is taking her credit. She catches Walter in more lies. He becomes drunk and abusive, and she divorces him. On a radio interview, Margaret reveals that she and not Walter had been drawing the portraits. Walter accuses her of lying, she sues him for slander, and the judge asks each of them to demonstrate that they can draw a large-eye portrait.
The film had its world premiere in New York City on December 15, 2014.[4] It was released theatrically on December 25, 2014, in the United States by The Weinstein Company.[5] The film was met with positive reviews, praising the performances of both Adams and Waltz. Adams won the Golden Globe Award for Best Actress in a Motion Picture – Comedy or Musical and was nominated for a BAFTA Award for Best Actress in a Leading Role for her performance. The film was also additionally nominated for two other Golden Globe Awards for Waltz's performance and the film's theme song of the same name.


Contents  [hide]
1 Plot
2 Cast
3 Production
4 Soundtrack
5 Reception 5.1 Box office
5.2 Critical reaction
5.3 Accolades
6 See also
7 References
8 External links

Plot[edit]


 This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (April 2015)
In 1958, Northern California, Margaret Ulbrich leaves her husband, something very uncommon at the time, and quickly packs her things and takes her young daughter with her. They drive to North Beach, San Francisco where her friend DeAnn lives. Having to support her daughter alone, Margaret applies for a job. She has no work experience, but studied at an art institute so she is put to work painting illustrations at a furniture factory. On the side, she draws people’s portraits at an outdoor art show, but is widely ignored. One day, Margaret catches the eye of Walter Keane, who is selling his street scene paintings nearby. He encourages Margaret to be more aggressive in her salesmanship, complimenting her pieces.
Margaret and Walter go out to a restaurant where Walter tells her about his life in Paris and how he studied at an art school there. While painting outside the Palace of Fine Arts, Walter asks Margaret why she draws eyes so big and she tells him how she was briefly deaf as a child and looked at people’s eyes to read them, viewing them as a window to the soul. A man recognizes Walter and it's revealed that he is actually a realtor, not a painter. He tells Margaret that he hates his job and all he has ever wanted to do was be an artist. When going through the mail, Margaret discovers that her husband wants to get full custody of Jane, calling her an unfit mother as a single woman. Walter proposes to her and they get married in Hawaii. Back in California, DeAnn is skeptical about Walter, given his reputation. Walter later tries to sell his work to an art gallery, in the process interrupting the owner, Ruben, as he tries to make a sale. Ruben points out that Walter only lived in Paris for a week and wonders why he keeps creating Parisian street scenes. Walter shows him Margaret’s Big Eyes paintings, but Ruben dislikes them and kicks him out.
Margaret and Walter go to the popular Hungry i jazz club in North Beach, San Francisco where he tries to convince the club’s owner Enrico Banducci to purchase his paintings. When Banducci refuses, Walter suggests that he can rent out the walls to exhibit his work. As Walter tries to promote the artwork at the club, a drunk woman is touched by one of Margaret’s paintings, disappointing him that she isn't interested in his own work, which proves hard to sell. Soon, Walter picks a fight with Banducci, who is knocked over the head with one of Margaret’s paintings. The fight ends up on the front page of the local newspaper. After Margaret bails Walter out of jail, he tells her how he took credit for one of her paintings, much to her disdain. The next time Walter goes to the club, it is packed with people, looking to get a sense of what has made the news. Dick Nolan, who has served as the film's narrator, introduces himself to Walter – he has a celebrity gossip column (probably based on Herb Caen) and wants to know more about Walter’s “hobo kid” paintings.
The Big Eyes paintings prove to be a huge success, even starting of a "Big Eyes" movement with many imitators, inspiring Margaret to paint more portraits while Walter handles the media attention. When Margaret goes to see Walter at the club, she overhears him impressing some female fans by claiming he painted the Big Eyes. They argue privately, with Walter telling her how he is only trying to sell paintings as buyers pay more when they meet the artist. Trying to convince her about how she should be happy about the money they are making, they are interrupted by a rich Italian industrialist who requests to know who the artist is. When Walter takes the credit, Margaret is left emotionally torn. Walter continues to generate publicity by giving paintings to the mayor, a Soviet diplomat, Joan Crawford, even opening up his own art gallery. Margaret continues to feels uneasy about the lie, even lying to Jane about the paintings. She goes to confessional at a church and admits she lied to her daughter at the urging of her husband. The priest tells her as a Christian, she knows that men are the head of the household and she should trust his judgment.
When the Keane Gallery opens, DeAnn is there and is suspicious about Walter being attributed to the Big Eyes paintings. At home, Walter watches television where an art critic appears during a commercial break and criticizes Keane’s work. Upstairs, Jane almost walks in on her mother painting in the off-limits art room, but is sideswiped by Walter. He asks Margaret about her work and says he’s going to go on television to defend it. She asks him what inspired his Parisian landscapes and if the streets were as lovely as he depicted. He says no as it was after the war – and then gets the angle for why "he" painted the Big Eyes portraits. On television, Walter laments about seeing orphaned children in a war-torn Paris, supposedly inspiring his art, which proves to touch the women. The interview dramatically increases the Keane Gallery popularity, but Walter is annoyed how none of the people actually want to buy expensive paintings. He realizes that they all want to take posters and starts selling the reproductions for 10 cents each. Despite the ongoing success, Margaret's conscience continues to plague her and she realizes that after so much work, she just wants to take credit for her own paintings.
As a result of so much success, Margaret and Walter soon move into a grande mansion. DeAnn comes to visit, where she forces her way into Margaret’s art studio and has her suspicions confirmed that Margaret is the true artist of the paintings. Walter kicks her out and tells her to never return. When deciding to create a new art piece and going through a crate to find a blank canvas, Margaret finds a stack of paintings with Parisian street scenes all signed by S. Cenic. She scrapes off Walter's signature from one of his hanged paintings, again revealing an original signature by “S. Cenic.” She confronts Walter about his lie, pointing out that he paints over the name and realizes she’s never seen him paint. He admits that he always wanted to be an artist, but never really had the talent. Days later, Walter learns of the 1964’s New York World’s Fair and demands Margaret paint something to put on display. When she refuses, he tells her that he “knows people” to have her whacked. Margaret slaves away in her painting room on the piece, angry at the overwhelming obligation. That night, Jane uses a key to get into the painting room. There, she sees her mom working on the “masterpiece” for the World’s Fair, where she tells her that she has always known that her mom is the real artist.
Walter soon throws a party to celebrate his success, but becomes furious when given senior critic, John Canady's, scathing review and angrily confronts him during the party about the supposed emotion that was put in the painting. However, Canady tells him that his work is kitsch and lacks genuine emotion. Infuriated, Walter tries to stab the critic with a fork. In the aftermath of the attack, the painting is removed from the UNICEF pavilion at the Fair. Back in California, Walter is still raging, now drunk. During his rant, he starts throwing matches at Jane and Margaret, almost setting them on fire. Fleeing from the home, Margaret drives off with Jane and declares that they will start a new life in Hawaii.
One year later, Margaret and Jane settle into a life in Honolulu. Walter calls Margaret on the phone, saying he will not agree to a legal separation unless she signs over the rights to every painting she has ever produced. Jane tells her that she needs to make some friends, but she is too paranoid to let anyone come over due to her fear that her secret will become known. One day, two Jehovah’s Witnesses come to the home and, after a long discussion, the women convince her that honesty is important. The next time Walter receives some artwork, it is signed MDH Keane.
On a Hawaiian radio show, Margaret admits that she is the actual painter of the work attributed to Walter Keane, making national news. Walter goes to Dick Nolan, claiming Margaret has gone insane. Margaret is furious and the Jehovah’s witnesses encourage her to fight for the truth. Margaret then sues both Walter and the newspapers that printed his version of the story for libel and slander. The court quickly dismisses the libel lawsuit, citing that Margaret has been corroborating his story in nearly 700 articles for over ten years. The newspaper editors’ expensive lawyers leave and Walter realizes he still has to defend himself against slander without representation, but decides to represent himself.
At the trial, Walter tries giving a speech to the jury, but is chastised by the judge for not asking Margaret questions. He asks why she would go along with the scheme and she said she was forced into it and he had her dominated. She felt she didn’t have any other options and giving away her paintings made her feel like losing a child. Walter convinced her without his salesmanship and promotion skills, they would never make money and be able to support the family. She calls him a "Jekyll and Hyde", reminding him of threatening to kill her if she ever told the truth. After Walter nauseates the jury and judge with a long talk about his perks of fame, the judge declares that the best way to prove who painted the Big Eye paintings is for them each to paint. He provides basic art tools and gives them each an hour to replicate their work. Margaret works steadily while Walter is hesitant and soon claims that his arm hurts too much from an injury for him to hold a paintbrush. It soon becomes clear that Margaret is telling the truth.
Outside, Margaret shows off the painting she did in court and tells a reporter she is calling it “Exhibit 224.” We learn that Margaret won the case on all points – defamation, emotional distress, damaged reputation. She says she doesn't care about money, but only wants credit for her work and feels that she has gotten her art back. A fan asks her to sign a copy of “Tomorrow’s Masters” and she does, finally autographing her own work.
Cast[edit]
Amy Adams as Margaret Keane
Christoph Waltz as Walter Keane
Danny Huston as Dick Nolan
Jon Polito as Enrico Banducci
Krysten Ritter as DeAnn
Jason Schwartzman as Ruben
Terence Stamp as John Canaday
Madeleine Arthur as Older Jane Ulbrich
Delaney Raye as Young Jane Ulbrich
Margaret Keane as Old Lady sitting on the park's bench
Production[edit]
Writers Scott Alexander and Larry Karaszewski negotiated over the life rights with Margaret Keane and wrote Big Eyes as a spec script. In October 2007, it was announced that development was moving forward with Alexander and Karaszewski directing their script and nightclub operator Andrew Meieran fully financing an under-$20 million budget through his Bureau of Moving Pictures banner.[6] Kate Hudson and Thomas Haden Church were set to star, and filming was to begin in June 2008, but was pushed back over prospects from a new Screen Actors Guild contract.[7][8]
In September 2010, it was announced that Tim Burton had also become involved as producer for the film,[9] and principal photography was scheduled to start in April 2012 with Reese Witherspoon and Ryan Reynolds attached to star.[10] By 2013, Burton had taken over directing reins and Big Eyes was set up at The Weinstein Company with Amy Adams and Christoph Waltz starring. Filming began in July 2013.[11]
Big Eyes is Burton's first film since Edward Scissorhands to be edited by someone other than Chris Lebenzon, who had other commitments with Maleficent the same year.
Soundtrack[edit]

Big Eyes: Music From the Original Motion Picture

Soundtrack album by various artists

Released
December 23, 2014
Genre
Film soundtrack
Label
Interscope Records
It was reported in November 2014 that singer Lana Del Rey would contribute with two original songs to the soundtrack. The songs "Big Eyes" and "I Can Fly", which Lana Del Rey wrote and performed, were leaked in December 2014; the soundtrack album and both songs were officially released on December 23, 2014.[12]

No.
Title
Performer(s)
Length

1. "Big Eyes"   Lana Del Rey 4:41
2. "Bludan"   Cast of Big Eyes 3:15
3. "Doxy"   Miles Davis & Sonny Rollins 4:55
4. "Hey Now"   The Red Garland Trio 3:41
5. "Tropicville"   Cast of Big Eyes 3:10
6. "Rik-A-Tik"   The Lively Ones 3:02
7. "A Minor Goof"   Cal Tjader 3:54
8. "I Can Fly"   Lana Del Rey 5:48
9. "Opening"   Danny Elfman 3:59
10. "Who's the Artist?"   Danny Elfman 2:56
11. "Margaret"   Danny Elfman 3:03
12. "Walter"   Danny Elfman 4:49
13. "Victory"   Danny Elfman 4:59
14. "End Credits"   Danny Elfman 1:12
Reception[edit]
Box office[edit]
As of March 29, 2015, Big Eyes has grossed $14.5 million in North America and $11 million in other territories for a worldwide total of $25.4 million, against a budget of $10 million.[3]
In its opening weekend, the film grossed $3 million, finishing in 15th place at the box office.
Critical reaction[edit]
Big Eyes has received positive reviews, particularly for Waltz and Adams' performances, the script and Burton's direction. On Rotten Tomatoes, the film holds a rating of 71%, based on 156 reviews, with an average rating of 6.7/10. The site's consensus reads, "Well-acted, thought-provoking and a refreshing change of pace for Tim Burton, Big Eyes works both as a biopic and as a timelessly relevant piece of (feminist) social commentary" on the difficulty women often have achieving recognition in a male dominated world.[13] On Metacritic, the film has a score of 62 out of 100, based on 40 critics, indicating "generally favorable reviews".[14]
Accolades[edit]

List of awards and nominations

Award
Date of ceremony
Category
Recipient(s) and nominee(s)
Result
Ref


British Academy Film Awards
February 8, 2015 Best Actress in a Leading Role Amy Adams Nominated [15]
Best Production Design Rick Heinrichs, Shane Vieau Nominated
Casting Society of America
January 22, 2015 Studio or Independent Comedy Jeanne McCarthy, Nicole Abellera, Coreen Mayrs, Heike Brandstatter Nominated [16]
Critic's Choice Awards
January 15, 2015 Best Song Lana Del Rey for "Big Eyes" Nominated [17]
Golden Globe Awards
January 11, 2015 Best Actor – Comedy or Musical Christoph Waltz Nominated
Best Actress – Comedy or Musical Amy Adams Won
Best Original Song Lana Del Rey for "Big Eyes" Nominated
Independent Spirit Awards
February 21, 2015 Best Screenplay Scott Alexander and Larry Karaszewski Nominated [18]

See also[edit]
"Big Eyes" (Lana Del Rey song)
References[edit]
1.Jump up ^ "BIG EYES (12A)". British Board of Film Classification. December 10, 2014. Retrieved December 10, 2014.
2.Jump up ^ "Big Eyes". The Numbers.
3.^ Jump up to: a b "Big Eyes". Box Office Mojo.
4.Jump up ^ "Harvey Weinstein Praises ‘Big Eyes’ Screenwriters-Producers at Film’s Premiere". Variety.
5.Jump up ^ "Press Conference For The Weinstein Company's "BIG EYES"". Yahoo.
6.Jump up ^ Fleming, Michael (October 15, 2007). "Alexander, Karaszewski think ‘Big’". Variety. Retrieved October 24, 2014.
7.Jump up ^ Fleming, Michael (February 5, 2008). "Kate Hudson to star in ‘Big Eyes’". Variety. Retrieved October 24, 2014.
8.Jump up ^ Fleming, Michael (April 2, 2008). "Church to play Keane in ‘Big Eyes’". Variety. Retrieved October 24, 2014.
9.Jump up ^ Mike Fleming (2010-08-19). "Tim Burton Reunites With 'Ed Wood' Scribes For 'Addams Family' And 'Big Eyes'". Deadline.com. Retrieved 2014-09-21.
10.Jump up ^ Sneider, Jeff (January 22, 2012). "Witherspoon, Reynolds land ‘Big Eyes’". Variety. Retrieved October 24, 2014.
11.Jump up ^ Fleming, Michael (April 2, 2013). "Tim Burton To Direct ‘Big Eyes'; The Weinstein Company Putting Finishing Brush Strokes On Deal For Painting Saga". Deadline.com. Retrieved October 24, 2014.
12.Jump up ^ "Big Eyes: Music From the Original Motion Picture". iTunes. December 23, 2014. Retrieved January 3, 2015.
13.Jump up ^ "Big Eyes". Rotten Tomatoes. Retrieved March 23, 2015.
14.Jump up ^ "'Big Eyes' Reviews". Metacritic. Retrieved December 28, 2014.
15.Jump up ^ "BAFTA Nominations: ‘Grand Budapest Hotel’ Leads With 11 – Full List". Deadline.com. January 8, 2015. Retrieved January 9, 2015.
16.Jump up ^ "Casting Society Unveils Artios Film Nominees". Deadline.com. January 6, 2015. Retrieved January 6, 2015.
17.Jump up ^ "2015 Golden Globe Nominations". Rotten Tomatoes. December 11, 2014. Retrieved January 1, 2015.
18.Jump up ^ "2015 Film Independent Spirit Awards Announced". Rotten Tomatoes. November 25, 2014. Retrieved December 18, 2014.
External links[edit]
Big Eyes at the Internet Movie Database
Big Eyes at Box Office Mojo
Big Eyes at Rotten Tomatoes
Big Eyes at Metacritic
Big Eyes at History vs. Hollywood


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http://en.wikipedia.org/wiki/Big_Eyes